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Apologies for another newsletter hitting your inbox that opens on the US election results, but it feels remiss not to talk about something that could have large implications for global free expression. Donald Trump is not a free speech hero. As I wrote on Wednesday here his attacks will start with the media. Where they will stop is anyone’s guess. To say we are unnerved by the prospect of another four years of Trump is to understate. With him at the helm the USA could become a hybrid regime, a country merging autocratic features with democratic ones.
While our concerns are first for the people in the USA, we are also worried about what this means globally. Who will criticise China, Russia, Saudi Arabia and the like for their gross attacks to free expression with the same clout as the USA? What terrible things will happen while we are all distracted by the clown in the White House?
But on the note of distraction, I want to end there in terms of Trump and instead talk about other things of import from the world of free expression this week.
First up, Cop29. It starts on Monday and it is keeping to tradition, namely being held in a country that thrives on both oil and the suppression of human rights – in this case Azerbaijan. The Azerbaijan government has long engaged in a crackdown on civil society, which has only heightened over the last few years. Azerbaijan authorities claim they are “ensuring everyone’s voices are heard” at Cop29. This is a lie. Prominent activists, journalists and government critics have recently been jailed, including key voices on the climate crisis. In April, for example, they arrested prominent climate justice activist Anar Mammadli and placed him in pre-trial detention, where he remains.
Such harassment has forced many local activists to leave Azerbaijan. Those who remain risk prosecution and retaliation if they dare voice criticism during Cop29. One person who is not deterred is Danish artist Jens Galschiøt (the artist behind the Tiananmen Pillar of Shame). He and his team are currently transporting three sculptures to Baku to highlight climate injustice. We will be watching closely what happens next.
Beyond Baku, we were disturbed to read this week of a Papuan news outlet, Jujur Bicara (also known as Jubi), which was attacked with a bomb. The bomb damaged two cars before staff at the paper were able to put out the fire. Jubi editor Victor Mambor said that he’s been the victim of a string of attacks, which he believes relate to his work.
As we approach the year’s end we’re reflecting on just what a brutal year it has been for media freedom. Ditto protest rights. Those protesting Mozambique’s election last month can attest to this – at least 18 have been killed since the 9 October vote, with police firing tear gas at protesters this week in the capital Maputo, while in Belarus around 50 people were recently detained, all of whom were connected to peaceful protests around the 2020 elections.
Finally, a good news story, of sorts. The Satanic Verses is no longer banned in India. A court in the country overruled a decades-long import ban on the book. I say good news of sorts because lifting the ban seems to be down to an administrative error. A petition was filed in 2019 on the grounds that the ban violated constitutional rights to freedom of speech and expression. The man who filed the petition, Sandipan Khan, requested a copy of the notification that banned the import of the book back in 1988. When he was informed that the document could not be located, the Delhi High Court ruled that it had “no other option except to presume that no such notification exists”. It’s not every day we get wins in the free speech world so we’ll take this one.
On the note of Salman Rushdie, who was our 2023 Trustees Award winner at our annual Freedom of Expression Awards, we’ve just announced the shortlist for our 2024 awards. Click here to see the amazing individuals and organisations who are holding the line on free expression today. And if you value free expression and you have been rattled by the events of this week please do consider donating to Index. We’re a small charity with big ambitions and a lot of that is down to the support of people like you.
Thank you and take care.
Ever since Galileo Galilei faced the Roman inquisition in the 17th century for proving that the Earth went round the sun, scientists have risked being ruthlessly silenced. People are threatened by new discoveries, and especially ones that go against their political ideologies or religious beliefs. The Autumn 2024 issue of Index examines how scientists to this day still face censorship, as in many places around the world, adherence to ideology stands in the way of scientific progress. We demonstrate how such nations crack down on scientific advancement, and lend a voice to those who face punishment for their scientific achievements. Reports from as far as China and India, to the UK, USA, and many in between make up this issue as we put scientific freedom under the microscope.
When ideology enters the equation: Sally Gimson
Just who is silencing scientists?
