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[vc_row full_width=”stretch_row” full_height=”yes” css=”.vc_custom_1481647350516{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2016/12/magazine-cover-subhead.jpg?id=82616) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Governments that introduce bans on clothing and other forms of expression are sending a signal about their own lack of confidence” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”When freedom of expression is quashed, it usually finds a way of squeezing out just to show that the spirit is not vanquished” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
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[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”86201″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422016643039″][vc_custom_heading text=”T-shirted turmoil” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422016643039|||”][vc_column_text]April 2016
Vicky Baker looks at why slogan shirts are more than a fashion statement and sometimes provoke fear within great state machines.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89180″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220600624127″][vc_custom_heading text=”Miniskirts” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064220600624127|||”][vc_column_text]February 2006
Salil Tripathi believes the press should not pick and choose what to publish based on who will get offended. [/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90622″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228908536934″][vc_custom_heading text=”List to the right ” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228908536934|||”][vc_column_text]July 2001
UK’s Terrorism Act 2000 is further evidence of the government’s indifference to fundamental freedoms – clothing included.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Fashion Rules” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F12%2Ffashion-rules%2F|||”][vc_column_text]The winter 2016 issue of Index on Censorship magazine looks at fashion and how people both express freedom through what they wear.
In the issue: interviews with Lily Cole, Paulo Scott and Daphne Selfe, articles by novelists Linda Grant and Maggie Alderson plus Eliza Vitri Handayani on why punks are persecuted in Indonesia.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”82377″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/12/fashion-rules/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
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[/vc_column_text][vc_column_text]More than anything else, it’s the central question that takes a grip on you: “Will I ever be able to see Turkey, my homeland, again?”
This was the feeling that caught me as I crossed the 15 July Martyrs Bridge over the Bosphorus just days after the failed coup attempt.
Before the failed coup it was known as the First Bridge. During the coup it was one of the centers of bloody scenes that marked the beginning of nationwide chaos and trauma that is still unfolding.
I knew I, just as my nation, was heading towards the unknown. At the time, the only thing that mattered was freedom – perhaps the most precious element in any journalist’s existence.
I knew, even as the tragedy for Turkey played out on the streets, that no matter the outcome, among the first victims would be our freedom, which had been fragile for years. Before the coup, we had been forced to deal with the monster of intolerance deeply embedded in the upper echelons of the state. The fierce power struggle had snowballed into a putsch.
As I watched the sun rise on 16 July, I knew without a doubt that the Turkey’s weary journalists — including me — would be rounded up sooner or later.
Freedom mattered. Freedom to be. Freedom to do. My most vivid thought, crossing the bridge, was to move to a free domain, to be able to do what I should: to observe, to listen and to write Turkey’s interesting and baffling story.
But when you must leave, crossing into exile means something much different than a sigh of relief. You leave parts of yourself behind and you know that they will haunt you. Exile, voluntary or not, means a total reset on your existence. It is a journey laced with second thoughts and unforeseen consequences. You will questioned and criticised by some and admired by others for your adventurous nature.
But once in exile, you are very much on your own. Your routines ruined, and your plans abandoned or in need of modification. It’s like entering a darkened room that you must map by touch.
I felt, still, lucky.
Once across the border, all I felt initially was a sense of numbness. It was strangely calming because I had already made this journey out of Turkey into exile.
Decades ago, as a student repulsed by political violence and state brutality, I had to leave Turkey for Scandinavia. I had a memory, a developed sense of intuition: I knew what the stakes were. When you proceed to safety, you rely on your good friends, forget dwelling so much on tomorrow or the day after, and find a place to settle. Whenever in doubt, remember to be thankful that you are free. It’s calmness that matters.
Then you do two things: recalculate your sources for survival and try to do your best to save those that you left behind who are in danger. As I settled somewhere in Europe, I had already absorbed the notion that I would be living on the minimum.
I sensed that good colleagues would not leave Turkey’s exiled journalists out in the cold. Most of them loved Turkey and its people; found its story fascinating, and admired our resilience in the face of repeated waves of oppression. In many cases recently, I was proven right. Those of us in exile, I believe, do not feel abandoned.
Exile means living in solidarity. I persuaded two colleagues to get out before they too were served with invitations to discuss their involvement in the “media leg of a terrorist organisation”. A third changed their mind and luckily still stands free. I worked on the cases of journalists who are stuck or on the run, connecting them with others who can provide legal or financial help. It’s an ongoing process, just as the era of emergency rule continues.
Exile means living with the uncertainty of time. It eats at you. It is an indefinite sentence filled with questions: When will things return to a semblance of normality? Will I ever be able to return? What if I end up like an Iranian intellectual, who have never been able to go home? What if I will have to abandon journalism, cease my sharing of the truth and be forced to do something else?
