Awards

3 Aug 2021

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Index on Censorship’s Freedom of Expression Awards celebrate those who have had significant impact fighting censorship anywhere in the world. There are three categories: Arts, Campaigning and Journalism.

Winners are honoured at a gala celebration in London and join Index’s Awards Fellowship programme to receive dedicated training and support. The panel of judges for the 2021 Freedom of Expression Awards include writer and columnist Fatima Bhutto, award-winning sculptor Anish Kapoor and Ailbhe Smyth, founding director of the Women’s Education, Resource and Research Centre, University College Dublin.

The 21st Annual Freedom of Expression Awards were held on Sunday 12 September 2021 in London.

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About the Freedom of Expression Awards 

Index on Censorship’s Freedom of Expression Awards celebrate those who have had significant impact fighting censorship anywhere in the world. There are four categories: Arts, Campaigning, Journalism and the Trustee award. Winners are honoured at a gala celebration in London and receive dedicated training and support. 

The panel of judges for the 2022 Freedom of Expression Awards include award winning artist and academic Coco Fusco, BAFTA and award winning artist Alison Jackson, and Executive Editor and Culture Editor of The Sunday Times Ben Preston. The 22nd Annual Freedom of Expression Awards will be held on Thursday 27 October 2022 in London.

Click here to find out more about previous winners.

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The 2021 Freedom of Expression Awards winners were announced at a ceremony in London. This special event seeks to celebrate free expression activists and champions. Actress Tracy-Ann Oberman served as ceremony compere

[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_single_image image=”118773″ img_size=”full” onclick=”custom_link” img_link_target=”_blank” link=”https://www.indexoncensorship.org/wp-content/uploads/2021/08/Awards-sponsorship-package.pdf”][/vc_column][/vc_row][vc_row full_width=”stretch_row” disable_element=”yes” el_class=”tpl_awards” css=”.vc_custom_1652348786435{margin-bottom: 25px !important;background-color: #0a0a0a !important;}”][vc_column width=”1/4″][vc_single_image image=”114257″ img_size=”full” alignment=”center”][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”“The Freedom of Expression Awards are a chance to recognise the astonishing work being done in extraordinary circumstances by artists, journalists, and campaigners around the world. Through exercising the simple right that we take for granted – the right to freely express themselves – they risk everything. The Freedom of Expression Awards bring their stories to light, recognise their courageous actions, and underscore how important it is to protect freedom of expression. We have some truly fantastic nominees this year, and I very much look forward to sharing their stories with you.“

Ruth Smeeth, CEO, Index on Censorship” font_container=”tag:h4|text_align:left|color:%23ffffff”][/vc_column][/vc_row][vc_row full_width=”stretch_row” disable_element=”yes” el_class=”tpl_awards” css=”.vc_custom_1652348396518{margin-bottom: 25px !important;}”][vc_column][vc_column_text el_class=”mw600″]

Sponsorship

There are many ways you can sponsor the Awards, and support not only the winners but all the work Index does. Please contact [email protected] for more information.

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Alison Jackson, a contemporary BAFTA- and multi-award winning artist, explores the cult of celebrity – an extraordinary phenomenon created by the media, publicity industries and the public figures themselves. Her work raises questions about fake news and alternative facts. She makes convincingly realistic work about celebrities doing things in private using cleverly styled lookalikes. Likeness becomes real, and fantasy touches on the believable. She creates scenarios we have all imagined but never seen before.

She explores our desire to get personal with the celebrities fired by our voyeurism. By making photographs that seem to show our favourite celebrities (Diana, Kim K or Brad Pitt) doing what we really, secretly, want to see them doing.

She has been featured in a number of publications, including Who’s Who, Private 2004, Penguin Books; Confidential: What you see in this book is not ‘real’ 2007, Taschen; Up the Aisle, 2011, Quadrille publishing, Stern Fotographie 70 (2012, teNeues;), and Private, (2016 published by AJ Publishing).

Her work has been acquired by many public museum collections, including: The Parliamentary Art Collection, London; The National Portrait Gallery, London; SF MOMA, San Francisco; The Royal College of Art, London; Musée de la Photographie, Charleroi, Brussels; The Frances Foundation Paris; The International Centre of Photography amongst others.

