Today, more than thirty cultural institutions and human rights organisations around the world, including international arts, curators’ and critics’ associations, organisations protecting free speech rights, as well as US based performance, arts and creative freedom organisations and alliances, issued a joint statement opposing United States President Donald J. Trump’s immigration ban. Read the full statement below.
On Friday, January 27th, President Trump signed an Executive Order to temporarily block citizens of seven predominantly Muslim countries from entering the United States. This order bars citizens of Iran, Iraq, Libya, Somalia, Sudan, Syria, and Yemen from entering the United States for 90 days. It also suspends the entry of all refugees for 120 days and bars Syrian refugees indefinitely.
The organisations express grave concern that the Executive Order will have a broad and far-reaching impact on artists’ freedom of movement and, as a result, will seriously inhibit creative freedom, collaboration, and the free flow of ideas. US border regulations, the organisations argue, must only be issued after a process of deliberation which takes into account the impact such regulations would have on the core values of the country, on its cultural leadership, and on the world as a whole.
Representatives of several of the participating organisations issued additional statements on the immigration ban and its impact on writers and artists:
Helge Lunde, Executive Director of ICORN, said, “Freedom of movement is a fundamental right. Curtailing this puts vulnerable people, people at risk and those who speak out against dictators and aggressors, at an even greater risk.”
Svetlana Mintcheva, Director of Programs at the US National Coalition Against Censorship (NCAC), said, “In a troubled and divided world, we need more understanding, not greater divisions. It is the voices of artists that help us understand, empathise, and see the common humanity underlying the separations of political and religious differences. Silencing these voices is not likely to make us any safer.”
Suzanne Nossel, Executive Director of PEN America, said, “The immigration ban is interfering with the ability of artists and creators to pursue their work and exercise their right to free expression. In keeping with its mission to defend open expression and foster the free flow of ideas between cultures and across borders, PEN America vows to fight on behalf of the artists affected by this Executive Order.”
Diana Ramarohetra, Project Manager of Arterial Network, said, “A limit on mobility and limits on freedom of expression has the reverse effect – to spur hate and ignorance. Artists from Somalia and Sudan play a crucial role in spreading the message to their peers about human rights, often putting themselves at great risk in countries affected by ongoing conflict. Denying them safety is to fail them in our obligation to protect and defend their rights.”
Ole Reitov, Executive Director of Freemuse, said, “This is a de-facto cultural boycott, not only preventing great artists from performing, but even negatively affecting the US cultural economy and its citizens rights to access important diversity of artistic expressions.”
Shawn Van Sluys, Director of Musagetes and ArtsEverywhere, said, “Musagetes/ArtsEverywhere stands in solidarity with all who protect artist rights and the freedom of mobility. It is time for bold collective actions to defend free and open inquiry around the world.”
A growing number of organisations continue to sign the statement.
JOINT STATEMENT REGARDING THE IMPACT OF THE US IMMIGRATION BAN ON ARTISTIC FREEDOM
Freedom of artistic expression is fundamental to a free and open society. Uninhibited creative expression catalyses social and political engagement, stimulates the exchange of ideas and opinions, and encourages cross-cultural understanding. It fosters empathy between individuals and communities, and challenges us to confront difficult realities with compassion.
Restricting creative freedom and the free flow of ideas strikes at the heart of the core values of an open society. By inhibiting artists’ ability to move freely in the performance, exhibition, or distribution of their work, United States President Trump’s January 27 Executive Order, blocking immigration from seven countries to the United States and refusing entry to all refugees, jettisons voices which contribute to the vibrancy, quality, and diversity of US cultural wealth and promote global understanding.
The Executive Order threatens the United States safe havens for artists who are at risk in their home countries, in many cases for daring to challenge repressive regimes. It will deprive those artists of crucial platforms for expression and thus deprive all of us of our best hopes for creating mutual understanding in a divided world. It will also damage global cultural economies, including the cultural economy of the United States.
