15 Dec 21 | Academic Freedom Letters, Afghanistan, Africa, Americas, Asia and Pacific, Australia, Belarus, Brazil, Hong Kong, Kenya, Magazine, Magazine Contents, Malaysia, Malta, Middle East and North Africa, Politics and Society, religion & culture, Russia, Syria, Turkey, United Arab Emirates, United Kingdom, United States, Volume 50.04 Winter 2021, Volume 50.04 Winter 2021 Extras
The Winter issue of Index magazine highlights the battles fought by theatre of resistance across the world and how they’ve been enduring different forms of censorship.
Writer Jonathan Maitland dives deeply into the history of theatre censorship in the United Kingdom and explains why British playwrights need to lose their fear and be bolder. Kaya Genç and Meltem Arikan provide a good overview of the situation in Turkey in the most recent years, where theatres have been closed down in Istanbul.
Natasha Tripney analyses the impacts of an exaggerated nationalism and how it restrains plays from moving forward.
The theatre of resistance, by Martin Bright: Index has a long history of promoting the work of dissident playwrights.
The Index: Free expression around the world today: the inspiring voices, the people who have been imprisoned and the trends, legislation and technology which are causing concern.
Women journalists caught in middle of a nightmare, by Zahra Nader: Many Afghan journalists –women in particular – have fled the Taliban or are in hiding from the brutal regime.
Hope in the darkness, by Jemimah Steinfeld: Nathan Law, one of the leaders of Hong Kong’s protest movement, is convinced that the repression will not last forever. We publish an extract from his new book.
Speaking up for the Uyghurs, by Flo Marks: Exeter university students have been successfully challenging the institution’s China policy, but much more needs to be done.
Omission is the same as permission, by Andy Lee Roth and Liam O’Connell: Malaysia’s introduction of emergency powers to deal with “fake news” was broadly ignored by the Western media – and that only emboldened the government.
I can run, but can I hide?, by Clare Rewcastle Brown: Journalist Clare Rewcastle Brown is a wanted woman in Malaysia – and the long reach of Interpol means there are now few places where she can consider herself safe.
Dream of saving sacred land dies in the dust, by Scarlett Evans: Australia’s mining industry is at odds with the traditional beliefs of the Aboriginal population and it is taking its toll on the country’s indigenous heritage.
Bylines, deadlines and the firing line, by Rachael Jolley: It’s not just pens and notebooks that journalists need in the USA, it’s sometimes gas masks and protective vests, too.
Cartoon, by Ben Jennings: “I’ve done my own research.”
Maltese double cross, by Manuel Delia: Four years on from Daphne Caruana Galizia’s murder, lessons have not been learned and justice for the investigative journalist’s family remains elusive.
“Apple poisoned me physically, mentally and spiritually”, by Martin Bright: A former Apple employee, who was fired by the tech giant after blowing the whistle on toxic waste under her office, says her fight will go on.[
]Keeping the flame alive as theatre goes dark, by Natasha Tripney: Theatre across the world is fighting new waves of repression, intolerance and nationalism, as well as financial cuts, at a time when a raging pandemic has threatened its existence.
Testament to the power of theatre as rebellion, by Kate Maltby: The Belarus Free Theatre, whose 16 members have now gone into exile to escape the Lukashenka regime, are preparing to perform at the Barbican in London.
My dramatic tribute to Samuel Beckett and catastrophe, by Reza Shirmarz: More than three decades after Index published the celebrated playwright’s work dedicated to the Czech dissident Vaclav Havel, the censored Iranian writer Reza Shirmarz has responded with his own play, Muzzled.
Why the Taliban wanted my mother dead, by Hamed Amiri: The author of The Boy with Two Hearts on why and how the family fled Afghanistan.
The first steps- Across Europe with Little Amal, by Joe Murphy and Joe Robertson: Good Chance Theatre on their symbolic take on the long journey of refugees from Syria to the UK.
Fighting Turkey’s culture war, by Kaya Genç: Theatres have been shuttered in Istanbul but the fightback by directors and playwrights continues.
