CATEGORY: Magazine

Birth, marriage and death

Birth, marriage and death

by | 13 Dec 18

The winter 2018 Index on Censorship magazine looks at why different societies stop people discussing the most significant events in life. In China, as Karoline Kan reports, women were forced for many years to have just one child and now they are being pushed to have two, but it is not something to talk about. In South Korea Steven Borowiec finds men have taken to social media to condemn a new film adaptation of a novel about motherhood. Irene Caselli describes the consequences in Latin America of preventing discussion about contraception and sexually transmitted infections. Joan McFadden digs into attitudes to gay marriage in the Hebrides, where she grew up, and interviews the Presbyterian minister who demonstrated against Lewis Pride. We have an original play from Syrian dramatist Liwaa Yazji about fear and violent death. While flash fiction writer Neema Komba imagines a Tanzanian bride challenging the marriage committee over her wedding cake. Finally Nobel-prize-winning author Svetlana Alexievich tells us that she is sanguine about the mortal dangers of chronicling and criticising post-Soviet Russia.

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A quarterly journal set up in 1972, Index on Censorship magazine has published oppressed writers and refused to be silenced across hundreds of issues.

A quarterly journal set up in 1972, Index on Censorship magazine has published oppressed writers and refused to be silenced across hundreds of issues.

The brainchild of the poet Stephen Spender, and translator Michael Scammell, the magazine’s very first issue included a never-before-published poem, written while serving a sentence in a labour camp, by the Soviet dissident Aleksandr Solzhenitsyn, who went on to win a Nobel prize later that year.

The magazine continued to be a thorn in the side of Soviet censors, but its scope was far wider. From the beginning, Index declared its mission to stand up for free expression as a fundamental human right for people everywhere – it was particularly vocal in its coverage of the oppressive military regimes of southern Europe and Latin America but was also clear that freedom of expression was not only a problem in faraway dictatorships. The winter 1979 issue, for example, reported on a controversy in the United States in which the Public Broadcasting Service had heavily edited a documentary about racism in Britain and then gone to court attempting to prevent screenings of the original version. Learn more.