Art has the power to transcend historical divisions and socio-cultural differences. It conveys essential, alternative perspectives on the world. The voices of cultural workers coming from every part of the world – writers, visual artists, musicians, filmmakers, and performers – are more vital than ever today, at a time when we must listen to others in the search for unity and global understanding, when we need, more than anything else, to imagine creative solutions to the crises of our time.
As cultural or human rights organisations, we urge the United States government to take into consideration all these serious concerns and to adopt any regulations of United States borders only after a process of deliberation, which takes into account the impact such regulations would have on the core values of the country, on its cultural leadership, as well as on the world as a whole.
African Arts Institute (South Africa)
Aide aux Musiques Innovatrices (AMI) (France)
Alliance for Inclusion in the Arts (USA)
Arterial (Africa)
Artistic Freedom Initiative (USA)
ArtsEverywhere (Canada)
Association of Art Museum Curators and Association of Art Museum Curators Foundation
Association Racines (Morocco)
Bamboo Curtain Studio (Taiwan)
Cartoonists Rights Network International
Cedilla & Co. (USA)
Culture Resource – Al Mawred Al Thaqafy (Lebanon)
International Committee for Museums and Collections of Modern Art (CIMAM)
College Art Association (USA)
European Composer and Songwriter Alliance (ECSA)
European Council of Artists
Freemuse: Freedom of Expression for Musicians
Index on Censorship: Defending Free Expression Worldwide
Independent Curators International
International Arts Critics Association
International Network for Contemporary Performing Arts
The International Cities of Refuge Network (ICORN)
Levy Delval Gallery (Belgium)
Geneva Ethnography Museum (Switzerland)
National Coalition Against Censorship (USA)
New School for Drama Arts Integrity Initiative (USA)
Observatoire de la Liberté de Création (France)
On the Move | Cultural Mobility Information Network
PEN America (USA)
Queens Museum (USA)
Roberto Cimetta Fund
San Francisco Art Institute (USA)
Stage Directors and Choreographers Society (SDC) (USA)
Tamizdat (USA)
Vera List Center for Art and Politics, New School (USA)[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1486570424977-7a30af48-045a-3″ taxonomies=”3784″][/vc_column][/vc_row]
Each week, Index on Censorship’s Mapping Media Freedom project verifies threats, violations and limitations faced by the media throughout the European Union and neighbouring countries. Here are five recent reports that give us cause for concern.
Sergey Leleka, a columnist for the pro-government newspaper Komsomolskaya Pravda, suggested in an article on 24 October that independent journalists Anton Nosik and Sergei Parkhomenko should be “cured in gas chambers”.
After the journalists complained to KP, the media outlet deleted the offending paragraph. However, Leleka’s original post is still available on his Facebook page.
A number of Belgian media websites, including De Standaard, RTBF, Het Nieuwsblad, Gazet van Antwerpen and Het Belang van Limburg were subject to a co-ordinated DDoS attack on 24 October, which temporarily shut the sites down.
“We have attacked the Belgian media outlets that support the terrible actions of their Air Force in Syria,” the group said in a message to the newspapers. It wanted to “shame the Belgian authorities, which killed dozens of civilians in the village of Hassajik near Aleppo on 18 October”.
Belgium’s Federal Prosecutor’s Office has launched an investigation.
The documentary, Hunting the KLA, aired in two parts and covers crimes and prosecutions from the war between Serbia and Kosovo at the end of the 1990s. The threats were made after the showing of the second part on 23 October.
The Journalist Association of Kosovo condemned the threats, as did the OSCE mission in Kosovo. “I condemn the threats and calls for violence against Kërquki. Freedom of expression must be upheld and respected in all circumstances,” said the head of Kosovo’s OSCE mission, Jan Braathu. “I call on rule of law authorities to investigate these threats immediately and bring the perpetrators to justice,” he said.
The incident occurred after Taranova was admitted to Latvia and to participate in a conference in a seaside suburb of Jurmala.
Taranova was blacklisted for being an employee of Russia Today, which the Latvian authorities see as a hostile propaganda organ of the Russian government. The head of Russia Today, Dmitry Kiselyov, is blacklisted from travelling to the European Union and other countries under EU sanctions imposed in the wake of Russia’s annexation of Crimea.
