Index Awards 2015: Driving the “good fight for change”

Rafael Marques de Morais, Safa Al Ahmad, Amran Abdundi, Mouad “El Haqed” Belghouat and Tamas Bodokuy (Photo: Alex Brenner for Index on Censorship)

Rafael Marques de Morais, Safa Al Ahmad, Amran Abdundi, Mouad “El Haqed” Belghouat and Tamas Bodokuy (Photo: Alex Brenner for Index on Censorship)

A Kenyan woman standing up for women’s rights in one of the world’s most dangerous regions. A Hungarian journalist and his investigative news site. A documentary filmmaker who exposed an unreported uprising in Saudi Arabia. An Angolan journalist who has been repeatedly prosecuted for his work uncovering government and industry corruption. A Moroccan rapper whose music tackles widespread poverty and endemic government corruption.

These were the five individuals named Index on Censorship Freedom of Expression Award winners on 18 March 2015. Three months later, here are updates on their ongoing work.

Rafael Marques de Morais / Journalism

Rafael Marques de Morais (Photo: Alex Brenner for Index on Censorship)

Rafael Marques de Morais (Photo: Alex Brenner for Index on Censorship)

International signatories, from Tiffany & Co and Leber Jewellers to Oscar-winning film director Steve McQueen, and from Blood Diamond film stars David Harewood and Michael Sheen to journalist Sir Harold Evans, recently called on Angolan president José Eduardo dos Santos to abandon the prosecution of investigative journalist Rafael Marques de Morais.

The campaigning journalist returned from collecting his award in London to face trial linked to his book Blood Diamonds. He filed a criminal complaint against a group of generals who he held morally responsible for human rights abuses he uncovered within the country’s diamond trade. For this, they filed a series of libel suits against him in Angola and Portugal.

The media attention that Marques won off the back of his award “helped a great deal” he said. “It raised my profile in the days before my trial and maybe helped to make it an international cause.” In a rare sight for Angola, a number of anti-corruption protesters publicly gathered outside of the Luanda courthouse as his trial opened and covert protests have continued under the cover of darkness since.

Marques’ trial played out in a Kafkaesque way over the subsequent weeks, with behind-the-scenes negotiations leading to criminal defamation charges first being dropped, only for him to suddenly discover that he would instead be sentenced for the alternative crime of malicious prosecution.

The American Bar Association, who monitored the trial throughout, published a report stating that the court had failed to meet international fair trial standards on at least three counts. The ABA Center for Human Rights report found that “throughout the proceedings, the defendant was denied the right to present a defense, induced to make a statement on the basis of false pretenses and compelled to bear the burden of proving his innocence, all in violation of international law.”

Marques’ sentence finally came down on 25 May: six-months imprisonment, suspended for a term of two years. Marques is now appealing against this punishment that effectively seeks to silence him until 2017; coincidentally the same year as Angola’s next elections.

The court also attempted to censor Marques’ book from republication and further distribution but these efforts have blatantly failed with copies of the book widely circulated online and an English language version becoming available for the first time less than a week after his sentence.

Despite the international attention, the situation for Marques and his peers in Angola’s human rights and journalism communities remains grim. Recounting the experience of taking his car to the local garage for repairs recently, the fear is palpable in his voice. “There were two members of the ruling party there, by coincidence. They walked across to the mechanic and warned him not to fix my car unless he wanted to risk becoming collateral damage.”

Marques’ email has also recently been repeatedly hacked and his website www.makaangola.org is presently subject to over 250 attacks per day, forcing him to desist from updating it for the time being.

Marques continues to work closely with Index on Censorship and a number of other international organisations. His recent report on the massacre of a sect at Mount Sumi was published by The Guardian, he continues to keep a close eye on both the persecution of journalists and corruption at the highest levels in Angola, and he is expecting to hear back from the Supreme Court about his appeal in the next few weeks.

Hugely grateful for the support of the international community, Marques remains determined “to continue the good fight for change”.

“I have only the interests of my people at heart,” he says, “and to experience all this persecution, it must mean you are doing something positive, something right.”

Related

Blood Diamonds: Corruption and Torture in Angola
MakaAngola.org
Philip Pullman, Jimmy Wales, and Steve McQueen join call for Angola to drop charges against investigative journalist
Angolan journalist Rafael Marques de Morais receives six-month suspended sentence
Rafael Marques de Morais: “They can lock me up, but they don’t get to silence me”
Index condemns decision to move for conviction of Rafael Marques de Morais
Rafael Marques de Morais: I believe in the power of solidarity

Safa Al Ahmad / Journalism

Safa Al Ahmad (Photo: Alex Brenner for Index on Censorship)

Safa Al Ahmad (Photo: Alex Brenner for Index on Censorship)

Joint winner of the Index on Censorship Freedom of Expression Award for Journalism, Safa Al Ahmad has spent much of the past three months in the editing studio.