My gut tells me that this time Turkey’s turmoil may turn out to be long-lasting and leave a more harmful imprint on the nation’s soul. We are in the midst of an open-ended story, mapping the contours by touch with very few clues about the finale.
Exile means spending your days in a fog.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Yavuz Baydar is the co-founder of Platform for Independent Journalism (P24), an initiative to support and promote editorial independence in the Turkish press. He is a veteran Turkish columnist and blogger and was awarded the Special Award of the European Press Prize in 2014.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Turkey Uncensored” use_theme_fonts=”yes”][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1485774765528-af1463e8-b299-7″ taxonomies=”8607″][/vc_column][/vc_row]
[vc_row][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle”][vc_column_inner el_class=”awards-inside-desc”][vc_custom_heading text=”FREEDOM OF EXPRESSION AWARDS 2017″ font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_video link=”https://www.youtube.com/playlist?list=PLlUhPA3TuB56Ow0JmVsGgeXY5XEy0wwmh” align=”center”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”2017 Fellows” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]
Selected from over 400 public nominations and a shortlist of 16, the 2017 Freedom of Expression Awards Fellows exemplify courage in the face of censorship. Learn more about the fellowship.
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[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1500367746306{background-color: #f2f2f2 !important;}”][vc_column][awards_gallery_slider name=”2017 AWARDS GALA” images_url=”89583,89582,89581,89580,89577,89578,89576,89575,89574,89565,89560,89559,89553,89552,89551,89550,89549,89548,89547,89546,89545,89544,89543,89542,89541,89540,89539,89538,89537,89536,89535,89534,89533,89532,89531,89530,89529,89528,89527,89526,89525,89524,89523,89522,89520,89521,89519,89518,89517,89515,89513,89512,89511,89510,89509″][vc_column_text]
The Awards were held at London’s Unicorn Theatre on Wednesday 19 April 2017.
High-resolution images are available for download via Flickr.
[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” equal_height=”yes” css=”.vc_custom_1500374640894{margin-top: 20px !important;margin-bottom: 20px !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Awards.” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]
[/vc_column_text][/vc_column][vc_column width=”1/2″ css=”.vc_custom_1500374612115{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2017/05/EMK_3669web-Edit-1490x460_revised.jpg?id=90091) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1500374723834{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”2017 SHORTLIST” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_tta_tabs][vc_tta_section title=”Arts” tab_id=”1500362988336-5bdbb85d-772be509-a00f”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://www.youtube.com/watch?v=SxXBCcuFOGQ”][/vc_column_inner][/vc_row_inner][vc_row_inner content_placement=”middle” el_class=”container container980″][vc_column_inner width=”1/4″][vc_single_image image=”84885″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/index-awards-luaty-beirao/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84888″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/indexawards2017-rebel-pepper-china-caroonist/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84881″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/fahmi-reza-art-weapon-against-corruption/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84890″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/index-awards-hungary-two-tailed-dog-party/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Campaigning” tab_id=”1500362988646-d5275c82-89e2e509-a00f”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
Supported by Doughty Street Chambers
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://youtu.be/vQcwVRmGHII”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”84876″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/arcoiris-lgbt-honduras/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84879″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/index-awards-breaking-silence/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84882″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/ildar-dadin-russian-activist/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84886″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/03/maati-monjib-free-speech-morocco/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Digital Activism” tab_id=”1500375693353-6cf89875-d61ee509-a00f”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
Supported by Private Internet Access
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://youtu.be/6VDEpJYlB5s”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”84883″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/jensiat-cyber-security-sexuality-iran/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84878″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/bill-marczak-spyware/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84875″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/evan-mawarire-hope-nation/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84889″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/turkey-blocks-win-back-internet/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Journalism” tab_id=”1500375685814-07dc032c-abfae509-a00f”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
Supported by CNN
