In conjunction with the Cambridge Festival of Ideas 2015, we will be publishing a series of articles that complement many of the upcoming debates and discussions. We are offering these articles from Index on Censorship magazine for free (normally they are held within our paid-for archive) as part of our partnership with the festival. Below is an article by author Erica Jong, on pornographic material in art and literature, taken from our summer 1995 issue. It’s a great starting point for those who plan to attend The body politic: censorship and the female body session at the festival this year.
Pornographic material has been present in the art and literature of every society in every historical period. What has changed from epoch to epoch – or even from one decade to another – is the ability of such material to flourish publicly and to be distributed legally.
After nearly 100 years of agitating for freedom to publish, we find that the enemies of freedom have multiplied, rather than diminished. They are Christians, Muslims, oppressive totalitarian regimes, even well- meaning social libertarians who happen to be feminists, teachers, school boards, librarians. This should not surprise us since, as Margaret Mead pointed out 40 years ago, the demand for state censorship is usually ‘a response to the presence within the society of heterogeneous groups of people with differing standards and aspirations.’ As our culture becomes more diverse, we can expect more calls for censorship rather than fewer.
Mark Twain’s notorious 1601 ... Conversation As It Was By The Social Fireside, In The Time ofThe Tudors fascinates me because it demonstrates Mark Twain’s passion for linguistic experiment and how allied it is with his compulsion toward ‘deliberate lewdness’.
The phrase ‘deliberate lewdness’ is Vladimir Nabokov’s.In a witty afterword to his ground-breaking 1955 novel Lolita, he links the urge to create pornography with ‘the verve of a fine poet in a wanton mood’ and regrets that ‘in modern times the term “pornography” connotes mediocrity, commercialism and certain strict rules of narration.’ In contemporary porn, Nabokov says, ‘action has to be limited to the copulation of cliches.’ Poetry is always out of the question . ‘Style, structure, imagery should never distract the reader from his tepid lust.’
Free Thinking! A unique partnership in 2015, Cambridge Festival of Ideas are working with Index on Censorship to offer in-depth articles and follow-up pieces from leading artists, writers and activists on all of our headline events.
In the latest issue of Index on Censorship magazine Spies, secrets and lies: How yesterday’s and today’s censors compare, we look at nations around the world, from South Korea to Argentina, and discuss if the worst excesses of censorship have passed or whether new techniques and technology make it even more difficult for the public to attain information. Subscribe to the magazine.
In choosing to write from the point of view of ‘the Pepys of that day, the same being cup-bearer to Queen Elizabeth’ in 1601, Mark Twain was transporting himself to a world that existed before the invention of sexual hypocrisy. The Elizabethans were openly bawdy. They found bodily functions funny and sex arousing to the muse. Restoration wits and Augustan satirists had the same openness to bodily functions and the same respect for Eros. Only in the nineteenth century did prudery (and the threat of legal censure) begin to paralyse the author‘s hand. Shakespeare, Rochester and Pope were far more fettered politically than we are, but the fact was that they were not required to put condoms on their pens when the matter of sex arose. They were pleased to remind their readers of the essential messiness of the body. They followed a classical tradition that often expressed moral indignation through scatology, ‘Oh Celia, Celia, Celia shits,’ writes Swift, as if she were the first woman in history to do so. In his so-called ‘unprintable poems’, Swift is debunking the conventions of courtly love – as well as expressing his own deep misogyny – but he is doing so in a spirit that Catullus and juvenal would have recognised. The satirist lashes the world to bring the world to its senses. It does the dance of the satyrs around our follies.
Twain’s scatology serves this purpose as well, but it is also a warm-up for his creative process, a sort of pump-priming. Stuck in the prudish nineteenth century, Mark Twain craved the freedom of the ancients. In championing ‘deliberate lewdness’ in 1601, he bestowed the gift of freedom on himself.
Even more interesting is the fact that Mark Twain was writing 1601 during the very same summer (1876) that he was ‘tearing along on a new book’ – the first 16 chapters of a novel he then referred to as ‘Huck Finn’s autobiograph’. This conjunction is hardly coincidental. 1601 and Huckleberry Finn have a great deal in common besides linguistic experimentation. According to Justin Kaplan, ‘both were implicit rejections of the taboos and codes of polite society and both were experiments in using the vernacular as a literary medium.’
