Index relies entirely on the support of donors and readers to do its work.
Help us keep amplifying censored voices today.
Indian intellectual Ashis Nandy is facing a police investigation after remarks about underprivileged people made at the Jaipur Literary Festival. Nandy was quoted as saying that “Most corrupt people come from Other Backward Classes, scheduled castes and scheduled tribes.” Nandy later claimed that he had meant that most people prosecuted for corruption were from the lower castes, as they did not have the means to defend themselves. But complaints have reportedly been made to police.
Writers including novelist Hari Kunzru were threatened with prosecution at the Jaipur festival last year after they read extracts from the work of Salman Rushdie, who had been forced to withdraw from appearing at the event following threats.
Belarusian journalist Irina Khalip is to apply to leave the country to visit the UK and Russia. Khalip, who is married to former presidential candidate Andrei Sannikov, is currently subject to a two-year suspended sentence, handed down after a crackdown on opposition journalists and activists in the wake of Belarus’s 2010 presidential election. Her husband has been granted asylum in the UK.
Egypt’s Prosecutor General has ordered the arrest of all members of alleged anarchist group “Black Bloc”.
The newly-emerged Black Bloc, adopting tactics from international anarchist protest movements, and wearing distinctive black hoodies and balaclavas, has been denounced as “barbaric” by Muslim Brotherhood-aligned media. But some commentators have likened the crackdown on the tiny grouping to a panic over heavy metal fans during the Mubarak era.
Philippines Solicitor-General Francis Jardeleza has said that “liking” a libelous post on Facebook could lead to criminal prosecution.
Jardazela’s addmission, during a discussion on the Philippines cybercrime law, prompted one Supreme Court judge to admit that he would now be “reluctant to express [his] view on the web.
The arrest of Greek investigative journalist Kostas Vaxevanis on 28 October 2012, just days after he published a list of more than 2,000 suspected tax evaders, drew international condemnation.
He was found not guilty of breaking data privacy laws in November 2012, but the Athens public prosecutor subsequently ordered a retrial. If he is sentenced, he faces up to two years’ imprisonment or a fine.
Vaxevanis published the so-called “Lagarde List” of wealthy Greeks with Swiss bank accounts in his weekly magazine Hot Doc in October 2012. The list is named after IMF head Christine Lagarde, who handed it over to her Greek counterpart in 2010 when she was French finance minister.
Successive Greek governments have failed to prosecute a single person on the list or any other high-profile individual for tax evasion. Vaxevanis argues that publication of the list was in the public interest. He told the Guardian: “The country is governed by a poisonous combination of politicians, businessmen and journalists who cover one another’s backs … Had it not been for the foreign media taking such an interest in my own story, it would have been buried.”
Dimitris Trimis, head of the Athens Newspaper Editors Union, told the BBC that the pressure on press freedom in Greece was the most intense of his career. Before Vaxevanis’ arrest two state TV presenters were taken off air after discussing a minister’s response to claims by anti-fascist demonstrators that they had been tortured by the police.
Soon after Vaxevanis’ arrest, journalist Spiros Karatzaferis was detained after announcing he would leak damaging documents about the country’s faltering economy. “The government feels insecure,” Trimis said. The only way it feels it can convince society of its policies is to try to manipulate the media through coercion.
Photo: Demotix / Kostas Pikoulas
Founded in Egypt in early 2011, the Mosireen Collective sought to support and promote the growing wave of citizen journalism that had emerged in the lead-up to the ousting of Hosni Mubarak, when members of the public captured the protests and police brutality on their mobile phones.
Working as facilitators, producers and archivists, Mosireen provide both online and offline space to share this wave of citizen news and people’s perspectives with the wider world.
Whilst none of the Mosireen founders were journalists by profession – they come from a variety of other disciplines, from urban planning to graphic design and mechanics – they recognised the importance of the independent media voices emerging from the revolution.
Mosireen’s media centre in Cairo is a community-supported space, and although professionals also use the centre, the focus is on providing ordinary people with skills, equipment, and know-how. The collective has since trained several hundred people with the output of their work available to download, stream, screen and distribute for free on a non-commercial basis. Footage from the archive is also regularly screened at Tahrir Cinema, a free open-air cinema off Tahrir Square (pictured). It continues to film the on-going discontent to this day.
Mosireen – a play on the Arabic words for “Egypt” and “determined” – also holds regular public events and talks in its workspace in downtown Cairo. The opportunity for the public to get involved in all aspects of production allows for an unprecedented level of interactivity in the creation of Egyptian history. All of which is in line with another of Mosireen’s objectives: to counter the narratives put forward by state-owned media through the presentation of multiple viewpoints.