After her detention, Taranova told journalists: “I did not engage in any political activities nor do I intend to.” She added that she was unaware that she had been blacklisted since 2014 and had attended several such conferences prior to 2014.
At around 6am on 21 October, Russian Investigative Committee (SKR) officers entered and searched the apartment of Ksenia Babich, journalist and spokesperson for human rights international organisation Russian Justice Initiative.
Babich was also asked to go to the SKR for questioning, Ilia Shelepin, a journalist and Babich’s acquaintance, wrote on Facebook. Babich believes the search is related to the case of Artyom Skoropadski, a press secretary of the Ukrainian organisation Pravyi Sektorwhich, which is banned in Russia.
Burkinabe rapper and activist with Le Balai Citoyen, Smockey, became the inaugural Music in Exile Fellow at the Index on Censorship Freedom of Expression Awards in April 2016. In July his recording studio, the lionised Studio Abazon, was destroyed in a fire.
“All my music files since 2001, including my master tapes and those of my productions and clients, were lost,” Smockey told Index on Censorship. “I was working on the album of a young rapper named Balla, volume three of my compilation called La Part des Ténèbres and original music for a mobile phone service product – all gone.”
Two months on, it still isn’t clear what caused the blaze. “I don’t have any news about ongoing investigations, so all I know is that anyone could have caused it apart from me,” he said.
Studio Abazon was impossible to insure due to a September 2015 firebomb attack by forces loyal to Burkina Faso’s ousted president, which destroyed the studio. Having recently finished rebuilding in the months before the fire, Smockey said he is obliged to do so again. “But this time I will build it underground to make it more secure.”
Some of Smockey’s friends have launched a crowdfunding campaign to raise funds for the studio and the rapper said he would welcome all the help he can get.
When he last spoke with Index, Smockey was writing tracks for his new album. Plans to record have now been put on hold.
Still, the setback hasn’t put the rapper off performing. He recently played to packed gigs in Switzerland, Germany and Belgium, where he took part in the Esperanzah! music festival. In October he will take the stage in his home country at the Waga Hip Hop Festival. In November he will return to Germany — for appearances in Berlin and Munich — and Switzerland. In December, he will perform in Spain.
Le Balai Citoyen, which Smockey co-founded, is a grassroots political movement which helped bring to an end the three-decade rule of former president Blaise Compaoré. It is currently involved in a new project to build a memorial for the late revolutionary Burkinabe leader, and hero of Smockey’s, Thomas Sankara. To raise funds and awareness for the memorial, Smockey will soon perform at Revolution Square, where up to a million people had gathered to demand Compaore’s resignation in 2014.
“We are just nine months past the insurrection, so now is a good time for the memorial,” Smockey told Index. “Seeing it every day in the city would help put pressure on those in power — those who think they can manipulate us but are mistaken — to do their job.”
Rehabilitating the memory of Sankara – who was overthrown and assassinated in a coup d’état led by Compaoré in 1987 – is, therefore, an important part of bringing about of justice for all affected by the crimes of the former regime, Smockey said.
The former prime minister of Burkina Faso, Luc-Adolphe Tiao, who was appointed by Compaoré, was this month charged and jailed for murder. Smockey welcomes this as a step forward for the country.
“We encourage everyone who is implicated in these crimes to stand before justice in this country, at least because we have a certain sense of honour,” he said. “Burkina Faso literally means the land of men with integrity, so we would like to trust the justice of our country.”
Le Balai Citoyen is now working with a coalition of seven other organisations, collectively called Ditanyè, to tackle the challenges facing the country and to preserve “the positive gains from the revolution,” Smockey added.
Looking forward, he understands the country must have priorities and the courage to define them. “After justice, which is necessary for reconciliation, we have to work on the economic recovery and jobs for young people,” he said. “We want to work now.”
Nominations are now open for 2017 Index on Censorship Freedom of Expression Awards. You can make yours here.