In order to find the true voice of a book, the author must be free to play without fear of reprisals. All writing blocks come from excessive self-judgement, the internalised voice of the critical parent telling the author’s imagination that it is a dirty little boy or girl. ‘Hah!’ says the author, ‘I will flaun t the voice of parental propriety and break free!’ This is why pornographic spirit is always related to unhampered creativity. Artists are fascinated with filth because we know that in it everything human is born. Human beings emerge between piss and shit and so do novels and poems. Only by letting go of the inhibition that makes us bow to social propriety can we delve into the depths of the unconscious. We assert our freedom with pornographic play. If we are lucky, we keep that freedom long enough to create a masterpiece like Huckleberry Finn.
But the two compulsions are more than just related; they are causally intertwined.
When Huckleberry Finn was published in 1885, Louisa May Alcott put her finger on exactly what mattered about the novel even as she condemned it: ‘If Mr Clemens cannot think of something better to tell our pure- minded lads and lasses, he had best stop writing for them.’ What Alcott didn’t know was that ‘our pure-minded lads and lasses’ aren’t. But Mark Twain knew. It is not at all surprising that during that summer of high scatological spirits Twain should also give birth to the irreverent voice of Huck. If Little Women fails to go as deep as Twain’s masterpiece, it is precisely because of Alcott’s concern with pure mindedness. Niceness is ever the enemy of art. If you worry about what the neighbours, critics, parents and supposedly pure-minded censors think, you will never create a work that defies the restrictions of the conscious mind and delves into the world o f dreams.
The artist needs pornography as a way into the unconscious and history proves that if this licence is not granted, it will be stolen. Mark Twain had 1601 privately printed. Picasso kept pornographic notebooks that were only exhibited after his death.
1601 is deliberately lewd. It delights in stinking up the air of propriety. It delights in describing great thundergusts of farts which make great stenches and pricks which are stiff until cunts ‘take ye stiffness out of them’. In the midst of all this ribaldry, the assembled company speaks of many things – poetry, theatre, art, politics. Twain knew that the muse flies on the wings of flatus, and he was having such a good time writing this Elizabethan pastiche that the humour shines through a hundred years and twenty later. I dare you to read 1601 without giggling and guffawing.
Erica Jong became internationally famous in 1973-4 with the publication of her novel Fear of Flying, which sold over 10 million copies worldwide. She has also written several collections of poetry and six further novels, most recently Any Woman’s Blues
Excerpted from a paper delivered at a conference on Expression, Offence and Censorship, organised by the Institute for Public Policy Research in June 1995. A full report of the conference, including contributions from Bernard Williams, Michael Grade, Clare Short MP and Chris Smith MP will be published shortly. Details from IPPR, 30-32 Southampton Street, London WC2E 7RA, UK
Join us on 25 October at the Cambridge Festival of Ideas 2015 for Question Everything an unconventional, unwieldy and disruptive day of talks, art and ideas featuring a broad range of speakers drawn from popular culture, the arts and academia. Moderated by Index on Censorship CEO Jodie Ginsberg.
In conjunction with the Cambridge Festival of Ideas 2015, we will be publishing a series of articles that complement many of the upcoming debates and discussions. We are offering these articles from Index on Censorship magazine for free (normally they are held within our paid-for archive) as part of our partnership with the festival. Below is an article by Jemimah Steinfeld and Hannah Leung on the social benefits system in China, taken from the autumn 2013 issue. This article is a great starting point for those planning to attend the Hidden Voices; Censorship Through Omission session at the festival.
When Liang Hong returned to her hometown of Liangzhuang, Henan province, in 2011, she was instantly struck by how many of the villagers had left, finding work in cities all across China. It was then that she decided to chronicle the story of rural migrants. During the next two years she visited over 10 cities, including Beijing, and interviewed around 340 people. Her resultant book, Going Out of Liangzhuang, which was published in early 2013, became an overnight success. In March it topped the Most Quality Book List compiled by the book channel of leading web portal Sina.
Liang’s book is unique, providing a rare opportunity for migrants to narrate their stories. They have been described as san sha (scattered sand) because they lack collective strength and power to change their circumstance. “They are invisible members of society,” Liang told Index. “They have no agency. There is a paradox here. On one hand, villagers are driven away from their homes to find jobs and earn money. But on the other hand, the cities they go to do not have a place for them.”
