11 Apr 2025 | Asia and Pacific, China, News and features, Statements
The undersigned organisations condemn the harassment of artist, political cartoonist and activist Badiucao, which has taken place via email, in the media, and on social media in the last week. The harassment began as Badiucao was preparing to publish a statement criticising the human rights situation in Hong Kong. The statement was providing context to his artwork – a short video – that was being exhibited in the city. Like much of Badiucao’s work, the video sought to champion the right to freedom of expression and challenge authoritarianism.
Badiucao was one of more than a dozen artists featured in the three-minute video compilation put together by the Milan-based digital gallery, Art Innovation, on billboards during the Art Basel fair in Hong Kong last week. The 4-second clip, entitled “Here and Now”, showed Badiucao silently mouthing the words “you must take part in revolution” – the title of his newly-published graphic novel and a Mao Zedong quote. It was broadcast hourly between 28 March and 2 April.
On 1 April, Badiucao contacted several media organisations to let them know he would be publishing a statement about the artwork later that evening. Some of them then contacted Art Innovation for comment. Shortly thereafter, Badiucao received an email from the gallery warning him not to publish his statement. They told him that legal action would “definitely” follow if content “against the Chinese government is published”. The gallery later responded to media requests saying that the exhibition “had nothing to do with political messages”.
Badiucao went on to publish his statement. In it, he said: “This art action underscores the absurdity of Hong Kong’s current civil liberties and legal environment. And it would remind everyone that art is dead when it offers no meaning.” The exhibition was removed from the billboards the following morning, despite having been scheduled to be displayed until 3 April.
In a second email to Badiucao, Art Innovation said that his actions had already resulted in financial implications, as well as legal actions, “which will be directed against you”. They demanded that he immediately remove all posts from his personal social media accounts related to the exhibition and claimed that failure to comply could “result in further legal consequences”. They said their lawyers were already working to “initiate appropriate legal action” against him.
On 3 April, Art Innovation publicly accused Badiucao of having provided them with false information and of having violated the contract he signed by submitting political content. “[W]e can consider it a crime,” they wrote on social media. Badiucao said he had submitted the artwork under the pseudonym Andy Chou because the video clip was to be shown in Hong Kong, where the authorities had previously shut down his exhibition. He said he never concealed his identity from the gallery and that they knew that he was behind the artwork.
Art Innovation would also have been aware of the distinctly political nature of Badiucao’s artwork given that they first contacted him via social media, where he regularly shares his artwork with his more than 100k followers, in 2022. They invited him to collaborate on a billboard exhibition during Art Basel in Miami that year, to which he contributed a satirical image of Chinese president Xi Jinping.
“We are appalled at the behaviour of this Italian gallery, which claims to ‘love everything that is outside the rules’ and ‘love the freedom of artists’ and yet harasses and tries to silence an artist that stands for exactly those principles,” the undersigned organisations said. “Badiucao must be applauded for his efforts to creatively challenge censorship and authoritarianism in such a repressive regime. Art Innovation should immediately withdraw their legal threats, issue a public apology to Badiucao, and refrain from further harassment of the artist.”
Signed:
Index on Censorship
Alliance for Citizens Rights
Art for Human Rights
ARTICLE 19
Australian Cartoonists Association
Australia Hong Kong Link
Befria Hongkong
Blueprint for Free speech
Civil Liberties Union for Europe
Cartooning for Peace
Cartoonists Rights Network International
The Committee for Freedom in Hong Kong Foundation
DOX Centre for Contemporary Art
European Federation of Journalists
Foundation Atelier for Community Transformation ACT
Freemuse
Freedom Cartoonists
Freiheit für Hongkong
Hong Kong Committee in Norway
Hong Kong Forum, Los Angeles
Hong Kong Watch (HKW)
Hongkongers in Britain (HKB)
Hong Kongers in San Diego
Hong Kongers in San Francisco Bay Area
Human Rights in China (HRIC)
Human Rights Foundation (HRF)
Humanitarian China
IFEX
Lady Liberty Hong Kong
NGO DEI
NY4HK
Osservatorio Balcani Caucaso Transeuropa (OBCT)
Croatian Journalists’ Association (HND)
Trade Union of Croatian Journalists
PEN America
PEN International
Reporters Without Borders (RSF)
Richardson Institute – Lancaster University
The Rights Practice
Safeguard Defenders
StraLi for Strategic Litigation
Stand with Hong Kong EU
Toronto Association for Democracy in China 多倫多支聯會
Uyghur Human Rights Project (UHRP)
Washingtonians Supporting Hong Kong (DC4HK)
Notes:
- The day after Badiucao published his statement, Hong Kong’s new chief of police warned that, despite Hong Kong’s return to stability following the 2019-20 protests, there continued to be “soft resistance” to the regime through arts and culture. He did not name Badiucao or Art Innovation specifically.
