09 Sep 15 | Magazine, mobile, Volume 44.03 Autumn 2015
In the old days governments kept tabs on “intellectuals”, “subversives”, “enemies of the state” and others they didn’t like much by placing policemen in the shadows, across from their homes. These days writers and artists can find government spies inside their computers, reading their emails, and trying to track their movements via use of smart phones and credit cards.
Post-Soviet Union, after the fall of the Berlin wall, after the Bosnian war of the 1990s, and after South Africa’s apartheid, the world’s mood was positive. Censorship was out, and freedom was in.
But in the world of the new censors, governments continue to try to keep their critics in check, applying pressure in all its varied forms. Threatening, cajoling and propaganda are on one side of the corridor, while spying and censorship are on the other side at the Ministry of Silence. Old tactics, new techniques.
While advances in technology – the arrival and growth of email, the wider spread of the web, and access to computers – have aided individuals trying to avoid censorship, they have also offered more power to the authorities.
There are some clear examples to suggest that governments are making sure technology is on their side. The Chinese government has just introduced a new national security law to aid closer control of internet use. Virtual private networks have been used by citizens for years as tunnels through the Chinese government’s Great Firewall for years. So it is no wonder that China wanted to close them down, to keep information under control. In the last few months more people in China are finding their VPN is not working.
Meanwhile in South Korea, new legislation means telecommunication companies are forced to put software inside teenagers’ mobile phones to monitor and restrict their access to the internet.
Both these examples suggest that technological advances are giving all the winning censorship cards to the overlords.
But it is not as clear cut as that. People continually find new ways of tunnelling through firewalls, and getting messages out and in. As new apps are designed, other opportunities arise. For example, Telegram is an app, that allows the user to put a timer on each message, after which it detonates and disappears. New auto-encrypted email services, such as Mailpile, look set to take off. Now geeks among you may argue that they’ll be a record somewhere, but each advance is a way of making it more difficult to be intercepted. With more than six billion people now using mobile phones around the world, it should be easier than ever before to get the word out in some form, in some way.
When Writers and Scholars International, the parent group to Index, was formed in 1972, its founding committee wrote that it was paradoxical that “attempts to nullify the artist’s vision and to thwart the communication of ideas, appear to increase proportionally with the improvement in the media of communication”.
And so it continues.
When we cast our eyes back to the Soviet Union, when suppression of freedom was part of government normality, we see how it drove its vicious idealism through using subversion acts, sedition acts, and allegations of anti-patriotism, backed up with imprisonment, hard labour, internal deportation and enforced poverty. One of those thousands who suffered was the satirical writer Mikhail Zoshchenko, who was a Russian WWI hero who was later denounced in the Zhdanov decree of 1946. This condemned all artists whose work didn’t slavishly follow government lines. We publish a poetic tribute to Zoshchenko written by Lev Ozerov in this issue. The poem echoes some of the issues faced by writers in Russia today.
And so to Azerbaijan in 2015, a member of the Council of Europe (a body described by one of its founders as “the conscience of Europe”), where writers, artists, thinkers and campaigners are being imprisoned for having the temerity to advocate more freedom, or to articulate ideas that are different from those of their government. And where does Russia sit now? Journalists Helen Womack and Andrei Aliaksandrau write in this issue of new propaganda techniques and their fears that society no longer wants “true” journalism.
Plus ça change
When you compare one period with another, you find it is not as simple as it was bad then, or it is worse now. Methods are different, but the intention is the same. Both old censors and new censors operate in the hope that they can bring more silence. In Soviet times there was a bureau that gave newspapers a stamp of approval. Now in Russia journalists report that self-censorship is one of the greatest threats to the free flow of ideas and information. Others say the public’s appetite for investigative journalism that challenges the authorities has disappeared. Meanwhile Vladimir Putin’s government has introduced bills banning “propaganda” of homosexuality and promoting “extremism” or “harm to children”, which can be applied far and wide to censor articles or art that the government doesn’t like. So far, so familiar.
Censorship and threats to freedom of expression still come in many forms as they did in 1972. Murder and physical violence, as with the killings of bloggers in Bangladesh, tries to frighten other writers, scholars, artists and thinkers into silence, or exile. Imprisonment (for example, the six year and three month sentence of democracy campaigner Rasul Jafarov in Azerbaijan) attempts to enforces silence too. Instilling fear by breaking into individuals’ computers and tracking their movement (as one African writer reports to Index) leaves a frightening signal that the government knows what you do and who you speak with.