The central reason? China’s hukou, or household registration system. The hukou, which records a person’s family history, has existed for around 2,000 years, originally to keep track of who belonged to which family. Then, in 1958 under Mao Zedong, the hukoustarted to be used to order and control society. China’s population was divided into rural and urban communities. The idea was that farmers could generate produce and live off it, while excess would feed urban factory workers, who in turn would receive significantly better benefits of education, health care and pensions. But the economic reforms starting in the late 1970s created pressure to encourage migration from rural to urban areas. Today 52 per cent of the population live in a metropolis, with a predicted rise to 66 per cent by 2020.
In this context authorities have debated making changes to the system, or eradicating it altogether. In the 1990s some cities, including Shanghai, Shenzhen and Guangzhou, started to allow people to acquire a local hukou if they bought property in the city or invested large quantities of money. In Beijing specifically, a local hukou can be acquired by joining the civil service, working for a state-owned company or ascending to the top ranks of the military.
The scope of these exceptions remains small, though, and an improvement is more a rhetorical statement than a reality. “China has been talking about reforming the hukousystem for the last 20 years. Most hukou reform measures so far are quite limited and tend to favour the rich and the highly educated. They have not changed much of the substance,” University of Washington professor Kam Wing Chan, a specialist in Chinese urbanisation and the hukou, told Index.
Thus some 260 million Chinese migrants live as second-class citizens. Shanghai, for example, has around 10 million migrant workers who cannot access the same social services as official citizens.
Free Thinking! A unique partnership in 2015, Cambridge Festival of Ideas are working with Index on Censorship to offer in-depth articles and follow-up pieces from leading artists, writers and activists on all of our headline events.
In the latest issue of Index on Censorship magazine Spies, secrets and lies: How yesterday’s and today’s censors compare, we look at nations around the world, from South Korea to Argentina, and discuss if the worst excesses of censorship have passed or whether new techniques and technology make it even more difficult for the public to attain information. Subscribe to the magazine.
Of the social services, education is where the hukou system particularly stings. Fully-funded schooling and entrance exams are only offered in the parents’ hometown, where standards are lower and competition for university places higher. Charitable schools have sprung up, but they are often subject to government crackdown. Earlier this year one district in Beijing alone pledged to close all its migrant schools.
It’s not just in terms of social services that migrants suffer. Many bosses demand a local hukou and exploit those without. A labour contract law passed in 2008 remains largely ineffective and the majority of migrants work without contracts. Indeed, it was only in 2003 that migrants could join the All-China Federation of Trade Unions (ACFTU), and to this day the ACFTU does little to recruit them.
The main official channel to voice discontent is to petition local government. Failing that, these ex-rural residents could organise protests or strikes. Given that neither free speech nor the right to assembly is protected in China, all of these options remain largely ineffective, and relatively unlikely. In a rare case in Yunnan province, southwest China, tourism company Xinhua Shihaizi owed RMB8 million (US$1.3 million) to 500 migrant workers for a construction project. With no one fighting their battle, children joined parents and held up signs in public. In this case the company was fined. Other instances are less successful, with reports of violence either at the hands of police or thugs hired by employers being rife.
“Many of them fight or rebel in small ways to get limited justice, because they cannot fight the system on a larger scale,” noted Liang. “For example, my uncle told me that he would steal things from the factory he worked at to sell later. This was a way of getting back at his boss, who was a cruel man.” In lieu of institutional support, NGOs step in. Civil society groups have been legalised since 1994, providing they register with a government sponsor. This is not always easy and migrant workers’ organisations in particular are subject to close monitoring and control. Subsequently only around 450,000 non-profits are legally registered in China, with an estimated one million more unregistered.
But since Xi Jinping became general secretary of the Communist Party of China in March, civil society groups have grown in number. Index spoke to Geoff Crothall from China Labour Bulletin, a research and rights project based in Hong Kong. They work with several official migrant NGOs in mainland China. Crothall said that while these groups have experienced harassment in the past, there has been nothing serious of late.
Migrants themselves are also changing their approach. “Young migrant workers all have cell phones and are interested in technology and know how to use social media. So certainly things such as social media feed Weibo could be a way for them to express themselves,” Liang explained.
It’s not just in terms of new technology that action is being taken. In Pi village, just outside of Beijing, former migrant Sun Heng has established a museum on migrant culture and art. Despite being closely monitored, with employees cautioned by officials against talking to foreigners, it remains open and offers aid to migrants on the side.