I wrote a play then lost my home, my husband and my trust, by Meltem Arikan: The exiled Turkish playwright’s Mi Minör was blamed for the Gezi Park protests.
Where silence is the greatest fear, by Issa Sikiti da Silva: How Kenyan theatre has suffered under a succession of corrupt rulers, hot on the heels of colonial repression.
Censorship is still in the script, by Jonathan Maitland: British theatre has lost its backbone and needs to be more courageous.
God waits in the wings…ominously, by Guilherme Osinski and Mark Seacombe: A presidential decree that art must be ‘sacred’ has cast a free-speech shadow over Brazilian theatre.
Elephant that should be in Nobel Room, by John Sweeney: The winners of this year’s Peace Prize deserve their accolade, but there is another who should have taken the award.
We academics must fight the mob – now, by Arif Ahmed: The appalling hounding of Kathleen Stock at Sussex University is a serious threat to freedom of speech on campus.
So who is judging Youtube?, by Keith Kahn-Harris: Accused by the video behemoth of spreading misinformation, the author conducted an experiment in an effort to understand how the social media platform policies its content.
Why is the world applauding the man who assaulted me?, by Caitlin May McNamara: It is time for governments and businesses to decide where their priorities lie when it comes to the Middle East.
Silence is not golden, by Ruth Smeeth: As we enter a new year, Index will continue to act as a voice for those unable to use their own.
The road of no return, by Flo Marks and Aziz Isa Elkun: The Uyghur activist and poet, exiled in the UK, yearns for his family and friends imprisoned in Chinese concentration camps.
Bearing witness through poetry, by Emma Sandvik Ling: Poets are often on the frontlines of protest.
The people’s melody, by Mark Frary: For the first time, English readers can now experience the joys of Ethiopian poetry written in Amharic thanks to the work of Alemu Tebeje and Chris Beckett.
No corruption please, we’re British, by Oliver Bullough: The UK has developed a parallel vocabulary to avoid labelling anyone with the c-word … until now.
19 Oct 21 | Ecuador, The climate crisis, Volume 50.03 Autumn 2021, Volume 50.03 Autumn 2021 Extras
[vc_row][vc_column][vc_single_image image=”117715″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]Ecuador is not a safe country for environmental defenders. They are criminalised, threatened, attacked and even assassinated for attempting to uphold the rights of nature decreed in the constitution.
While the overt incitement to hatred against environmental activists ended when Lenin Moreno replaced Rafael Correa as president in 2017, and some imprisoned indigenous leaders were freed, the intimidation and threats continue.
In 2018, there were several attacks against members of the Collective of Amazonian Women who work to defend the Amazon region from oil and mining. Margoth Escobar had her house set on fire and Patricia Gualinga, from Sarayaku, had rocks thrown through her bedroom windows at night. Others received death threats.
The same year, three water defenders – including Yaku Pérez Guartambel, then president of indigenous peoples’ organisation Ecuarunari – were kidnapped by mine workers, believed to have been following orders from above. An angry mob kicked, dragged and tortured Pérez Guartambel, accusing him of leading anti-mining efforts. They planned on crucifying him and started gathering materials until a group of journalists broke through with cameras and rescued him.
Since a 2019 uprising of indigenous peoples in the country, the government has more forcefully set its sights on the indigenous movement as the internal enemy to be defeated.
Indigenous leaders are repeatedly persecuted and intimidated. The repressive apparatus has been strengthened, with millions of dollars allocated for the provision of equipment for the police and military. The creation of a new legal framework in May 2020 would have enabled the deployment of the military to control internal order. This would have provided protection to strategic sectors such as mining, against which indigenous communities have been struggling for years.
In May 2021, right-wing banker Guillermo Lasso assumed the presidency in Ecuador, ending more than a decade of left-wing rule. Index on Censorship spoke to Franco-Brazilian academic and indigenous rights activist Manuela Picq about what the change means for censorship. After marrying Yaku Pérez Guartambel in an indigenous ceremony, Picq was herself censored by the government of Rafael Correa, which forced her into a three-year exile.