Also in this issue, veteran journalist Andrew Graham-Yool looks back at Argentina’s dictatorship of four decades ago, he argues that vicious attacks on journalists’ reputations are becoming more widespread and he identifies numerous threats on the horizon, from corporate control of journalistic stories to the power of the president, Cristina Fernández de Kirchner, to identify journalists as enemies of the state.
Old censors and new censors have more in common than might divide them. Their intentions are the same, they just choose different weapons. Comparisons should make it clear, it remains ever vital to be vigilant for attacks on free expression, because they come from all angles.
Despite this, there is hope. In this issue of the magazine Jamie Bartlett writes of his optimism that when governments push their powers too far, the public pushes back hard, and gains ground once more. Another of our writers Jason DaPonte identifies innovators whose aim is to improve freedom of expression, bringing open-access software and encryption tools to the global public.
Don’t miss our excellent new creative writing, published for the first time in English, including Russian poetry, an extract of a Brazilian play, and a short story from Turkey.
As always the magazine brings you brilliant new writers and writing from around the world. Read on.
© Rachael Jolley
This article is part of the autumn issue of Index on Censorship magazine looking at comparisons between old censors and new censors. Copies can be purchased from Amazon, in some bookshops and online, more information here.
07 Sep 15 | Magazine, Volume 44.03 Autumn 2015
[vc_row disable_element=”yes” css=”.vc_custom_1495011859122{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column css=”.vc_custom_1474781640064{margin: 0px !important;padding: 0px !important;}”][vc_column_text css=”.vc_custom_1477669802842{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”]CONTRIBUTORS[/vc_column_text][/vc_column][/vc_row][vc_row disable_element=”yes” css=”.vc_custom_1495011867203{margin-top: 0px !important;padding-top: 0px !important;}”][vc_column width=”1/3″ css=”.vc_custom_1474781919494{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Karim Miské” title=”Novelist” color=”#ee3424″ profile_image=”89017″]Karim Miské is a documentary maker and novelist who lives in Paris. His debut novel is Arab Jazz, which won Grand Prix de Littérature Policière in 2015, a prestigious award for crime fiction in French, and the Prix du Goéland Masqué. He previously directed a three-part historical series for Al-Jazeera entitled Muslims of France. He tweets @karimmiske[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781952845{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Roger Law” title=”Caricaturist ” color=”#ee3424″ profile_image=”89217″]Roger Law is a caricaturist from the UK, who is most famous for creating the hit TV show Spitting Image, which ran from 1984 until 1996. His work has also appeared in The New York Times, The Observer, The Sunday Times and Der Spiegel. Photo credit: Steve Pyke[/staff][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1474781958364{padding-top: 0px !important;padding-bottom: 0px !important;}”][staff name=”Canan Coşkun” title=”Journalist” color=”#ee3424″ profile_image=”89018″]Canan Coşkun is a legal reporter at Cumhuriyet, one of the main national newspapers in Turkey, which has been repeatedly raided by police and attacked by opponents. She currently faces more than 23 years in prison, charged with defaming Turkishness, the Republic of Turkey and the state’s bodies and institutions in her articles.[/staff][/vc_column][/vc_row][vc_row equal_height=”yes” content_placement=”top” css=”.vc_custom_1474815243644{margin-top: 30px !important;margin-right: 0px !important;margin-bottom: 30px !important;margin-left: 0px !important;}”][vc_column width=”1/2″ css=”.vc_custom_1474619182234{background-color: #455560 !important;}”][vc_column_text el_class=”text_white”]Editorial
In the world of the new censors, governments continue to try to keep their critics in check, applying pressure in all its varied forms. Threatening, cajoling and propaganda are on one side of the corridor, while spying and censorship are on the other side at the Ministry of Silence. Old tactics, new techniques.
