CATEGORY: Magazine

What price protest?

What price protest?

The winter 2017 Index on Censorship magazine explores 1968 – the year the world took to the streets – to discover whether our rights to protest are endangered today. Micah White proposes a novel way for protest to remain relevant. Author and journalist Robert McCrum revisits the Prague Spring to ask whether it is still remembered. Award-winning author Ariel Dorfman’s new short story — Shakespeare, Cervantes and spies — has it all. Anuradha Roy writes that tired of being harassed and treated as second class citizens, Indian women are taking to the streets. Editorial: Poor excuses for not protecting protest

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Free to air

Free to air

The autumn 2017 issue of Index on Censorship magazine explores the enduring power of radio, the most accessible form of media that continues to contribute to freedoms throughout the world.
Wana Udobang and Xinran discuss their experiences as radio hosts in Nigeria and China respectively, where the medium allowed people to open up in ways they wouldn’t otherwise. Ismail Einashe interviews the radio journalists in Somalia who report independently, while Mark Frary shows how the ascent of the podcast has been instrumental in countries including North Korea.

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A quarterly journal set up in 1972, Index on Censorship magazine has published oppressed writers and refused to be silenced across hundreds of issues.

A quarterly journal set up in 1972, Index on Censorship magazine has published oppressed writers and refused to be silenced across hundreds of issues.

The brainchild of the poet Stephen Spender, and translator Michael Scammell, the magazine’s very first issue included a never-before-published poem, written while serving a sentence in a labour camp, by the Soviet dissident Aleksandr Solzhenitsyn, who went on to win a Nobel prize later that year.

The magazine continued to be a thorn in the side of Soviet censors, but its scope was far wider. From the beginning, Index declared its mission to stand up for free expression as a fundamental human right for people everywhere – it was particularly vocal in its coverage of the oppressive military regimes of southern Europe and Latin America but was also clear that freedom of expression was not only a problem in faraway dictatorships. The winter 1979 issue, for example, reported on a controversy in the United States in which the Public Broadcasting Service had heavily edited a documentary about racism in Britain and then gone to court attempting to prevent screenings of the original version. Learn more.