15 Dec 21 | Academic Freedom Letters, Afghanistan, Africa, Americas, Asia and Pacific, Australia, Belarus, Brazil, Hong Kong, Kenya, Magazine, Magazine Contents, Malaysia, Malta, Middle East and North Africa, Politics and Society, religion & culture, Russia, Syria, Turkey, United Arab Emirates, United Kingdom, United States, Volume 50.04 Winter 2021, Volume 50.04 Winter 2021 Extras
The Winter issue of Index magazine highlights the battles fought by theatre of resistance across the world and how they’ve been enduring different forms of censorship.
Writer Jonathan Maitland dives deeply into the history of theatre censorship in the United Kingdom and explains why British playwrights need to lose their fear and be bolder. Kaya Genç and Meltem Arikan provide a good overview of the situation in Turkey in the most recent years, where theatres have been closed down in Istanbul.
Natasha Tripney analyses the impacts of an exaggerated nationalism and how it restrains plays from moving forward.
The theatre of resistance, by Martin Bright: Index has a long history of promoting the work of dissident playwrights.
The Index: Free expression around the world today: the inspiring voices, the people who have been imprisoned and the trends, legislation and technology which are causing concern.
Women journalists caught in middle of a nightmare, by Zahra Nader: Many Afghan journalists –women in particular – have fled the Taliban or are in hiding from the brutal regime.
Hope in the darkness, by Jemimah Steinfeld: Nathan Law, one of the leaders of Hong Kong’s protest movement, is convinced that the repression will not last forever. We publish an extract from his new book.
Speaking up for the Uyghurs, by Flo Marks: Exeter university students have been successfully challenging the institution’s China policy, but much more needs to be done.
Omission is the same as permission, by Andy Lee Roth and Liam O’Connell: Malaysia’s introduction of emergency powers to deal with “fake news” was broadly ignored by the Western media – and that only emboldened the government.
I can run, but can I hide?, by Clare Rewcastle Brown: Journalist Clare Rewcastle Brown is a wanted woman in Malaysia – and the long reach of Interpol means there are now few places where she can consider herself safe.
Dream of saving sacred land dies in the dust, by Scarlett Evans: Australia’s mining industry is at odds with the traditional beliefs of the Aboriginal population and it is taking its toll on the country’s indigenous heritage.
Bylines, deadlines and the firing line, by Rachael Jolley: It’s not just pens and notebooks that journalists need in the USA, it’s sometimes gas masks and protective vests, too.
Cartoon, by Ben Jennings: “I’ve done my own research.”
Maltese double cross, by Manuel Delia: Four years on from Daphne Caruana Galizia’s murder, lessons have not been learned and justice for the investigative journalist’s family remains elusive.
“Apple poisoned me physically, mentally and spiritually”, by Martin Bright: A former Apple employee, who was fired by the tech giant after blowing the whistle on toxic waste under her office, says her fight will go on.[
]Keeping the flame alive as theatre goes dark, by Natasha Tripney: Theatre across the world is fighting new waves of repression, intolerance and nationalism, as well as financial cuts, at a time when a raging pandemic has threatened its existence.
Testament to the power of theatre as rebellion, by Kate Maltby: The Belarus Free Theatre, whose 16 members have now gone into exile to escape the Lukashenka regime, are preparing to perform at the Barbican in London.
My dramatic tribute to Samuel Beckett and catastrophe, by Reza Shirmarz: More than three decades after Index published the celebrated playwright’s work dedicated to the Czech dissident Vaclav Havel, the censored Iranian writer Reza Shirmarz has responded with his own play, Muzzled.
Why the Taliban wanted my mother dead, by Hamed Amiri: The author of The Boy with Two Hearts on why and how the family fled Afghanistan.
The first steps- Across Europe with Little Amal, by Joe Murphy and Joe Robertson: Good Chance Theatre on their symbolic take on the long journey of refugees from Syria to the UK.
Fighting Turkey’s culture war, by Kaya Genç: Theatres have been shuttered in Istanbul but the fightback by directors and playwrights continues.
