Nominees for the 2022 Freedom of Expression Awards – Arts

Yemeni artist Thiyazen Al-Alawi uses his craft to shed light on the destructive situation in Yemen through street art campaigns. He hopes to inform the public of what the war has done to his homeland.

First inspired by the Arab Spring in 2011 as a teenager, Thiyazen turned to art as a form of self expression, launching his first street art campaign in 2012 as the war began. As conflict invaded every aspect of Yemeni life, he decided “every artwork is proof of their existence and continuity in life…something that gives people hope.” Thiyazen’s work aims to reflect the ugliest and truest forms of war, and its effect on real people.

Thiyazen’s latest project is a collaboration with British artist Luc Waring titled “Letters from Yemen”, a series of drawings and letters from conversations between the two about art, peace, war, and the horrors Thiyazen has witnessed himself. Inspired by a saying Thiyazen heard in his youth, the walls must do the talking when the newspapers are silent; the compiled writings and portraits raise awareness about the war in Yemen with a sensitivity and humanity only an artist and their medium can produce, eventually gaining traction and attention by the public. Due to the ongoing occupation by the Houthi militia, Thiyazen is risking his own safety as he continues to produce art.  

Thiyazen continues his work on long-term projects with the Swiss Arts Council to spread awareness about the conditions in Yemen. He also contributes to the “Yemen Peace Forum” with the Sana’a Center for Strategic Studies, writing articles and studies like “Art and Youth in Yemen” in the Journal of Transitional Justice of the University of Oxford. “I feel that I must tell the truth no matter what,” Thiyazen explains,” I could sacrifice my life for the truth. And nothing will stop me.”

Moe Moussa is a journalist, podcaster, poet, and the founder of the Gaza Poet Society. He uses various forums and mediums to amplify the voices of Palestinians.

Moe began his career as a translator for international journalists in 2014. He was soon inspired to speak about the situation from his own perspective. Studying English literature in college and growing up around poetry, it was only fitting that Moe decided to use his art to bring the individual lives of people in Gaza to the international audience.

Delving into Palestinian poetry led Moe to connect online with poets all over the world. He was interested in using his skills as a poet and a journalist to share the stories of individual lives with a global audience. After realising the lack of opportunities for poets to share their work in Arabic and English, he created a space to offer an opportunity for young people to speak and find their own voice in 2018 – the Gaza Poet Society. The organisation is supported solely by donations from international poets who believe in Moe’s cause. He is at constant risk of Hamas censorship and at the will of the Gazan government to approve of civilian movement out of the country. 

Watching his family go days without water, power, and freedom of movement, Moe temporarily left Gaza for Istanbul in 2021 to continue his work more effectively. He was awarded the Times Richard Beeston Bursary in 2019 and has plans to complete his fellowship in London in 2022 following delays due to the pandemic. As the creator and host of the podcast “Gaza Guy”, he is focused on amplifying the voices of young Palestinians through poetry and fights for access to education in Gaza. Additionally, Moe has contributed to We Are Not Numbers, a site publishing stories of Palestiniain youth experiencing war. Moe recently released his debut poetry collection titled “Flamingo” and is working freelance to support the Gaza Poet Society from abroad.

Fatoş İrwen is a Kurdish artist and teacher from Diyarbakır, Turkey working with a variety of materials and techniques.

İrwen regularly uses her art to document her experiences as a Kurdish woman living in Turkey. The performance piece Füg [Fugue, 2012] documented her first experiences in police custody where she was physically and sexually abused. In 2016 İrwen was again taken into custody while boarding a domestic flight. She was charged with “resisting the police, opposition to the law against demonstrations and assemblies, propaganda for a terrorist organisation, belonging to a terrorist organisation” and sentenced to 3 years, 1 month and 15 days in prison. The charges related to a peaceful protest in 2013. 

During her imprisonment, İrwen made 1,500 works of art using materials accessible to her, including hair, tea, food, shoe polish, old textbooks and newspapers, bed sheets, laundry pegs, scarves, and mould and cigarette ashes. Among other projects, the 2019 piece titled “Gülleler” (Cannonballs) features balls crafted from the hair of inmates participating in a hunger strike. “The hunger strike was like firing a shot to the outside world,” İrwen says. After being released, İrwen collected her art pieces in her first solo exhibition titled Exceptional times which was featured at Depo in Istanbul in 2021. 

Discussing censorship by the Turkish authorities, İrwen says “this issue still continues to be the most painful issue of our lives and for which we pay a heavy price.” She is deeply committed to fighting for freedom of expression and artistic freedom. 