[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1474720631074{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495012422692{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/09/ben-jennings-autumn2015-cover-2.jpg?id=69604) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner css=”.vc_custom_1474716958003{margin: 0px !important;border-width: 0px !important;padding: 0px !important;}”][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495012396487{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Contents
A look at what’s inside the autumn 2015 issue[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1474720637924{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495012543978{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/10/magazine-spies-frontline-sp.jpg?id=70437) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner css=”.vc_custom_1474716958003{margin: 0px !important;border-width: 0px !important;padding: 0px !important;}”][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495013266065{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Magazine Launch Event
Who are modern technological advances really empowering?[/vc_column_text][/vc_column][/vc_row][vc_row equal_height=”yes” css=”.vc_custom_1491994247427{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;}”][vc_column width=”1/3″ css=”.vc_custom_1493814833226{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}”][vc_row_inner css=”.vc_custom_1495012849211{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/01/bosnia-jan22015.jpg?id=62738) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495012904051{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Reporting rights?
In a series of interviews with journalists in the former Yugoslavia, Milana Knezevic reports on the new elites in control, death threats, and the legacy of the post-war period of the early 2000s.[/vc_column_text][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1493815095611{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495012978309{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2015/09/judy-blume-creditElenaSeibert-620.jpg?id=69405) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495013035840{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]Magazine Extra: Interview
US author Judy Blume talks to Vicky Baker about parents’ and teachers’ overly protective attitudes to young people’s feelings, and how she has spent the last 45 years tackling bans and censorship.[/vc_column_text][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1493815155369{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;background-color: #78858d !important;}” el_class=”image-content-grid”][vc_row_inner css=”.vc_custom_1495013212207{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;border-top-width: 0px !important;border-right-width: 0px !important;border-bottom-width: 0px !important;border-left-width: 0px !important;padding-top: 65px !important;padding-right: 0px !important;padding-bottom: 65px !important;padding-left: 0px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2013/05/kirchner.jpg?id=46296) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column_inner 0=””][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1495013160893{margin-top: 0px !important;margin-right: 0px !important;margin-bottom: 0px !important;margin-left: 0px !important;padding-top: 20px !important;padding-right: 20px !important;padding-bottom: 20px !important;padding-left: 20px !important;background-color: #78858d !important;}” el_class=”text_white”]After Argentina’s dictatorship
Former editor of Index on Censorship Andrew Graham-Yooll assess what happened after the regime crumbled, and looks at the new means of controlling the message.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_single_image image=”90659″ img_size=”full” onclick=”custom_link” link=”https://shop.exacteditions.com/gb/index-on-censorship”][/vc_column][vc_column width=”1/2″][vc_column_text]
Subscribe to Index on Censorship magazine on your Apple, Android or desktop device for just £17.99 a year. You’ll get access to the latest thought-provoking and award-winning issues of the magazine PLUS ten years of archived issues, including Spies, secrets and lies.
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11 Jun 15 | Europe and Central Asia, mobile, News and features, Russia
Pope Francis met with Russian President Vladimir Putin (Photos: Pope Francis: Korean Culture and Information Service/Wikimedia Commons; Vladimir Putin: Kremlin.ru/Wikimedia Commons)
What might have happened when the leader of the world’s largest state met the leader of the world’s smallest?
Francis: Welcome to the Vatican, Vladimir. I hope you are not put off by my incredibly humble surroundings, here in my own humble city state. I am very humble, you know.
Vladimir: Yes, so your aides reminded me, several times. It is very important for men as important as ourselves to stay humble, I believe. We would not want to, as they say, “lose the run of ourselves”. Tell me, dear humble priest: I hear you are a communist now?
Francis (laughing, filled with divine light and humility): Haha! Not quite, comrade. The only redistribution I’m interested in is the redistribution of Christ’s love. The only means of production I want to seize control of are the means of production of compassion in men’s hearts. The only permanent revol…
Vlad: Right, yes, I think I get it. So, the whole “praying for the conversion of Russia” thing: that’s not a thing any more?
Frank: Oh that? Lord no. Thing of the past. If anything, we’re praying for the rest of the world to be more like Russia. Look at the rest of the world: secular, godless, decadent, lacking a certain…what’s the word I’m looking for?
Vlad: Humility?
Frank: Yeah, that’s the one. Lacking humility. But Russia. In Russia, the church is still number one. Admittedly, the wrong church, but, well, who am I to be picky?
Vlad: Good to know. So, where did the communist thing come from?
Frank: Ah, the Americans. You know how they are.
