Ambassador expelled as Belarus teddy bear row escalates (really)

This week Belarus asked the Swedish diplomatic mission to leave the country and recalled its own embassy from Stockholm. What sparked this international incident? That would be teddy bears. Small, cuddly soft toys.

Alexander Lukashenko, Europe’s last dictator, was angered by a July incident which involved a small aircraft piloted by employees of a Swedish advertising firm entering Belarusian airspace before dropping dozens of teddy bears carrying free speech slogans.

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A twist in the tale of the man arrested for not smiling at the Olympics

Index on Censorship has not exactly been shy in its criticism of the control-freakish atmosphere of the Olympics. Nor have we held back criticisms of the misuse and abuse of the UK’s Public Order Act.

So you would have thought that the story of Mark Worsfold, allegedly arrested for looking a bit glum at the Olympic cycling road race would have been something we would have jumped on. Mr Worsfold, a martial arts instructor, has difficulty moving his facial muscles due to Parkinson’s disease.

But there seemed something not quite right about the national papers’ reporting of the whole thing — partly down to Worsfold’s own apparent hesitance to criticise the police — the local paper reported that despite his five hours in custody, Mr Worsfold was keen to see the “funny side” of the incident.

Over at Harry’s Place, blogger amie has an interesting take on what happened, claimed to be based on a chance meeting with Mark Worsfold’s brother at the Olympic Park in London. Amie says the following is Worsfold’s brother’s account of the arrest:

Mark had served in Northern Ireland and appreciates full well the stresses involved in assessing responses in tense situations. He was concerned that the newspaper reports (It was in the Guardian as well) were reflecting this as a case of police brutality which, if the full background were known, it would be apparent it was not.

The group of protesters near where he was standing were from Fathers 4 Justice [groan from my Family Law lecturer sister sitting alongside me]. To make matters worse, a woman protester next to him trying to join the other demonstrators and who was haranguing the police as imperialist lackeys, etc, looked as if she was with him.

“This is all going to kick off” he thought, and he needed to get to his daughter’s birthday. With that he jumped off the wall to leave. Bad move, worse timing, open to misinterpretation. When he was jumped on, he tried to say he had been to a Taekwondo demonstration and needed to get to his daughter. What the police heard, in the presumably noisy environment, (said the brother), was “demonstration” and “getting to his daughter” — a reasonable impression of a Father 4 justice with access issues.

He would be grateful if I could convey to others a more rounded perspective.

This version of events certainly doesn’t mean Mr Worsfold isn’t owed an apology, or that our Public Order Act is not misused ridiculously and sometimes disturbingly. But it’s useful, nevertheless, to put reporting of the exercise of Public Order powers in context.

PAST EVENT: 5 Sept: Index at the Picturehouse – a preview of Anna Karenina followed by a Q&A with Tom Stoppard and Paul Webster

Date: Weds 5 Sept
Venue: Clapham Picturehouse (map here, nearest tube Clapham Common)
Tickets: NOW SOLD OUT

To celebrate our 40th birthday, Index is teaming up with Picturehouse cinemas to host a preview screening of Anna Karenina, directed by Joe Wright, featuring Keira Knightley and Jude Law. The screening will be followed by a live Q&A with screenplay writer Sir Tom Stoppard and Producer Paul Webster chaired by Sandra Hebron.

Amid the glamour and commotion of 19th century Russian society, Anna Karenina feels alone. Trapped with a husband she despises, Anna’s imagination brings her to desire other things. But desire is a dangerous force, and leads Anna even further from the light. Screenplay writer Sir Tom Stoppard, whose past adaptations include the Oscar-winning Shakespeare in Love in 1998, will participate in a Q&A about the film and the creative process of taking a respected text to screen.

Back in 1972, Index on Censorship was born as a challenge to Soviet censorship and the shadow of censorship over artistic and literary free expression. With the support of loyal patrons, including Sir Tom Stoppard, Index continues forty years on to support journalists, writers and activists in their crucial fight for free expression.