- On 8 April, the South China Morning Post reported that Hong Kong’s Culture, Sports, and Tourism Bureau had confirmed that they had not requested the removal of the video.
- The Security Bureau of the Hong Kong government had told South China Morning Post that: “[The] freedom of literary and artistic creation and other cultural activities are protected by law. As long as they do not violate the law, the above-mentioned freedoms will not be restricted.”
28 Mar 2025 | Belarus, Egypt, Europe and Central Asia, Middle East and North Africa, News and features, Russia
On Sunday 30 March, I and mothers like me across the UK, will be waking up to a chorus of “Happy Mother’s Day!”, handmade cards and flowers thrust in our faces as we curse whoever made the decision to put the clocks forward on today of all days.
As anyone who is a mother knows, it’s a hard job. The balancing of family life, careers and – dare I say it – our own social lives; the emotional and mental load that falls to us; attempting to raise tiny people into well-rounded grown-up humans.
Mother’s Day is an opportunity to recognise all this, in ourselves and in our own mothers. But this Mother’s Day, I’d like to think about those who are mothering in extreme situations. Those who are fighting for the release of their children, who are held in prison in autocratic regimes after raising their voices. Those who are campaigning for the release of partners, after they stood up to autocrats. And those who are behind bars themselves after speaking out, and have been ripped away from their families.
One of those mothers is Sviatlana Tsikhanouskaya, who ran for president against Alyaksandr Lukashenka in 2020 in Belarus. She is now in exile in Lithuania, where she leads the opposition coalition.
Tsikhanouskaya never wanted to be a politician. She describes herself as having been an “ordinary woman”, where her family was her world. The change of course was thrust upon her when her husband Siarhei Tsikhanouski, who was a willing opposition leader, was arrested in May 2020 then sentenced to 18 years in prison in December 2021.
With her husband incommunicado, Tsikhanouskaya has led the campaign for his release, taken up his political reins and continued to raise their two children.
On Belarus Freedom Day (25 March), just a few days before Mother’s Day, Lukashenka chose the national awareness day to be sworn in after his sham election. Meanwhile, Index on Censorship organised a protest outside the Belarusian embassy in London, writing the names of political prisoners in chalk on the pavement. Meanwhile, Tsikhanouskaya continued to raise the issue of Belarusian freedom on the international stage. From her office in Lithuania, she took time out to talk to me about what happens when the worlds of motherhood and campaigning collide.
“Raising children is a heavy duty, even if you’re an ordinary person,” she told me. And for her, there is an additional toll.
“You always live with the feeling of guilt, because you are not spending enough time with the children,” she said. A relatable feeling. “Very unexpectedly for them, I became […] the person who is defending their daddy, who is defending the country, the leader that had to travel a lot just to raise the alarm about the situation in Belarus.”
She tries to pack in time with her children when she can, but is conscious of not overwhelming them.
“All these years, we are also living with the pain,” she said. Her daughter was only four when her father was imprisoned, and Tsikhanouskaya does everything she can to make sure she remembers his voice and what he looks like. Her daughter writes letters, but they go unanswered.
“It’s very painful for her, and she’s asking, ‘Mum, maybe he is not alive anymore, and you are lying to us, or maybe he doesn’t love us anymore’,” she said.
Tsikhanouskaya is forced to have conversations with her children that no mother would ever want to conduct, about brutality and torture in prisons. Meanwhile her son, who is older, tries not to ask painful questions. He doesn’t want to write letters to his father, because he doesn’t want to flaunt his own freedom.
“I hope, I really believe that they’re learning a lot from these difficult lives. They’re learning how people can sacrifice their lives, their freedoms, a comfortable life, just for something bigger and more important,” Tsikhanouskaya said.
Beyond this, she said she feels the Belarusian people are learning something – that women can lead movements. This, she said, is not the message that was left to them from their Soviet Union past. Meanwhile, she is nourished by the Belarusian people, and by international communities.
This Mother’s Day, Tsikhanouskaya has a message for other mothers fighting similar battles: “Don’t even dare blame yourself that you are a bad mother because you have to be a good leader of your campaign. Your example is the best lesson your children can learn.”
She spares a thought too for the mothers who are political prisoners themselves, and describes how this tactic of separating mothers from their children is “like they cut a piece of your life”.