Ta Phong Tan is one of three Vietnamese bloggers, collectively calling themselves the ‘Club for Free Journalists’, at the centre of a draconian clampdown by the country’s authorities. Vietnam is one of the world’s most restrictive countries for freedom of speech and the press. Only China, Eritrea and North Korea come lower on RSF’s press-freedom index.
Tan (pictured) and her fellow bloggers were arrested in September 2012 and charged with ‘conducting propaganda against the state’ in articles that allegedly ‘distorted and opposed’ the Vietnamese government.
In fact in over 700 articles on Tan’s blog Cong Ly va Su That (‘Justice and Truth’) she exposed the extent of corruption in the country. She covered a broad range of social issues, including the maltreatment of children, corruption, unfair taxation and illegal land confiscations by local party officials.
Before becoming a journalist, Tan worked as a police woman in Hanoi, giving her an insight into the workings of the system. On 4 October 2012, after a trial lasting just one day, Tan was sentenced to spend the next ten years in jail, with an additional five years of house arrest upon release. She refused to plead guilty.
This month a court in Vinh in Nghe An province, northern Vietnam, sentenced 14 activists, many of them bloggers, to up to 13 years in jail followed by several years of house arrest. The BBC reported that their convictions relied on loosely worded national security laws — in this instance article 79 of the penal code, which vaguely prohibits activities aimed at overthrowing the government. The Committee to Protect Journalists reported that state officials had beaten and stripped online reporter Nguyen Hoang Vi while detained by Ho Chi Minh City police.
“These shocking prison sentences confirm our worst fears — that the Vietnamese authorities have chosen to make an example of these bloggers, in an attempt to silence others,” Rupert Abbott, Amnesty’s researcher on Vietnam, told the New York Times, adding that freedom of expression in the country was “dire and worsening.”
Before the trial began, Tan’s mother killed herself in a self-immolation protest against the treatment of her daughter, and the violence, harassment and threats of deportation levelled against the family.
Sadiye Eser (pictured) who writes for the leftist daily Evrensel (Universal) Newspaper, was arrested on 10 December and is still being held. The most recent reports claimed she is now likely to be being held at Bakirkoy Women’s prison.
Police asked Eser about political rallies she had covered as a journalist, as well as the notes she had kept on them, according to a statement by the Journalists’ Union of Turkey.
Broadly worded anti-terror and penal code statutes allow the authorities to conflate coverage of banned groups and special investigations with outright terrorism or other anti-state activity.
These statutes ” make no distinction between journalists exercising freedom of expression and [individuals] aiding terrorism,” said Mehmet Ali Birand, an editor with the Istanbul-based station, Kanal D, speaking to Committee to Protect Journalists (CPJ).
Censorship in Turkey remains endemic. CPJ estimated that Eser’s detention brought to 50 the number of people in jail for journalistic activity in the country. Other organisations suggest the number is even higher. Turkey currently is ahead of even Iran and China in the number of journalists it is known to have in prison.
There is also more widely a chilling atmosphere for free expression and press freedom in Turkey leading to sackings of journalists and self-censorship: as the European Commission said in its 2012 progress report on Turkey: “On a number of occasions journalists have been fired after signing articles openly critical of the government. All of this, combined with a high concentration of the media in industrial conglomerates with interests going far beyond the free circulation of information and ideas, has a chilling effect and limits freedom of expression in practice, while making self-censorship a common phenomenon in the Turkish media.” They also point out that 16641 cases in total were pending against Turkey at the European Court of Human Rights in September 2012. In March 2012, Orhan Pamuk, a Turkish writer and Nobel laureate, was charged and fined for a statement in a Swiss newspaper that “we have killed 30,000 Kurds and one million Armenians.”
The arrest of Greek investigative journalist Kostas Vaxevanis on 28 October 2012, just days after he published a list of more than 2,000 suspected tax evaders, drew international condemnation.
He was found not guilty of breaking data privacy laws in November 2012, but the Athens public prosecutor subsequently ordered a retrial. If he is sentenced, he faces up to two years’ imprisonment or a fine.
Vaxevanis published the so-called “Lagarde List” of wealthy Greeks with Swiss bank accounts in his weekly magazine Hot Doc in October 2012. The list is named after IMF head Christine Lagarde, who handed it over to her Greek counterpart in 2010 when she was French finance minister.
Successive Greek governments have failed to prosecute a single person on the list or any other high-profile individual for tax evasion. Vaxevanis argues that publication of the list was in the public interest. He told the Guardian: “The country is governed by a poisonous combination of politicians, businessmen and journalists who cover one another’s backs … Had it not been for the foreign media taking such an interest in my own story, it would have been buried.”