Winners of the 2016 Freedom of Expression Awards: from left, Farieha Aziz of Bolo Bhi (campaigning), Serge Bambara — aka “Smockey” (Music in Exile), Murad Subay (arts), Zaina Erhaim (journalism). GreatFire (digital activism), not pictured, is an anonymous collective. Photo: Sean Gallagher for Index on Censorship
Winners of the 2016 Freedom of Expression Awards: from left, Farieha Aziz of Bolo Bhi (campaigning), Serge Bambara — aka “Smockey” (Music in Exile), Murad Subay (arts), Zaina Erhaim (journalism). GreatFire (digital activism), not pictured, is an anonymous collective. Photo: Sean Gallagher for Index on Censorship
In the short three months since the Index on Censorship Awards, the 2016 fellows have been busy doing important work in their respective fields to further their cause and for stronger freedom of expression around the world.
“Stable circumvention is a difficult thing to find in China so this new site a way for people to see what’s working and what’s not working,” said co-founder Charlie Smith.
But why are VPNs needed in China in the first place? “The list is very long: the firewall harms innovation while scholars in China have criticised the government for their internet controls, saying it’s harming their scholarly work, which is absolutely true,” said Smith. “Foreign companies are also complaining that internet censorship is hurting their day-to-day business, which means less investment in China, which means less jobs for Chinese people.”
Even recent Chinese history is skewed by the firewall. The anniversary of Tiananmen Square protests of 1989 last month went mostly unnoticed. “There was nothing to be seen about it on the internet in China,” Smith said. “This is a major event in Chinese history that’s basically been erased.”
Going forward, Smith is optimistic for growth within GreatFire, and has hopes the new VPN service will reach 100 million Chinese people. “However, we always feel that foreign businesses and governments could do more,” he said. “We don’t see this as a long game or diplomacy; we want change nowand so I feel positive about what we are doing but we have less optimism when it comes to efforts outside of our organisation.”
Winning the Index on Censorship Freedom of Expression Award for Digital Activism has certainly helped morale. “With the way we operate in anonymity, sometimes we feel a little lonely, so it’s nice to know that there are people out there paying attention,” Smith said.
Murad Subay / Arts
During his time in London for the Index awards, Yemeni artist Murad Subay painted a mural in Hoxton, which was the first time he had worked outside of his home country. “It was a great opportunity to tell people what’s going on in Yemen, because the world isn’t paying attention,” he explained to Index.
Since going home, Subay has continued to work with Ruins, his campaign with other artists to paint the walls of Yemen. “We launched in 2011, and have continued to paint ever since.”
Last month, artists from Ruins, including Subay, painted a number of murals in front of the Central Bank of Yemen to represent the country’s economic collapse.
In his acceptance speech at the Index Awards, Subay dedicated his award to the “unknown” people of Yemen, “who struggle to survive”. There has been little change in the situation since in the subsequent months as Yemenis continue to suffer war, oppression, destruction, thirst and — with increasing food prices — hunger.
“The war will continue for a long time and I believe it may even be a decade for the turmoil in Yemen to subside,” Subay says. “Yemen has always been poor, but the situation has gotten significantly worse in the last few years.”
Subay considers himself to be one of the lucky ones as he has access to water and electricity. “But there are many millions of people without these things and they need humanitarian assistance,” he says. “They are sick of what is going on in Yemen, but I do have hope — you have to have hope here.”
The Index award has also helped Subay maintain this hope. As has the inclusion of his work in university courses around the world, from John Hopkins University in Baltimore, USA, and King Juan Carlos University in Madrid, Spain.
Subay’s wife has this month travelled to America to study at Stanford University. He hopes to join her and study fine art. “Since 2001 I have not had any education, and this is not enough,” he explains. “I have ideas in my head that I can’t put into practice because i don’t have the knowledge but a course would help with this.”
Zaina Erhaim / Journalism
Syrian journalist and documentary filmmaker Zaina Erhaim has been based in Turkey since leaving London after the Index Awards in April as travelling back to Syria isn’t currently possible. “We don’t have permission to cross back and forth from the Turkish authorities,” she told Index. “The border is completely closed.”
Erhaim is with her daughter in Turkey, while her husband Mahmoud remains in Aleppo.
