18 Jan 12 | Digital Freedom, Index Index, Middle East and North Africa, minipost
Iran’s Supreme court has upheld the death sentence against a Canadian web designer. Saeed Malekpour was sentenced to death last January for “anti-government agitation and insulting Islam,” following his arrest in October 2008. He was accused of creating a site Iran claims was used to post “pornographic” images. Malekpour, whose sentence was upheld yesterday, was arrested whilst visiting his ailing father. The designer’s family confirmed the sentencing after the Revolutionary Guard pressured for him to be executed. Malekpour has reportedly been singled out for especially harsh treatment during his time at Evin Prison.
06 Jan 12 | Digital Freedom, Index Index, Index Reports, Middle East and North Africa, minipost
Police in Iran have begun a heavy clampdown on internet freedom ahead of parliamentary elections in March, as tighter regulations on internet cafe use are introduced. Under the new rules, cafe owners will have to take the forename, surname, paternal name, national identification number, postcode and telephone number of each customer, along with the date and time of internet use and the addresses of sites visited. Newspaper reports have also suggested plans to launch a national internet network are underway, prompting fears that Iranian web users could be cut off from the World Wide Web.
05 Dec 11 | Index Index, Middle East and North Africa, minipost
Foreign media have been banned from covering rallies in front of British diplomatic missions in Iran. The ban, which began on Thursday is the latest fallout following last week’s storming of Britain’s embassy in Tehran by pro-government demonstrators. Though Iran have previously banned foreign media from covering anti-government protests, this is the first time coverage of pro-government rallies has been banned.
11 Nov 11 | Iran, Middle East and North Africa
Natalie Abbassi is an Iranian-American artist based in North Carolina. In a series of self-portraits entitled “In conflict and consent”, Abbassi explores the relationship between her two different identities:
This project is a series of self portraits exploring who I am, both as an American and as an Iranian, through photographs. It has always been a struggle for me to explain myself, who I truly am, and how I should or shouldn’t act in given situations. I feel that maybe these photographs will answer some questions. Questions people might have, or even questions I have for myself as a person who has lived with two cultures her whole life. Sometimes I feel confused, proud, and sometimes even awkward about how to simply deal with the differences of the two parts that make me.