The Index: Mark Stimpson
A tour around the world of free expression, including a focus on unrest in Venezuela
A vote for a level playing field: Clemence Manyukwe
In Mozambique’s upcoming election, the main challenger is banned
Whistling the tune of ‘terrorism’: Nedim Türfent
Speaking Kurdish, singing in Kurdish, even dancing to Kurdish tunes: do it in Turkey and be prepared for oppression
Running low on everything: Amy Booth
The economy is in trouble in Bolivia, and so is press freedom
A dictatorship in the making: Robert Kituyi
Kenya’s journalists and protesters are standing up for democracy, and facing brutal violence
Leave nobody in silence: Jana Paliashchuk
Activists will not let Belarus’s political prisoners be forgotten
A city’s limits: Francis Clarke
The Hillsborough disaster still haunts Liverpool, with local sensitivities leading to a recent event cancellation
History on the cutting room floor: Thiện Việt
The Sympathizer is the latest victim of Vietnam’s heavy-handed censors
Fog of war masks descent into authoritarianism: Ben Lynfield
As independent media is eroded, is it too late for democracy in Israel?
Movement for the missing: Anmol Irfan, Zofeen T Ebrahim
Amid rising persecution in Pakistan, Baloch women speak up about forced disappearances
Mental manipulation: Alexandra Domenech
The treatment of dissidents in Russia now includes punitive psychiatry
The Fight for India’s Media Freedom: Angana Chakrabarti, Amir Abbas, Ravish Kumar
Abuse of power, violence and a stifling political environment – daily challenges for journalists in India
A black, green and red flag to repression: Mehran Firdous
The pro-Palestine march in Kashmir that became a target for authorities
Choked by ideology: Murong Xuecun, Kasim Abdurehim Kashgar
In China, science is served with a side of propaganda
Scriptures over science: Salil Tripathi
When it comes to scientific advancement in India, Hindu mythology is taking priority
A catalyst for corruption: Pouria Nazemi
The deadly world of scientific censorship in Iran
Tainted scientists: Katie Dancey-Downs
Questioning animal testing is a top taboo
Death and minor details: Danson Kahyana
For pathologists in Uganda the message is clear: don’t name the poison
The dangers of boycotting Russian science: JP O’Malley
Being anti-war doesn’t stop Russian scientists getting removed from the equation
Putting politics above scientific truth: Dana Willbanks
Science is under threat in the USA, and here’s the evidence
The science of purges: Kaya Genç
In Turkey, “terrorist” labels are hindering scientists
The fight for science: Mark Stimpson
Pseudoscience-buster Simon Singh reflects on whether the truth will out in today’s libellous landscape
On the brink: Jo-Ann Mort
This November, will US citizens vote for freedoms?
Bad sport: Daisy Ruddock
When it comes to state-sponsored doping, Russia gets the gold medal
Anything is possible: Martin Bright
The legacy of the fall of the Iron Curtain, 35 years later
Judging judges: Jemimah Steinfeld
Media mogul Jimmy Lai remains behind bars in Hong Kong, and a British judge bears part of the responsibility
The good, the bad and the beautiful: Boris Akunin, Sally Gimson
The celebrated author on how to tell a story, and an exclusive new translation
Song for Stardust: Jessica Ní Mhainín, Christy Moore
Celebrating the folk song that told the truth about an Irish tragedy, and was banned
Put down that book!: Katie Dancey-Downs, Allison Brackeen Brown, Aixa Avila-Mendoza
Two US teachers take their Banned Books Week celebrations into the world of poetry
Keeping Litvinenko’s voice alive: Marina Litvinenko
The activist and widow of poisoned Russian dissident Alexander Litvinenko has the last word
Banned Books Week is here once again. And so too are more stories of books being censored across the world. This week, Pen America reported that the number of book bans in public schools has nearly tripled in 2023-24 from the previous school year.
While the week-long Banned Books Week event, supported by a coalition including Index on Censorship, looks largely towards bans in the USA, we’re taking a moment to reflect on global censorship of literature. We asked the Index team to share what they think is the most ridiculous instance of book censorship, from the outright silly to the baffling but dangerous. Some of these examples verge on amusing — the Chinese Communist Party (CCP)’s aversion to talking animals, for example — but the bans that have ended in attempted murders just go to show that the practice of book banning itself is completely nonsensical, and can lead to real harm.
Too many talking animals
You don't have to have children to imagine what a clichéd kids book might look like. Yes, you've guessed right - animated animals. Tigers, mice, dogs - they're all common in children's literature. But the Chinese authorities have an uncomfortable relationship with our furry friends.
