6 Oct 2023 | News and features, Opinion, Ruth's blog
This week is Banned Books Week. It should come as no surprise that the topics of censorship, banned books and cancelled authors are a regular theme of discussion at Index on Censorship. In fact we are the UK partner of the global coalition against banned books. The banning of books has repeatedly proven to be a key tool in the arsenal of tyrants and repressive regimes. Control of information and the need for one dominant narrative always leads despots to ban and even burn books. It’s been true throughout history and as much as that concerns me (and it does – a lot) – what worries me more is how pervasive the banning of books is becoming across more democratic countries and what that means for enlightened societies and their peoples.
I truly struggle to comprehend the rationale behind the banning of a specific text or author.
Words can be challenging, thought-provoking and yes, of course, they can even be hateful and inciting. But the answer, surely, is to argue back, to find different authors, to debate and win an argument – not to ban, not to cancel and definitely not to remove from the shelves of our libraries.
The editor in chief of Index, Jemimah Steinfeld, asked the team to write about their favourite banned books as part of the campaign. And as you will have seen I wrote about Judy Blume, one of my favourite authors as a child, I find it ludicrous that anyone would seek to ban books which help young people come to understand their own sexuality or their personal relationships with faith.
But I could have written about a dozen other authors whose words have shaped my worldview but yet inspired such hate and fear that others have sought to ban them. The works of George Orwell were key to helping me develop my own politics – 1984 and Animal Farm confirmed my lifelong commitment to social democratic politics and inspired my personal political campaigns against those on the extremes. Yet these works have been banned repeatedly and not just in repressive regimes but also in some US school districts, unbelievably for being pro-Communist (it really would help if people read the books before they sought to ban them…)
And as a Jewish European woman my politics are grounded, for better or worse, in understanding the horrors of the Shoah. As a student of history I, of course, believe that we must understand our history so that we aren’t destined to repeat it. So the banning of Anne Frank’s diary and the graphic novel Maus by Art Spielgelman, is completely beyond my comprehension. The crucial importance of both of these books isn’t just the subject matter – but the fact that they bring the horrors of a very dark period of our history to life in a format which is accessible to all – including young people. What is there to ban? Unless your real goal is to rewrite Jewish and European history?
Books are the light, they drive challenge and change. They feed our minds and ensure that societies move on and develop. They educate, inform and entertain, even when they are wrong. There are books that I have considered to be of no value, books which I have considered to contain dangerous views and books which I consider to be hateful. But there is no book so dangerous that I don’t think it should be available in an academic library, available to study.
And if you believe on freedom of speech – then that’s the least you should believe too.
5 Oct 2023 | FEATURED: Katie Dancey-Downs, News and features
What do popstar Ariana Grande, filmmaker Guillermo del Torro and 90s rock sensation Garbage have in common? They’ve all joined the fight against book bans in the USA, just ahead of Banned Books Week.
Alongside more predictable figures like Margaret Atwood, Roxane Gay and Judy Blume, they are some of more than 170 artists who signed an open letter condemning book bans and calling on Hollywood to use its influence.
“We refuse to remain silent as one creative field is subjected to oppressive bans,” the artists wrote. “As artists, we must band together, because a threat to one form of art is a threat to us all.”
They make it clear that the censorship will not end with book bans. Right now, schools and libraries are facing challenges over a particular selection of books with specific themes, which can lead to local bans. How long before Hollywood faces the wrath of those who want to shield their children from what they deem inappropriate content? How long before certain stories go untold?
PEN America recently released its latest book ban report, which makes for sobering reading. In just one year, bans have increased by a third, with a total of 3,362 bans in the 2022-23 school year. The sharp rise in book bans is largely targeted at books with LGBTQ+ content, characters or authors; books about race or racism; and books about physical abuse or with themes of grief or death. The problem is most rampant in school districts in Florida, where 40% of the bans originate, totalling 1,406 cases.
A huge percentage of the school districts where bans are taking place have a neighbour in common: a chapter of one of the advocacy groups pushing for bans, one of the most prolific of which is the conservative group Moms for Liberty. One member even set up a repository of “objectionable content” called Book Looks, according to a report by Book Riot — although the website itself claims to not be affiliated with the group.
One book under the spotlight in Book Looks is teen sex education book This Book is Gay by Juno Dawson, which made the list of the most banned books last year, compiled by the American Library Association. The website distils the book down into a few sections of text in a “slick sheet” and comes with a rating of four (out of five), which is described as not being suitable for under 18s and containing “obscene references to sexual activity” or “explicit sexual nudity.” The Handmaid’s Tale by Margaret Atwood receives the same score, as do The Kite Runner by Khaled Hosseini and Forever by Judy Blume.
I spoke to Juno Dawson for the most recent issue of Index on Censorship, of which I am the assistant editor, which landed with readers in time for Banned Books Week 2023 (1-7 October). On her most recent book tour in the US, which was for her children’s picture book You Need to Chill, she had to take a bodyguard for her own safety, due to her status as a trans woman who writes about LGBTQ+ issues. After the Hilton school district in New York State received a bomb threat in March over a selection of books including This Book is Gay, Dawson’s picture book tour did not take in schools or libraries.
