Index relies entirely on the support of donors and readers to do its work.
Help us keep amplifying censored voices today.
[vc_row][vc_column][vc_column_text]
The morning after the airing of the last episode of the presenter and journalist Leonard Kërquki’s three-part documentary, Hunting The KLA, a photo-montage of his face riddled with bullet holes was posted to a 70,000 member Facebook group named Kosovo Liberation Army. Within minutes hundreds of death threats appeared in the comments section, many calling for him to be killed. Meanwhile, Kërquki’s private inbox filled up with similar threats on his life.
The commentators were not happy with the contents of the documentary produced by the tabloid newspaper Gazeta Express, of which Kërquki is editor-in-chief, and broadcast by TV-channel RTV Dukagjini. The documentary showed an investigation into crimes committed against the Kosovo Serb population by members of the KLA during the Kosovo war in the late 1990s.
The KLA was an ethnic-Albanian paramilitary organisation that fought for independence from the Federal Republic of Yugoslavia (which consisted of Serbia and Montenegro at the time) during the Kosovo War in 1998-99. The KLA fought against the Yugoslav army, which was led by strongman Slobodan Milosevic. The organisation received air cover from NATO jets and ground support from the Albanian military against Serbian forces for crimes Milosevic had committed against Kosovo Albanians in Kosovo. After the war the KLA was disbanded.
“The topic of our documentary is very sensitive in Kosovo,” Kërquki told Mapping Media Freedom, Index on Censorship’s project monitoring press freedom in 42 European nations. Many former KLA-members now hold high-profile positions in government, he explained.
Crimes committed by the KLA against Kosovo Serbs have often met with controversy since the war ended. But a newly established special court for Kosovo war crimes by the International Criminal Tribunal for the former Yugoslavia is now set to try crimes committed by the KLA against ethnic minorities and political opponents during the Kosovo war. The launch of the special court was the motive for Kërquki and his colleagues to produce Hunting the KLA.
“Any one of the people who will be investigated by this new court could be behind the hate campaign against me”, he said. It is not the first time Kërquki has been threatened for his reporting, but this time it was worse, he added.
The Journalist Association of Kosovo (AJK) stated the “hundreds of death threats” towards Kërquki and other crew members are unacceptable.
The Organisation for Security and Co-operation in Europe (OSCE) mission in Kosovo have also condemned the threats, calling for Kërquki’s protection and a thorough investigation into and prosecution of those behind the threats. Reporters Without Borders urged the Kosovo authorities to act against the “public lynching” of Kërquki.
The Kërquki case is the latest in a series of intimidations, threats and physical attacks on Kosovo journalists. Two months earlier the national broadcaster Radio Television Kosovo (RTK) was attacked twice with explosives.
On 22 August 2016 an explosive device was thrown into the yard of RTK’s premises in the capital Pristina. Reportedly it was aimed at the transmission antennas. No one was injured in that attack.
A week later, a hand grenade was thrown at the house of RTK’s director, Mentor Shala. The bomb exploded behind the house while he and his family were inside. No casualties were reported but Shala told local media that the explosion was so strong that it could be felt throughout the entire neighbourhood.
Responsibility for both attacks was claimed by an organisation called Rugovasit, a group of people from the Rugova mountains close to the border with Montenegro. Kosovo’s parliament was voting on a demarcation deal with Montenegro at the time of the attacks.
Rugovasit claimed that Kosovo would lose thousands of hectares of land to Montenegro if the deal went through. They blamed RTK for only reporting the government’s perspective on the case and claimed in a written statement that the attack was “only a warning”, stating “if he does not resign from RTK, his life is in danger”. In early September Kosovo’s parliament decided to indefinitely postpone the controversial border deal.
These recent events have seriously worried AJK. “This year is really bad for journalists in Kosovo,” AJK’s president Shkelqim Hysenaj told MMF.
AJK has documented 18 cases of threats and violations against media in 2016 so far. In 2015, the association reported 21 cases. “Last year we had a lot of threats, too, but this year we were shocked by the two bomb attacks,” Hysenaj said. “That worries us the most, and makes us conclude that the situation regarding press freedom is getting worse.”
