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Index believes that the bill would introduce unacceptable restrictions on freedom of expression in the UK and would damage journalism and academic research. The attached briefing note highlights some of Index’s concerns.
The House of Lords will consider the bill again on 29 October.
Joy Hyvarinen, head of advocacy, said: “Index urges all members of the House of Lords to pay close attention to the amendments proposed by the Joint Committee on Human Rights and to ensure that they fully understand the implications of the Counter-Terrorism and Border Security Bill. The bill would limit UK citizens’ rights, damage journalism and undermine academic research – it should be scrutinised closely.”
Counter-Terrorism and Border Security Bill Briefing Note 15 October 2018[/vc_column_text][vc_basic_grid post_type=”post” max_items=”10″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1539676579541-ec89dad3-0bf0-6″ taxonomies=”27743″][/vc_column][/vc_row]
[vc_row][vc_column][vc_single_image image=”103220″ img_size=”full”][vc_column_text]The Museum of Dissidence in Cuba (MDC) is an online website and public art project celebrating dissent in Cuba. It was set up in the summer of 2016 by acclaimed young artist Luis Manuel Otero Alcántara and his partner, curator and art historian Yanelys Nuñez Leyva. Their stated aim is to reclaim the word “dissident” and to give it a positive connotation in Cuba.
This is a daring and unique project, created by representatives of a new, young generation of artists who are not afraid to challenge a repressive regime and promote freedom of expression. The repercussions have been fierce: Nuñez was sacked from her job at state sponsored magazine Revolution and Culture for founding the site. Otero was arrested in November 2017 for organising an unofficial #00Havana Biennal through the museum and threatened with prison for being a “counter-revolutionary”.
Yanelys and Luis Manuel are in residence with Metal in Southend-on-Sea for two weeks in October as part of a partnership with Index on Censorship. Having been 3 times refused an entry visa to the UK by the Home Office, this decision was finally overturned at the end of September. This enables the artists to be with us in the UK for a short time. During their stay they will be presented with their 2018 Freedom of Expression Award (in the arts category) that they were awarded by Index earlier in the year. They were unable to attend the awards ceremony in London in April.
They will also be focusing on finalising a documentary film of the #00Havana Biennal.
We hope you will join us to hear from these extraordinary artists and learn more about their work in Cuba.
For more information about Museum of Dissidence – click here.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”103221″ img_size=”full” onclick=”custom_link” link=”http://www.metalculture.com/”][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
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[vc_row][vc_column][vc_single_image image=”103210″ img_size=”full” add_caption=”yes”][vc_column_text]“The murder,” says journalist Caroline Muscat, “was a message to the country that whoever investigates those in power and makes corruption visible, has to fear for his life. So we had to send a message back.”
Muscat seems to be in an adrenaline rush while talking in her apartment in a small town in the north of Malta. The interview was postponed twice for an hour because she had to convene with her colleagues about new stories for The Shift, the journalistic website that she and a colleague launched early November 2017. It was just weeks after the shock of the assassination of Daphne Caruana Galizia. The Shift is the message Caroline Muscat sent back to the perpetrators.
Malta doesn’t have a lot of independent journalism. Even media outlets that are not tied to a political party, have opaque ties with the political and entrepreneurial establishment. It is because of such ties that Caroline Muscat quit her job at the widely read Times of Malta in 2016: in publications about the leaked documents known as the Panama Papers, Caruana Galizia revealed that the managing director of the Times’ publisher was implicated too.
“I could not continue to work for the Times,” she says. She freelanced and made plans to start an investigative online paper, to be launched in the spring of 2018. Caruana Galizia’s murder accelerated the launch.
“Our goal is to hold those in power to account,” Muscat says.
That’s not a spectacular goal for a journalistic project. It does lead to remarkable choices though. Muscat tells about the arrest, in December 2017, of three men suspected of placing the bomb in Caruana Galizia’s car and detonating it. “We didn’t publish that news,” Muscat says. “We were immediately criticised about that. A government official even attacked me on Twitter, asking why The Shift didn’t publish about this breakthrough in the investigation.”
She explains – and still gets furious: “The men were detained with a grand show of force. In Malta, there are only a few people who know how to make bombs. Why weren’t they taken earlier? The arrested men have no motive for the murder. We want to know who is behind Daphne’s death. The arrests were a way to conceal that no serious investigation is carried out into the murder. As a journalist, I refuse to contribute to such a scheme.”
By performing journalism that way, The Shift works in the spirit of Running Commentary, the blog of Caruana Galizia. Also, Caruana Galizia didn’t care a bit about good contacts with powerful key figures in politics and business but investigated and scrutinised them, to attack if necessary. Muscat, however, resists the idea that she is following in Caruana Galizia’s footsteps: “Nobody can replace Daphne. She has been the target of hate campaigns and threats for years. Her dogs were murdered, her house was set ablaze. We often ran into each other because we worked on the same kind of stories, but she worked alone, I worked for an established paper. I was protected. She wasn’t.”
After resigning from the Times of Malta, Muscat also lost her protection, which became all the clearer when she started The Shift. An intense disinformation and hate campaign was launched against her, especially on social media, just as had happened to Caruana Galizia. Muscat and her family are, without any grounds, being connected to alcoholism, arms trade and prostitution. In secret Facebook groups linked to the governing Labour Party – where contributors to The Shift went undercover for half a year – pictures of Caruana Galizia and Muscat surfaced, accompanied by hateful comments (“She got what she deserved,” and “She deserves some bombs too”), generously supplied with likes by sometimes highly placed government figures.
Muscat immediately notices when a picture of hers has been doing the rounds again in such online networks. “This week the owner of a grocery shop asked me if I was the woman who publishes articles online. I am starting to get an idea now of the pressure under which Daphne has lived for years. Every aspect of my life has become difficult,” Muscat says.
The Shift welcomes some hundred thousand visitors per month and lives from donations. Muscat does other freelance journalistic work if necessary to earn enough income. Maybe, when the visitor stats rise, they will try to get revenues from advertisements. They usually publish several stories per day, both backgrounds and investigative work and analyses and columns. Muscat: “The Shift is journalism, but it is a movement too. Yes, I have an agenda. My agenda is press freedom, democracy, rule of law. We don’t have the luxury anymore to demand anything else. No, I don’t think The Shift will find the final piece of the puzzle that will solve Daphne’s murder. Such an expectation is unrealistic. All we can do is continue to investigate and contribute to adding pieces of the puzzle.”
Does she fear for her life? She circles around the question. She seems unable to ponder the issue. She does, however, point to an important difference between The Shift and Caruana Galizia’s blog: “The Shift doesn’t depend on me. We have a team. If one of us falls away, The Shift will continue.” [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1539599196129-2228dcb5-22a8-7″ taxonomies=”18781″][vc_raw_html]JTNDaWZyYW1lJTIwd2lkdGglM0QlMjI3MDAlMjIlMjBoZWlnaHQlM0QlMjIzMTUlMjIlMjBzcmMlM0QlMjJodHRwcyUzQSUyRiUyRm1hcHBpbmdtZWRpYWZyZWVkb20udXNoYWhpZGkuaW8lMkZzYXZlZHNlYXJjaGVzJTJGOTMlMkZtYXAlMjIlMjBmcmFtZWJvcmRlciUzRCUyMjAlMjIlMjBhbGxvd2Z1bGxzY3JlZW4lM0UlM0MlMkZpZnJhbWUlM0U=[/vc_raw_html][/vc_column][/vc_row]
The media landscape has become increasingly hostile, with falling levels of press freedom and even a string of murders. Read the full article.