Applauded for her documentary Saudi’s Secret Uprising, Al Ahmad’s new film The Rise of the Houthis – first distributed at this year’s Index on Censorship Freedom of Expression Awards Gala and since screened by both the BBC and PBS Frontline – has won wide critical acclaim.

In it, Al Ahmad gained extraordinary access to tell the story of the rise of a rebel group from the north of Yemen who have taken over control of the capital Sana’a and drastically changed the country’s political landscape.

Next month, on 6 July, BBC worldwide will also premiere a follow-up film that Al Ahmad has produced and directed, with Gaith Abdulahad exploring the present situation in the south of Yemen.

Now regularly invited to attend international public meetings, from Copenhagen to Geneva to Washington DC, Al Ahmad says she thinks that the award has brought more exposure – both for credible investigative journalism from Saudi Arabia, and for her work.

Is that a good thing for a journalist who has made her name through operating undercover? It is a challenge, she says, to find ways to do credible journalism about Saudi Arabia and the region without being on the ground. But there are complex stories, beyond TV, that Al Ahmad would increasingly like to focus on.

Related

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Safa Al Ahmad: Facts are a precious commodity in Saudi Arabia
#IndexAwards2015: Journalism nominee Safa Al Ahmad

Amran Abdundi / Campaigning

Amran Abdundi (Photo: Alex Brenner for Index on Censorship)

Amran Abdundi (Photo: Alex Brenner for Index on Censorship)

It wasn’t long after women’s rights campaigner Amran Abdundi returned to her native northern Kenya that Al-Shabaab linked terrorists attacked Garissa University College, killing 148 people in a cold-blooded massacre.

Abdundi, who knows many students from the college, immediately joined with other women leaders to organise strong community protests against Al-Shabaab.

“It was a barbaric attack done by a crazy group who have no respect for human life,” she said. “It was a sad day for the people of Kenya and the victims of the attack. But it will not scare [the] people of northern Kenya as we will continue and fight to overcome them”.

Abdundi hopes to help further through her ongoing work with her grassroots community organisation Frontier Indigenous Rights Network, tracking arms movements across the dangerous border with Sudan and travelling to meetings in Nairobi to report observations. “Security is improving now,” says Abdundi.

Winning the Index on Censorship Freedom of Expression Award for Campaigning, and sharing the story of the people of northern Kenya with the wider world, “made me so happy” she says. “The award ceremony was aired by all community radios in northern Kenya and reached many people. I am happy because it will give women courage to stand up for their rights”.

Spending a week in Index on Censorship’s office in London was “an opportunity to see how you work” Abdundi said, and has inspired her to want to develop a new website for her work, helping her to “spread her message to all corner[s] of northern Kenya”.

Related

Amran Abdundi: This award is for the marginalised women of northern Kenya
#IndexAwards2015: Campaigning nominee Amran Abdundi

Tamas Bodoky, Atlatszo.hu / Digital Activism

Tamas Bodoky (Photo: Alex Brenner for Index on Censorship)

Tamas Bodoky (Photo: Alex Brenner for Index on Censorship)

Atlatszo.hu, Tamas Bodoky’s investigative news website in Hungary has continued to gather praise and acclaim, including another award, the Theodor Heuss Medal.

“All of this recognition is very helpful,” said Bodoky. “We are always afraid of retaliation and this offers us a level of protection… Hungarian authorities are very aware of this international attention and it is less likely that they will attack as we continue with our investigative projects.”

Atlatszo continues to publish three to four articles and numerous blog posts each week, including an English newsletter, often drawing on FOI requests to try to bring more transparency to Hungarian public life.

The campaigning journalists scored a major recent success with their campaign to demand political party foundations make information on their beneficiaries, income and spending publicly available. When political party Jobbik’s foundation refused to comply, Atlatszo took action. It began legal proceedings that proved sufficient to make them capitulate.

Bodoky’s organisation is now using this newly available information to research deeper, exploring “far right networks” and, he says, some curious connections between governing party Fidesz and football club Ferencvarosi TC.

Other recent work “the hammer of the village series” is on local municipalities and the public procurement process, with Bodoky seeking to tackle the “local state capture situation” whereby connections between elected council members and big business are “worrying”. And there are Atlatszo’s ongoing investigations into the spending of European funds. “We have to be a watchdog” says Bodoky.

As he looks ahead, Bodoky is especially concerned by the looming threat of a foreign NGO law – holding all NGO’s with foreign funding “accountable and transparent” by forcing them to register.

“We don’t know exactly when they will seek to expose and limit foreign funding, but the Russian recipe is definitely on the table,” says Bodoky. Fortunately his organisation has been totally open and transparent since 2013.

