14 Feb 2017 | Magazine
[vc_row full_width=”stretch_row_content” full_height=”yes” columns_placement=”stretch” equal_height=”yes” css=”.vc_custom_1594032073955{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2016/10/magazine-art-1460×490.png?id=80524) !important;}”][vc_column][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Shakespearean actress Janet Suzman said about our special Shakespeare 400 issue: “From every corner of the unfree world the essays you have printed bear me out; theatre is a danger to ignorance and autocracy and Shakespeare still holds the sway. I congratulate you and Index on giving such space to a writer who is still bannable after 400 plus years.”” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
A quarterly magazine set up in 1972, Index has published oppressed writers and refused to be silenced across 252 issues.
The brainchild of the poet Stephen Spender, and translator Michael Scammell, the magazine’s very first issue included a never-before-published poem, written while serving a sentence in a labour camp, by the Nobel Prize-winning Soviet dissident Aleksandr Solzhenitsyn.
The magazine continued to be a thorn in the side of Soviet censors, but its scope was far wider. From the beginning, Index declared its mission to stand up for free expression as a fundamental human right for people everywhere – it was particularly vocal in its coverage of the oppressive military regimes of southern Europe and Latin America, but was also clear that freedom of expression was not only a problem in faraway dictatorships. The winter 1979 issue, for example, reported on a controversy in the United States in which the Public Broadcasting Service had heavily edited a documentary about racism in Britain, and then gone to court attempting to prevent screenings of the original version.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”An archive of past battles won, and a beacon of present and future struggles. It’s unique brand of practical, practising advocacy is as necessary as ever.” font_container=”tag:h2|text_align:left|color:%23dd3333″ google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Index stood firmly against the apartheid regime. South African Nadine Gordimer, yet another Nobel prize-winning author, wrote regularly for the magazine. Big names from around the literary world flocked to contribute to the magazine, often before their struggles had brought internal accolade – a single issue in 1983 included the exiled Nigerian writer Wole Soyinka, later a Nobel prize winner, and Czechoslovakian dissident Vaclav Havel, who went on to be his country’s last president before it split into Slovakia and the Czech Republic. Kurt Vonnegut and Arthur Miller were also among the more famous bylines. Salman Rushdie, the author at the centre of the Satanic Verses controversy, was frequently featured on Index’s pages while there was a bounty offered for his murder by the Iranian government.
After the fall of communism, there was a widespread misconception that censorship was “over”, but journalists, authors and dissidents have continually reached out to Index when squeezed. The Russian reporter Anna Politkovskaya wrote in 2002 of the threats made against her life when she began investigating Russia’s war in Chechnya, four years before she was assassinated in Moscow.
After more than 40 years, Index continues to stand with the silenced all over the world. In October 2016, the Times Literary Supplement described it as “an archive of past battles won, and a beacon of present and future struggles. It’s unique brand of practical, practising advocacy is as necessary as ever.”
[/vc_column_text][vc_column_text]Words: Kieran Etoria-King[/vc_column_text][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”Support Index” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F12%2Ffashion-rules%2F|||”][vc_column_text]
In times of extraordinary crisis, governments often take the opportunity to roll back on personal freedoms and media freedom.
Will you join with others from around the world who have concerns about restrictions on freedoms to support our work?
DONATE NOW[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”113840″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/12/fashion-rules/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]The world’s most important writers. In print, online. In your mailbox, on your iPad.
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10 Jan 2017 | News and features, Volume 45.04 Winter 2016 Extras
[vc_row full_width=”stretch_row” full_height=”yes” css=”.vc_custom_1484056734087{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column][vc_column_text][/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]The winter edition of Index on Censorship magazine 2016 looks at the theme of Fashion and freedom of expression. We have called it Fashion Rules and examine why dress codes and freedom clash.
Talking about how they have broken fashion rules and how they have seen others break the rules we talk in this podcast to three writers from different parts of the world. Model and journalist Wana Udobang tells us how fashion rules in Nigeria today often go unquestioned. Novelist Eliza Vitri Handayani, an Indonesian writer is fascinated by the continuing subculture of punk in her country, while editor of British Elle, Maggie Alderson, talks about being arrested as a punk rocker in the UK in the 1970s,
You can read articles from these three writers in the magazine, as well others including by Bangladeshi fashion designer Bibi Russell on how women in her country are changing what they wear; Natasha Joseph on a crackdown on miniskirts in Uganda and Jemimah Steinfeld on designers in China.
