Democracy, but not as we know it

Hybrid regimes, illiberal democracies, democraship, democratura: these are all slightly terrifying new terms for governments drifting towards authoritarianism around the globe. We have been used to seeing the world through the binary geopolitics of the more-or-less democratic free world on one side, and the straightforward dictatorship on the other. But what is Hungary under Viktor Orbán? Or Narendra Modi’s India? And, as the world comes to terms with the reality of President Trump’s second term, will America itself become a hybrid regime dominated by tech oligarchs and America First loyalists?

At a recent conference in Warsaw held by the Eurozine, a network of cultural and political publications, Tomáš Hučko from the Bratislava-based magazine Kapitál Noviny, told the dispiriting story of his country’s slide towards populist authoritarianism. The Slovak National Party, led by ultranationalist Prime Minister Robert Fico, drove a coach and horses through media and cultural institutions, he explained, beginning with the Culture Ministry itself. Fico then changed the law to take direct control of public radio and TV. The heads of the Slovak Fund for the Promotion of the ArtsNational Theatre, National Gallery and National Library were all fired and replaced with party loyalists. A “culture strike” was met with further attacks on activists and critics of the government. “There were constant attacks on the journalists by the Prime Minister including suing several writers,” said Hučko.

Fellow panellist Mustafa Ünlü, from the Platform 24 (P24) media platform in Turkey spoke of a similar pattern in his country, where President Erdoğan’s government has withdrawn licences from independent broadcasters.

It is tempting to suggest that these illiberal democracies are a passing political trend. But the problem, according to several Eurozine delegates, was that such regimes have a tendency to hollow out the institutions and leave them with scars so deep that they are difficult to heal.  Agnieszka Wiśniewska from Poland’s Krytyka Polityczna, a network of Polish intellectuals, sounded a note of extreme caution from her country’s eight years of rule under the Catholic-aligned ultra-right Law and Justice Party. Although the party was beaten by Donald Tusk’s centrist Civic Coalition in last year’s elections, the damage to democracy has been done. “There is the possibility of reversing the decline,” said Wiśniewska. “But the state media was turned into propaganda media.” In part, she blamed the complacency of politicians such as Tusk himself: “Liberals didn’t care enough,” she said.

Writing on contemporary hybrid regimes in New Eastern Europe, an English-language magazine which is part of the Eurozine network, the Italian political scientist Leonardo Morlino identifies a key moment in July 2014 when the Hungarian leader Viktor Orbán began using the expression “illiberal democracy”.

He later clarified what he meant by this: that Christian values and the Hungarian nation should take precedence over traditional liberal concern for individual rights. For Morlino, however, Hungary is not the only model of hybrid regime. He provides an exhaustive list of countries in Latin America (Bolivia, Colombia, the Dominican Republic, Ecuador, Guatemala, Haiti, Honduras, Mexico and Paraguay) with “active, territorially widespread criminal organisations, high levels of corruption and the inadequate development of effective public institutions” where democracy is seriously weakened. Meanwhile, in Eastern and Central Europe he recognises that Russian influence has created the conditions for hybrid regimes in Armenia, Georgia, Moldova and even Ukraine.

The term “democratura” comes from the French “démocrature” and combines the concepts of democracy and dictatorship. In English this is sometimes translated as “Potemkin democracy”, which in turns comes from the phrase “Potemkin village”, meaning an impressive facade used to hide an undesirable reality. This is named after Catherine the Great’s lover Grigory Potemkin, who built fake show villages along the route taken by the Russian Empress as she travelled the country.

It is tempting to suggest Donald Trump is about to usher in an American Democratura, but none of these concepts map neatly onto the likely political context post-2025. The USA cannot be easily compared to the fragile democracies of the former Soviet Union, nor is it equivalent to the corrupt hybrid regimes of Latin America. It is true that Trump’s former adviser Steve Bannon liked to talk about “illiberal democracy” but more as a provocation than a programme for government.

And yet, there is an anti-democratic tone to the language used by Trump’s supporters. In the BBC series on US conspiratorial ideology, The Coming Storm, reporter Gabriel Gatehouse noticed the increasing prevalence of the right-wing proposition that the USA is a “constitutional republic”, not a democracy. This line of thinking can be traced back to an American ultra-individualist thinker, Dan Smoot, whose influential 1966 broadcast on the subject can still be found on YouTube. Smoot was an FBI agent and fierce anti-Communist who believed a liberal elite was running America as he explained in his 1962 book, The Invisible Government, which “exposed” the allegedly socialist Council on Foreign Relations.

Such rhetoric is familiar from the recent election campaign, which saw Donald Trump attacking Kamala Harris as a secret socialist and pledging to take revenge on the “deep state”.

But there are worrying signs that Republicans under Trump will be working from an authoritarian playbook. As The Guardian and others reported this week, an attempt to pass legislation targeting American non-profits deemed to be supporting “terrorism” has just been narrowly blocked. Similar laws have already been passed in Modi’s India and Putin’s Russia.