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://youtu.be/aczK0uN0ytU”][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”84877″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/kurdish-journalist-behrouz-boochani/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84880″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/daptar-hope-women-dagestan/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”85704″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/krik-crime-corruption-serbia/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”84887″ img_size=”full” add_caption=”yes” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/2017/04/maldives-independent-hold-government-to-account/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”2017 JUDGING PANEL” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Noma Dumezweni” title=”Actor” profile_image=”85068″]Noma Dumezweni, who plays Hermione in the stage play Harry Potter and the Cursed Child, was shortlisted in 2016 for an Evening Standard Theatre Award for Best Actress. Speaking about the importance of the Index Awards she said: “Freedom of expression is essential to help challenge our perception of the world”.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Caoilfhionn Gallagher QC” title=”Barrister” profile_image=”85067″]Caoilfhionn Gallagher is a public law specialist at Doughty Street Chambers who represented the bereaved families in the 7/7 London bombings, and the Hillsborough football stadium tragedy. In October 2016 she was named Human Rights and Public Law Junior of the Year at the Chambers UK Bar Awards.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Tina Brown” title=”Journalist and editor” profile_image=”82577″]Tina Brown is an award-winning journalist and former editor-in-chief of Tatler, Vanity Fair and The New Yorker. She is founder of Women in the World Summits.[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Anab Jain” title=”Tech entrepreneur” profile_image=”82573″]Anab Jain is a TED fellow and co-founder of Superflux.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Stephen Budd” title=”Music manager” profile_image=”82576″]Stephen Budd is chairman of the Music Managers Forum and co-founder of Damon Albarn’s ‘Africa Express’ musical collaborations project.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Jodie Ginsberg” title=”CEO, Index on Censorship” profile_image=”80210″]Jodie Ginsberg joined Index on Censorship from the think-tank, Demos. A former London Bureau Chief for Reuters, Jodie worked for more than a decade as a foreign correspondent and business journalist. She was previously Head of Communications for Camfed, a non-profit organisation working in girls’ education.[/staff][/vc_column_inner][/vc_row_inner][vc_column_text]Each year Index recruits an independent panel of judges – leading voices with diverse expertise across campaigning, journalism, the arts and human rights. Judges look for courage, creativity and resilience. We shortlist on the basis of those who are deemed to be making the greatest impact in tackling censorship in their chosen area, with a particular focus on topics that are little covered or tackled by others. Where a judge comes from a nominee’s country, or where there is any other potential conflict of interest, the judge will abstain from voting in that category.
The Freedom of Expression Awards are open to anyone involved in tackling free expression threats – either through journalism, campaigning, the arts or using digital techniques – is eligible for nomination. Any individual, group or NGO can nominate or self-nominate. There is no cost to apply. Nominees must have had a recognisable impact in the past 12 months.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1500374747691{margin-top: 20px !important;margin-bottom: 20px !important;padding-top: 20px !important;padding-right: 15px !important;padding-bottom: 20px !important;padding-left: 15px !important;background-color: #f2f2f2 !important;}”][vc_column][vc_row_inner content_placement=”middle” el_class=”container container980″][vc_column_inner][awards_news_slider name=”2017 COVERAGE” years=”2017″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1500374757272{margin-top: 20px !important;padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading text=”SPONSORS” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1484567001197{margin-bottom: 30px !important;}”][vc_column_text]
The Freedom of Expression Awards and Fellowship have massive impact. You can help by sponsoring or supporting a fellowship.
Index is grateful to those who supported the 2017 Awards:
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Norwegian musician Moddi’s new album, Unsongs, is made up of renditions of songs from around the world that had been banned, censored or silenced. Unsongs includes cover versions of songs from countries including China, Russia, Mexico and Vietnam, on topics such as drugs, war and religion.
Index on Censorship caught up with Moddi on Twitter to find out more.
To kick off our Twitter Q&A with @moddimusikk: Where did the idea for your new album, Unsongs, come from? #WithTheBanned pic.twitter.com/REWUt4tvxd
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship It all began with a song about the Israeli officer Eli Geva, who refused to lead his forces into Beirut in 1982.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship The Norwegian singer Birgitte Grimstad heard the story of the officer, and had a song written about him.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship She didn’t perform it though – it was considered “too controversial” at the time. And so it wasn’t sung for 32 years.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship I heard the song 32 yrs after, then the snowball started rolling. There’s so much out there never played! #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
With so many banned or censored songs to choose from, how did you narrow it down to just 12? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship First of all: 12 songs does not represent the huge amount of censored art out there. They’re just examples. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship I wanted to choose 12 songs that represented 12 different forms of censorship. 12 different perspectives. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Murder, imprisonment, radio bans, social pressure, self-censorship. Different, but equally important. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship I believe it is a great mistake to consider the brutal forms of suppression more worthy of our attention. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship So basically, I chose 12 songs to show the diversity of the phenomenon. I could have made 12 albums though. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship @moddimusikk It must have been hard to pick only 12 songs, what was your favourite song that didn’t make the final cut?