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Ben Preston is a British journalist. He is an executive editor and Culture Editor of The Sunday Times and a former deputy editor of the Times and editor of Radio Times. 

He began his career in 1987, working on local newspapers (Bristol Evening Post). He worked later for the Press Association as education correspondent before joining The Times. He was The Times deputy editor from 2000 to 2008 and Acting Editor for nine months. Subsequently, he was Executive Editor at The Independent from 2008 before joining Radio Times in 2009.

He was awarded Editors’ Editor in the 2016 BSME awards. He returned to newspapers at The Sunday Times, overseeing news through Brexit and Covid before taking charge of Culture last summer.

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Coco Fusco is an interdisciplinary artist and writer. She is a recipient of numerous awards, including a Guggenheim fellowship, an American Academy of Arts and Letters Award, Latinx Art Award, a Fulbright fellowship and a Herb Alpert Award in the Arts. Fusco’s performances and videos have been presented in the 56th Venice Biennale, Frieze Special Projects, Basel Unlimited, three Whitney Biennials (2022, 2008 and 1993), and several other international exhibitions.

Her works are in the permanent collections of the Museum of Modern Art, The Walker Art Center, the Centre Pompidou, the Imperial War Museum, and the Museum of Contemporary Art of Barcelona. She is the author of Dangerous Moves: Performance and Politics in Cuba (2015). She is represented by Alexander Gray Associates in New York. She is a Professor of Art at Cooper Union.

Fusco is currently preparing new works for the next Sharjah Biennial and a solo retrospective that will open in 2023.

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Trevor Phillips is a writer and television producer. He is the co-founder of the data analytics consultancy Webber Phillips, and Chairman of Green Park Interim and Executive Search. He is a Times columnist, shortlisted for Comment Writer of the Year in 2020.

He is the Chairman of the global freedom of expression campaign charity Index on Censorship; a Senior Fellow at the Policy Exchange think tank; and a Vice-President of the Royal Television Society. 

Trevor is a non-executive director of the AIM-listed behavioural science consultancy Mind Gym; he was the President of the John Lewis Partnership Council until 2018, and founding chair of the Equality and Human Rights Commission.

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The Freedom of Expression Awards Fellowship exists to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world. Through the fellowship, Index works with the winners to provide tailored support.

The winners of the 2021 Freedom of Expression Awards are: Kyrgyz artist Tatyana Zelenskaya (arts); imprisoned Egyptian human rights activist Abdelrahman ‘Moka’ Tarek (campaigning); Nigerien blogger and journalist Samira Sabou (journalism), and British academic and free expression activist Dr Arif Ahmed (trustee award).

Previous winners include courageous Honduran investigative journalist Wendy Funes who uncovers corruption and covers the ongoing violations of women’s rights in the country, and anonymous Chinese digital activists GreatFire who have secured significant additional funding since their award.

Click here to find out more about previous winners.

[/vc_column_text][vc_row_inner disable_element=”yes”][vc_column_inner width=”1/2″][vc_single_image image=”104535″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2019/01/awards-2019/”][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”105881″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2019/01/awards-2019/”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row disable_element=”yes”][vc_column][awardsListing name=”Awards” category_id=”8935″][/vc_column][/vc_row][vc_row disable_element=”yes”][vc_column][vc_basic_grid post_type=”post” max_items=”30″ element_width=”2″ item=”mediaGrid_Default” grid_id=”vc_gid:1652355948595-51d8250d-a8e4-5″ taxonomies=”37746″][/vc_column][/vc_row][vc_row equal_height=”yes” disable_element=”yes” el_class=”text_white” css=”.vc_custom_1569443780053{margin-bottom: 15px !important;background-color: #cb3000 !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;border-radius: 1px !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Awards.” font_container=”tag:p|font_size:26|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]

By donating to the Freedom of Expression Awards you help us support individuals and groups at the forefront of tackling censorship.