“There are many ways of censoring. We have seen traditional censorship mostly from the left in Ecuador, by Correa in particular, who implemented very repressive media legislation and enforced it with violent oppression. Then there are other forms of censorship, which are not traditionally recognised as such, the neo-liberal way of buying support. Under Lasso, journalists and media outlets are not fulfilling their critical role because they receive so much state advertising revenue. I see this as a form of censorship, when the public is left uninformed about the government’s activities, which happen largely in the dark. In this context, whistle blowers will play a critical role,” said Picq.
“This is a weak government that has been forced to ally with Pachakutik, the political party of Ecuador’s indigenous movement, which is currently presiding over congress. This means Lasso will carry out his agenda in the most discreet way possible, to avoid being overthrown. So, mining in indigenous territories, or the privatisation of the public sector will be labelled as “development”. We are relieved in Ecuador that we no longer have Correa-ism, with its traditional, explicit forms of censorship, but we should not underestimate the other forms of censorship that are more subtle and insidious.”
The multicoloured people
Jimmy Piaguaje is a young indigenous Siekopai defender from Siekoya Remolino, a community of 53 families living on the banks of the Aguarico River in the north-eastern Ecuadorian Amazon region.
The Siekopai (which means multicoloured people) are renowned for their shamanic acumen and knowledge of medicinal plants, with uses for more than 1,000 different plants.
The Siekopai are known as the multicoloured people, photo: Erin Deo
In the 1600s, when Jesuit missionaries arrived in Siekopai territory, there were 30,000 to 40,000 Siekopai in the zone between Putumayo, the Aguarico River and Napo.
Traditionally, the Siekopai lived communally in gigantic malokas (open sided wooden huts) with 40 to 60 families. This coexistence meant that people did everything together. Everyone got up at about 3am to prepare and drink yoko, twist threads of chambira (a palm from which the fibre is removed to make hammocks) and tell stories. The women would discuss what they would do that day, what the future would bring. The children would be there, too, learning from their parents and elders.
The missionaries brought illnesses such as measles, wiping out 90% of the population. Whole peoples and clans disappeared. The few who survived did so by hiding in the depths of the jungle. Then the rubber-tappers arrived and removed the Siekopai from there, too.
Currently only around 1,600 Siekopai remain – 900 in Peru and 700 in Ecuador, where they live in a 50,000-acre fragment of rainforest.
“We feel very threatened, very worried, because our territory is very small and we are surrounded by oil exploitation and monoculture agriculture,” said Piaguaje.
“I know from talking with my father, with our elders, how our territory used to be. Now we have almost no resources, almost no fish, no animals to hunt. Our rivers are contaminated by toxic waste from the oil palm industry. Lack of food sovereignty is a really big worry. These are the threats that we are facing.
“All of these things have made us think about where we are going. Will our culture survive another five, 10, 20 years? Or will we just die?”
The pandemic, too, has had a deep impact on the Siekopai.
“In the Ecuadorian Amazon, the Siekopai nationality was the first to confirm positive cases of Covid-19,” said Piaguaje. “A wise elder who died of Covid – a family member of mine – knew a lot about medicinal plants. That was major blow for the Siekopai because there aren’t many of us and we all know each other. Then a teacher died; he had long been involved in the struggle to defend our culture. It was a very difficult situation.”
The Siekopai sought help from the local and national governments but there was little or no response, although some organisations provided medicine, tests and accurate information.
“We started to realise that the medicine from outside wasn’t helping us,” said Piaguaje. “Faced with many cases of Covid, we started to look to medicinal plants. In the end, the majority of people who survived were treated with medicinal plants. And we’re still treating people with plant infusions, such as ajo del monte, chinchona and cedros, with good results.
“This has led to some very important reflections within the Siekopai communities; a rediscovery, appreciation and faith in our own ancestral medicines. And when everything collapsed in the outside world, although we were affected, we were more or less OK. This has been a deep reflection for us, seeing how the rest of the world is suffering and realising what is important.”
Just 1,600 Siekopai survive in a 50,000-acre fragment of rainforest, photo: Erin Deo
In response to the existential threats they face, Piaguaje and a group of other young Siekopai leaders have formed an organisation, Sëra, named after the spirit of heaven that arrives every summer to announce a new era. They have developed a number of innovative projects, safeguarding ancestral shamanic knowledge in video format and running environmental workshops with Siekopai youth.