Related

atlatszo.hu
Tamas Bodoky: The independence of journalism in Hungary is under threat
#IndexAwards2015: Digital activism nominee Tamás Bodoky and Atlatszo.hu

Mouad Belghouat aka El Haqed / Arts

Rapper El Haqed (Photo: Alex Brenner for Index on Censorship)

Rapper El Haqed (Photo: Alex Brenner for Index on Censorship)

Rapper Mouad Belghouat, better known as El Haqed (“the enraged” in Arabic) continues to rail against the endemic corruption and widespread poverty he says he sees in Morocco.

Imprisoned three times since 2011, El Haqed was not only prohibited from performing publicly in his homeland but had also been struggling to obtain visas to travel or perform internationally.

The good news is that his visit to the UK has helped him to overcome this obstacle, recently spending five weeks touring Norway, Sweden and Denmark. Highlights included performing live during Oslo’s 1 May celebrations and working with the organisation Freemuse to record a new Fela Kuti cover as part of a group of Arab and Iranian revolutionary artists (listen here). “It was much easier to be there because I went to England and came back,” said Belghouat.

Until recently limited to publishing and sharing his work via YouTube and Facebook, El Haqed has also begun something of an offline resurgence back home. Approached by promoters in his home town of Casablanca after winning the Index on Censorship Freedom of Expression Arts Award brought him widespread local media coverage, El Haqed now hopes to stage his first live concert on home soil in a long time this Friday 19 June. (Update 22 June 2015: Morocco: Police block concert by Index award-winning rapper El Haqed)

“Usually people find many excuses not to work with him,” according to Belghouat’s brother and manager Abderrahim Belghouat, “but so far this time no people have yet come and told the venue ‘don’t work with him’…”

Update 23 June 2015: El Haqed has now cancelled his planned tour of five of Morocco’s least affluent towns. The planned series of concerts would have teamed El Haqed with six other local musicians to “bring joy to poorer people in cities without theatres, cinemas and cultural areas, in the old Moroccan way, by making music for free outdoors”.

El Haqed is determinedly hopeful, “the Index award has shown Moroccan authorities that you can’t stop me,” he said, “the more of an effort they make to silence me, the more my voice arrives everywhere.”

Related

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El Haqed: I will fight for freedom, equality and human rights for ever
#IndexAwards2015: Arts nominee Mouad “El Haqed” Belghouat
Index calls on Morocco to release rapper El Haqed

#IndexAwards2015

Index announces winners of 15th annual Freedom of Expression Awards
Rafael Marques de Morais: I believe in the power of solidarity
Amran Abdundi: This award is for the marginalised women of northern Kenya
El Haqed: I will fight for freedom, equality and human rights for ever
Tamas Bodoky: The independence of journalism in Hungary is under threat
Special Index Freedom of Expression Award given to persecuted Azerbaijani activists and journalists
Video: Comedian Shappi Khorsandi hosts Index on Censorship awards
Drawing pressure: Cartoonists react to threats to free speech

This article was posted on 18 June 2015

5 June: Rosewater film screening + Q&A with Maziar Bahari

In June 2009, London-based journalist Maziar Bahari returns to his homeland of Iran to report for the BBC on the elections, where, finding himself embroiled in the maelstrom of unrest that follows Ahmadinejad’s victory declaration, he documents the protests from the streets of Tehran. The morning after, he is arrested by the Revolutionary Guard on a charge of treason and incarcerated for 118 days. Based on real events, ROSEWATER achieves a superb balance between the plight of the individual and the wider, ethical and political implications of the story.

This film screening will be followed by a discussion exploring the threats to, and limits of, our right to freedom of expression featuring Maziar Bahari alongside the University of Nottingham Human Rights Law Centre and David Heinemann of Index on Censorship.

When: Friday 5 June 2015, 7.45pm
Where: Broadway Cinema, Nottingham (map)
Tickets: £8. Book here.

Presented in collaboration with the University of Nottingham Human Rights Law Centre and IranWire’s ‘Journalism is not a crime’.

RELATED: Maziar Bahari’s keynote speech at the Index on Censorship Freedom of Expression Awards 2010

6 June: Artistic censorship in repressive regimes

Panel discussion including acclaimed singers and a past Index on Censorship Freedom of Expression Award winner Mahsa and Marjan Vahdat alongside Natalia Koliada, co-founder of Belarus Free Theatre, and Lisa Peschel of the University of York who has recently rediscovered extensive archival material of performances, scripts and revues performed in the Nazi ghetto Terezinstadt. The event will be chaired by Julia Farrington of Index on Censorship.

The panel will be asked to explore from their personal and political perspective different aspects of freedom of expression in repressive regimes; the interface between artistic inspiration and life in repressive regimes, and the role of the media in terms of raising awareness of the increasing restrictions placed on artists to curb freedom of expression.