Find out more

[/vc_column_text][/vc_column][vc_column width=”1/2″ css=”.vc_custom_1559988967479{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2019/04/awards-2019fellows.jpg?id=105848) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Arts” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_custom_heading text=”Tatyana Zelenskaya” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2021%2F09%2Farts-2021%2F”][/vc_column_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Campaigning” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes”][vc_custom_heading text=”Abdelrahman ‘Moka’ Tarek” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2021%2F09%2Fcampaigning-2021%2F|title:Campaigning%202021″][/vc_column_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Journalism” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes”][vc_custom_heading text=”Samira Sabou” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2021%2F09%2Fjournalism-2021%2F|title:Journalism%202021″][/vc_column_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Trustees’ Award” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes”][vc_custom_heading text=”Dr Arif Ahmed” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2021%2F09%2Ftrustees-2021%2F|title:Trustees%E2%80%99%20Award%202021″][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”117474″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2021/09/arts-2021/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”117475″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2021/09/campaigning-2021/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”117476″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2021/09/journalism-2021/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_single_image image=”117477″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2021/09/trustees-2021/”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner disable_element=”yes”][vc_column_inner width=”1/3″][vc_custom_heading text=”Arts” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes” link=”|||”][vc_custom_heading text=”For artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression

Click here to see the 2022 nominees” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2021%2F09%2Farts-2021%2F”][/vc_column_inner][vc_column_inner width=”1/3″][vc_custom_heading text=”Campaigning” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_custom_heading text=”For activists and campaigners who have had a marked impact in fighting censorship and promoting freedom of expression

Click here to see the 2022 nominees” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2021%2F09%2Fcampaigning-2021%2F|title:Campaigning%202021″][/vc_column_inner][vc_column_inner width=”1/3″][vc_custom_heading text=”Journalism” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_custom_heading text=”For courageous, high-impact and determined journalism that exposes censorship and threats to free expression

Click here to see the 2022 nominees” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2021%2F09%2Fjournalism-2021%2F|title:Journalism%202021″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

The 2021 Freedom of Expression Awards were sponsored by Facebook, Microsoft,
Times and Sunday Times, and Sage. 

If you are interested in sponsorship you can contact [email protected]

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#BannedByBeijing: Monitoring Chinese censorship abroad

9 Jul 2021 | BannedByBeijing, China, Ruth's blog

[vc_row][vc_column][vc_single_image image=”117061″ img_size=”full” add_caption=”yes”][vc_column_text]Threats to free speech and free expression come in many guises. In the year since I’ve joined the team at Index, I’ve used this blog to highlight issues as diverse as journalists being assassinated in Afghanistan to the threats of new British legislation on online harms.

One of recurring themes of my blogs has been the way in which authoritarian regimes and groups use every tool at their disposal to repress their populations. From Belarus to Myanmar, from Modi to Trump, we’ve seen global leaders act against their own populations to hold onto power and stop dissent.

For an organisation such as Index it would be easy to think that our job was solely to highlight the worst excesses of these despots, to shine a spotlight on their actions and to celebrate the work and activities of those inspirational people who stand up against this tyranny. And of course, that’s exactly what we were founded to do. But as the world moves on and technology and finance facilitate new ways of communicating to the world, Index also has a responsibility to investigate, analyse and expose the impact of some countries beyond their borders.

Over the course of the last year, Index’s attention has been drawn to the fact that there have been multiple high-profile examples of the Chinese Communist Party (CCP) using its influence beyond its border in order to manipulate the world’s view of China and what it means to be Chinese:

Since the implementation of the National Security Law in Hong Kong in June 2020, universities in the UK and in the US have reportedly had to change the way they teach certain courses – grading papers by number not name, asking students to present anonymised work of others so nothing can be attributed to an individual student and limited debate in lectures. All in order to make sure that the students are protected, and their families aren’t targeted at home in China.

In September 2020 Disney released a new film – Mulan. This film not only represents Mulan as Han Chinese rather than Mongolian as she likely was in the legend, but it was also filmed, in part, in Xinjiang province, home of the persecuted Uighur community. Seemingly an effort to change the narrative on the ongoing Uighur genocide happening in Xinjiang.

In October 2020, a scheduled exhibition on Genghis Khan and the Mongol empire in Nantes, France was postponed – not because of Covid19 but because the CCP reportedly attempted to change the narrative of the exhibition, attempting to rewrite history.