AJK is concerned about the lack of action by the police and prosecution in all three of the cases. Two months after the bomb attacks on the public broadcaster no perpetrator has been arrested or prosecuted. According to the AJK, the death threats to Kërquki are not being investigated by the police.
“If the police and courts are not doing their jobs, the situation will not change,” Hysenaj said. “If nobody is held accountable for throwing a bomb at the house of a journalist or sending death threats to an editor-in-chief, people will keep intimidating journalists because they know they can get away with it.”
Kosovo is ranked 90 out of 180 countries in the World Press Freedom Index by Reporters Without Borders. Political interference is still one of the biggest problems Kosovo’s media landscape is dealing with, Hysenaj explained. “The government and political parties have a huge influence on the media in this country,” he said.
RTK and its general director were the subjects of a controversy back in 2015 when employees openly accused director Mentor Shala of censorship and mismanagement after he fired a newsroom editor and a union president.
RTK is directly and fully financed by the state budget, Hysenaj added. “It makes them inevitably not independent.” Privately-owned media are also subject to biased reporting. “A big concern for us is that political parties are sponsoring online media platforms and the public is not aware who is paying for it.”
Meanwhile, Kërquki has continued working on documentaries with his team of reporters. The picture of his face riddled with bullet holes has been taken down from Facebook, but he is still receiving threats in his private inbox. He said he will not back down and continue work as normal. “The rest is the job of the police and the prosecutor’s office,” he concluded.
Click on the bubbles to view reports or double-click to zoom in on specific regions. The full site can be accessed at https://mappingmediafreedom.org/
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1479901799980-a01568be-447d-0″ taxonomies=”8712″][/vc_column][/vc_row]
Journalists in Kosovo experiencing harassment or receiving threats can call a new 24/7 helpline for support and advice. Launched in October by the Association of Professional Journalists of Kosovo (AGPK) and the OSCE Kosovo Mission, the phone line is accompanied by an awareness campaign urging journalists to report all cases of intimidation and violence.
Journalist Zekirja Shabani, head of the AGPK, says he would have greatly benefitted from such a helpline when he was set upon by his boss back in December 2014. The owner of the Pristina-based daily Tribuna physically assaulted him after Shabani said he would sue the paper for failing to pay its staff in time.
“As a reward I was attacked and fired from the job,” Shabani told Index on Censorship.
Though Shabani immediately reported the attack to the police, he says there was no followup. Still, it was worth it, Shabani concludes. “It was a good signal for other journalists to raise their voice and fight for their rights.”
Attacks, intimidation and pressure on journalists are common in Kosovo. According to the AGPK, the number of threats and attacks increased from 15 in 2013 to 27 in 2014. “This is a sign that journalists are working in a dangerous environment,” says Shabani. “And a lot of them are not reporting the threats for different reasons.”
The phone line could help break the silence and make it easier for journalists to talk about violence and intimidation, Shabani believes. “There’s a real need for all journalists to have a chance to raise their voice and speak out about their problems in full confidentially.”
The phone is manned by members of the AGPK only. “We don’t have the capacity to hire anyone else,” Shabani explains. Each staff member mans the mobile phone, which they take home overnight, on one-week rotations.
During the first week that Shabani was in charge of the phone, he received two phone calls. “Clearly there is still a need to increase awareness and let journalists know that someone is taking care of them,” he says.
Journalists calling the helpline will be advised and directed towards institutions which can further help them, such as the police or a lawyer. The AGPK has a law firm on stand-by 24/7.
Meanwhile, the organisation will also collect all the data from calls to get a clearer picture of the status of media freedom in Kosovo. Index on Censorship’s Mapping Media Freedom project has reported 15 violations in the country since May 2014. The AGPK has reported 27 incidents in 2014 alone. Human Rights Watch found 22 cases of physical violence and threats in the period between January and November 2014.
These statistics are just the tip of the iceberg as so few journalists report incidents to the police.
The type of media freedom violations in Kosovo vary, from pressure from employers to threats for reporting on radical religious groups or government corruption. In September last year, a journalist with the Indeksonline news portal received threats on multiple occasions for reports on radical Islamic groups operating in Kosovo. Earlier this year a journalist for Radio Kosova was threatened and censored while investigating false war veteran lists in the country.
