Journalists tell Index how a new type of visa is vital to protect lives and stop media censorship. Rachael Jolley reports
CATEGORY: Magazine
Spinning bomb: Fighting the disinformation war
Nerma Jelacic argues revisionists are manipulating free speech defenders
Speaking for my silenced sister Reality Winner
Winner, a US Air Force veteran, has just been released after being imprisoned for exposing secret papers about Russian interference in the US elections
Daniel Ellsberg: The original whistleblower
The man who leaked the Pentagon Papers, which revealed the extent of US involvement in Vietnam during five presidencies , speaks to Index
Whistleblowers: The lifeblood of democracy
Volume 50.02 Summer 2021
Are we becoming Hungary-lite?
Jolyon Rubinstein fears a British legislative agenda that could stifle protest, satire and the very foundations of democracy
Contents – Whistleblowers: the lifeblood of democracy
Index's new issue of the magazine looks at the importance of whistleblowers in upholding our democracies. Featured are stories such as the case of...
Anti-Ha: an exclusive short story by Shalom Auslander
The American author talks about laughter and the power to subvert
Standing up to a global oil giant
Celebrated author Ma Jian reflects on the terrible legacy of the Chinese Communist Party in its centenary year
China: A century of silencing dissent
Volume 50.01 Spring 2021
A quarterly journal set up in 1972, Index on Censorship magazine has published oppressed writers and refused to be silenced across hundreds of issues.
The brainchild of the poet Stephen Spender, and translator Michael Scammell, the magazine’s very first issue included a never-before-published poem, written while serving a sentence in a labour camp, by the Soviet dissident Aleksandr Solzhenitsyn, who went on to win a Nobel prize later that year.
The magazine continued to be a thorn in the side of Soviet censors, but its scope was far wider. From the beginning, Index declared its mission to stand up for free expression as a fundamental human right for people everywhere – it was particularly vocal in its coverage of the oppressive military regimes of southern Europe and Latin America but was also clear that freedom of expression was not only a problem in faraway dictatorships. The winter 1979 issue, for example, reported on a controversy in the United States in which the Public Broadcasting Service had heavily edited a documentary about racism in Britain and then gone to court attempting to prevent screenings of the original version. Learn more.