We must not forget what is happening inside Iran

While Iran and Israel continue to provoke each other in the aftermath of the 7 October attacks by Hamas, there are concerns that the fate of protesters in Iran, particularly those that started after the murder in custody of Jina ‘Mahsa’ Amini, are being forgotten as the Iranian leadership cracks down.

“Governments often utilise external conflicts to divert attention from domestic issues,” says exiled Iranian film-maker Vahid Zarezadeh. “In Iran, while the government addresses threats from abroad, it simultaneously intensifies its grip on civil liberties at home, particularly targeting women’s freedoms. This approach helps consolidate power internally by rallying nationalistic sentiments while suppressing dissent.”

Zarezadeh, who made the documentary White Torture in collaboration with the jailed 2023 Nobel Peace Prize winner Narges Mohammadi and Gelareh Kakavand, says, “Given the complexities of the current events in Iran and the ongoing regional tensions, it’s crucial to understand the multifaceted nature of the strife affecting the nation, particularly its impact on women and civil society. As Iran navigates its ongoing conflict with Israel, another critical issue persists domestically: the war against women in the streets of Tehran and other cities. This battle is intensifying with new legislative measures concerning the hijab, marking the beginning of a renewed phase of systematic suppression.”

Last September, Iran’s parliament passed a bill with a huge majority that meant that refusing to wear a hijab, either in person or even on video on social media, was considered as nudity. The bill allows for jail sentences of up to ten years for those who fail to adhere to the new measures. Iranian businesses that “promote or allow immoral behaviour”, including not wearing the hijab, are also targeted by the bill.

Zarezadeh says that pressure from the Iranian authorities on protest and dissent has increased markedly.

“A stringent crackdown on dissent has emerged, characterised by the systematic suppression of women and civil activists,” he says. “While the massive protests have lessened in visibility due to severe governmental crackdowns, underlying discontent remains. The fear of reprisal, particularly the death penalty, has tempered the public’s willingness to protest as openly as before.”

Even with the new stricter laws on dress code, he says that resistance against the compulsory hijab continues as a symbol of wider discontent with systemic gender-based restrictions.

“Despite the risks, including severe penalties such as the death penalty, the spirit of dissent still simmers, manifesting in smaller, yet persistent protests,” he says.

The resistance is still being kept alive through social media, and X in particular, where the hashtag #جنگ_علیه_زنان (“war against women”) has gained traction. Its widespread usage serves as a barometer for the internal sentiment against the current regime’s policies.

Videos showing women being violent attacked in broad daylight by the morality police and being thrown into the backs of vans are being widely shared using the hashtag, such as this:

Many women human rights defenders and activists have been thrown in prison, and face dire conditions with no adequate medical or sanitary provisions.

“A poignant example is Bahareh Hedayat, a prominent student activist who was temporarily released for medical treatment due to uterine cancer but has since been returned to prison,” says Zarezdeh. “Such cases underscore the severe and deteriorating conditions faced by women behind bars.”

One powerful symbol in the protests over the last two years were the actions of schoolgirls in protesting against the restrictions on women.

However, young protesters, including many schoolgirls, have since faced detention and other forms of intimidation. Detailed follow-ups on their situations are scant due to restrictions on information flow within the country.

The fate of the Iranian woman climber Elnaz Rekabi is also far from clear. Rekabi competed in a climbing tournament in South Korea in 2022 without a hijab.

“After her act of defiance by competing without a hijab, Elnaz Rekabi faced both support and significant pressure upon her return to Iran,” says Zarezdeh

When she flew home from South Korea, Rekabi said that her hijab had fallen off inadvertently. Her family’s villa in Iran was subsequently demolished, seemingly in punishment.

Zarezdeh says, “The full extent of Rekabi’s current situation remains unclear with concerns about her freedom and well-being continuing to linger.”

There continues to be a hunger for reform despite the crackdown. “The initial surge in hope for a potential regime change has been dampened by the forceful response from the authorities,” says Zarezadeh. “However, the desire for reform and change persists among various sectors of the society.”

Iran: do you want the good or the bad news?

A great privilege of working at Index is, and always has been, the amazing people we get to encounter, those who look tyranny in the face and don’t cower. Iranian musician Toomaj Salehi is one such person. This week, the 2023 Index Freedom of Expression arts award winner donated the £2500 cash prize to relief funds for those affected by the floods in Iran’s Sistan and Baluchistan province in an act of extreme generosity. We were informed of the donation by his family.

Salehi, whose music rails against corruption, state executions, poverty and the killing of protesters in Iran, has spent years in and out of jail. Today he is still not free – indeed he faces a court hearing on another new charge tomorrow. Our work with him doesn’t end with the award. But what solace to know that the money will make a tangible difference to the lives of many and that jail cannot stop Salehi from his mission to make Iran a more just country.

