30 Sep 14 | Egypt, News and features, Press Releases, Religion and Culture
Index on Censorship’s Shout Art Loud, an interactive documentary highlighting how Egyptian graffiti artists, cartoonists, dancers and actors are fighting back against rising levels of violence and sexism on the streets of Cairo, has been named to the shortlist of the annual Amnesty International media awards.
Nominated in the Digital Innovation category, Shout Art Loud, created by Melody Patry, joins The Guardian’s The Shirt on Your Back and the Bureau of Investigative Journalism’s Covert Drone War on the short list.
Documentary maker Patry interviewed actors, dancers and other artists around Egypt, where 99% of women have experienced some form of sexual harassment, and 80% feel unsafe on the street. Sexual violence has risen sharply in Egypt in the past few years. During the period February 2011 to January 2014, Egyptian women’s rights groups documented thousands of cases of sexual harassment, as well as crimes of sexual violence against at least 500 women, including gang rapes and mob-sexual assaults with sharp objects and fingers.
With police, politicians and the judiciary seeming incapable of tackling the issue effectively, activists are turning to the arts to help lead the fight back. “Art is one of the most necessary mediums to impact society,” says Deena Mohamed who created a web-comic about a hijab-wearing superheroine who fights daily sexual harassment. “For people who are unaware of the issues women go through, I hope it helps them understand or at least give them something to think about.”
An interactive documentary intended as a “living report” that will be continuously updated, Shout Art Loud shows how Cairo residents are using different tactics to fight rising sexual harassment, including pro-women graffiti, drama workshops and street performances.
“We believe that spreading images, things that people are familiar with, women figures that people know and sayings that people know brings back some positivity about women in general,” says Merna Thomas, co-founder of a graffiti campaign to promote women’s rights in Cairo’s public spaces.
See how Egyptians are using theatre, dance, music and street art to tackle the issue of sexual harassment and violence against women in Egypt in this interactive documentary, which features interviews with artists, original artwork, videos and performances, including from Index’s 2014 Freedom of Expression Arts Award winner Mayam Mahmoud. You can access the documentary here: indexoncensorship.org/shoutartloud
“This innovative documentary is a reminder of the vital role artistic expression plays in tackling taboo subjects like sexual violence — in Egypt and beyond,” said Index CEO Jodie Ginsberg. “We want to bring this issue to a wider audience to show just how important artists and writers can be in bringing about change, and to tell the story in a new way.”
For further information and interview requests, please call +44 (0)207 260 2660
11 Sep 14 | Draw the Line, Youth Board
Free expression and policing can have an antagonistic relationship. Recent events in Ferguson are demonstrative of the issues that arise as the demands for protest clash with those for civil safety.
The police are naturally drawn to the forefront of such a debate as they become the physical manifestation of a state’s commitment to free expression and the right to protest. Thus, as the Obama administration launches a federal investigation into whether the Missouri police systematically violated the civil rights of protesters, it is prescient to ask whether one can demand more of the police to protect free expression.
Undoubtedly, enforcement agencies across the world play a tricky role in facilitating expression while protecting the legitimate safety concerns of the local community. Between 2009 and 2013, police in England spent £10 million on security arrangements for EDL marches. There can also be a huge social cost to galvanic protest and the director of Faith Matters, Fiyaz Mughal, has called for a ban on such marches, claiming that “[We] know there is a corrosive impact on communities, it creates tensions and anti-Muslim prejudice in areas. I think enough is enough. I think a banning order is necessary with the EDL”.
What the recent altercations in Ferguson illustrates is that the role of the police in safeguarding free expression must not be overlooked. More importantly, this is a global issue and as six activists being retried for breaching Egypt’s protest law have started an open-ended sit-in and hunger strike it must be remembered that this debate truly gets to the heart of the basic demands of any civic society.
As scenes from Ferguson have at times resembled the images of police crackdowns in Cairo it is clear that complacency about such issues can prove disastrous. It therefore seems vital to drawn certain lines as to where we feel the police should stand when it comes to creating the basis of a safe but also free society.
This article was posted on 11 Sept 2014 at indexoncensorship.org
08 Sep 14 | Magazine, News and features
We want to offer free access to Index on Censorship magazine’s ipad or iphone app from a symbolic place that represents freedom or censorship anywhere around the world – and we are calling on you to nominate your choice.
Suggest a symbolic place for censorship or freedom – from Speakers’ Corner in London to Egypt’s Tahrir Square – and if we opt for your suggestion, we will unlock the app so readers standing on that spot will get free access for one year.
Download the free taster app today here
What you need to do:
1) Pick a global location that’s associated with free speech or censorship
2) Tweet your nominated location to @Index_Magazine using hashtag #FREESPEECH before 30 September 2014. Follow @Index_Magazine if you are not already a follower.
3) Selected locations announced on 22 October 2014, with free access to Index on Censorship Magazine app immediately available for one year
* Winning locations picked by Index on Censorship magazine team
** Free app access available at winning locations until 1st September 2015
*** Information on the Index on Censorship magazine app here
08 Aug 14 | Draw the Line, Young Writers / Artists Programme
(Image: Al Jazeera English/YouTube)
Egypt’s recently sentenced three Al Jazeera journalists to seven years in prison under the country’s anti-terrorism laws. Others, tried in absentia, were given ten years. In light of this, the Index Youth Board this month asked Index’s younger readership to consider the question: When does giving a platform to extremist views through art or journalism become an act of terrorism? And should artists or journalists be exempt from terrorism laws, or should inflammatory works be banned?
Some readers expressed concern over how certain authorities might use the term “terrorism” too liberally, or even corruptly. A number of recent articles have questioned whether or not the UK’s legal definition of terrorism is too wide and threatens to criminalise us all; the board’s own Morgan Meaker wrote that “Branding artists as terrorists doesn’t silence them, it only proves their relevance.”
Index brought together young people to discuss the issue in two workshops, one in the organisation’s offices and one at the youth arts centre Platform in Islington. Both events sparked many new opinions and questions. Some pointed out the difficulty in defining works of art and journalism, while others debated whether or not anything that is trying to manipulate people’s thoughts can be considered an act of terrorism.
On the #IndexDrawtheLine Twitter feed the responses varied greatly, with some readers putting emphasis on the intentions behind the works in question, whilst others claimed that all art and journalism is politically loaded. What seems to be agreed on, however, is the issue of the viewer’s perspective. @lightielikeefua pointed out that a work of art or journalism can be misinterpreted as an act of terrorism if the government or the public doesn’t like or understand it; as @sboy9700 wrote, “One’s freedom fighter is another’s terrorist.”
Explore the responses to this month’s question on Draw the Line.