There are other indications that times are changing. China’s new leaders have signalled plans to amend the hukou system later this year. Whether this is once again hot air is hard to say. But they are certainly allowing more open conversation about hukou policy reform. Just prior to the release of Liang’s book, in December 2012 the story of 15-year-old Zhan Haite became headline news when Zhan, her father and other migrants took to Shanghai’s People’s Square with a banner reading: “Love the motherland, love children”, in response to not being allowed to continue her education in the city.
Initially there was a backlash. The family were evicted from their house and her father was imprisoned for several weeks. Hostility also came from Shanghai’s hukou holders, who are anxious to keep privileges to themselves. Then something remarkable happened: Haite was invited to write an op-ed for national newspaper China Daily, signalling a potential change in tack.
It’s about time. The hukou system, which has been labelled by some as a form of apartheid, is indefensible on both a moral and economic level in today’s China. Its continuation stands to threaten the stability of the nation, as it aggravates the gulf between haves and have-nots. Reform in smaller cities is a step in the right direction, but it’s in the biggest cities where these gaps are most pronounced. And as the migration of thousands of former agricultural workers to the cities continues, that division is set to deepen if nothing else is done.
Portrait of a paperless and powerless worker
Deng Qing Ning, 37, has worked as an ayi in Beijing for the last seven years. At the moment she charges RMB15 (US$2.40) per hour for her routine cleaning services, though she is thinking of increasing her rates to RMB20 to match the market. She hasn’t yet, for fear that current clients will resist.
The word ayi in Mandarin can be used as a generic term for auntie, but it also refers to a cleaner or maid. Most ayi perform a gamut of chores, from taking care of children to cleaning, shopping and cooking.
While ayi in cities like Hong Kong are foreign live-in workers with a stipulated monthly minimum wage (currently HK$3920, US$505), domestic help in China hails from provinces outside of the cities they work. In places like Beijing and Shanghai, the hourly services of non-contractual ayi cost the price of a cheap coffee.
Deng’s story is typical of many ayi who service the homes of Beijingers. She was born in 1976 in a village outside Chongqing, in China’s southwestern Sichuan province, where her parents remain. She came to Beijing in 2006 to join her husband. He had moved up north to find work in construction after the two wed in 2004.
“In Beijing, there are more regulations and more opportunities”, she said, explaining why they migrated to China’s capital. “Everyone leaves my hometown. Only kids and elders remain.”
When she arrived in Beijing, she immediately found work as an ayi through an agency. The agency charged customers RMB25 (US$4) per hour for cleaning services and would pocket RMB10, alongside a deposit. One day, at one of the houses Deng was assigned, her client offered to pay her directly, instead of going through a middleman. The set-up was mutually beneficial.
“When I discovered there was the opportunity to break free, I took it”, she said, adding that many of the cleaning companies rip off their workers.
One perk of being an ayi is Deng’s ability to take care of her daughter. When her daughter was younger and needed supervision, she joined her mother on the job. Now that her daughter is older, Deng is able to pick her up from school.
But this is where the benefits end. Her family does not receive any social welfare. Not having a Beijing hukou means not qualifying for free local education, which makes her nine-year-old daughter a heavy financial burden. Many Beijing schools do not accept migrant children at all.
Aware of these hardships in advance, Deng and her husband were still insistent on bringing their daughter with them to the city, instead of leaving her behind to be raised by grandparents, which is a situation many children of migrant workers face.
“The education in Beijing is better than back home,” she explained. Her daughter attends a local migrant school, a spot secured after they bargained for her to take the place of their nephew. Her brother-in-law’s family had just moved back home because their children kept falling ill.
Deng has to cover some of the fees and finds the urban education system unfair, but she highlights how difficult it is to voice these frustrations.
“Many Beijing kids do not even have good academic records. Our children may be better than theirs. But they take care of Beijingers first.”
She wishes the government would establish more schools; her daughter’s class size has increased three times during the school year. Again, there is nothing they can do and few people she can talk to, she says. It’s not like they have the political or business guangxi (connections) or know a local teacher who can get their daughter admission anywhere else.