Trump has consistently attacked critical media as purveyors of fake news. He has suggested that NBC News should be investigated for treason and that ABC News and CBS News should have their broadcast licences taken away. He has also said he would bring the independent regulator, the Federal Communications Commission, under direct Presidential Control. In one of his more bizarre statements, he said he wouldn’t mind an assassin shooting through the “fake news” while making an attempt on his life.

Whether a Trump administration emboldened by the scale of the Republican victory will seriously embark on a project to dismantle American democracy is yet to be seen. The signs that the President has authoritarian proclivities are clear and he has made his intentions towards the mainstream media explicit. Hybrid democracy may not quite be the correct terminology here. We may need a whole new lexicon to describe what is about to happen.

Two plus two equals five in US presidential debate

Who could have predicted that Donald Trump would unite George Orwell and Taylor Swift in the form of an Index newsletter? But that’s the strange world in which we’re living.

This week I’ve been obsessively telling my Index colleagues about Laura Beers’ excellent book Orwell’s Ghosts, which is full of insights about today’s political climate through the lens of the Animal Farm author’s wisdom. One part that’s really stuck with me is the relationship between free speech and the truth, as Orwell saw it.

“Orwell could never endorse a world in which ‘alternative facts’ were given free rein,” Beers writes, reminding her readers about the famous Nineteen Eighty-Four line where Orwell describes freedom as the right to say that 2 + 2 = 4. As Beers points out, it is very much not the right to say that 2 + 2 = 5. Objective truth matters.

Anyone with even a passing interest in the US election will know that this week has been a goldmine for talking points on truth, lies and misinformation. It is the perfect moment to be reading this book.

When ABC News hosted a debate between Vice President Kamala Harris and former President Donald Trump this week, it was also the first time they’d met in person. After shaking hands, the debate began with gusto, Harris quickly getting under Trump’s skin. What was particularly interesting about this debate though was the on-the-go fact-checking live on air. It’s something we’ve never seen to this degree, and the fact that ABC feel it is needed now is telling.

On the issue of abortion, Trump asserted — not for the first time — that babies in the USA are being executed after being born. Moderators took down the false claim: “There is no state in this country where it is legal to kill a baby after it’s born.”

Commentators on the right were quick to denounce this new era of fact-checking. It was unfairly skewed towards Trump and they were picking him apart more than Harris. There is of course a simple explanation for that, which is that he told more lies. According to CNN, Trump delivered more than 30 false claims while Harris gave one, although additional claims of hers were misleading or lacking in context.

The award for top untruth of the night goes perhaps to Trump’s claim that Haitian migrants in Springfield, Ohio, are eating people’s pet cats and dogs. The internet quickly got to work with memes of The Simpsons’ dog Santa’s Little Helper giving the side eye to cat Snowball II. But ABC moderators were speedier than the meme-makers and set the story straight live on air, confirming that there had been “no credible reports” of this alleged neighbourhood pet buffet.

Of course, the lie didn’t come out of thin air. As The Economist breaks down, the “allegation had been circulating in right-wing circles on social media, boosted by Elon Musk”. Amid anti-immigrant sentiment in some circles, a Facebook post “cited fourth-hand knowledge” about the cat-eating claim. A half-truth is still a lie. And when it comes to a Facebook post based on fourth-hand knowledge being pedalled by a would-be (and former) president, we’re not even close to the realms of a half-truth. Two plus two does not equal four. Two plus two equals Lassie for lunch.

Social media has played a starring role in the misinformation story. Perhaps now is a good time to move on to X owner and tech billionaire Elon Musk’s post directed at pop superstar Taylor Swift.

Following the TV debate, Swift endorsed Harris in an Instagram post to her 284 million followers (to Trump’s 26.5 million and Harris’s 16.9 million, just to demonstrate the sway she has), where she talked about her concern over AI-generated content claiming to show her endorsing Donald Trump. Beneath a picture of the Shake It Off singer holding her ragdoll cat Benjamin Button, she wrote: “The simplest way to combat misinformation is with the truth,” and signed off “Taylor Swift, Childless Cat Lady,” riffing off the sexist trope used by Republican vice presidential nominee JD Vance towards Harris and others.

While not distracted by SpaceX (one of his other companies), which yesterday launched the first ever privately-funded spacewalk, Musk found the time to post: “Fine Taylor … you win … I will give you a child and guard your cats with my life.” If we know anything about Swift it’s that Musk is about to become the villain in an upcoming hit single.

Trump also reacted to Swift endorsing Harris. He said the popstar would “probably pay a price for it in the marketplace”.

Swift might say: “Haters gonna hate”. But when powerful billionaires and presidential candidates are deriding cultural figures for having a political voice, and objective truth becomes optional in a democracy, there is a problem. As this and other elections continue to unfold, it’s everyone’s responsibility to make sure that two plus two continue to equal four.

Index Index

What is the Index Index? The Index Index is a pilot project that uses innovative machine learning techniques to map the free expression landscape across the globe to gain a clearer country-by-country view of the state of free expression across academic, digital and...