Due to her challenges with Turkish authorities and her identity as a Kurdish woman, İrwen has found that galleries and art spaces are sometimes reluctant to feature her work. Still, she has found success, and her work has been exhibited in Iran, Germany, Austria, Hong Kong, Iceland, France, Mexico, Iran, Morocco, Sweden, and Turkey.

Hamlet Lavastida has been described as a political activist by way of art. Lavastida uses his art to document human rights abuses in Cuba and to criticise Cuban authorities.

Lavastida pushes boundaries of censorship in Cuba and highlights the distinctly Cuban spirit of cultural resistance. His work reconstructs old Cuban political and military propaganda.

Throughout his career, Lavastida has sought to use his art to fight for transparency and freedom of speech in order to fight against the Cuban government. He sees his art as a non-violent tool to fight against the current regime. Lavastida has been involved in various protest movements in Cuba, including the 27N movement which grew out of the protests held on 27 November 2020. The movement works to bring attention to the censorship of artistic expressions in Cuba. 

In June 2021, Lavastida was arrested after returning from a residency at the Künstlerhaus Bethanien in Berlin. He was accused of ‘incitement to commit a crime’ because he suggested that other artists stamp images related to the San Isidro and 27N movements on local currency. Following his arrest, Amnesty International named him as a ‘prisoner of conscience’. Lavastida stayed in prison for 87 days. He was finally released without charges. 

Lavastida has been living in exile in Europe since September 2021. He has been warned that he will be arrested immediately if he ever tries to return to Cuba. Lavastida is deeply concerned by the situation. While has experienced threats and censorship targeting his art throughout his career, he is now experiencing threats against him as an individual. He believes this is part of a greater trend of censorship in Cuba. 

Lavastida plans to continue creating art and speaking up about the situation in Cuba.

Online Safety Bill will “significantly curtail freedom of expression”

The Online Safety Bill has simple, laudable aims – to make the online sphere more safe. But despite almost seven years of debate, thousands of hours of Parliamentary scrutiny, analysis from civil society, business and the media, there is still significant uncertainty about how the Bill will work in practice. The Government is still not able to define terms at the heart of the legislation such as “legal but harmful” or give the as many as 180,000 technology companies big and small who will implement this new legal framework clear guidance on how this landmark legislation should operate.

To fill this gap and help explain what the Bill will mean in practice, the Legal to Say Legal to Type campaign has instructed media law expert Gavin Millar QC of Matrix Chambers to produce the first analysis of the implications of the Online Safety Bill on UK citizens’ freedom of speech.

The QC’s opinion explains and analyses the broad implications of the Government’s new online safety regime against current freedom of expression laws and found that the Bill will significantly curtail freedom of expression in a way that has profound consequences for the British media and journalism, courts and the UK’s digital economy. The Bill gives the Secretary of State overseeing the legislation unprecedented powers to curtail freedom of expression with limited parliamentary scrutiny.

The Bill, which received a second reading in Parliament on 19 April, does not comply with Article 10 of the European Convention on Human Rights, and far from the claim of the Culture Secretary that the Bill will protect free speech it actively undermines existing legal protections in an unprecedented manner. This new analysis shows how the Online Safety Bill as currently drafted ends the historic principle in law that people can publish what they like, unless the state specifically and clearly passes laws to the contrary.

This report is not a comprehensive dissection of the flaws in the Bill which are too vast to deal with succinctly. For example, the UK Independent Reviewer of Terrorism Legislation, Jonathan Hall QC has recently publicly criticised the Bill as being “ineffective on terrorism”. The chief criticism he lays is that “the Bill defines ‘terrorism content’ by reference to terrorism legislation, but ignores intention and defences. This leads to some very odd outcomes. It’s hard to see how it provides a workable framework for regulation.”

The ambiguity of the drafting and the lack of governmental consideration on the Bill’s intersection with existing linked areas of law is indeed staggering. The idea that speech can be lawfully moderated without properly adjudicating on an individual’s intention and the context of the speech is nonsensical – irrespective of whether your concern is terrorism, crime or freedom of expression.

Index on Censorship believes that the consequences of the Bill (intended and unintended) go beyond what has been considered in Parliament to date, for example:

  • The Bill violates freedom of speech as defined in UK and international law.
  • Protections for media content are not as wide as existing human rights for journalists
  • Pro-active state-enforced censorship by algorithm has questionable legality.
  • New powers for platforms such as Meta, Twitter, and even companies like Apple, will mean they may be performing functions of a public nature under the “Duty of Care” and could be subject to judicial review.
  • The Secretary of State for Digital, Culture, Media and Sport will have an unparalleled ability to censor.
  • The proposal to proactively monitor private communications lack safeguards for journalistic or legally privileged material.