“Ancestral knowledge is being rapidly lost,” he said. “Young people are no longer interested, due to the influence of the Western world. Our wise elders are dying without leaving a legacy.
“Together with another young Siekopai defender, I created a project to safeguard their knowledge with videos. We go out with them when they are harvesting plants and record them talking about how they identify and use them. This project brought our group of young leaders together.”
The group is now running school workshops to promote environmental awareness through intergenerational exchange between elders, parents and children.
“We talk about ancestral knowledge, the identification and uses of medicinal plants, the threats that we face. We ask, what is important to us, what do we want to preserve, as Siekopai? The aim is to instil in the children the consciousness that our territory matters, that they should have respect for the elders, for Mother Nature, for our own cosmovision [the worldviews shared by indigenous peoples].
“We know that the children are like seeds; if we plant in them the idea that they must cut down the jungle to plant oil palm, they will want to do that,” he said.
“But instead we are saying to them, ‘We must take care of the jungle, this is our wealth, there are other ways to do things, to survive’. That’s why I think education is so important.”
Piaguaje believes it can help combat climate change.
“The indigenous worldview is based on living in harmony with nature and other people, respecting everything around us,” he said.
“It is a model that does not require us to plunder all natural resources. We are taught that we are all part of Mother Nature, that it is our responsibility to use resources in a sustainable way.
“Mother Nature provides everything: medicine, food, water and air. We don’t need to destroy but to co-exist.
“This way of life is based on reciprocity. Even if the other person is different from me, we share. Sharing and co-operation. That is how our ancestors lived and that should be the model of how we live, too.
“I think a global shift towards these values could help to combat climate change.”
The People of Noon
José Gualinga is a leader of the Native People of Sarayaku, an indigenous Kichwa group with 1,400 inhabitants living in a remote part of Ecuador’s southern Amazon.
Known for their defence of the rights of nature and indigenous peoples, the Sarayaku call themselves the People of Noon, referring to an ancient prophecy of their ancestors claiming that they would be a pillar of resistance after other communities had surrendered – a beacon of light as strong as the midday sun.
In 2012, the Sarayaku won a historic victory at the Inter-American Court of Human Rights, which found that the Ecuadorian state had violated their rights by allowing an oil company to prospect in their territory without consultation.
Photo: Beth Pitts
A turning point in the case came when José’s father, Don Sabino Gualinga, the spiritual leader of Sarayaku and their most eminent yachak (shaman), then aged 92, took the witness stand. He was asked about the impact of the 1,433kg of explosives that had been planted in Sarayaku territory by the oil company, accompanied by armed military personnel. Referring to the invisible beings that had been disturbed by the explosions, Don Sabino said that “half of the masters of the jungle are no longer there”.
He added: “It is a living forest. There are trees and medicinal plants and all kinds of beings … Many hid, others died when it burst. They are the ones who maintain the jungle, the forest … All of those who wish to cause damage, they don’t understand what they are doing. We do understand it, because we see it.”
The same year, the Sarayaku created the Kawsak Sacha (Living Forest) Declaration asserting that, as a living entity, their territory is subject to legal rights and demanding that these rights be upheld. The proposal was presented at global climate change conference COP21 in Paris and to French president François Hollande in 2015, and to the Ecuadorian government in 2018 before winning the prestigious UN Equator Prize in 2021.
The Sarayaku have also launched a professional football team to spread the word about oil exploitation in the Amazon; sailed a canoe down the Seine; and created a documentary, Children of the Jaguar, which won best documentary at the National Geographic Film Festival in 2012. Their 2021 documentary, The Return, which tells the story of one family’s retreat into the Amazon to escape Covid, was made for The Guardian and featured at the 2021 Sheffield DocFest.
In 2021, the Sarayaku are once again under threat, with the government’s plan to auction three million hectares of largely virgin rainforest to oil companies, including nearly all the Sarayaku territory. To represent their peaceful resistance to extractivism and commitment to defend the Kawsak Sacha, the Sarayaku are planting a 100km-long perimeter of flowering trees around their territory known as the Sisa Ñampi; it symbolises the fragility of life and the ephemeral limit of existence between life and death.