Vlad: I see. So you have been defamed by the Yanqui too? I have had my trouble with them. They even claimed I invaded Ukraine. HAHAHA!
Frank (nervously, humbly): HAHAHAHAHAH (hmm). Daft, of course. I mean, you didn’t, did you?
Vlad: Of course not! Why would I do that?
Frank: Well, they might have insulted your mother. In which case you’d have every right, as I outlined in my pamphlet: “Ego In Gutture Ferrum, Punk”
Vlad: Um, right.
Frank: It’s totally theologically sound. As Jesus himself said: “I tell you, do not resist an evil person. If anyone slaps you on the right cheek, punch them in the throat.”
Vlad (under breath): Catholics are weird
Frank: You talking about my mother?
Vlad: No! No! Lord no. Holy Father, if I may call you that…
Frank: I humbly accept the title
Vlad: Holy Father, it is true, as you said, that if someone insults someone’s mother, they should expect a punch?
Fran: It’s not just me saying that. Jesus says it!
Vlad: I’m almost certain he doesn’t, but hey, you’re the Pope.
Frank: I am, you know.
Vlad: Anyway, what does one do when someone, say, doesn’t insult your mother, but insults you, and you can’t punch them in the throat because they’re women and apparently you’re not supposed to do that anymore?
Frank: Not following.
Vlad: That, group: those awful people whose name I can’t really say in front of a priest.
Frank: Ah! The Pussy Riots band!
Vlad: Well, I was thinking “the feminists”, but yes, them. Was it OK to send them to the Gulag?
Frank: I’m not really sure I’m in a position to comment here. The organisation of which I humbly find myself head doesn’t have…we don’t have a great track record on the whole locking-up-unruly-girls thing.
Vlad: Oh yes, that. You’ve stopped doing that, right?
Frank: Pretty much. How about you? Your lot were pretty keen on the whole packing-em-off thing.
Vlad: Ha, yes. I’ll square with you, Frank. Can I call you Frank?
Frank: No.
Vlad: Ah. Ok. Awks. Er, I’ll square with you, Holy Father: the gulag thing’s a hard habit to break. You know, you’ve got the rigged courts, the fantasy charges… but most of all, I mean…it’s heritage, isn’t it? Tradition.
Frank: Tradition!
Vlad: Tradition, you know…(sings) “Il Papa. Il Papa, Tradition!”
Frank: Stop that.
Vlad: Sorry, can’t help myself. Love that show.
Frank: Yes, we all do. But, y’know, not here. Vatican and all that. Don’t have a great record on those people either.
Vlad. Who? Musical theatre people?
Frank: Well, I was going to say the…but yes, the musical theatre people.
Vlad: We too have our trouble with the musical theatre people. Must they be so theatrical? In front of the children? I mean, what if everyone was theatrical? What then? Everyone would be putting the show on right here and no one would be making babies.
Frank: So true.
Vlad: I mean, it’s not like I’m obsessed or anything. I’m not that bothered by them, honest. Hell, I’ve even been to a few musicals.
Frank: Let he among us who hasn’t been touched by musical theatre throw the first punch.
Vlad: Um, right.
Frank: Ha! I see even you are a bit put out by the constant talk of punching. But I was a bouncer in Buenos Aires. And you know what we say in Argentina? “You can’t spell ‘Bad Boy’ without BA!” Ha!
Vlad: Good one. Back in Leningrad we used to say “You can’t spell ‘Please! Stop! I’ll confess to anything!’ without ‘KGB’”
Frank: ?
Vlad: It works in Russian. Different alphabet.
Frank: Of course.
Vlad: Anyway, where was I? Yes, the musical theatre people. I mean, all very well in it’s place…
Frank: New York?
Vlad: EXACTLY. But why bring it to Russia?
Frank: Exactly. Sometimes its like they think they should have their own stage in their own building in every parish in the world where they can get all dressed up and put on their strange little performances, and we’re all supposed to worship them for it. Such arrogance, a humble man such as I cannot countenance.
Vlad: Quite.
Frank: I’m glad we can agree on so much. Tell me, you seem like a good, God-fearing, throat-punching man…
Vlad: Why thank you
Frank: Why is it you get such bad press?
Vlad: Well, I’ve got a plan to deal with that.