While Salehi, and others, confront the brutal face of censorship, those in the USA and the UK are this week dealing with the finer print – who owns what. The US House of Representatives passed a bill on Wednesday that will require TikTok owner ByteDance to sell the popular video-sharing app or face a total ban. This is challenging territory. TikTok is guilty of its charges, shaping content to suit the interests of Beijing and data harvesting being the most prominent. So too are other social media platforms. If it is sold (which is still an if) we could see a further concentration of influential apps in the hands of a few tech giants. Is that a positive outcome? And how does this match up against the treatment of USA-based X? The social media platform, formerly Twitter, has Saudi Arabia’s Kingdom Holding, the investment vehicle of Prince Alwaleed bin Talal, as its second largest investor. Is the US Government holding X to the same standards?

Meanwhile, the UK government (which has expanded the definition of extremism this week in a concerning way) plans to ban foreign governments from owning British media, effectively saying no to an Abu Dhabi-led takeover of the Telegraph. We have expressed our concerns about the buyout before and these concerns remain. Still, we’d like to see the final proposal before deciding whether it’s good news.

We’ve also spoken a lot this week about the decision by literary magazine Guernica to pull an article written by an Israeli (still available via the Wayback machine here) following a staff-walk out. We stand by everyone’s right to protest peacefully, of which walking out of your office is just that. But we are troubled by other aspects, specifically redacting an article post-publication and the seemingly low bar for such a redaction (and protest), which hinged on the identity of the author and a few sentences. We can argue about whether these sentences were inflammatory – I personally struggle to see them as such – and indeed we should, because if we can’t have these debates within the pages of a thoughtful magazine aimed at the erudite we’re in a bad place.

Speaking of a bad place, Russia goes to the “polls” today.

Remembering the women who pay the ultimate price for freedom

Today is International Women’s Day. It’s a day that inspires huge optimism in me. A day that reminds me of the extraordinary ability of women to lead, to challenge and to win – in spite of the odds, which in some countries can seem insurmountable.

But is it also important that we recognise a stark reality on IWD – this day cannot be truly marked without acknowledging the suffering and sacrifice endured by female dissidents worldwide in their relentless pursuit of freedom of expression.

While International Women’s Day traditionally serves as a platform to honour the achievements and progress of women, there is a responsibility on us to shine a spotlight on those whose voices have been silenced, whose courage has been met with oppression, and whose sacrifices have been monumental in the fight for justice and equality.

The stories of these brave women, from every corner of the globe, are not just anecdotes – they are testaments to the enduring struggle for fundamental human rights.

In the past twelve months alone, we have witnessed a staggering number of brave women who dared to challenge the status quo, only to meet untimely and tragic ends. Their names may not echo through the halls of power, but their legacies will forever reverberate in the annals of history.

Halima Idris Salim, Mossamat Sahara, Farah Omar, Vivian Silver, Ángela León, Olga Nazarenko, Maria Bernadete Pacífico, Armita Geravand, Tinashe Chitsunge, Samantha Gómez Fonseca, Rose Mugarurirwe, Heba Suhaib Haj Arif, Ludivia Galindez, Bahjaa Abdelaa Abdelaa, Teresa Magueyal – these are not just names on a list. They are beacons of courage, symbols of resistance in the face of tyranny and oppression.

From Sudan to Bangladesh, Lebanon to Canada, these women hailed from different corners of the globe, united by a common cause: the pursuit of justice. Whether they were journalists, activists, or ordinary citizens, they refused to be silenced. They refused to cower in the face of adversity.

In authoritarian regimes, the price of dissent is often paid in blood. Every day, countless women are harassed, detained, and murdered for daring to speak out against injustice.

Their names may never make headlines, but their sacrifices will not be forgotten. On International Women’s Day, let us heed the theme of Inspire Inclusion and draw inspiration from these courageous women. Let us honour their memory by continuing their fight for a world where freedom of expression is not just a privilege, but a fundamental human right.

We need to remember that the courage and sacrifice of women dissidents cannot be relegated to a single day of recognition. Their stories must remain forefront in our minds every day. We must commit to amplifying their voices, advocating for their rights, and standing in solidarity with them against oppression. Their fight is ongoing, and it is our responsibility to ensure that they are never forgotten.

Contents – Having the last laugh: The comedians who won’t be silenced

Contents

The Winter 2023 issue of Index looks at how comedians are being targeted by oppressive regimes around the world in order to crack down on dissent. In this issue, we attempt to uncover the extent of the threat to comedy worldwide, highlighting examples of comedians being harassed, threatened or silenced by those wishing to censor them.