— Sara French (@FrenchiedMuse) September 29, 2016
@FrenchiedMuse @IndexCensorship Oh, that’s probably something Kurdish, e.g. this masterpiece: https://t.co/MELFeWcIHa. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@FrenchiedMuse Have no idea what the lyrics say though. It’s always a little like Christmas eve. @IndexCensorship #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@FrenchiedMuse Another candidate is from the Iranian revolution https://t.co/WejoFpEzK8 but was too difficult to translate @IndexCensorship
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@moddimusikk have you ever heard a song so offensive you’ve thought ‘actually yeah, ok that should definitely be banned’ #withthebanned
— James Green (@JamesGreen6) September 29, 2016
@JamesGreen6 I considered some neo-nazi music for the album, but seriously, those words hurt physically to sing. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@JamesGreen6 Nonetheless not sure if long prison sentences is the right response. But that of course is a long debate.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
How did Index on Censorship magazine help you find inspiration for the album? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship Index helped me grasp the diversity of the issue. At first I only looked to Jara, Biermann…the classics. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Index helped me grasp the diversity of the issue. At first I only looked to Jara, Biermann…the classics. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Must most important: Orgs such as Index helped me understand that this is really an important topic. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship At first it was a hobby project. In the end it felt like a small part of a big movement. That helped. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
You tried to film the video for your version of @pussyrrriot‘s Punk Prayer in Russia but failed. What happened? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship Yes, I seriously considered going to Russia to sing in solidarity with @pussyrrriot. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship I settled for the second best: singing it on the Russian border. There’s a beautiful old stone church there. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Unfortunately the parish did not approve and so the video had to be filmed on the church steps. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship It was minus five and stormy, ubearably cold, but felt good afterwards. @pussyrrriot‘s song it a true gem! #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Must say I’m disappointed with the Norwegian church though. I genuinely thought this song would be welcome. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship PS: The video turned out really well. https://t.co/YRdnimuycB @pussyrrriot
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
What was the hardest journey to make when visiting one of the original songwriters? #WithTheBanned
— ΛSHΣR ΛLΣXΛNDΣR (@AsherAlexander) September 29, 2016
@AsherAlexander Vietnam. Very confusing. Officially he was allowed to have visitors but in reality we were unwelcome. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@AsherAlexander Also the language and culture barriers were significant. But the meeting was still incredibly inspiring. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@AsherAlexander And in general: For a white, Norwegian boy, meeting with the genuinely banned has really been an eye-opener. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
#WithTheBanned Besides being a censored song, why did you choose a narcocorrido as part of the album? What caught your attention?
— Verito (@Veritokun) September 29, 2016
@Veritokun @IndexCensorship The double meaning! To me, who know that it is a narcocorrido, the underlying metaphor is obvious.#WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@Veritokun @IndexCensorship But to children and to many others, it may sound almost like a normal farm song. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@Veritokun @IndexCensorship The narcocororrido genre is terrible, but the way it avoided getting banned is – in this context – inspiring.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@moddimusikk if you had to write a protest song, like Punk Prayer, what regime would you be challenging/ trying to change #WithTheBanned
— Ethan Beer (@EthanDuffmanB) September 29, 2016
@EthanDuffmanB My own, Norway! Protest is always best from inside. #WithTheBanned @IndexCensorship
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@EthanDuffmanB I’m not trying to change other countries, but presenting songs where others have tried. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@EthanDuffmanB Hopefully it can inspire other musicians across the globe to do the same. I know it has changed me, at least. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
How did your experience cancelling a concert in Tel Aviv change your approach to music? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship It made me realise that everything – even singing a love song – is political. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship In a conflict, remaining silent gives strength to the dominant side. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship And in this context, singing love songs and songs about the sea was equal to remaining silent. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship When I discovered “Eli Geva”, I felt that finally there was a song – a message – which was stronger than its own context.
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship When I write my own songs in the future, that will always be something I’ll aspire towards. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Like the songwriter Richard Burgess said “I could have written a song that she would have been allowed to perform…
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship …but I don’t think it would have been as good a song.” #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
What were the main things you learned about censorship when making Unsongs? @moddimusikk #WithTheBanned
— Index on Censorship (@IndexCensorship) September 29, 2016
@IndexCensorship Censorship, in one form or anohter, is everywhere, all times, and it comes in different shapes. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship And it isn’t only states and religious authorities that are behind it. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship Basically, whereever there is power, there is also censorship. Those two seem to be mutually constituitive. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship So in a way, this project of interpreting banned songs is a case study of challenging power through music. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
@IndexCensorship As a young musician, that has probably been the most important lesson: That music CAN still be powerful. #WithTheBanned
— Pål Moddi Knutsen (@moddimusikk) September 29, 2016
To mark the release of Unsongs, Index on Censorship is proud to announce a special series of appearances by currently banned voices from around the world.
Moddi will hand over the stage at three of the biggest gigs on his current European tour to unleash the power of free expression, replacing the support band with the genuinely banned.
In Amsterdam on 1 October, Maryam Al-Khawaja will share her and her family’s story of imprisonment and exile in the struggle for democracy in Bahrain. In London on 3 October, Vanessa Berhe will speak about life in the prison state of Eritrea and her campaign One Day Seyoum fighting to free her journalist uncle Seyoum Tsehaye who has been in jail for 15 years. In Berlin on 6 October, Raqqa Is Being Slaughtered Silently will tell how the Syrian civil war has destroyed the free expression of a generation. Co-founder Abdalaziz Alhamza will share the story of how and why he co-founded it inside IS-controlled territory.