The Government has ended up in this position having disregarded all the learnings from regulation of the online space over the last twenty years, including some of the fundamental building blocks of the internet namely intermediate liability protections. This is despite pre-legislative scrutiny identifying flaws in the draft Bill.

In summary, the legal advice, published in full in this report, found:

  • The regime proposed by the Bill does not contain the statutory safeguards that would be required to prevent or limit the risk of violations of the right to freedom of expression.
  • The structure of regulation offers no prospect of ‘fact-specific’ adjudications on speech.
  • Harmful speech has no legal basis and risks restrictions on speech that are too broad and therefore open to abuse through selective enforcement.
  • On the face of the Bill there appears to be a risk that platforms, and possibly Ofcom, may access confidential journalistic material in carrying out their statutory functions.
  • ‘Democratic importance’ protections are not as wide as existing human rights protections as they only cover a limited form of political expression.

The report is available to read in full below or to download here.

 

Putin’s invasion of Ukraine will give other tyrants free rein

Graffiti of Vladimir Putin. Photo: Don Fontijn/Unsplash

I have struggled to write this blog. There don’t seem to the right words for something so serious, so terrifying but so utterly predictable.

Putin has invaded Ukraine – again.

As I write there are Russian bombs falling across Ukraine. Innocent people are dying, families are sheltering from bombing raids in the underground and people are fleeing.

This act of war, from a tyrant, cannot be explained or excused. This is an effort to destabilise Europe. To re-build a Russian Empire. To secure Putin’s legacy. It is not about NATO expansionism or a security threat from Ukraine. This is all Putin. This is not about the Russian or Ukrainian people.

Putin has brought war and death to mainland Europe and the world is more unstable than at any time since the Cuban Missile Crisis. That is our shared reality in 2022. This is the consequence of allowing a dictator to operate unchecked as readers of our work at Index know only too well.

Index does not exist to pontificate about international relations and defence policy – as frustrated as we may be. Our role, always, is to provide a space and a voice for dissidents and those being persecuted. But, and it’s a big but, we were founded in the midst of the Cold War half a century ago – to promote and protect the liberal democratic value of free expression. To work behind the Iron Curtain to provide a platform for the work and personal reflections of dissidents. We did this because we believe in democracy. That the foundations of free expression are protected at the ballot box. That the ultimate expression of freedom is the right to self-determination and to peace in a free society.

The invasion of Ukraine brings to the fore the reasons why Index exists. Even in the early hours and days of this aggression we have seen misinformation used as a propaganda tool. Journalists in Russia have been instructed to only use official comment on events in Ukraine. Protesters against the war in Moscow are being arrested in the dozens. And DDoS attacks on Ukrainian cyber infrastructure is becoming the norm. Putin is seeking to control every form of communication – that is not free speech.

In the months and years ahead Index will continue to provide a platform for dissidents. We will tell the stories of those writers, artists and academics who are being silenced by Putin’s regime. We will do what we do best – be a voice for the persecuted.

But as scared as I am of events in Eastern Europe – I worry about censorship through noise (as so ably articulated by Umberto Eco) that we are about to live through. Every repressive government could move against their citizens in the coming months with little global condemnation as our world leaders seek to find peace and secure the world as we know it. As we have for over half a century Index will be a home for those dissidents too – wherever they live – highlighting their stories and publishing their work.

The months ahead are going to be awful for too many people. Tyrants will believe they have a free hand to move against their citizens. Europe faces more war and the Chinese Communist Party may well seek to manipulate events to suit themselves.

In this unstable world the work of Index has never been more vital and we will do everything we can to support those who need us most.

Hong Kong’s freedoms under further attack as ‘Captain America’ is jailed

A former food delivery worker calling himself a “second-generation Captain America” and who would turn up at protests in Hong Kong with the Marvel superhero’s instantly recognisable shield has been convicted for violating the country’s national security law (NSL).

On 11 November, Adam Ma Chun-man was sentenced to five years and nine months for inciting secession by chanting pro-independence slogans in public places between August and November 2020.

Evidence cited by a government prosecutor in the court case against Ma included calls for independence he had made in interviews.

Ma becomes the second person to be found guilty under the law imposed by Beijing in July last year. He has lodged an appeal against the verdict.

The first person sentenced under the NSL was former waiter Tong Ying-kit who was jailed in late July for nine years for terrorist activities and inciting secession. Tong was accused of driving his motorcycle into three riot police on 1 July 2020 while carrying a flag with the protest slogan “Liberate Hong Kong. Revolution of our times.”

The watershed ruling on Tong has profound implications for freedom of expression and judicial independence in Hong Kong.