One of those women is Antanina Kanavalava, a member of Tsikhanouskaya’s campaign, who was sentenced to five and a half years in prison for preparing to take part in a mass riot, related to her role in running a Telegram channel. Her husband was also detained for the same reason, leaving behind their son and daughter, who are both under the age of eight and were taken abroad by their grandmother.
“Dictators know that children are the most effective leverage,” Tsikhanouskaya said.
In fact, Tsikhanouskaya herself had her children used against her. She was told to leave the country, and was threatened with prison if she refused.
She said that she was told: “Your husband’s already in prison. Your children will be in an orphanage.”
The winner of the Trustees Award at our Freedom of Expression Awards in 2024 also knows what it means to campaign for your husband’s release while continuing to raise children. Russian human rights activist Evgenia Kara-Murza, the advocacy director of the Free Russia Foundation, continued to raise her three children while she took up the campaign to fight for her husband’s release.
Vladimir Kara-Murza was arrested and jailed by Russian President Vladimir Putin in April 2022, after he’d already been poisoned twice. His wife spent the next two years travelling the world and speaking out against her husband’s imprisonment and Putin’s regime. In August 2024, he was finally freed as part of a prisoner exchange.
In Turkey, the Saturday Mothers have held sit-in vigils in Istanbul since 1995, for loved ones who have been forcibly disappeared or murdered. They have spent more than 1,000 Saturdays conducting peaceful demonstrations. After their 700th vigil in August 2018, they faced a crackdown, their peaceful protest broken up with tear gas, water cannons and arrests. Finally in March 2025, 45 members of the Saturday Mothers who had been arrested were acquitted.
Elsewhere in Turkey in 2024, mothers of Crimean political prisoners held a series of exhibitions called I Will Always Wait For You, My Child, demonstrating how their lives had been devastated by the Russian occupation of Crimea. Photos and captions were displayed on easels and online, each with the photo of a mother whose child was ripped away from her, detained and taken to Russia.
The exhibition was supported by Ukrainian NGO Human Rights Centre ZMINA, the Office of the Ombudsman of Ukraine, the Ukrainian Embassy in Turkey, and the Crimean Tatar diaspora.
“My children are my air. I will fight for them until my last breath,” wrote Dilyara Abdullaeva, a 70-year-old mother whose sons Uzeir and Teymur were sentenced to 12.5 and 16.5 years in a strict regime colony.
On the UK’s shores, Laila Soueif has been putting her life at risk for her son, British-Egyptian activist Alaa Abd el-Fattah.
El-Fattah has been in and out of prison in Egypt for the last decade, after becoming a vocal pro-democracy campaigner. When his most recent sentence of five years came to an end last September, he was not released. His mother went on a hunger strike for the next five months, and was eventually told by doctors that her life was at risk.
When British Prime Minister Keir Starmer finally made a call to Egyptian President Abdel Fattah al-Sisi in February this year, she switched to a partial hunger strike, to give the negotiation process time to take its course.
Soueif spoke to me over a video call this week, and she described herself as “functioning”.
“I realised that both the Egyptian and the British government are not going [to act], except when there is a crisis. So, I decided to create the crisis,” she said.
While in the past she has felt enthusiastic about campaigning, albeit sometimes exhausted and bored by the situation, since September she has felt very angry.
Soueif’s hunger strike lasted an incredibly long time before she deteriorated, but she doesn’t think that what she has done is particularly extraordinary.
“I really believe that most mothers would be willing to take that kind of risk for their kids,” she said. She is probably right. Regardless, it’s a position no mother wishes to be in.
A hunger strike was not Soueif’s first port of call. She had taken legal routes, staged demonstrations and spoken to the British government.
“In the end, none of it worked,” she said.
She is now worried she made the wrong choice coming off her hunger strike, as the momentum seems to have been lost. She is considering taking it up again, and can only hope there are motions of clemency from the Egyptian government around the end of Ramadan in a few days’ time. If she does go back on a hunger strike, she will be putting herself at huge risk.
Her message to other mothers fighting for their loved ones is this: “If you start a fight, don’t give up. Because however hard the fight is, to give up without achieving your objective will probably be much, much harder.”
In this fight, she has never been alone. She spoke about the incredible solidarity she has had, and the difference it has made.
From exile in Lithuania, Tsikhanouskaya acknowledged that mothers like herself need some time, care and a listening ear too. While she fights for freedom in Belarus, she also continues to be an ordinary woman.
“Save yourself first, and then go and ruin dictatorships,” she said.