“One of the key issues is people aren’t actually reading the book,” she said. “And so what happens is actually they are protesting books which have appeared on other lists. Vexatious people and groups who are trying to ban books are not going to books and reading books. They are just scouring the internet for books that they should be irate about.”
A small anti-censorship community called Save Samuels publishes book challenges sent to Samuels Public Library, saying: “We won’t allow our library to be used as a political wedge to win over religious voters at the expense of our LGBTQ+ community.”
One of the challenges it has posted is to Dawson’s picture book You Need to Chill, which reads “it is specifically crafted to normalise gender dysphoria and transitioning of children” and claims that the full text has been posted on a website (which it has, regardless of copyright law) with the aim of warning other parents.
The book challenger also demands that the book be destroyed, rather than rehomed. In another challenge directed at the picture book Mama and Mommy and Me in the Middleby Nina LaCour, the challenger is asked whether they have read the book, to which they respond: “I have not.”
Dawson discussed the damage done when particular books are targeted.
“Let’s be quite clear, when people challenge a book about race, or a book about being LGBTQ, really what they’re trying to ban is being queer, or they’re trying to restrict the lives of young Black people,” she said.
The special report in our latest issue of Index explores how religion is being weaponised by the right. This Book is Gay has faced pressure from faith groups, and Dawson was quick to point out that it’s not just one group.
Another author who knows plenty about coming under fire from the religious right is Margaret Atwood, who also spoke to Index. In light of the recent uptick in book bans, she has no doubt that people are using religion in a more emboldened way, explaining that it is hard to argue with God.
“If you can accuse your enemies of heresy and blasphemy it’s somehow more potent than accusing them of not agreeing with you politically,” she said. “You’re not just disagreeing with Mr Sunak, you’re disagreeing with God.”
The Handmaid’s Tale, arguably Atwood’s most famous book, is not anti-religion but rather explores how religion is abused. She sees the latest developments in the US as being more about power than religion. For Atwood, shutting down speech on both the left and right leads to trouble.
“People who are actually interested in free speech have to realise that they cannot just defend the speech which they approve of,” she said. “Free speech does mean free speech. There are always limits to it so you can’t say ‘sign up here to become a child molester’, but you have to defend the principle and a lot of people find it difficult to defend the right of their ideological enemies to express those opinions.”
While PEN’s report outlines worrying ways in which book banners are digging in their heels, it also offers hope. Students are pushing back. Some are walking out in protest, as in the case of Hempfield school district in Pennsylvania, and others have delivered speeches encouraging people to read banned books, such as the valedictorian in Sioux City, Iowa, who then handed a copy of This Book is Gay to the school’s superintendent.
On top of the Hollywood letter in support of the freedom to read, September offered up one more positive move — California’s law banning book bans. Governor Gavin Newson signed the bill into law, which will stop schools from banning books on the basis that they contain “inclusive and diverse perspectives”. The law comes into effect immediately.
It is clear that actions like this are needed now more than ever, and for public figures, legislators and activists to continue fighting back against censorship. A collective action on 7 October, Let Freedom Read Day, where everyone is invited to take one action against book censorship, is a good start. Left unchecked, skyrocketing book bans could soar even higher.
A version of this article was originally published in Byline Times
5 Oct 2023 | Uncategorized
Beijing Coma – Ma Jian
In the lead up to the Beijing Olympics, when China was on a global charm offensive, Ma Jian’s book Beijing Coma was published. Through the central character Dai Wei, a protester who was shot in Tiananmen Square and fell into a deep coma, Ma presented the other side of the country, an insecure nation afraid of its past and struggling with its present. Ma stated that he wrote the book “to reclaim history from a totalitarian government whose role is to erase it”. I raced through it, went to several book talks he gave and, given the epic proportions of the novel, even enquired about buying the film rights. They were available but I was told that was because few studios would dare take on a work so confronting. To this day the book remains banned in China and no film of it has yet to be made. We are the worse off for that. Jemimah Steinfeld
Are you there God? It’s me Margaret – Judy Blume
As the only child of an amazing single parent, books were a core feature of my childhood. A trip to the library was a joy and visits to the bookshop were a special treat. Getting lost in the pages of a book every night was my happy place and my favourite author as a teenager was Judy Blume. Blume writes beautifully and takes the reader on a journey of exploration of a teenage mind – helping you realise you aren’t alone in being challenged by new experiences and feelings. While from an Index perspective I should say that my favourite book was the one most banned – Forever (which I loved), my absolute favourite was actually Are you there God? It’s me Margaret. As the only Jewish kid at my school I related to Margaret’s internal conflict and her personal relationship with G-d. Blume remains a personal heroine and every effort to ban her books confirms why the work of Index on Censorship is so important. Ruth Anderson
Lady Chatterley’s Lover – DH Lawrence