The helpline could make it easier for journalists like these to report their cases, Shabani hopes.
The helpline also documents violations of workers’ rights. “We already know that a huge number of journalists are working without contracts, not being paid on time and in bad working conditions,” says Shabani. “The helpline could help the fight for better rights for journalists in general.”
The free helpline for reporting threats against journalists is 0800 11 333.
Mapping Media Freedom
|
Following the controversy of the 2022 World Cup when organising body FIFA faced major criticism over the decision to hold one of the biggest sporting events on the planet in Qatar, a state with a terrible record on human rights, governing body UEFA have attempted to steer clear of any politics whatsoever at this summer’s European Championships.
This year’s competition – which is currently ongoing – has stressed a message of unity, togetherness and inclusion, with UEFA being determined to avoid the negative press garnered by FIFA two years ago by remaining tight-lipped on political issues.
However, no matter how hard you try, politics cannot be removed from football. A number of issues related to freedom of speech have given UEFA headaches during the tournament, showing that censorship can be experienced anywhere, even when you try to avoid it.
One of the most significant examples of free speech being curtailed at the Euro 2024 was the case of Kosovan journalist Arlind Sadiku, who was barred by UEFA from reporting on the remainder of the tournament after he aimed an Albanian eagle sign towards Serbia fans during a broadcast.
Kosovo, Sadiku’s home state, has a population made up of 93% ethnic Albanians and the countries have a strong connection. Serbia does not recognise the independence of Kosovo and there is a history of conflict between the two nations, with relations remaining tense since the end of the brutal Kosovo War in 1999. The eagle symbol made by Sadiku represents the one on Albania’s flag and was deemed by UEFA to be provocative.
Sadiku told the Guardian: “People don’t know how I was feeling in that moment because I have trauma from the war. My house was bombed in the middle of the night when I was a child.
“I know it was unprofessional from a journalist’s perspective, but seeing my family in that situation was traumatic for me and I can’t forget it.”
The conflict between Serbia and Kosovo has caused free speech issues in sport before. In 2021, a Kosovan boxing team was denied entry to Serbia for the AIBA Men’s World Boxing Championships. It was a similar story at the European Under-21 Table Tennis Championships in 2022, which were held in Belgrade, as Kosovo athletes were once again not permitted to participate by Serbian authorities.
Even in football this has been a long-standing issue. At the 2018 World Cup, Swiss duo Xherdan Shaqiri and Granit Xhaka were charged by FIFA for each making the eagle salute after scoring against Serbia for Switzerland. They were each fined £7,600 for their celebrations.
Granit Xhaka’s father spent more than three years as a political prisoner in Yugoslavia due to his support for Kosovan independence and Xherdan Shaqiri came to Switzerland as a refugee and couldn’t go back to visit his family due to the war. Such context was again not enough to mitigate the players’ actions according to FIFA.
Of course, there is an argument to be made that the symbol made by Sadiku, Shaqiri and Xhaka was incendiary and risked provoking aggravation among fans, which could potentially be a safety hazard. However, if those who have personally experienced persecution are then punished when making a peaceful protest, then there is surely no room for any dissent in sport at all.
Many of the other conversations around free speech at Euro 2024 have been centred around nations in the Balkans.
Jovan Surbatovic, general secretary of the Football Association of Serbia, suggested that the country may withdraw from the tournament completely due to hate chants he claimed were made by Croatia and Albania fans. Serbia themselves have been the subject of a number of complaints – they were charged by UEFA after supporters unveiled a banner with a “provocative message unfit for a sports event”, while the Kosovo Football Federation also lodged a complaint about their fans spreading “political, chauvinistic, and racist messages” declaring their supremacy to Kosovo. One Albanian player, Mirlind Daku, was banned for two games for joining in with fans’ anti-Serbia chants after their draw with Croatia.
When nations have such complex relationships and history outside of football it can easily spill out on the pitch. The heightened emotion and passion of sport makes for a compelling watch, but can also increase tensions between nations. In such a convoluted context it is sometimes difficult to know where to draw the line between the right to free speech and the protections against hate speech.