Dimitris Trimis, head of the Athens Newspaper Editors Union, told the BBC that the pressure on press freedom in Greece was the most intense of his career. Before Vaxevanis’ arrest two state TV presenters were taken off air after discussing a minister’s response to claims by anti-fascist demonstrators that they had been tortured by the police.
Soon after Vaxevanis’ arrest, journalist Spiros Karatzaferis was detained after announcing he would leak damaging documents about the country’s faltering economy. “The government feels insecure,” Trimis said. The only way it feels it can convince society of its policies is to try to manipulate the media through coercion.
Photo: Demotix / Kostas Pikoulas
Founded in Egypt in early 2011, the Mosireen Collective sought to support and promote the growing wave of citizen journalism that had emerged in the lead-up to the ousting of Hosni Mubarak, when members of the public captured the protests and police brutality on their mobile phones.
Working as facilitators, producers and archivists, Mosireen provide both online and offline space to share this wave of citizen news and people’s perspectives with the wider world.
Whilst none of the Mosireen founders were journalists by profession – they come from a variety of other disciplines, from urban planning to graphic design and mechanics – they recognised the importance of the independent media voices emerging from the revolution.
Mosireen’s media centre in Cairo is a community-supported space, and although professionals also use the centre, the focus is on providing ordinary people with skills, equipment, and know-how. The collective has since trained several hundred people with the output of their work available to download, stream, screen and distribute for free on a non-commercial basis. Footage from the archive is also regularly screened at Tahrir Cinema, a free open-air cinema off Tahrir Square (pictured). It continues to film the on-going discontent to this day.
Mosireen – a play on the Arabic words for “Egypt” and “determined” – also holds regular public events and talks in its workspace in downtown Cairo. The opportunity for the public to get involved in all aspects of production allows for an unprecedented level of interactivity in the creation of Egyptian history. All of which is in line with another of Mosireen’s objectives: to counter the narratives put forward by state-owned media through the presentation of multiple viewpoints.
Ta Phong Tan is one of three Vietnamese bloggers, collectively calling themselves the ‘Club for Free Journalists’, at the centre of a draconian clampdown by the country’s authorities. Vietnam is one of the world’s most restrictive countries for freedom of speech and the press. Only China, Eritrea and North Korea come lower on RSF’s press-freedom index.
Tan (pictured) and her fellow bloggers were arrested in September 2012 and charged with ‘conducting propaganda against the state’ in articles that allegedly ‘distorted and opposed’ the Vietnamese government.
In fact in over 700 articles on Tan’s blog Cong Ly va Su That (‘Justice and Truth’) she exposed the extent of corruption in the country. She covered a broad range of social issues, including the maltreatment of children, corruption, unfair taxation and illegal land confiscations by local party officials.
Before becoming a journalist, Tan worked as a police woman in Hanoi, giving her an insight into the workings of the system. On 4 October 2012, after a trial lasting just one day, Tan was sentenced to spend the next ten years in jail, with an additional five years of house arrest upon release. She refused to plead guilty.
This month a court in Vinh in Nghe An province, northern Vietnam, sentenced 14 activists, many of them bloggers, to up to 13 years in jail followed by several years of house arrest. The BBC reported that their convictions relied on loosely worded national security laws — in this instance article 79 of the penal code, which vaguely prohibits activities aimed at overthrowing the government. The Committee to Protect Journalists reported that state officials had beaten and stripped online reporter Nguyen Hoang Vi while detained by Ho Chi Minh City police.
“These shocking prison sentences confirm our worst fears — that the Vietnamese authorities have chosen to make an example of these bloggers, in an attempt to silence others,” Rupert Abbott, Amnesty’s researcher on Vietnam, told the New York Times, adding that freedom of expression in the country was “dire and worsening.”
Before the trial began, Tan’s mother killed herself in a self-immolation protest against the treatment of her daughter, and the violence, harassment and threats of deportation levelled against the family.
Sadiye Eser (pictured) who writes for the leftist daily Evrensel (Universal) Newspaper, was arrested on 10 December and is still being held. The most recent reports claimed she is now likely to be being held at Bakirkoy Women’s prison.
Police asked Eser about political rallies she had covered as a journalist, as well as the notes she had kept on them, according to a statement by the Journalists’ Union of Turkey.
Broadly worded anti-terror and penal code statutes allow the authorities to conflate coverage of banned groups and special investigations with outright terrorism or other anti-state activity.
These statutes ” make no distinction between journalists exercising freedom of expression and [individuals] aiding terrorism,” said Mehmet Ali Birand, an editor with the Istanbul-based station, Kanal D, speaking to Committee to Protect Journalists (CPJ).