I wrote a play then lost my home, my husband and my trust, by Meltem Arikan: The exiled Turkish playwright’s Mi Minör was blamed for the Gezi Park protests.
Where silence is the greatest fear, by Issa Sikiti da Silva: How Kenyan theatre has suffered under a succession of corrupt rulers, hot on the heels of colonial repression.
Censorship is still in the script, by Jonathan Maitland: British theatre has lost its backbone and needs to be more courageous.
God waits in the wings…ominously, by Guilherme Osinski and Mark Seacombe: A presidential decree that art must be ‘sacred’ has cast a free-speech shadow over Brazilian theatre.
Elephant that should be in Nobel Room, by John Sweeney: The winners of this year’s Peace Prize deserve their accolade, but there is another who should have taken the award.
We academics must fight the mob – now, by Arif Ahmed: The appalling hounding of Kathleen Stock at Sussex University is a serious threat to freedom of speech on campus.
So who is judging Youtube?, by Keith Kahn-Harris: Accused by the video behemoth of spreading misinformation, the author conducted an experiment in an effort to understand how the social media platform policies its content.
Why is the world applauding the man who assaulted me?, by Caitlin May McNamara: It is time for governments and businesses to decide where their priorities lie when it comes to the Middle East.
Silence is not golden, by Ruth Smeeth: As we enter a new year, Index will continue to act as a voice for those unable to use their own.
The road of no return, by Flo Marks and Aziz Isa Elkun: The Uyghur activist and poet, exiled in the UK, yearns for his family and friends imprisoned in Chinese concentration camps.
Bearing witness through poetry, by Emma Sandvik Ling: Poets are often on the frontlines of protest.
The people’s melody, by Mark Frary: For the first time, English readers can now experience the joys of Ethiopian poetry written in Amharic thanks to the work of Alemu Tebeje and Chris Beckett.
No corruption please, we’re British, by Oliver Bullough: The UK has developed a parallel vocabulary to avoid labelling anyone with the c-word … until now.
19 Nov 21 | China, News and features
Forget about the white lines. When it comes to tennis China might have just crossed a red one. That has been the lesson from the disappearance of Chinese tennis star Peng Shuai.
Two weeks ago the Wimbledon doubles winner vanished after she made sexual assault allegations against a top Chinese government official. For those familiar with China, the plot unfolded much like other #MeToo stories there – victim speaks up only to be quickly silenced.
Except in this case, rather than a smattering of individuals and NGOs condemning the action, the world’s sporting greats have screamed with fury. United under the hashtag #WhereIsPengShuai Serena Williams has said Peng’s disappearance “must be investigated and we must not stay silent”. Novak Djokovic said he was shocked. Germany’s Olympic team have asked for “clarity” on “her well-being and current condition”; Even FC Barcelona football player Gerard Pique shared a meme of the star alongside the hashtag.
It’s not just sporting superstars. It’s organisations too. Organisations like the Women’s Tennis Association. WTA chair Steve Simon said on Wednesday that “the WTA and the rest of the world need independent and verifiable proof that she is safe”. Her sexual assault allegation must be investigated “with full transparency and without censorship”, he added.
Then, yesterday, when a letter surfaced claiming to be from her both denying the allegations and saying she was ok (a letter that was quickly discredited), the WTA chair said:
“We’re definitely willing to pull our business and deal with all the complications that come with it because…this is bigger than the business.”
This, despite years of the WTA building up the profile of tennis in China. It’s an astonishing show of solidarity.
Not mincing his words at all, the writer Christoph Rehage, currently chronicling his ‘longest walk’ from China to Germany, tweeted: “I totally did not expect the tennis world to be the first to say fuck you xi jinping this shit is enough”. Neither did we Christoph, neither did we.
And why would we? We’ve become so accustomed to the opposite – silence. In the face of series after series of human rights violations, ones of a scale that we said would never happen again, the world’s leading financiers, brands and sporting figures have usually opted to not speak up. Silence like that from the International Olympic Committee, who have said they would not comment on the Peng affair and favoured “quiet diplomacy”.