Deng’s younger brother, born in 1986, followed his sister to Beijing five years ago and found employment as a construction worker. Three years back Deng received a dreaded phone call. Her brother had been in a serious accident on a construction site, where he tripped over an electrical wire and tumbled down a flight of stairs. He was temporarily blinded due to an injury that impaired his nerves.
The construction site had violated various safety laws. To the family’s relief, the supervisor of the project footed the hospital bills in Beijing’s Jishuitan Hospital, which amounted to more than RMB20,000 (US$3,235). During this time, Deng had to curb her working hours to attend to her brother, but she felt grateful given the possibility of a worse scenario. Her brother’s vision never fully recovered and he returned to their hometown shortly after.
Deng is looking forward to the time when they can all reunite, hopefully once her daughter reaches secondary school. More opportunities are developing in her hometown, which makes a return to Sichuan and relief from her paperless status much more appealing.
Jemimah Steinfeld worked as a reporter in Beijing for CNN, Huffington Post and Time Out Beijing. At present she is writing a book on Chinese youth culture.
Hannah Leung is an American-born Chinese freelance journalist who has spent the past four years in China. She is currently living in Beijing.
Join us on 25 October at the Cambridge Festival of Ideas 2015 for Question Everything an unconventional, unwieldy and disruptive day of talks, art and ideas featuring a broad range of speakers drawn from popular culture, the arts and academia. Moderated by Index on Censorship CEO Jodie Ginsberg.
In conjunction with the Cambridge Festival of Ideas 2015, we will be publishing a series of articles that complement many of the upcoming debates and discussions. We are offering these articles from Index on Censorship magazine for free (normally they are held within our paid-for archive) as part of our partnership with the festival. Below is and article by Ismail Einashe on television journalist Temesghan Debesai’s escape from Eritrea, taken from the spring 2014 issue. This article is a great starting point for those planning to attend the A New Home: Asylum, Immigration and Exile in Today’s Britain session at the festival.
Television journalist Temesghen Debesai had waited years for an opportunity to make his escape, so when the Eritrean ministry of information sent him on a journalism training course in Bahrain he was delighted, but fearful too. On arrival in Bahrain, he quietly evaded the state officials who were following him and got in touch with Reporters Sans Frontières. Shortly after he met officials from the United Nations High Commissioner for Refugees who verified his details. He then went into hiding for two months so the Eritrean officials in Bahrain could not catch up with him and eventually escaped to Britain.
Debesai told no one of his plans, not even his family. He was concerned he was being watched. He says a “state of paranoia was everywhere” and there was no freedom of expression. Life in Eritrea, he explains, had become a “psychological prison”.
After graduating top of his class from Eritrea’s Asmara University, Debesai became a well-known TV journalist for state-run news agency Erina Update. But from 2001, the real crackdown began and independent newspapers such as Setit, Tsigenai, and Keste Debena, were shut down. In raids journalists from these papers were arrested en masse. He suspects many of those arrested were tortured or killed, and many were never heard of again. No independent domestic news agency has operated in Eritrea since 2001, the same year the country’s last accredited foreign reporter was expelled.
The authorities became fearful of internal dissent. Debesai noticed this at close hand having interviewed President Afwerki on several occasions. He describes these interviews as propaganda exercises because all questions were pre-agreed with the minister of information. As the situation worsened in Eritrea, the post-liberation haze of euphoria began to fade. Eritrea went into lock-down. Its borders were closed, communication with the outside world was forbidden, travel abroad without state approval was not allowed. Men and women between the ages of 18 and 40 could be called up for indefinite national service. A shoot-to-kill policy was put in operation for anyone crossing the border into Ethiopia.
Debesai felt he had no other choice but to leave Eritrea. As a well-known TV journalist he could not risk walking across into Sudan or Ethiopia, so he waited until he got the chance to leave for Bahrain.
Eritrea was once a colony of Italy. It had come under British administrative control in 1941, before the United Nations federated Eritrea to Ethiopia in 1952. Nine years later Emperor Haile Selassie dissolved the federation and annexed Eritrea, sparking Africa’s longest war. This long bitter war glued the Eritrean people to their struggle for independence from Ethiopia. Debesai, whose family went into exile to Saudi Arabia during the 1970s, returned to Eritrea as a teenager in 1992, a year after the Eritrean People’s Liberation Front captured the capital Asmara.