“The situation in Aleppo is very bad,” she said. “A recent Channel 4 report by a friend of mine shows that the bombing has intensified, and the number of killings is in the tens per day, which hasn’t been the case for some weeks; it’s terrible.”
The main hospital in Aleppo was bombed twice in June. “Sadly this is becoming such a common thing that we don’t talk about it anymore,” Erhaim added.
She has largely given up on following coverage of the war in Syria through US or UK-based media outlets. “It is such a wasted effort and it’s so disappointing,” she explained. “I follow a couple of journalists based in the region who are actually trying to report human-side stories, but since I was in London for the awards, I haven’t followed the mainstream western media.”
Erhaim has put her own documentary making on hold for now while she launches a new project with the Institute for War and Peace Reporting this month to teach activists filmmaking skills. “We are going to be helping five citizen journalists to do their own short films, which we will then help them publicise,” she said.
Documentary filmmaking is something she would like to return to in future, “but at the moment it is not feasible with the situation in Syria and the projects we are now working on”.
The danger of the bill is that it would permit the Pakistan Telecommunication Authority to manage, remove or block content on the internet. “It’s part of a regressive trend we are seeing the world over: there is shrinking space for openness, a lot of privacy intrusion and limits to free speech,” Aziz told Index.
Thankfully, when the bill went to the Pakistani senate — which is the upper house — it was rejected as it stood. “Before this, we had approached senators to again get an affirmation as they’d given earlier saying that they were not going to pass it in its current form,” Aziz added.
Bolo Bhi’s advice to Pakistani politicians largely pointed back to analysis the group had published online, which went through various sections of the bill and highlighting what was problematic and what needed to be done.
This further encouraged those senators who were against the bill to get the word out to their parties to attend the session to ensure it didn’t pass. “It’s a good thing to see they’ve felt a sense of urgency, which we’ve desperately needed,” Aziz said.
“The strength of the campaign throughout has actually been that we’ve been able to band together, whether as civil society organisations, human rights organisations, industry organisations, but also those in the legislature,” Aziz added. “We’ve been together at different forums, we’ve been constantly engaging, sharing ideas and essentially that’s how we want policy making in general, not just on one bill, to take place.”
The campaign to defeat the bill goes on. A recent public petition (18 July) set up by Bolo Bhi to the senate’s Standing Committee on IT and Telecom requested the body to “hold more consultations until all sections of the bill have been thoroughly discussed and reviewed, and also hold a public hearing where technical and legal experts, as well as other concerned citizens, can present their point of view, so that the final version of the bill is one that is effective in curbing crime and also protects existing rights as guaranteed under the Constitution of Pakistan”.
A vote on an amended version of the bill is due to take place this week in the senate.
Smockey / Music in Exile Fellow
Burkinabe rapper and activist Smockey became the inaugural Music in Exile Fellow at the Index on Censorship Freedom of Expression Awards, and last month his campaigning group Le Balai Citoyen (The Citizen’s Broom) won an Amnesty International Ambassador of Conscience Award.
“This was was given to us for our efforts in the promotion of human rights and democracy in our country,” said Smockey. The award was also given to Y en a marre (Senegal) and Et Lucha (Democratic Republic of the Congo).
“We are trying to create a kind of synergy between all social-movements in Africa because we are living in the same continent and so anything that affects the others will affect us also,” Smockey added.
Le Balai Citoyen has recently been working on programmes for young people and women. “We will also meet the new mayor of the capital to understand all the problems of urbanism,” Smockey added.
While his activism has been getting international recognition, he remains focused on making music with upcoming concerts in Belgium, Switzerland and Germany, and he is currently writing the music for an upcoming album.A major setback has seen Smockey’s acclaimed Studio Abazon destroyed by a fire early in the morning of 19 July. According to press reports the studio is a complete loss. The cause is under investigation.
Despite this, Smockey is still planning to organise a new music festival in Burkina Faso. “We want to create a festival of free expression in arts,” Smockey said. “And we are confident that it will change a lot of things here.”
He is thankful for the exposure the Index Awards have given him over the last number of months. “It was a great honour to receive this award, especially because it came from an English country,” he said. “My people are proud of this award.”