It is clear that the CCP is using soft (sharp) power in a concerted effort to censor dissent and to create a narrative that is in keeping with Xi Jinping’s vision in an effort to secure international  support for the CCP, which this year celebrates its 100th anniversary. We have no idea how strategic or vast this level of censorship is. What we do know is that it is happening across Europe and beyond.

It is in this vein that I’m delighted to be able to tell you about a new workstream for Index:

#BannedbyBeijing will seek to analyse and expose the extent to which China is trying to manipulate the conversation abroad.

Next week I’m delighted that we have an amazing panel to get the ball rolling and to establish how big an issue this is.

So join Mareike Ohlberg, Tom Tugendhat MP, Edward Lucas and our Chair Trevor Phillips, on Wednesday as they start this vital conversation. You can sign up here >> https://www.eventbrite.co.uk/e/banned-by-beijing-is-china-censoring-europe-tickets-162403107065[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You may also want to read” category_id=”41669″][/vc_column][/vc_row]

As we celebrate our 50th birthday, we know our work is far from done

26 Mar 2021 | 50 years of Index, Opinion, Ruth's blog

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Clockwise from top left: Poet Stephen Spender, codebreaker and historian Peter Calvocoressi, biographer Elizabeth Longford (© National Portrait Gallery, London) and philosopher Stuart Hampshire (The British Academy)

The founding story of Index is such an emotive one, at least for me. A challenge was laid at the feet of some of the great and the good – a global call for solidarity with those thinkers and creative beings who were living under a repressive regime. Supporting those dissidents who were standing against totalitarianism. Providing hope, solidarity and most importantly a platform to publish their work, to tell their stories.

50 years ago this week, four extraordinary people signed our charitable deeds founding Index on Censorship – Stephen Spender, Elizabeth Longford, Stuart Hampshire and Peter Calvocoressi. Their vision was clear – we were to be a voice for the persecuted, providing a home for dissident writers, scholars and artists and to shine a light on the actions of repressive regimes. You can read more on our amazing founders here –  www.indexoncensorship.org/50yearsofindex

I think we’ve lived up to their vision.

Over the last half century, with the help of so many, we’ve featured the works of inspirational dissident writers from Vaclav Havel to Salman Rushdie to Ma Jian. We’ve covered every aspect of censorship throughout the world from journalists being assassinated to governments restricting access to the internet. We’ve run successful campaigns on issues as varied as libel reform in the UK to hate speech. We’ve exhibited the work of artists and writers from repressive regimes at the Tate Modern and the British Library. And we’ve supported more than 80 Freedom of Expression award winners in the last 20 years – telling their stories and supporting their work.

There have been heartbreaking moments throughout our history, as friends were arrested for demanding their rights to free speech, as protesters were gunned down by repressive regimes, as democratic countries became more authoritarian and people because increasingly silenced. Our hearts bled, but our determination to be their voice, to fight with them and for them became stronger and stronger.

Birthdays provide a moment for reflection. By their very nature, you explore the past – what went well, what didn’t?  What should we be doing in the years ahead, what should we be focusing on. On our 50th birthday, what is clear is that our work is not done. That too many people are still being silenced, so we will keep fighting the good fight.

Because of the impact of Covid-19 we aren’t going to get to have a big birthday party this month (although I’m adamant we will to celebrate 50 years of the magazine next year), but we won’t let our 50th birthday go unmarked either

You’ll have seen our new branding for Index. Next month we’ll have a new design for the magazine, which I hope you’ll love – the team have done an amazing job. We have lots of plans for the months ahead – and I hope that you’ll be with us for the fights ahead.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You may also want to read” category_id=”41669″][/vc_column][/vc_row]

“Nelson’s legacy isn’t the issue, the culture war is”

16 Oct 2020 | Opinion, Ruth's blog

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Nelson’s Column, photo: Steve Bidmead/Pixabay