Free Thinking! A unique partnership in 2015, Cambridge Festival of Ideas are working with Index on Censorship to offer in-depth articles and follow-up pieces from leading artists, writers and activists on all of our headline events.
In the latest issue of Index on Censorship magazine Spies, secrets and lies: How yesterday’s and today’s censors compare, we look at nations around the world, from South Korea to Argentina, and discuss if the worst excesses of censorship have passed or whether new techniques and technology make it even more difficult for the public to attain information. Subscribe to the magazine.
For Debesai returning to Asmara had been a “personal choice”. He wanted to be a part of rebuilding his nation after a 30-year conflict, and besides, he says, life in post-war Asmara was “socially free”, a welcome antidote to conservative Saudi life. Those heady days were electric, he says. An air of “patriotic nationalism” pervaded the country. Women danced in the streets for days welcoming back EPLF fighters. Asmara had remained largely unscathed during the war thanks to its high mountain elevation. Much of its beautiful 1930s Italian modernist architecture was intact, something Debesai was delighted to see.
But those early signs of hope that greeted independence quickly soured. By 1993 Eritreans overwhelmingly voted for independence, and since then Eritrea has been run by President Isaias Afwerki, the former rebel leader of the EPLF. Not a single election has been held since the country gained independence, and today Eritrea is one of the world’s most repressive and secretive states. There are no opposition parties and no independent media. No independent public gatherings or civil society organisations are permitted. Amnesty International estimates there are 10,000 prisoners of conscience in Eritrea, who include journalists, critics, dissidents, as well as men and women who have evaded conscription. Eritrea is ranked the worst country for press freedoms in the world by Reporters Sans Frontières.
The only way for the vast majority of Eritreans to flee their isolated, closed-off country is on foot. They walk over the border to Sudan and Ethiopia. The United Nations says there are 216,000 Eritrean refugees in Ethiopia and Sudan. By the end of October 2014, Sudan alone was home to 106,859 Eritrean refugees in camps at Gaderef and Kassala in the eastern, arid region of the country.
In Ethiopia, Eritrean refugees are found mostly in four refugee camps in the Tigray region, and two in the Afar region in north-eastern Ethiopia.
During the first 10 months of 2014, 36,678 Eritreans sought refuge across Europe, compared to 12,960 during the same period in 2013. Most asylum requests were to Sweden (9,531), Germany (9,362) and Switzerland (5,652). The UN says the majority of these Eritrean refugees have arrived by boat across the Mediterranean. The majority of them are young men, who have been forced into military conscription. All conscripts are forced to go to Sawa, a desert town and home to a military camp, or what Human Rights Watch has called an open-air prison. Many young men see no way out but to leave Eritrea. For them, leaving on a perilous journey for a life outside their home country is better than staying put. The Eritrean refugee crisis in Europe took a sharp upward turn in 2014, as the UNHCR numbers show. And tragedies, like the drowning of hundreds of Eritrean refugees off the Italian island of Lampedusa in October 2013, demonstrate the perils of the journey west and how desperate these people are.
Even when Eritrean refugees go no further than Sudan and Ethiopia, they face a grim situation. According to Lul Seyoum, director of International Centre for Eritrean Refugees and Asylum Seekers (ICERAS), Eritrean refugees in a number of camps inside Sudan and Ethiopia face trafficking, and other gross human rights violations. They are afraid to speak and meet with each other. She said, that though information is hard to get out, many Eritreans find themselves in tough situations in these isolated camps, and the situation has worsened since Sudan and Eritrea became closer politically.
Eritrea had a hostile relationship with Sudan during the 1990s. It supported the Sudan People’s Liberation Movement, much to the anger of President Al Bashir who was locked in a bitter war with the people of now-independent South Sudan. Today tensions have eased considerably, and President Afwerki has much friendly relations with Sudan to the detriment of then tens of thousands of Eritrean refugees in Sudan.
A former Eritrean ministry of education official, who is a refugee now based in the UK and who does not want to be named because of safety fears, believes there’s no freedom of expression for Eritreans in Ethopian camps, such as Shimelba.
The official says in 2013 a group of Eritrean refugees came together at a camp to express their views on the boat sinking near Lampedusa and they were abused by the Ethiopian authorities who then fired at them with live bullets.