Contents – The battle for Ukraine: Artists, journalists and dissidents respond

The summer issue of Index magazine concentrated its efforts on the developing situation between Russia and Ukraine and consequential effects around Europe and the world.

We decided to give voice to journalists, artists and dissidents who chose to respond to this ruthless war. At the same time, we didn’t forget other attacks on freedoms that haven’t been covered around the globe as much as they should.[/vc_column_text][vc_custom_heading text=”Up front”][vc_column_text]Joining Ukraine’s battle for freedom, by Jemimah Steinfeld: We must stand with the bold and brave against Putin.

The Index: A global tour of free expression, departing from the poll booth and arriving at the journalists reporting under Taliban rule.[/vc_column_text][vc_custom_heading text=”Features”][vc_column_text]Fifty years of pride and prejudice, by Peter Tatchell: Following the rise and
corporate fall of London’s march for LGBT rights, will grassroots voices rise again?

India’s meaty issue, by Aishwarya Jagani: When a burger comes with a side of oppression.

Cartoon, by Ben Jennings: Art imitates life, caveman style.

My three years of hell in an Uyghur ‘re-education’ camp, by Gulbahar Hatiwaj and Rahima Mahmut: As the world stays silent, hear the truth from inside China’s brutal concentration camps.

One step ahead of the game, by Chen Dan: Media criticism of the Chinese government is all part of the power play.

Welcome to the kingdom of impunity, by Michael Deibert: The landscape is dangerous for journalists in Haiti. Murders and kidnappings are a daily risk.

Politically corrected? By Issa Sikiti da Silva: The banned words the Kenyan
government doesn’t want to hear in this election year.[/vc_column_text][vc_custom_heading text=”Special report: The battle for Ukraine”][vc_column_text]Losing battle for truth in Russian lecture halls, by Ilya Matveev: The war has put a new strain on academic freedom. A Russian lecturer laments his lost classroom.

Don’t be afraid to say two plus two is four, by Mark Frary and Alla Gutnikova: As a convicted student journalist speaks out for freedom, do Russian dissidents once again face the gulag?

Emotional baggage, by Slavenka Drakulic: How it feels to pack up a life in Ukraine and become a refugee.

Back to the future, by Martin Bright: The world has been turned
upside down for Ukrainian reporters, and this is their new landscape.

On not being shot, by John Sweeney: Amidst the Kremlin-wrought
wreckage, do we need a new era of journalism?

Russia’s trojan horse moves closer to Europe, by Viktória Serdult: In Hungary, Putin’s right-hand man and Europe’s right-wing firebrand wins again.

Turkey’s newfound russophilia, by Kaya Genç: Putinism is seeping into Turkey, and it spells trouble for future freedoms.

Divided by age and a tv screen, by Hanna Komar: How do you make sure your
family see the truth when they’re blinded by Kremlin propaganda? A Belarus activist speaks out.

Culture in the cross hairs, by Andrey Kurkov: Decades after Soviet rule, Ukrainian culture is once again under threat, as are the lives behind the creative expression.

Bordering on media control, by Kseniya Tarasevich: False information about
Ukraine finds fertile breeding ground in Poland.

Treat tragedies of the Ukraine war with dignity, by Olesya Khromeychuk: The grieving hearts left behind when death becomes news fodder.

Worth a gamble, by Jemimah Steinfeld: When telling the truth is a crime, turn to a criminal spam operation.[/vc_column_text][vc_custom_heading text=”Comment”][vc_column_text]

Cancelling Russian culture is today’s moral imperative, by Marina Pesenti: Putin is using culture to extend his reach. We must say a hard no to this soft power play.

Cancel Putin, not culture, by Maria Sorenson: Banning Russian artists assumes
that they are all collaborators of the Russian state and goes against artistic freedoms.

Beware the ‘civilisation’ battle, by Emily Couch: Why Europe must reject
anti-Asian racism to fully stand with Ukraine.

The silent minority, by Ruth Smeeth: A tribute to those whose work never saw the light of day.[/vc_column_text][vc_custom_heading text=”Culture”][vc_column_text]‘The light is no longer the light it used to be’, by Lyuba Yakimchuk: The poet on children being indoctrinated and the elderly disorientated in Russia-occupied Ukraine.

A cassandra worth heeding, by Dominic Cavendish: Murdered Russian journalist
Anna Politkovskaya, whose dispatches from Chechnya should be put in the spotlight.

Poetic injustice, by Stephen Komarnyckyj: History is repeating itself
on the pages penned by Ukrainian writers.

Banking on Russia’s poetic spirit, by Maria Bloshteyn and Yulia Fridman: A “piggy bank” of Russian poetry is fighting on the right side of Putin’s war.

Metaphors and madness, by Eduardo Halfon: In Guatemala, truth is best expressed through fiction.

Metal shows its mettle, by Guilherme Osinski: A heavy metal band labelled
“satanic” by Iran is free from prison and taking back the microphone.

America’s coming crucible, by Jo-Ann Mort: Women in the USA might soon be in the dark about their own bodies.