Global conflicts have thrown up more sticking points – when calls were made for Israel to be barred from competing at Euro 2024 due to their ongoing bombardment of Gaza – which has killed more than 37,000 Palestinians – in response to the 7 October attacks by Hamas, UEFA refused. Niv Goldstein, chief executive of the Israel Football Association, told Sky News: “I am trusting Fifa not to involve politics in football. We are against involving politicians in football and being involved in political matters in the sport in general.”
This doesn’t quite match up with the fact that UEFA banned Russia from the competition soon after their invasion of Ukraine, demonstrating the difficulties in finding where to draw the line when attempting to regulate political speech and expression in football. UEFA were spared the headache of dealing with further protest at the tournament after Israel failed to qualify.
Similar issues were raised when German authorities ruled that only flags of participating teams would be allowed into stadiums, which was widely seen as an attempt to avoid potential conflict over Palestine and Israel flags being displayed, but which raised concerns that it would limit support for Ukraine. Blanket bans are often difficult to reconcile with the idea of free speech.
Football can’t ever be fully separated from politics. Just look at the case of Georgian MP Beka Davituliani, who weaponised the country’s shock victory against Portugal in his attempt to roll back on human rights, stating that the country needed defending from so-called LGBTQ+ propaganda like Giorgi Mamardashvili defended his goal. For the most part, fans and players have been able to express themselves freely, but we have a duty to highlight any issues when they arise – and unfortunately, at this summer’s tournament, they have.
We’re delighted to announce that the Index on Censorship Moment of Freedom 2023 is the moment the young Afghan journalist Spozhmai Maani touched down in Paris after fleeing the Taliban to continue her career in Europe.
It is almost exactly a year since Spozhmai first contacted Index. Her email told the grim story of a young broadcast journalist forced to flee her country: “Due to my work as a journalist, I have confronted many things from house raids, serious threats, online bullying, digital and cyber-attacks and harassment,” she wrote. In her work as a presenter and reporter Spozhmai had already been the target of threats from the Taliban. But after the extremist group seized power in 2021, women journalists were forced off air and Spozhmai went into hiding before escaping to neighbouring Pakistan.
But her nightmare was not over. In Pakistan, the harassment continued, this time simply because she was an Afghan. After more than a year of living in fear and unable to earn her living as a journalist, Spozhmai wrote to us in desperation. The only way we could realistically help was to pay her for her work as a journalist, which is how Spozhmai became a contributor to Index, writing articles about the plight of journalists and artists in her home country.
Partly thanks to the support of Index and other free expression organisations, but mainly through her own determination, Spozhmai was finally able to reach safety in Paris in June 2023. The picture of her smiling in front of the Eiffel Tower said everything about this moment of freedom. We are proud to have played a small part in her story.
Afghanistan’s tragedy is that Spozhmai’s story is just one of many. It is incredibly difficult to be a journalist in Afghanistan under the Taliban where all dissent has been crushed, even more so for female journalists. Meanwhile, the UK government continues to fail to honour its promises to provide a safe route for journalists wishing to come to the UK. While other countries, including France, Germany, Ireland and even Kosovo provide refuge, the UK has kept its doors closed. We heard this week that another Index contributor, Salma Niazi, editor of Afghan Times, has arrived safely in Dublin. These journalists will make a significant contribution to the intellectual life of their host countries. The UK is diminished as a result.
Over the past year, Index has been inspired by journalists such as Spozhmai and Salma to organise a series of events to raise money to help their colleagues. Working with Zahra Joya, founder of Rukhshana Media, campaigner Zehra Zaidi and Katherine Schofield, Head of Music at King’s College, University of London we have helped develop a network of support. Events at Somerville College Oxford and King’s College chapel in London have helped raise awareness of the ongoing situation in Afghanistan. We have also worked closely with Alex Crawford, Special Correspondent at Sky News, who has done as much as anyone to publicise the ongoing struggle of women in Afghanistan.
Spozhmai told Index: “I am deeply honoured to receive the ‘Moments of Freedom’ award from Index on Censorship. I am grateful for the recognition and the support of everyone who voted – your belief in the power of free expression fuels my commitment to making a positive impact.”