I had to read DH Lawrence’s Lady Chatterley’s Lover at school. I hated it. But I did enjoy the ironies that the attempted prosecution of it for “obscenity” totally undermined the state of the obscenity laws at the time and the court case reaffirmed art’s freedom to say pretty much anything it liked, as long as it was judged to be of literary merit (whatever that means). Those who tried to suppress the book only succeeded in fanning the flames of public interest exponentially, beyond who might otherwise have read it without all the hoo-ha and salacious interest whipped up around it. Public interest was the other marker of whether the book should be permitted, so in bringing the prosecution it rather ensured the inevitable failure of the case. The trial has also been highlighted as the start of societal values changing and ushering in the more permissive 1960s. None of this impacted on DH Lawrence, since he’d been dead for 30 years. Publishers had self-censored by holding off publication until Penguin Books took the plunge and British society was probably never the same again. Now, if only a book could have such a societal impact in the 21st century… David Sewell
The Satanic Verses – Salman Rushdie
The Satanic Verses was the subject of a fatwa issued by the Supreme Leader of Iran, Ayatollah Khomeini in 1989, which called for the assassination of its author, Salman Rushdie. The novel is Rushdie’s masterpiece: a comic take on the life of Muhammad that also wraps in the British Indian immigrant experience, Bollywood, Sikh separatism and Hinduism. Its ambition is vast and it deserves to be celebrated as one of the greatest novels of the 20th century. Its legacy will live well beyond the regime which forced its author into hiding. Martin Bright
Spycatcher – Peter Wright
I was at university in London when Peter Wright’s Spycatcher was first published and Margaret Thatcher’s government banned it. Wright was a former assistant director of MI5, who was annoyed about the security service’s pension arrangements and decided to blow the whistle over its shadier activities in order to recoup some money for his retirement in Australia. In the 1980s, the workings of the security services were shrouded in secrecy and the book caused huge ripples with its stories of Soviet moles and the then advanced technologies that were being used to spy on Britain’s ‘enemies’. I still remember reading the first chapter and finding out that a nondescript building around the corner from my university department I passed every day was used by MI5 for its covert operations. As the book was not banned in Australia or Scotland, its contents gradually leaked and Thatcher’s government was forced to admit defeat and the book ban was dropped. Mark Stimpson
The Handmaid’s Tale – Margaret Atwood
Look on the shelves of certain school districts in Texas, Michigan and Florida and you’ll find an empty space where The Handmaid’s Tale used to be, after book challenges led to its removal. Atwood’s most famous book might have been published in 1985, but it still has the power to scare self-appointed censors today. The graphic novel, too, is just as excellent and just as hated by censors. In the dystopian Gilead patriarchal structures are taken to the absolute extreme. A woman’s body is not her own – she is judged by her capacity for baby-making. Even her vocabulary is closely monitored. But the way this society was created is even more concerning, with events in the novel inspired by real-world happenings. It’s a book worth reading again and again – it hit home differently when I was a wide-eyed student to how it does now that I’m a mother, and still sends the same chill in a 2023 context. Katie Dancey-Downs
To Kill a Mockingbird – Harper Lee
Harper Lee’s classic 1960 novel To Kill a Mockingbird explores complex themes of race, justice, and humanity, bringing a degree of warmth to heavy subject matter by using the perspective of child protagonist Scout Finch to invoke a sense of innocence, even while tackling difficult topics. Although the book is considered a modern classic, it has been subject to bans and challenges due to its use of profanity, racial slurs, and adult themes. The language and subject matter may make it an uncomfortable read for some, but the overriding message of tolerance and morality is both important and necessary. Daisy Ruddock
Animal Farm – George Orwell
There’s always a book you read that, when you reflect back on, has made an impression on your whole life. For me it was Animal Farm by George Orwell. I first read the book as a teenager and it made me think about the meaning behind the role of governments and the issues of right and wrong, greed and the corruption of power. When I watched the world news and saw the power and restrictions that states placed on their citizens, a book published in 1945 showed me how the world turns and how little change there can be without true democracy. Cathy Parry
His Dark Materials trilogy – Philip Pullman
The His Dark Materials Trilogy by Philip Pullman made its way to me through my grandmother. This was how I often got the books that have stuck with me nearly two decades later. I wonder whether she knew what she did would be so frowned upon by those in the US states who took offence to its apparent “anti-Christian” message? His Dark Materials is glorious collection of young adult books, which snuck in complex messages without patronising the readers. In fact, it challenges and provokes the readers in a manner that sent my teenage brain racing. Also how can you not love a polar bear wearing armour? Nik Williams
The Bell Jar – Sylvia Plath
The Ireland that I was born into was a cold house for women. There was no access to abortion, no divorce and marital rape had only recently been outlawed. Since then, public opinion has been reshaped and laws have been liberalised, largely as a result of ordinary women speaking out about their personal experiences. That’s why The Bell Jar by Sylvia Plath is important. It’s a rare example of a canonical work about the life of a young woman as told in her own words. The semi-autobiographical novel, which was previously banned in Ireland and remains banned in some US states, is a coming-of-age story following a young woman at odds with 1950s US society. It challenges the conventional roles of women and explores the difficult, and still tabooed, subject of mental illness. Jessica Ní Mhainín