The writers in this issue report on example of comedians being targeted all over the globe, from Russia to Uganda to Brazil. Laughter is often the best medicine in dark times, making comedy a vital tool of dissent. When the state places restrictions on what people can joke about and suppresses those who breach their strict rules, it's no laughing matter.

Up Front

Still laughing, just, by Jemimah Steinfeld: When free speech becomes a laughing matter.

The Index, by Mark Frary: The latest in the world of free expression, from Russian elections to a memorable gardener

Features

Silent Palestinians, by Samir El-Youssef: Voices of reason are being stamped out.

Soundtrack for a siege, by JP O'Malley: Bosnia’s story of underground music, resistance and Bono.

Libraries turned into Arsenals, by Sasha Dovzhyk: Once silent spaces in Ukraine are pivotal in times of war.

Shot by both sides, by Martin Bright: The Russian writers being cancelled.

A sinister news cycle, by Winthrop Rodgers: A journalist speaks out from behind bars in Iraqi Kurdistan.

Smoke, fire and a media storm, by John Lewinski: Can respect for a local culture and media scrutiny co-exist? The aftermath of disaster in Hawaii has put this to the test.

Message marches into lives and homes, by Anmol Irfan: How Pakistan's history of demonising women's movements is still at large today.

A snake devouring its own tail, by JS Tennant: A Cuban journalist faces civic death, then forced emigration.

A 'seasoned dissident' speaks up, by Martin Bright: Writing against Russian authority has come full circle for Gennady Katsov.

Special Report: Having the last laugh - The comedians who won't be silenced

And God created laughter (so fuck off), by Shalom Auslander: On failing to be serious, and trading rabbis for Kafka.

The jokes that are made - and banned - in China, by Jemimah Steinfeld: Journalist turned comedian Vicky Xu is under threat after exposing Beijing’s crimes but in comedy she finds a refuge.

Giving Putin the finger, by John Sweeney: Reflecting on a comedy festival that tells Putin to “fuck off”.

Meet the Iranian cartoonist who had to flee his country, by Daisy Ruddock: Kianoush Ramezani is laughing in the face of the Ayatollah.

The SLAPP stickers, by Rosie Holt and Charlie Holt: Sometimes it’s not the autocrats, or the audience, that comedians fear, it’s the lawyers.

This great stage of fools, by Danson Kahyana: A comedy troupe in Uganda pushes the line on acceptable speech.

Joke's on Lukashenka speaking rubbish Belarusian. Or is it?, by Maria Sorensen: Comedy under an authoritarian regime could be hilarious, it it was allowed.

Laughing matters, by Daisy Ruddock: Knock knock. Who's there? The comedy police.

Taliban takeover jokes, by Spozhmai Maani and Rizwan Sharif: In Afghanistan, the Taliban can never by the punchline.

Turkey's standups sit down, by Kaya Ge: Turkey loses its sense of humour over a joke deemed offensive.

An unfunny double act, by Thiện Việt: A gold-plated steak and a maternal slap lead to problems for two comedians in Vietnam.

Dragged down, by Tilewa Kazeem: Nigeria's queens refuse to be dethroned.

Turning sorrow into satire, by Zahra Hankir: A lesson from Lebanon: even terrible times need comedic release.

'Hatred has won, the artist has lost', by Salil Tripathi: Hindu nationalism and cries of blasphemy are causing jokes to land badly in India.

Did you hear the one about...? No, you won't have, by Alexandra Domenech: Putin has strangled comedy in Russia, but that doesn't stop Russian voices.

Of Conservatives, cancel culture and comics, by Simone Marques: In Brazil, a comedy gay Jesus was met with Molotov cocktails.

Standing up for Indigenous culture, by Katie Dancey-Downs: Comedian Janelle Niles deals in the uncomfortable, even when she'd rather not.

Comment

Your truth or mine, by Bobby Duffy: Debate: Is there a free speech crisis on UK campuses?

All the books that might not get written, by Andrew Lownie: Freedom of information faces a right royal problem.

An image or a thousand words?, by Ruth Anderson: When to look at an image and when to look away.

Culture

Lukashenka's horror dream, by Alhierd Bacharevič and Mark Frary: The Belarusian author’s new collection of short stories is an act of resistance. We publish one for the first time in English.

Lost in time and memory, by Xue Tiwei: In a new short story, a man finds himself haunted by the ghosts of executions.

The hunger games, by Stephen Komarnyckyj and Mykola Khvylovy: The lesson of a Ukrainian writer’s death must be remembered today.

The woman who stopped Malta's mafia taking over, by Paul Caruana Galizia: Daphne Caruana Galizia’s son reckons with his mother’s assassination.