Gualinga believes that the philosophical thought of the Sarayaku can help combat climate change.
“Climate change will be resolved only if we actively seek solutions,” he said. “Global citizens must undertake a long road to resistance and peaceful struggle, towards a different perspective that we call tiam. By itself this philosophical thought is only a form of knowledge, but it can be made reality if each and every one of us participates in the minga [collective community work].
“Tiam is a counterpoint to the dominant worldview, which sees nature as ‘other’, as an object for exploitation. This has led to imbalance and severe climatic changes, as well as the current pandemic. At the heart of our philosophy lies the understanding that we live as an embryo in the womb of the Pachamama [Mother Earth]. Only in this way will nature be respected, will we live harmoniously, benefiting from the resources that the Pachamama bestows on us.
“We believe that if the human being accepts this way of life, the pain of the planetary wound will be felt, healed, and life will be born again.”
He added: “Indigenous peoples are already contributing towards global climate change solutions by taking care of their territories, which are mega-diversities of living beings. The Sarayaku conceived the Kawsak Sacha life project as a powerful nucleus, so that through these invisible beings, who are conscious and therefore have legal rights, we can regulate the balance of the earth and together we can fight climate change.”
Many communities of indigenous peoples have been divided by oil companies but the Sarayaku have maintained unity, said Gualinga.
“The unity of the Sarayaku arises from the legacy of our ancestors, from the great stories and prophecies that have led us to consider ourselves as the People of Noon, descendants of the jaguar, children of Amazanga Runa,” he said.
“Other nationalities – let us call them ‘communities’ or ‘peoples’ – their unity is maintained in a superficial way, through an organisation. While the statute of the organisation may be recognised by the competent authorities, the people lack the background of using their history and wisdom as a strength.
“When the unity of a society – or let’s call it a ‘cultural civilisation’ – of the Amazon forest is founded on historical and cultural principle, the oil companies cannot break it.”
The people of Sarayaku are masters in the selective use of modern technology, such as digital resource mapping, and using social networks without losing their cultural identity.
“If well used, technology can serve to strengthen new processes of collective and organised adaptation,” said Gualinga. “Based on this logic and analysis, the people of Sarayaku have adopted certain tools, such as the internet, which we use to disseminate the processes resistance in defence of our lives; to make known the proposals that come from within the territory and from the deep jungle. The jungle society has always been in a state of interaction, actively looking for solutions for threats such as climate change.
“Historically, it was impossible to make visible Sarayaku’s proposals in a dominant, complex world, full of wars and devastating economic conflicts. Now, with these new technologies, we can successfully disseminate communications on history, culture, proposals, visionary projects to conserve and protect the balance of the land and ensure the continuity of the Living Forest.
“These technologies have also allowed us to safeguard the memories of art, culture and stories, so that future generations can continue learning.”
Help the Siekopai Indigenous Amazonian Youth Foundation through its crowdfunding campaign at gofundme.com/f/siekopai-indigenous-amazonian-youth-foundation.
This article is based on interviews for Writers Rebel[/vc_column_text][/vc_column][/vc_row]
08 Sep 21
[vc_row full_width=”stretch_row_content_no_spaces” css_animation=”fadeIn” css=”.vc_custom_1630693196413{padding-top: 105px !important;padding-bottom: 105px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2021/09/Cover23-scaled.jpg?id=117362) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][vc_custom_heading text=”Freedom of Expression Awards 2021″ font_container=”tag:h1|text_align:center|color:%23ffffff” use_theme_fonts=”yes”][vc_single_image image=”117377″ img_size=”medium” alignment=”center”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
The Nominees
The 2021 Freedom of Expression Awards will take place on 12 September 2021.
There are three nominees in each category, where each inspiring individual will be judged on their outstanding contributions in the areas of the arts, campaigning and journalism.