And not just silence, actual kowtowing, such as when the general manager of Houston Rockets basketball team apologised for a tweet in support of Hong Kong protesters, or when actor John Cena apologised on Chinese social media after calling Taiwan a country, or when the parent company of Zara reportedly removed a statement on their website relating to cotton in Xinjiang.
At the core of the Peng story is a tragedy on an epic scale, of a woman who might have been sexually assaulted and has presumably been threatened or even imprisoned – and of a nation where free expression is muzzled and showing solidarity with the victims of sexual crimes can be a crime in itself. But this is also a story of hope. It’s been very heartening to watch the international outcry, to see for the first time in a while people and organisations who have everything to gain from being friends with China actually saying “enough is enough”.
The tennis world is not the only one taking on China this week. Granted much smaller in scale, students at the University of Exeter called a meeting with senior management about the university’s links to Chinese universities deemed complicit in the genocide of Uyghur Muslims. The students used freedom of information requests to establish the link and as a result the university says it will rethink its policy. On the back of this victory, the external organisation they teamed up with – Students for Uyghurs – have expressed a desire to do similar work at other UK universities.
These two actions, one local one international, are hugely significant. We’ve been told for years that China is too big to take on, too powerful. We’ll be punished; people in China will be punished. We’ve even had the environment thrown at us “Don’t upset the Chinese! We need them on our side to achieve 1.5 degree goals!”). And yet where has silence got us? “Nowhere. We need to speak up”, wrote Rushan Abbas, an activist whose family is incarcerated in China, in a 2020 issue of Index on Censorship.
So to all those of you who have spoken up against atrocities in China this week – thank you. You’ve given us hope that a different future can exist.
22 Oct 21 | Opinion, Ruth's blog
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On 15 October 1971, in the depths of the Cold War, the feted British poet Stephen Spender wrote an impassioned appeal for the Times Literary Supplement in which he highlighted the threat of a world without creativity or impartial news as repressive regimes sought to silence dissent.
Writers, academics, journalists and artists were subject to state sanctioned persecution on a daily basis, threatened, arrested and in too many cases murdered as authoritarian leaders moved against their citizens. Watching was no longer enough, letters to the Times and statements of solidarity were no longer sufficient for Spender and a group of his contemporaries.
It was time to act, to provide an international platform for dissidents to publish their work and importantly it was time to make a positive argument for the liberal democratic values of free speech and free expression. It was time to launch Writers and Scholars International and its in-house journal Index on Censorship.
Spender concluded: “The problem of censorship is part of larger ones about the use and abuse of freedom.”
In the 50 years since Spender wrote in the TLS, Index has published the works of thousands of dissidents, their words, their art and their journalistic endeavours. From Havel to Rushdie, from Zaghari-Radcliffe to Ma Jian, their works have found a home in our publication. Their stories have been told and their works published for posterity – a recognition of their plight.
Fifty years later Spender would have hoped for us to be irrelevant, that the fundamental freedom of free expression was not just respected but embraced throughout the world. If only that was the case. Every week there is an attack on academic freedom at home or abroad, a new debate about our online rights and a new report of a systematic attack on those that embody the very principle of free speech.
In 1971 over a third of the world’s population lived under Communist rule with still more living under other forms of totalitarian regime. Today 113 countries, representing 75 per cent of the global population, completely or significantly restrict core human rights.
These aren’t just statistics, there are real people behind each headline.
In Belarus 811 people are currently detained as political prisoners by Lukashenka, including Andrei Aliaksandrau one of Index’s former staff members. In Egypt more than 60,000 people are imprisoned, including our award-winner Abdelrahman Tarek – detained and regularly tortured since the age of 16 for attending democracy demonstrations. In Afghanistan three young female journalists were brutally assassinated as they left work earlier this year. In Hong Kong the 50 leading democracy protestors have been arrested by the CCP and their families threatened.
These brave journalists and campaigners represent millions of people who cannot use their voices without fear of retribution. Every day they face a horrendous choice between demanding democratic rights or being silenced.
Index seeks to be a platform for them – providing a voice for the persecuted, ensuring that no tyrant succeeds in silencing dissent.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You may also wish to read” category_id=”41669″][/vc_column][/vc_row]