Censorship in Turkey remains endemic. CPJ estimated that Eser’s detention brought to 50 the number of people in jail for journalistic activity in the country. Other organisations suggest the number is even higher. Turkey currently is ahead of even Iran and China in the number of journalists it is known to have in prison.
There is also more widely a chilling atmosphere for free expression and press freedom in Turkey leading to sackings of journalists and self-censorship: as the European Commission said in its 2012 progress report on Turkey: “On a number of occasions journalists have been fired after signing articles openly critical of the government. All of this, combined with a high concentration of the media in industrial conglomerates with interests going far beyond the free circulation of information and ideas, has a chilling effect and limits freedom of expression in practice, while making self-censorship a common phenomenon in the Turkish media.” They also point out that 16641 cases in total were pending against Turkey at the European Court of Human Rights in September 2012. In March 2012, Orhan Pamuk, a Turkish writer and Nobel laureate, was charged and fined for a statement in a Swiss newspaper that “we have killed 30,000 Kurds and one million Armenians.”
Music has always been a medium to stir up controversy — from glass harmonicas being banned briefly in the 18th century for driving people mad, to the censoring of Elvis Presley’s wiggling hips on the US-based Ed Sullivan show in 1957. Censorship in the music industry is no relic of the past. Only this month, Egyptian authorities announced a bar on “romantic music”. Here are our favourite modern examples of banned music:
Taming the rave
Authorities in England and Wales attempted to curb the fun in 1994, introducing the Criminal Justice and Public Order Act. This defined raves as “illegal gatherings,” putting a stop to any electronic music one might to listen to at an outdoor party. The Act defines banned music as including “sounds wholly or predominantly characterised by the emission of a succession of repetitive beats.” 18 years after the act was introduced, the parties still appear in their masses — as do the police. Here’s Norfolk Police bashing away at some rave equipment following an order for destruction by request of the court:
Sensuality censored
In a bid to halt “vulgarity and bad taste”, music lovers in Cuba were hit with a tough sanction in December: a complete ban of the sexually-charged reggaeton music in the media. Other music genres with aggressive or sexually explicit lyrics will also be curbed, preventing the songs from being played on television or radio. Under legislation passed under President Raul Castro, music can be enjoyed privately, but will also be banned in public spaces — anyone discovered to be breaking the law could be subject to severe fines and suspensions. According to Cuban Music Institute boss Orlando Vistel Columbié, the music genre violates the “inherent sensuality” of Cuban women. One of the most well-known reggaeton artists is the Puerto Rican born artist Daddy Yankee. Here’s his 2004 hit, Gasolina, which probably wasn’t an anthem for rising petrol prices:
Singing a song of silence
On 23 October 2012, Islamist militants took control of a country steeped in musical history, imposing a total ban of all genres of music in northern Mali. The rebel group jammed radio airwaves and confiscated mobile phones, replacing ringtones with verses from the Quran. Three Islamist groups linked to al-Qaeda have taken control of the northern Malian cities of Timbuktu, Kidal and Gao, banning everything they deemed to breach the religious law of Islam, Sharia. Dozens of musicians have fled the area, and many have been threatened with violence should they practice music again. Mali is famed for its rich cultural heritage and many residing there consider music akin to material wealth. Musician Khaira Arby has fled south since the crisis. Here she is with her band Sourgou:
Careless whispers from Iranian government
Iran had a pop at western music in 2005, decreeing it illegal, along with other “offensive” music. The Supreme Cultural Revolutionary Council banned the music from state-run radio and TV broadcasts. The sounds of Eric Clapton, The Eagles and George Michael were often used as television background music until the ban was imposed. President Mahmoud Ahmadinejad left no 80s hallmark unscathed — banning western haircuts like the mullet two years later. George Michael’s 1984 single, Careless Whisper, breaks Iranian law with both music and hairstyles:
Romancing the state
On 13 December, Egyptian authorities banned the broadcast of “romantic” music, insisting that only songs enamoured with the state would be permitted for playing on TV stations. Only nationalistic numbers can now be played on the 23 state-owned channels, and songs mocking public figures will be banned to adhere to the “sensitivity” of the political situation in Egypt. President Mohammed Morsi fervently denied that a decree granting him sweeping powers was permanent recently. Complaints have begun to surface surrounding the musical censorship, with some speculating that it was a move to mask the development of the decree. Egyptian megastar Amr Diab’s most well-known hit, Habibi Ya Nour Al Ain (Darling, You Are The Light of My Eyes), is just one of the many tunes that won’t be heard on the country’s airwaves:
Daisy Williams is an editorial intern at Index.