In 2022 a Hong Kong court sent five people to prison for publishing a series of books called Sheep Village (and of course they banned the books too). To be fair these illustrated books, aimed at kids aged four to seven, didn't code their political messages well: a flock of sheep (stand-in for Hong Kongers) peacefully resist a savage wolf pack (the guys in Beijing). So this might not be the most absurd example, though it did feel like an absurdly low moment.
However, what was clearly absurd on all levels was the 1931 ban of Alice in Wonderland by the governor of Hunan Province. The book's crime? Talking animals. Apparently they shouldn't have used human language and putting humans and animals on the same level was "disastrous”. What unites the CCP with the Republic of China that came before it? Unease around anthropomorphised animals it would seem.
Too many banned books
Ban This Book by Alan Gatz, a book about book bans, has been banned by the state flying the banner for banning books. This is not a tongue twister, riddle or code. It is the crystallisation of the absurdity of banning books.
In January 2024, the book was banned in Indian River County in Florida after opposition from parents linked to Moms for Liberty. According to the Tallahassee Democrat, the school board disliked how the book “referenced other books that had been removed from schools" and accused it of "teaching rebellion of school board authority". When you are trying to reshape the world in line with your own blinkered view it is probably best not to draw attention to it by calling out reading as an act of rebellion. Just a thought.
The book tells the story of Amy Anne Ollinger’s fight to overturn a book ban in her fictional school library. The book’s conclusion leads Amy Anne “to try to beat the book banners at their own game. Because after all, once you ban one book, you can ban them all”.
This tells us something – the self-harming absurdity of book bans is apparent to kids like Amy Anne but not to the prudish administrators and thuggish groups wielding their mob veto like a weapon. Groups like Moms for Liberty and their fellow censors obscure the darkness of our shared history by removing any reference to it and by pretending it did not happen — not by addressing the root causes or working to ensure it does not happen again.
Too Belarusian
In Belarus, numerous books in the Belarusian language by the country's best classical and modern writers have been banned, especially following the 2020 presidential election and pro-democracy protests. Unbelievably, Lukashenka's regime — often called the last dictatorship in Europe and backed by Russia — views Belarusian historical, cultural and national identity as a threat.
Many books in Belarusian have been labelled extremist and even destroyed from the National Library's collection since the protests started in August 2020. This includes Dogs of Europe by Alhierd Baharevich, works by 19th century writer Vincent Dunin-Marcinkievich and 20th century poet Larysa Hienijush, among others.
Too decadent and despairing
Franz Kafka's The Metamorphosis, possibly the greatest short story ever written, was banned by both the Nazis and the Soviets. Being a Jewish author, the Nazis burned Kafka's books on their “sauberen” (cleansing) pyres. But in the Soviet Union, his books were banned as “decadent and despairing”. This was clearly a judgement made by officials without much knowledge of the history of the novel, where so many titles are filled with human despair. Without these, we would not get the contrasting light of decadent writers like Oscar Wilde and JK Huysmans.
Too mermaidy
One of my favourite books to read with my son is Julian is a Mermaid by Jessica Love. It’s a beautiful picture book where a young boy dreams of becoming a mermaid after seeing a school / pod (collective noun to be determined) of merfolk on the way to the Coney Island Mermaid Parade, then rummages around his nana’s home for a costume.
In various parts of the USA, Julian has been banned. In a school district in Iowa, it was flagged for removal under a law that “bans books that depict or describe sex acts”, which apparently also covers gender identity — there are definitely no sex acts in this book. In other districts, it’s been fully banned due to representing the LGBTQ+ community.
If book banners in the USA are really worried about kids becoming mermaids, then I’d like to know on what grounds. Because, quite frankly, I always wanted to be a mermaid, and if it turns out it was a viable option, I have some regrets. Personally, I’d be more concerned about Julian ripping down his nana’s curtains to make a tail, à la Julie Andrews making costumes for the Von Trapp children.
Too accurate
In Egypt, Metro, the country's first graphic novel by Magdy El Shafee, was quickly banned after publication in 2008 for “offending public morals”. This was likely due to the novel's depiction of a half-naked woman, inclusion of swear words and general portrayal of poverty and corruption in Egypt during the former president Hosni Mubarak's 30-year rule. The author was charged under article 178 of the Egyptian penal code for infringing "upon public decency” and fined 5,000 LE. It was eventually republished in Arabic in 2012.