I love journalism. I am addicted to the news and honestly anything that isn’t about the appalling pandemic we are currently living through is usually welcome. But, and it’s a big but, there are some news stories which we know are designed to inflame, to spark a reaction, to act as click-bait and they may or may not always tell the full story. To the uninitiated, they can serve as an excuse to launch a new campaign – to protect our free speech, to launch a ‘culture war’, to drive divisions in our country, so it is incumbent on all of us to explore all sides of a story and try and unearth the truth before we get caught up in the latest clicktavist campaign…

That was definitely the case at the beginning of this week, when Lord Nelson entered the fray – apparently, his role in our national story was under threat, his hero status revoked – because of his links to colonialism and support for slavery. Defence of his reputation would now be the front line in the culture wars. However, it seems that the reality is, as ever, a little more complex.

No one, not even some of our greatest heroes and heroines, is perfect. Those that did extraordinary things for our country may also have held personal views that we would rightly find repugnant today. It serves no one for us to venerate our national heroes as saints; they weren’t, they were just people, extraordinary people. People who we should study in the round and understand their full contribution both good and bad to our national story. And many of them knew that in their own lifetimes:

“Mr Lely, I desire you would use all your skill to paint your picture truly like me, and not flatter me at all; but remark all these roughness, pimples, warts, and everything as you see me.”

When Oliver Cromwell commissioned his portrait from Sir Peter Lely, he was clear that it should bare a true likeness to him and show him for who he was – good and bad.

Many heroes, heroines and villains of history have complex and subjective legacies. A saviour for one will be the oppressor for another and debating and exploring the rights and wrongs of those who are lionised or vilified is key to understanding both our own history and the current composition of our society.

Unfortunately for some this isn’t the case. We seemingly now live in a world where the phrase ‘culture wars’ has, for some, become a proxy for those seeking not to engage in debate but to silence disagreement or dissent. Individuals and self-organised groups have proclaimed themselves the sole arbiters of truth. They decide what the ‘correct’ view is and any attempt to deviate from that singular set of ordained truths is denounced and deplored by those for whom the complex nature of individuals and historic events are just too difficult.

Which brings me back to Lord Horatio Nelson. When a freedom of information request to the National Maritime Museum discovered that the curators of their exhibitions had discussed reflecting the contemporary issues raised by the Black Lives Matter movement in their exhibits, the world exploded. One MP decried in response: “We are fighting this left-wing ideological nonsense every single day in this country.”

And the newly formed “Common Sense Group” of MPs took to their social media to denounce any deviation from the national narrative as an affront to all things British. Their intent was clear: to prevent a museum from publishing or promoting something that they didn’t agree with. This is a form of censorship and it wasn’t even based on fact.

Beyond the anger, the truth about this exhibition was a very different story. You only had to spend three minutes listening to Paddy Rogers, the director of the Royal Museums Greenwich to realise, as he said, that this was a “storm in a tea clipper”. Nelson remains a much-loved figure at the museum and the main exhibits will do nothing to undermine that, rather they will use his persona as a mechanism to explore our current identity and British values.

But the reality isn’t the key aspect here; Nelson’s legacy isn’t the issue, but rather the concept of “culture war” is, with some people trying to build a narrative which sows division and instills a chilling effect on our public space. History is not set in stone. After all, many people’s stories are never told and our perceptions rightly change as we discover more about people’s journeys. Museums and libraries are temples of education and learning. They should be homes for debate and exploration, free from political interference and able to examine every aspect of history and culture without reprisal.

This is especially the case when you consider how some repressive regimes are using their ‘soft’ power to try and launch a real culture war in Europe – using their money and influence to try and re-write history.

In Nantes, France, the Chinese government has intervened to stop an exhibition on Genghis Khan and the Mongols – an issue we’ll be covering more in the weeks ahead. But if we allow one group of people to dictate what should happen in museums, we open the floodgates to all kinds of interested parties to do the same and that is not a path we want to go down.

Here in Britain, we thankfully live in a free society. People are entitled to not go to an exhibition if they think it will offend them, or they can take to social media to write negative reviews of it, but they aren’t allowed to ban it because they don’t agree with the facts presented to them.

Thankfully that isn’t acceptable in a free and tolerant society.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You might also like to read” category_id=”581″][/vc_column][/vc_row]

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