Seyoum believes that the movement of Eritreans in camps in Ethiopia is restricted. “The Ethiopian government does not allow them to leave the camps without permission,” she says. Even for those who get permission to leave very few end up in Ethiopia, instead through corrupt mechanisms are trafficked to Sudan. According to Human Rights Watch, hundreds of Eritreans have been enslaved in torture camps in Sudan and Egypt over the past 10 years, many enduring violence and rape at their hands of their traffickers in collusion with state authorities.
Even when Eritreans make it to the West, they are still afraid to speak publicly and many are fearful for their families back home. Now based in London, Debesai is a TV presenter at Sports News Africa. As an exile who has taken a stance against the regime of President Afewerki, he has faced harassment and threats. He is harassed over social media, on Twitter and Facebook. Over coffee, he shows me a tweet he’s just received from Tesfa News, a so-called “independent online magazine”, in which they accuse him of being a “backstabber” against the government and people of Eritrea. Others face similar threats, including the former education ministry official.
For this piece, a number of Eritreans said they did not want to be interviewed because they were afraid of the consequences. But Debesai said: “It takes time to overcome the past, so that even for those in exile in the West the imprisonment continues.” He adds: “These refugees come out of a physical prison and go into psychological imprisonment.”
Ismail Einashe is a journalist and a researcher, based in London. He tweets@IsmailEinashe
Join us on 25 October at the Cambridge Festival of Ideas 2015 for Question Everything an unconventional, unwieldy and disruptive day of talks, art and ideas featuring a broad range of speakers drawn from popular culture, the arts and academia. Moderated by Index on Censorship CEO Jodie Ginsberg.
In the latest issue of Index on Censorship magazine Spies, secrets and lies: How yesterday’s and today’s censors compare, we look at nations around the world, from South Korea to Argentina, and discuss if the worst excesses of censorship have passed or whether new techniques and technology make it even more difficult for the public to attain information. Subscribe to the magazine.
If you want to learn how bananas helped a journalist smuggle banned magazines into eastern Europe, or how information was passed around via lipstick in Pinochet’s Chile, then join Index on Censorship for the launch of Spies, secrets and lies – our latest magazine featuring stories of censorship and ingenious efforts to evade it.
Expect a lively evening exploring censorship old and new, hear some stories of heroic stands for free expression shared for the first time in the latest magazine, and debate with us what the future of censorship might look like.
From China’s new security laws and South Korea’s new smartphone spies to Eritrea’s agents and the new fighters for free expression online. Where and what are the challenges today and how do they compare to the past?
With an introduction by Stephen Grey, journalist and author of The New Spymasters.
Panelists include Robert McCrum, Xiaolu Guo, Ismail Einashe. Chaired by Rachael Jolley, editor of Index on Censorship magazine.
Attendees receive a free copy of the latest magazine.
Index on Censorship is one of the world’s leading defenders and supporters of the right to free expression internationally.
When: October 13, 6:30pm Where: The Frontline Club, 13 Norfolk Place, London W2 1QJ (Map) Tickets: Sold out. The event will be live-streamed from this page beginning at 6:30pm BST on 13 Oct 2015.
More on the speakers:
Stephen Grey is an award-winning British investigative journalist and author, perhaps best known for uncovering the CIA’s program of ‘extraordinary rendition’. His latest of three books, The New Spymasters, looks at spying in the digital age and how it has changed since the Cold War. The London-based reporter has also reported from conflicts in Kosovo, Iraq and Afghanistan and covered the subjects of national security, terrorism and security agencies extensively.
Xiaolu Guo is a fiction writer, filmmaker and political activist. Her award-winning works include Village of Stone, I Am China, and the acclaimed film She, a Chinese. Guo, named one of the ‘Best of Young British Novelists’ by Granta Magazine and an outspoken critic of communist oppression in China, has developed her own unique vision of the country’s past and globalised future.
Robert McCrum is an associate editor of the Observer. For nearly 20 years he was editor in chief of the publishing firm of Faber and Faber and is co-author of the Story of English as well as six highly acclaimed novels: In the Secret State, A Loss of Heart, The Fabulous Englishman, Mainland, The Psychological Moment, and Suspicion. He was the literary editor of the Observer from 1996 to 2008, and has been a regular contributor to the Guardian since 1990.
Ismail Einashe is a freelance journalist, researcher and an associate editor at Warscapes, a foreign affairs magazine. He has worked for national and international media including Prospect, the Guardian and the BBC since he first came to the UK as a child refugee.