Print copies of the magazine are available here, or you can take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.[/vc_column_text][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”Fashion Rules” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F12%2Ffashion-rules%2F|||”][vc_column_text]The winter 2016 issue of Index on Censorship magazine looks at fashion and how people both express freedom through what they wear.
In the issue: interviews with Lily Cole, Paulo Scott and Daphne Selfe, articles by novelists Linda Grant and Maggie Alderson plus Eliza Vitri Handayani on why punks are persecuted in Indonesia.[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”82377″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/12/fashion-rules/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
Subscription options from £18.
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16 Dec 2016 | Magazine, Magazine Contents, Volume 45.04 Winter 2016
[vc_row][vc_column][vc_custom_heading text=”Contributors include Lily Cole, Daphne Selfe, Linda Grant, Bibi Russell, Katy Werlin, Jang Jin-sung, Maggie Alderson and Eliza Vitri Handayani”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
The latest issue of Index on Censorship magazine looks at fashion and how people both express freedom through what they wear. But it also looks at how women in particular have their freedom of expression curtailed by rigid dress codes – whether they are women in Saudi Arabia who have to wear abayas by law or women in the UK and Canada whose employers insist they wear high heels shoes.
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Models Lily Cole and Daphne Selfe discuss why changes in society are reflected in the clothes we (are allowed) to wear. Maggie Alderson, former editor of Elle describes how she was arrested for being a punk rocker in the 1970s, while Eliza Vitri Handayani talks about how punks in Indonesia today are still persecuted for what they wear and how they look. Nigerian model and journalist Wana Udobang riffs on fashion in Nigeria and how she was snubbed by bouncers and waiters at a wedding for wearing the wrong clothes.
Ismail Einashe describes how traditional dress can be life-threatening for Oromos in Ethiopa, while Magela Baudoin delves into class and ethnic gradations in Bolivia and reveals that the way some women dress means they are discriminated against. Novelist Linda Grant describes how her Jewish immigrant parents used the way they dressed to try and fit into middle-class British society. Meanwhile Katy Werlin gives a historical perspective as she discusses how the 18th century French revolutionaries, known as sans-culottes, celebrated their peasant clothes as they overthrew the aristocratic regime.
Martin Rowson brings another perspective to fashion in his new cartoon which depicts a catwalk on which despots show off their latest costumes. Spot President-elect Donald Trump sporting a furry thong. Trump is also in US media expert Eric Alterman’s sights as he describes why journalists in the USA believe the new president will seek to challenge media freedoms guaranteed by the constitution. Turkish researchers Burak Bilgehan Özpek and Başak Yavcan investigate how the Turkish government is using state advertising to control the media.
We also publish an interview with Turkish intellectual, linguist and founder of a mathematics village Sevan Nişanyan. Our reporter communicated with him using notes smuggled out from the prison where he is serving a 16-year sentence on charges connected with freedom of speech. The culture section includes poems from a former North Korean propagandist Jang Jin-sung who defected to the South and now runs a website smuggling news out of North Korea. We also carry poems about the extraordinariness of everyday life from Brazilian author Paulo Scott and a never before seen English translation of a short story by legendary Argentine writer Haroldo Conti.
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Dressing to oppress: why dress codes and freedom clash
The censors’ new clothes, by Rachael Jolley: Freedom is not about the amount of clothing you put on or take off, but about having the choice to do so
Fashion police, by Natasha Joseph: Some feel the miniskirt is a threat to the state in Uganda and women are getting attacked for wearing it
Wearing a T-shirt got me arrested, by
Maggie Alderson: Wearing punk clothes in 1970s London was dangerous, but now British teenagers can wear anything
Colour bars, by Magela Baudoin: Traditional clothing is still a sign of social status in Bolivia and wearing such clothes often leads to discrimination
Models of freedom, by Bibi Russell: Bangladeshi women are now vital to the economy but they are still restricted in their dress
The big cover-up, by Laura Silvia Battaglia: Women in Saudi Arabia and Yemen test how far they can customise what they are allowed to wear. Translation by Lucinda Byatt
Rebel with a totally fashionable cause, by Wana Udobang: A Nigerian model refuses to conform to stifling social expectations and sees the consequences
Stripsearch cartoon, by Martin Rowson: A fetching new range of despotwear
Ethiopia in crisis, closes down news, by Ismail Einashe The Oromo people use traditional clothing as a symbol of resistance and it is costing them their lives
Baggy trousers are revolting
, by Katy Werlin: The sans-culottes of the French revolution transformed peasant dress into a badge of honour
Muslim punks in mohawks attacked, by Eliza Vitri Handayani: Punks in Indonesia are persecuted but still manage to maintain a culture which stands up for difference
Design is the limit, by Jemimah Steinfeld: China is loosening up on personal freedoms including fashion, but designers still face some constraints
A modest proposal, by Kaya Genç: “Modest” dress codes are all the rage in Turkey as some turn their backs on the legacy of Atatürk
Uniformity rules, by Jan Fox: Prisoners often try to customise their uniforms but does stripping individuality make rehabilitation more difficult?