When: Saturday 6 June 2015, 5.00pm to 6.15pm
Where: National Centre for Early Music, Walmgate, YO1 9TL (map)
Tickets: Free admission. Booking required. Additional information: 01904 658338.

Media freedom in Europe needs action more than words

As we approach World Press Freedom Day, the right to freedom of expression will again be celebrated as an inalienable European value across the continent — by the public, the media and politicians alike. But to many, this will mean little more than engaging in a well trodden mental routine. We hardly consider the difficulties that freedom of expression faces in practice.

In the first part of 2015, more than a third of journalist killings in the word took place in two European countries; France and Ukraine. If it is true that Europe’s reactions to the Charlie Hebdo attack — the majority of them very emotional — were salubrious, they simultaneously gave rise to ambiguous situations. Many of the leaders that will on 3 May reaffirm their commitment free expression, supported the same message by taking part in the historic march in Paris on 11 January.

But upon seeing Angela Merkel, some were also reminded that Germany continues to treat blasphemy as a crime — as do Denmark, Spain, Poland and Greece, among others. Ireland, whose Enda Kenny was also in attendance, has a constitution which specifically mentions blasphemy and in 2010 enacted a new law against it. All these European countries defend themselves by saying that they do not apply their laws against “blasphemers”. That argument does not carry much weight when it comes to opposing those countries — Saudi Arabia, Iran, various Asian countries — that have tried to turn blasphemy into a universal crime recognised by the UN.

Spain’s Mariano Rajoy too marched in solidarity, but his government has taken steps to promote changes in the penal code that would “represent a serious threat to freedom of information, expression and the press”.

And what was Viktor Orban doing in Paris? The Hungarian president has reunified Hungary‘s public media so as to better bind them to his own party. Despite being the leader of an EU country, Orban has followed Vladimir Putin’s example. In this experimental model, the Andrei Sakharov Center and Museum is no longer ordered to close as it was in the old days, but rather fined 300,000 roubles (€5,000) for failing to register as a “foreign agent”. One day brings an announcement of compulsory registration for bloggers in Russia; another day, harassment against Russian and Hungarian NGOs perceived as “unpatriotic”.

Turkish Prime Minister Ahmet Davutohlu traveled to Paris, only to later label Charlie Hebdo’s post-attack issue a “provocation”. A reminder: Turkey is an EU candidate country where dozens of journalists have been sentenced to prison, and where various internet sites, including those that dared to reproduce some of Charlie Hebdo’s caricatures, have been blocked.

But also present at the march, were various representatives of European journalists — myself included. Just behind the Charlie Hebdo survivors, we carried a banner with the message “Nous sommes Charlie”.

Walking next to me was Franco Siddi, of the Italian National Press Federation. He talked to me about how imprisonment for defamation is still a possibility in Italy, though the European Court of Human Rights has ruled it a disproportionate punishment.

In my home country Spain too, this possibility of imprisonment remains, even if under Spanish jurisprudence freedom of expression consistently prevails over the demands of plaintiffs. In Italy, the situation is the same, yet my Italian colleagues point out that in 2014 alone, 462 journalists in the country were threatened with legal action for alleged acts of defamation. And while the current proposal for reform being considered foresees eliminating the possibility of jail time, it increases the potential fines.

This is not the only potential legal threat facing European journalists. Long before 9/11, there existed a reflexive habit of passing “urgent” laws under security pretexts, as in the UK during the most difficult years of the Northern Ireland conflict. The current model is the United States’ Patriot Act, which has recently been discussed in France. Meanwhile, in Britain and Spain are debating what free expression activists describe as “gag laws”. In Macedonia, the sentencing of the investigative journalist Tomislav Kezarovski to two years in prison under one of these security inspired laws stands out as a warning sign.

Against this worrying backdrop, across Europe journalists, freedom advocates, campaigners and even politicians are standing up for press freedom. When Gvozden Srecko Flego, member of the Parliamentary Assembly of the Council of Europe, recently highlighted the cases of Russia, Ukraine, Turkey and Azerbaijan as particularly problematic, he also suggested a countermeasure. He recommends “organising annual debates […], with the participation of journalists’ organisations and media outlets” in the respective parliaments of each state.

Media concentration, one of the most serious challenges to media pluralism and free expression in Europe, is being tackled. One proposal, which some international bodies have already accepted, would create a “Media Identity Card” requiring owners to publicly identify themselves and thus create an environment of more open and transparent media ownership.

When defending freedom of expression as a European value, we cannot allow ourselves to simply fall in into mental routines. This World Press Freedom Day we need both words and actions.

Paco Audije is a member of the Steering Committee of the European Federation of Journalists (EFJ)

World Press Freedom Day 2015

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The women challenging Bosnia’s divided media
World Press Freedom Day: Call to protect freedom of expression

This column was posted on 1 May 2015 at indexoncensorship.org

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