Mothers, even when they’re not fighting autocrats, have incredible strength and resilience. Perhaps, as some of these women show, it is the mothers who will get dissidents out of prison, and take down oppressive regimes.
9 Aug 2024 | Belarus, Europe and Central Asia, News and features
Four years ago today, Belarusian president Alyaksandr Lukashenka claimed victory in the country’s elections garnered more than 80% of the vote. The victory meant a sixth term in office.
That 80% figure is as meaningless as Vladimir Putin’s recent 88% in Russia and Paul Kagame’s patently ridiculous 99.15% in Rwanda. If you’re a dictator it’s just a matter of choosing a number you’re comfortable with.
The average Belarusian was not at all comfortable with that 80% and hundreds of thousands went onto the streets to protest.
Such huge demonstrations did not sit well with Lukashenka and they were met with a huge show of force.
At the time of the 2020 election, the EU said the election was “neither free nor fair”, the UK said it “did not accept the result” and called the subsequent repression of protesters “grisly” while the US Government said “severe restrictions on ballot access for candidates, [the] prohibition of local independent observers at polling stations, intimidation tactics employed against opposition candidates, and the detentions of peaceful protesters and journalists marred the process”.
The demonstrations did not manage to topple Lukashenka, one of Russia’s biggest allies. Vladimir Putin congratulated him on his victory and offered military help to put down protests..
Almost 1,400 political prisoners now languish in Belarusian jails, according to the human rights centre Viasna. That’s one political prisoner for every day that has elapsed since the rigged 2020 election.
A few weeks ago, the UK and 37 other countries condemned the human rights situation in Belarus. Speaking on behalf of all these countries, the Slovenian ambassador to the OSCE Barbara Zvokelj said those jailed “experience torture, inhuman or degrading treatment, acts of physical or sexual violence, lack of basic medical care and privacy, lack of a fair trial, psychological pressure and discrimination, with their cells and clothing marked with yellow tags.”
Those behind bars experience horrendous conditions and include Nobel laureate Ales Bialiatski, the lawyer Maksim Znak and musician Maria Kalesnikava who are all being held incommunicado. They also include our former colleague Andrei Aliaksandrau, who was previously the Belarus and OSCE programme officer at Index.
Also imprisoned is former blogger Siarhei Tsikhanouski who announced his intention to stand in the 2020 elections against Lukashenka but was arrested two days later. In the event, his wife Sviatlana Tsikhanouskaya stood against the incumbent. The regime claimed she won just 8.8% of the vote.
In an Index exclusive, the country’s would-be president has written an article for us on the country’s political prisoners. Sviatlana has not heard from her husband since 9 March 2023. She writes, “For my son and daughter, sending letters, postcards and drawing pictures to their father was keeping us morally afloat. They constantly wrote to him but never received any answer.”
Despite many families not receiving answers from their jailed loved ones in Belarus, they are not forgotten.
On Monday 5 August, Index hosted an evening of film and activism in partnership with St John’s Waterloo and Roast Beef Productions, joining a room full of friends and colleagues passionate about free expression, human rights and democracy to mark the fourth anniversary of Lukashenka’s fraudulent elections.
The event’s organiser Index development officer Anna Millward said, “In the belly of the old crypt, we stood in solidarity with, and gave voice to, just some of the many political prisoners in Belarus. Together, we watched the powerful and unmissable documentary The Accidental President (Roast Beef Productions), which charts the presidential campaign of Sviatlana Tsikhanouskaya. As the film ended and the lights stayed dimmed, the audience started to softly sing the resistance song Moment: it was an unexpected, moving moment full of hope. A panel discussion followed exploring everything from following Sviatlana’s campaign behind the scenes through to the chilling reach of transnational repression with PEN Belarus President, Taciana Niadbaj; Belarusian poet, writer and activist Hanna Komar; and Roast Beef Productions’ Mike Lerner and Martin Herring.”
She adds, “Finally, we launched our pilot exhibition Letters from Lukashenka’s Prisoners, giving unjustly detained individuals a voice by collecting, translating, publishing and displaying their letters. The exhibition was designed and curated by Martha Hegarty on behalf of Index, and is inspired by a project of the same name carried out by Index in partnership with Belarus Free Theatre, Human Rights House Foundation and Politzek.me between 2021 and 2023.”
As we mark this dark anniversary of Belarus it is poignant to think about the words of the song sung this past Monday.
“We are Belarusians, we are going in peace. In a bright and sunny way.
Destroy the prison walls! If you want freedom, take it!
The wall will soon collapse, collapse, collapse — And the old world is buried!”
Let us hope that is the case sooner rather than later.