The full list of the nominees is below.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Arts
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”black” border_width=”3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”Daria Apakhonchich”][vc_custom_heading text=”Artist and activist” font_container=”tag:h4|text_align:left”][vc_custom_heading text=”Daria Apakhonchich is a Russian performance artist and feminist activist. Daria creates artistic performances to protest violence against women and support women’s rights in Russia. She contributed to the ‘Vulva Ballet’ in 2020. The piece was produced in defence of Yulia Tsvetkova, an LGBTQ artist activist and herself a former Index Awards winner, who faces up to six years in prison for her body positive feminist drawings.
In December 2020, Daria learned from media reports that she was the first artist to be labelled a “Foreign Agent” by Russian authorities. She was arrested and fined in January 2021. She also lost her teaching job with the Red Cross due to her activism and feminist engagement.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_empty_space][/vc_column][vc_column width=”1/3″][vc_single_image image=”117390″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/campaigns/letters-from-lukashenkas-prisoners/maxim-znak/”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”0px”][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”Émerson Maranhão”][vc_custom_heading text=”Film director” font_container=”tag:h4|text_align:left”][vc_custom_heading text=”Émerson Maranhão is a Brazilian film director who focuses on LGBTQ+ visibility. Émerson’s last movie, Those Two, follows the lives of two transgender men and their journey towards self-acceptance. In 2019, the Brazilian government halted state funding for films representing LGBTQ themes. A judge later determined that this decision was discriminatory and ordered that funding be reinstated, a victory in a time of rising censorship of LGBTQ+ artistic expression in Bolsonaro’s Brazil.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_empty_space][/vc_column][vc_column width=”1/3″][vc_single_image image=”117394″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/campaigns/letters-from-lukashenkas-prisoners/volha-takarchuk/”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”Tatyana Zelenskaya”][vc_custom_heading text=”Artist” font_container=”tag:h4|text_align:left”][vc_custom_heading text=”Tatyana Zelenskaya is an illustrator from Kyrgyzstan, her works focus on freedom of expression and women’s rights. Tatyana highlights social issues, including domestic violence and women’s rights. More recently, her work has been inspired by the growing anti-government protests which have erupted across Russia and Kyrgyzstan.
In 2020, she created the artwork for the video game Swallows: Spring in Bishkek which raises awareness about bride-kidnapping. The interactive game provides useful information on bride-kidnapping with the aim of challenging traditional perceptions of the practice.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_empty_space][/vc_column][vc_column width=”1/3″][vc_single_image image=”117407″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/campaigns/letters-from-lukashenkas-prisoners/maria-kalesnikava/”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Campaigning
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”black” border_width=”3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”Nandar”][vc_custom_heading text=”Activist” font_container=”tag:h4|text_align:left”][vc_custom_heading text=”Nandar is a feminist activist, translator and storyteller from Myanmar. Nandar grew up in a village in the north-eastern Shan state of Myanmar. She experienced first-hand the hardships that many women face when living in a society with traditional gender roles. Nandar created a podcast to tackle taboo topics in the country such as menstruation and abortion.
She also founded the Purple Feminists Group to promote feminist literature, challenge mainstream taboos, amplify women and girls’ voices, and raise awareness of gender-based violence.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_empty_space][/vc_column][vc_column width=”1/3″][vc_single_image image=”117408″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/campaigns/letters-from-lukashenkas-prisoners/maria-kalesnikava/”][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”Anouar Rahmani”][vc_custom_heading text=”Writer” font_container=”tag:h4|text_align:left”][vc_custom_heading text=”Anouar Rahmani is an Algerian writer and human rights defender. Through his writings, Anouar explores human rights issues in Algeria, including those of LGBTQ+ people and those of religious minorities. He is the author of two novels, The City of White Shadow and Jibril’s Hallucination. He has faced significant threats and online harassment for his writings. Rahmani has also been harassed by Algerian authorities due to his work. In 2017, he was arrested for blasphemy and in 2020, he was forced to pay a 50,000 Dinar fine for “insulting state officials”.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_empty_space][/vc_column][vc_column width=”1/3″][vc_single_image image=”117410″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/campaigns/letters-from-lukashenkas-prisoners/maria-kalesnikava/”][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”Abdelrahman “Moka” Tarek”][vc_custom_heading text=”Activist” font_container=”tag:h4|text_align:left”][vc_custom_heading text=”Abdelrahman “Moka” Tarek is an Egyptian human rights defender and Member of the 6 April Movement. He took part in the 25 January Egyptian Revolution. In 2013 he was arrested at the Shura Council Protest along with 24 other peaceful protesters. He was convicted to 3 years in prison as well as a 3-year suspended sentence.