The “Captain America” case has further fuelled fears about the rapid erosion of the city’s room for freedom and the strength of the court in upholding civil liberties.

Like the Tong case, the Ma judgement has significant implications for related cases but the ruling has attracted far less attention. The general public reacted with indifference mixed with a feeling of futility and helplessness. It does not bode well for civil rights and liberties in the city.

The significance of the Ma case lies with the judge’s ruling on what constituted incitement.

Ma’s lawyer said Ma had no intention whatsoever of committing a crime, but was just expressing his views. Merely chanting slogans should not be deemed as a violation of the NSL, the lawyer argued. That he urged people to discuss the issue of independence in schools did not necessarily mean the result of the discussions would be a yes to independence. It could be a no.

Importantly, his lawyer argued Ma had merely expressed his personal views without giving thought of how to make it happen through an action plan. Referring to Ma’s slogan “Hong Kong people building an army”, his lawyer said it was just an empty slogan, again, without a plan.

In sentencing, judge Stanley Chan described the case as serious. He rejected the argument by Ma’s lawyer that the level of incitement in his speeches was minimal, saying Ma could turn more people into the next Ma Chun-man.

Put simply, judge Chan said that although the actual impact of Ma’s speeches in inciting others has been minimal, this was insignificant when determining whether his act constituted incitement.

This view is markedly different from the reaction of the media and the public over Ma’s political antics.

Ma had drawn the attention of journalists when he turned up in protests for obvious reasons. But no more. The lone protester neither had a sizable group of followers nor electrified the sentiments of the crowd at the scene.

The heavy sentencing of Ma will worsen the chilling effect of the national security law on freedom of expression. Importantly, it will have serious implications for a list of incitement cases currently in the process of trial.

In a statement on the sentencing, Kyle Ward, Amnesty International’s deputy secretary general said: “In the warped political landscape of post-national security law Hong Kong, peacefully expressing a political stance and trying to get support from others is interpreted as ‘inciting subversion’ and punishable by years in jail.”

With no sign of an easing of the enforcement of the law 16 months after it took effect, the international human rights group decided to shut down its local and regional offices in the city by the end of the year. They said the Beijing-imposed law made it “effectively impossible” to do its work without fear of “serious reprisals” from the Government.

Hong Kong chief executive Carrie Lam responded by saying no organisation should be worried about the national security law if they are operating legally in Hong Kong, adding Hong Kong residents’ freedoms, including that of speech, association and assembly were guaranteed under Article 27 of the Basic Law, the city’s mini-constitution.

To a lot of Hongkongers, the assurance, which is an integral part of the former British colony’s “one country, two systems” policy, is an empty promise.

The power of the national security law in curtailing freedoms in other aspects of everyday life in Hong Kong has been widely felt.

In October, the legislature rubber-stamped an amendment to the film censorship ordinance, giving powers to the authorities to ban films that are considered as “contrary to the interests of national security.” The phrase, or “red line” in the law, is much broader than the original version, which targeted anything that might “endanger national security.”

Even before the bill was passed, a number of films and documentary films relating to the 2019 protest were not allowed to be shown in public locally. They include the award-winning Inside the Red Brick Wall and Revolution of Our Times, a nominee in the 2021 Taiwan Golden Horse Film Award.

Moves to revive political censorship in film are part of the authorities’ intensified campaign against threats to national security. While targeting political activists, the net has been widened to curb what officials described as “soft confrontation” and “penetration” through films, art and culture and books.

The University of Hong Kong has called for the Pillar of Shame, a sculpture by Danish artist Jens Galschiot, to be removed from the campus, citing concern over the national security law.

On the legislative front, security minister Chris Tang has given clear reminders that more needs to be done to protect national security, pointing to crimes in Basic Law Article 23 that have not been covered in the national security law.

He has vowed to target spying activities and to plug loopholes following the social unrest in 2019. Tang cited the example that helmets and free MTR tickets were distributed free to protesters during the protests, claiming there were state-level organising behaviours, potentially by actors from outside the country.

Both the central and Hong Kong authorities have labelled the movement as a “colour revolution” with hostile foreign forces behind it, without giving concrete evidence.

In addition to spying, a bill on Article 23 will also cover theft of state secrets and links with foreign organisations. Officials gave no timetable. But it is expected to be at the top of the agenda for the new legislature, which is due to be formed after an election is held on 19 December.

Officials are also looking at introducing a law on “fake news” to eliminate what they deem as lies and disinformation, which went viral on social media during the 2019 protest. The Government and the Police claimed they were major victims of this false information.

Looking back to mid-2020 when the idea of a national security law was first mooted, officials assured Hongkongers the law would only “target a very small number of people”.

Nothing can be further from the truth.