Keeping up appearances, by Linda Grant: Linda Grant’s immigrant family were upwardly mobile and bought clothes that showed their aspirations
Sewing it up, by Rachael Jolley: At 88 Daphne Selfe is Britain’s oldest supermodel. She talks about how fashion has changed in her lifetime
Style counsels, by Kieran Etoria-King: Model, activist and actor Lily Cole talks about how school girls customise their uniforms to give them a sense of individuality
Tall stories, by Sally Gimson: Wearing high heels is a way for some women to express freedom, while for others it’s a form of oppression
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Challenging media, by Eric Alterman: If his campaign is anything to go by, President Trump is likely to restrict freedom of the press
Living in limbo, by Marco Salustro: A journalist reveals the challenges of reporting from inhumane migrant detention camps in Libya
Follow the money, by
Burak Bilgehan Özpek and Başak Yavcan: The Turkish government is rewarding newspapers which favour its position with more state-sponsored advertising
Fighting for our festival
freedoms, by Peter Florence: Mutilated bodies, petitions and a citizen’s arrest: the director of the Hay literary festivals describes the trials and tribulations of his job
Barring the bard, by Jennifer Leong: Actor Jennifer Leong on confronting attempts to censor performances of Shakespeare around the world
Assessing Correa’s free
speech heritage, by Irene Caselli: The Ecuadorian president’s record on free speech is reviewed as his term in office comes to an end. He gave sanctuary to Wikileaks founder, Julian Assange, in the country’s London embassy but brought in restrictive media laws at home
Framed as spies, by Steven Borowiec: South Korean journalist Choi Seung-ho hit a national nerve when he exposed the security services for framing ordinary citizens as North Korean spies
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Back from the Amazon, by
Paulo Scott: Newly translated poems from Scott’s acclaimed collection, Even Without Money I Bought a New Skateboard. Interview by Kieran Etoria-King. Poems translated by Stefan Tobler
A story from the disappeared, by Haroldo Conti: Jon Lindsay Miles introduces a poignant short story, published in English for the first time, by the award- winning Argentine writer who disappeared in 1976. Translation also by Jon Lindsay Miles
Poems for Kim, by Jang Jin-sung: North Korean propagandist poet turned high profile defector talks about life within the world’s most secretive country. Interview by Sybil Jones
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Global view, by Jodie Ginsberg: Face-to-face encounters are still important and governments worldwide know that restricting travel continues to be an effective way of stifling voices
Index around the world, by
Kieran Etoria-King: Coverage of Index’s work over the last few months including exposing the difficulties of war reporting and our Mapping Media Freedom project
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Where’s our president? by
Kiri Kankhwende: Malawi’s journalists tease their president as part of a campaign to make the government more transparent
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]
16 Dec 2016 | Magazine, Magazine Editions, Volume 45.04 Winter 2016
Journalist
Wana Udobang is a multimedia journalist, writer, poet, filmmaker and model working in Nigeria. Her work is at the intersection of women’s rights, human interest stories, culture and art.
Poet
Paulo Scott is a novelist and poet. A former lawyer and activist, he taught law at university for 10 years before moving to Rio de Janeiro in 2008 to become a full-time writer. He has published four books of poetry and four works of fiction. His novel Nowhere People is his first book to be published in English.
Journalist
Kiri Kankhwende is a Malawian journalist and blogger specialising in immigration and politics. She tweets @madomasi