In September 2019, Abdelrahman was assaulted by a police officer as he was serving his suspended sentence at Qsar Al-Nil Police station. He disappeared soon after sharing this aggression on social media. Since then, new terrorism-related charges have been pressed against him and he was sent back to Tora prison.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_empty_space][/vc_column][vc_column width=”1/3″][vc_single_image image=”117409″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/campaigns/letters-from-lukashenkas-prisoners/maria-kalesnikava/”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Journalism
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”black” border_width=”3″][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”Kadar Abdi Ibrahim”][vc_custom_heading text=”Activist and journalist” font_container=”tag:h4|text_align:left”][vc_custom_heading text=”Kadar Abdi Ibrahim is a human rights activist and journalist from Djibouti. Kadar Abdi Ibrahim was the co-director and chief editor of L’Aurore, Djibouti’s only privately-owned media outlet. In 2016, the newspaper was banned following the publication of a story about the massacre of 29 people, understood to have been perpetrated by state forces. In April 2018, just days after returning from Geneva, intelligence service agents raided his house and confiscated his passport. He has been unable to leave the country since then.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_empty_space][/vc_column][vc_column width=”1/3″][vc_single_image image=”117413″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/campaigns/letters-from-lukashenkas-prisoners/maria-kalesnikava/”][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”Verónica Chávez”][vc_custom_heading text=”Journalist” font_container=”tag:h4|text_align:left”][vc_custom_heading text=”Verónica Chávez is the co-owner of 100% Noticias, an online Nicaraguan media outlet dedicated to providing critical journalism. Despite President Daniel Ortega’s strict crackdown on media in Nicaragua, 100% Noticias has continued to provide critical journalism. In 2018, police raided the offices of 100% Noticias, confiscated the station’s equipment and arrested Chávez, her husband journalist Miguel Mora and news director Lucia Pineda. Chávez was subsequently released, but Mora and Pineda were charged and imprisoned for a year. Chávez continued to run 100% Noticias during that time.
Ortega’s intimidation recently intensified and in October 2020, Chávez was assaulted by members of paramilitary groups close to the government which left her in intensive care. The international community has condemned the attack.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_empty_space][/vc_column][vc_column width=”1/3″][vc_single_image image=”117412″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/campaigns/letters-from-lukashenkas-prisoners/maria-kalesnikava/”][/vc_column][/vc_row][vc_row][vc_column width=”2/3″][vc_custom_heading text=”Samira Sabou”][vc_custom_heading text=”Journalist and blogger” font_container=”tag:h4|text_align:left”][vc_custom_heading text=”Samira Sabou is a Nigerien journalist, blogger and president of the Niger Bloggers for Active Citizenship Association (ABCA). In June 2020, Sabou was arrested and charged with defamation under the 2019 cybercrime law in connection with a Facebook post highlighting corruption. She spent over a month in detention before eventually being released.
Through her work with ABCA, she conducts training sessions on disseminating information on social media based on journalistic ethics. She teaches journalists and bloggers how to continue to publish despite a cybercrime law, enacted in 2019, which severely restricts freedom of expression in the country.
Sabou is also active in promoting girls’ and women’s right to free expression and has championed women’s leadership through her work.” font_container=”tag:h3|text_align:left” google_fonts=”font_family:Alegreya%3Aregular%2Citalic%2C700%2C700italic%2C900%2C900italic|font_style:400%20regular%3A400%3Anormal”][vc_empty_space][/vc_column][vc_column width=”1/3″][vc_single_image image=”117411″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/campaigns/letters-from-lukashenkas-prisoners/maria-kalesnikava/”][/vc_column][/vc_row]