Too dystopian
Aldous Huxley’s 1932 dystopian classic Brave New World explores an imagined future centred on productivity and enforced “happiness” at the expense of individual freedom. Set in 2540, society has been stripped of families, with babies manufactured synthetically with specific characteristics, then forced into a predetermined “caste” system. People are encouraged to prioritise short-term gratification through casual sex and taking a “happiness” drug called soma, making them blissfully unaware of their imprisonment within the system.
Since its publication nearly 100 years ago, the novel has caused controversy globally. It was initially banned in Ireland and Australia in 1932 for eschewing traditional familial and religious values, then later banned in India in 1967 for its sexual content, with Huxley even being referred to as a “pornographer” for depicting a society that encourages recreational sex. It is still banned in many classrooms and libraries across America for a range of wild reasons, from use of offensive language and sexual explicitness to racism and “conflict with a religious viewpoint”.
But Huxley’s imagined future is one of horror. He uses themes of enforced, unfettered pleasure and a twisted genetic-based class system to express how humans’ complex problems and moral quandaries cannot be solved by scientific advancement alone. The main point of dystopian fiction is to tell a cautionary tale of the levels of exploitation that society could sink to, in order to save the world at large. While it was undoubtedly shocking and crass for its time, the fact that Huxley’s novel still ruffles feathers reveals a complete misunderstanding of allegory.
Too many lesbians
I first read Radclyffe Hall's legendary lesbian novel, The Well of Loneliness, published in 1928, with bated breath as a young, closeted queer person. Her portrayal of young woman 'Stephen' Gordon and her romance with Mary Llewellyn was wildly liberating and satisfying to read. Of course, as a product of its time it is in many ways outdated and of course laced with problematic values, for example biphobia and misogyny. But it was hugely important in terms of normalising queer relationships over a century ago.
Shortly after publication, the book went to trial in Britain on the grounds of "obscenity" and was subsequently banned — but this is no Lady Chatterley's Lover. There are no real 'hot under the collar moments'. The only 'obscenity' was the portrayal of two women in a romantic relationship, even though (unlike male homosexuality), lesbianism wasn't actually illegal in 1928.
Too friendly
The award-winning writer and painter Leo Lionni's first children's book Little Blue and Little Yellow (1959) is a short story for young children about two best friends who, one day, can't find each other. When they meet again, they give each other such a big hug that they turn green.
Despite its important message about the power of love and friendship, the mayor of Venice decided to ban it from all preschools in the province for "undermining traditional family values". It was one of more than 50 children's books to have been banned just days after he took up the post after his election in 2015.
Too uncensored
As ironies go, the banning of Ray Bradbury’s Fahrenheit 451 may be the strangest. The novel describes a dystopian future in which books are banned and “firemen” burn any that are found – its title comes from the ignition temperature of paper.
In 1967, a new edition of the book aimed at high schools, known as the Bal-Hi edition, was substantially altered to remove swear words and references to drug use, nudity and drunkenness. Somehow, the censored text came to be used for the mass-market edition in 1973 and “for the next six years no uncensored paperback copies were in print, and no one seemed to notice”, wrote Jonathan R. Eller in the introduction to the 60th anniversary edition of the book.
Readers eventually realised and alerted Bradbury. He demanded that the publisher retract the censored version, writing that he would “not tolerate the practice of manuscript ‘mutilation’”.
Too unflattering
It’s not altogether surprising that UK authorities attempted to prevent the autobiography of former MI5 officer Peter Wright, Spycatcher (co-written by Paul Greengrass), from hitting the shelves. The book did not present British intelligence agencies in a flattering light, and the government’s claims that they were suppressing its publication in the interests of security — rather than to save face — were eventually dismissed by the courts.
However, the ridiculous part about this book banning was that it only applied to England and Wales and the book was freely accessible elsewhere — including Scotland. This led to an absurd situation where newspapers around the world were reporting on the book’s contents while the press in England was subject to a gagging order, despite the information having already been revealed and books being easily shipped into the country. The ban was eventually lifted after it was acknowledged that the book wasn’t exposing any secrets due to its overseas publication.
Too blasphemous
The most absurd book banning is also, arguably, the most serious in recent history. The Satanic Verses by Salman Rushdie was published in 1988 to deserved critical acclaim. It is a playful and complex novel that examines, among other things, the origins of Islam. The death sentence imposed on the author by Iran’s supreme leader Ayatollah Khomeini was fuelled by, and in turn itself fuelled an ideology that believes that a novel can be blasphemous and its author should be killed. It would be laughable if the consequences weren’t so deadly.