Frank: Really? Me too. I noticed the guy before me came across as a bit austere, so I decided to say all the same things he said, but in a much more liberal-sounding way. The media loves it. So, what’s your plan for dealing with journalists?
Vlad: Kill them.
Frank: Oh! Ah well, suffer little children to come unto me, as the Lord said.
Vlad: I’m pretty sure that doesn’t mean what you think it means.
Frank: Vlad, you’re a pal, but who’s the one with a direct line to God here?
Vlad: Good question, comrade. Good question.
(Lunch is served).
This column was posted on 12 June 2015 at indexoncensorship.org
17 Dec 14 | Magazine, Volume 43.04 Winter 2014
[vc_row][vc_column][vc_custom_heading text=”Packed inside this issue, are; an interview with fantasy writer Neil Gaiman; new cartoons from South America drawn especially for this magazine by Bonil and Rayma; new poetry from Australia; and the first ever English translation of Hanoch Levin’s Diary of a Censor; plus articles from Turkey, South Africa, South Korea, Russia and Ukraine.”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
Also in this issue, authors from around the world including The Observer’s Robert McCrum, Turkish novelist Elif Shafak, and Nobel nominee Rita El Khayat consider which clauses they would draft into a 21st century version of the Magna Carta. This collaboration kicks off a special report Drafting Freedom To Last: The Magna Carta’s Past and Present Influences.
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”62427″ img_size=”full”][/vc_column_inner][/vc_row_inner][vc_column_text]
Also inside: from Mexico a review of its constitution and its flawed justice system and Turkish novelist Kaya Genç looks at recent intimidation of women writers in Turkey.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: DRAFTING FREEDOM TO LAST” css=”.vc_custom_1483550985652{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
The Magna Carta’s past and present influences
1215 and all that – John Crace writes a digested Magna Carta
Stripsearch cartoon – Martin Rowson imagines a shock twist for King John
Battle royal – Mark Fenn on Thailand’s harsh crackdown on critics of the monarchy
Land and freedom? – Ritu Menon writes about Indian women gaining power through property
Give me liberty – Peter Kellner on democracy’s debt to the Magna Carta
Constitutionally challenged – Duncan Tucker reports on Mexico’s struggle with state power
Courting disapproval – Shahira Amin on Egypt’s declining justice as the anniversary of the military takeover approaches
Digging into the power system – Sue Branford reports on the growth of indigenous movements in Ecuador and Bolivia
Critical role – Natasha Joseph on how South African justice deals with witchcraft claims
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Brave new war – Andrei Aliaksandrau reports on the information war between Russia and Ukraine
Propaganda war obscures Russian soldiers’ deaths – Helen Womack writes about reports of secret burials
Azeri attack – Rebecca Vincent reports on how writers and artists face prison in Azerbaijan
The political is personal – Arzu Geybullayeva, Azerbaijani journalist, speaks out on the pressures
Really good omens – Martin Rowson interviews fantasy writer Neil Gaiman, listen to our podcast
Police (in)action – Simon Callow argues that authorities should protect staging of controversial plays
Drawing fire – Rayma and Bonil, South American cartoonists’ battle with censorship
Thoughts policed – Max Wind-Cowie writes about a climate where politicians fear to speak their mind
Media under siege or a freer press? – Vicky Baker interviews Argentina’s media defender
Turkey’s “treacherous” women journalists – Kaya Genç writes about dangerous times for female reporters, watch a short video interview
Dark arts – Nargis Tashpulatova talks to three Uzbek artists who speak out on state constraints
Talk is cheap – Steven Borowiec on state control of South Korea’s instant messaging app
Fear of faith – Jemimah Steinfeld looks at a year of persecution for China’s Christians
Time travel to web of the past and future – Mike Godwin’s internet predictions revisited, two decades on
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Language lessons – Chen Xiwo writes about how Chinese authors worldwide must not ignore readers at home
Spirit unleashed – Diane Fahey, poetry inspired by an asylum seeker’s tragedy
Diary unlocked – Hanoch Levin’s short story is translated into English for the first time
Oz on trial – John Kinsella, poems on Australia’s “new era of censorship”
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Global view – Jodie Ginsberg writes about the power of noise in the fight against censorship
Index around the world – Aimée Hamilton gives an update on Index on Censorship’s work
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Humour on record – Vicky Baker on why parody videos need to be protected
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
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