The Summer 2024 issue of Index looks at how cinema is used as a tool to help shape the global political narrative by investigating who controls what we see on the screen and why they want us to see it. We highlight examples from around the world of states censoring films that show them in a bad light and pushing narratives that help them to scrub up their reputation, as well as lending a voice to those who use cinema as a form of dissent. This issue provides a global perspective, with stories ranging from India to Nigeria to the US. Altogether, it provides us with an insight into the starring role that cinema plays in the world politics, both as a tool for oppressive regimes looking to stifle free expression and the brave dissidents fighting back.
Lights, camera, (red)-action, by Sally Gimson: Index is going to the movies and exploring who determines what we see on screen
The Index, by Mark Stimpson: A glimpse at the world of free expression, including an election in Mozambique, an Iranian feminist podcaster and the 1960s TV show The Prisoner
Banned: school librarians shushed over LGBT+ books, by Katie Dancey-Downs: An unlikely new battleground emerges in the fight for free speech
We’re not banned, but…, by Simon James Green: Authors are being caught up in the anti-LGBT+ backlash
The red pill problem, by Anmol Irfan: A group of muslim influencers are creating a misogynistic subculture online
Postcards from Putin’s prison, by Alexandra Domenech: The Russian teenager running an anti-war campaign from behind bars
The science of persecution, by Zofeen T Ebrahim: Even in death, a Pakistani scientist continues to be vilified for his faith
Cinema against the state, by Zahra Hankir: Artists in Lebanon are finding creative ways to resist oppression
First they came for the Greens, by Alessio Perrone, Darren Loucaides and Sam Edwards: Climate change isn’t the only threat facing environmentalists in Germany
Undercover freedom fund, by Gabija Steponenaite: Belarusian dissidents have a new weapon: cryptocurrency
A phantom act, by Danson Kahyana: Uganda’s anti-pornography law is restricting women’s freedom - and their mini skirts
Don’t say ‘gay’, by Ugonna-Ora Owoh: Queer Ghanaians are coming under fire from new anti-LGBT+ laws
Money talks in Hollywood, by Karen Krizanovich: Out with the old and in with the new? Not on Hollywood’s watch
Strings attached, by JP O’Malley: Saudi Arabia’s booming film industry is the latest weapon in their soft power armoury
Filmmakers pull it out of the bag, by Shohini Chaudhuri: Iranian films are finding increasingly innovative ways to get around Islamic taboos
Edited out of existence, by Tilewa Kazeem: There’s no room for queer stories in Nollywood
Making movies to rule the world, by Jemimah Steinfeld: Author Erich Schwartzel describes how China’s imperfections are left on the cutting room floor
When the original is better than the remake, by Salil Tripathi: Can Bollywood escape from the Hindu nationalist narrative?
Selected screenings, by Maria Sorensen: The Russian filmmaker who is wanted by the Kremlin
A chronicle of censorship, by Martin Bright: A documentary on the Babyn Yar massacre faces an unlikely obstacle
Erdogan’s crucible by Kaya Genc: Election results bring renewed hope for Turkey’s imprisoned filmmakers
Race, royalty and religion - Malaysian cinema’s red lines, by Deborah Augustin: A behind the scenes look at a banned film in Malaysia
Join the exiled press club, by Can Dundar: A personalised insight into the challenges faced by journalists in exile
Freedoms lost in translation, by Banoo Zan: Supporting immigrant writers - one open mic poetry night at a time
Me Too’s two sides, by John Scott Lewinski: A lot has changed since the start of the #MeToo movement
We must keep holding the line, by Jemimah Steinfeld: When free speech is co-opted by extremists, tyrants are the only winners
It’s not normal, by Nazanin Zaghari-Ratcliffe: Toomaj Salehi’s life is at the mercy of the Iranian state, but they can’t kill his lyrics
No offence intended, by Kaya Genc: Warning: this short story may contain extremely inoffensive content
The unstilled voice of Gazan theatre, by Laura Silvia Battaglia: For some Palestinian actors, their characters’ lives have become a horrifying reality
Silent order, by Fujeena Abdul Kader, Upendar Gundala: The power of the church is being used to censor tales of India’s convents
Freedom of expression is the canary in the coalmine, by Mark Stimpson and Ruth Anderson: Our former CEO reflects on her four years spent at Index