04 Apr 19 | Artistic Freedom, Awards, Fellowship, Fellowship 2019, News and features
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Terry Anderson, deputy executive director of Cartoonists Rights Network International, accepted the award on its behalf.
Ladies and Gentlemen, distinguished judges, new friends at Index on Censorship,
To accept this award and enter into fellowship with you is an honour intensified by the stature of the other nominees and recipients. On behalf of the CRNI board of directors and our regional reps around the world, thank you.
Those of us concerned with freedom of expression care about cartoonists because we are a societal safety-valve, expressing dissatisfaction about all the injustices and irritants of the world bluntly yet harmlessly, communicating an idea that is consumed in a matter of seconds. This immediacy gives cartoons their sensation of impudence. They are opinion pieces, not reportage. Nonetheless humour falls flat without veracity. Thus we look to cartoonists not for nuanced analysis of policy but to reveal deeper truths and it is for this reason that those in power have cause to fear them. Like virtually no other profession the cartoonist makes it their business to remind the citizenry that the emperor is naked. If they are not safe to say so, we are all diminished.
CRNI has at times had to make do with a skeleton crew and empty coffers even while trying to assist vulnerable practitioners on the other side of the planet and contend with the rising tide of authoritarianism and extremism well-understood by all rights defenders. To receive a plaudit is pleasant indeed, but for us the real prize is a year of fellowship that we hope will prove transformative to our profile and capacity.
I would like to mention some names. Two of our own award-winning cartoonists are with us: Zunar, a political cartoonist who faced 43 years in prison for criticising the Malaysian government, and Eaten Fish, an Iranian cartoonist who spent four years in a refugee detention camp – please do talk to them both this evening and hear their stories.
Two of our most important allies, the UK’s Professional Cartoonists’ Organisation & the International Cities of Refuge Network are represented, thank you. This fellowship recognises CRNI’s campaigning in particular and if we have had any success in this regard it’s due to the tireless efforts of our comms officer Patricia Bargh who stepped down last year. Finally I want to extend thanks on behalf of our founder director Dr Robert Russell who cannot cross the miles between us but rest assured will have the award hand-delivered as soon as possible.
Full profile: Cartoonists Rights Network International defends cartoonists worldwide[/vc_column_text][vc_basic_grid post_type=”post” max_items=”10″ element_width=”6″ grid_id=”vc_gid:1554466528428-22ad1975-324c-9″ taxonomies=”8935″][/vc_column][/vc_row]
11 Mar 19 | Awards, News and features
[vc_row][vc_column][vc_video link=”https://youtu.be/UOjkQdP9AlM”][vc_column_text]Cartoonists Rights Network International (CRNI) is a small organisation with a big impact: monitoring threats and abuses against editorial cartoonists worldwide. It is a lifeline for cartoonists in danger across the world. Despite the organisation’s limited size, resources and capacity, it is able to marshall an impressive network to focus international attention on cases in which cartoonists are persecuted and put pressure on the persecutors.
The network was instrumental in the release of graphic novelist Ramón Nsé Esono Ebalé who was imprisoned in Equatorial Guinea on bogus counterfeiting charges because of his criticism of the country’s president and government.
CRNI tracks censorship, fines, penalties and physical intimidation (including of family members), assault, imprisonment, and even assassinations. Once a threat is detected, CRNI often partners with other human rights organisations to maximise the pressure and impact of a campaign to protect the cartoonist and confront those who seek to censor political cartoonists.
Cartoonists are frequently targeted by authoritarian governments and lack the protection offered by unions or large media organisations, therefore external support is crucial.
CRNI participated in the campaign to assist Malaysian cartoonist Zunar, accused of sedition on nine counts and subjected to a travel ban. The charges were dropped in July 2018. They helped Nikahang Kowsar leave Iran after a prison sentence and resettle his family in North America.
Others supported include American cartoonist Jake Thrasher, for whom they raised awareness of his work when he was received death threats and homophobic abuse. It helped Tony Namate, Zimbabwe, who then faced personal threats by pro-Mugabe thugs and loss of income after his employer was forced into closure by government court action.
Another way CRNI helps cartoonists’ free expression is through its yearly Courage in Editorial Cartooning Award. Receiving the award brings international attention to a cartoonist’s work, grows his or her readership, and thus reduces the amount of pressure he or she is subject to.
CRNI has also helped fund the 2017 gathering of cartoonists in Cape Town, South Africa, facilitated by Africartoons, where personal safety and survival strategy in response to hostile working environments were discussed.
In 2018, CRNI was instrumental in the release of graphic novelist Ramón Nsé Esono Ebalé. CRNI also campaigned for the the release of Ali Dorani, aka Eaten Fish, from the “regional processing centre” on Manus Island, Papua New Guinea, and raised his case with ICORN who were in turn able to facilitate refuge for him in Norway.[/vc_column_text][vc_separator][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”104691″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2019/01/awards-2019/”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Index on Censorship’s Freedom of Expression Awards exist to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1564482583396-aed50c86-f27d-9″ taxonomies=”26925″][/vc_column][/vc_row]
27 Feb 18 | Campaigns -- Featured, Equatorial Guinea, Statements
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Caroonist Ramón Esono Ebalé (Photo: CRNI)
Index on Censorship welcomes the news that charges against cartoonist Nsé Ramón Esono Ebalé, who frequently uses his art to lampoon senior Equatorial Guinea government officials, have been dropped.
“This is wonderful news and we urge the authorities in Equatorial Guinea to release Ramon without delay. The charges against him were clearly spurious and we call on the government of Equatorial Guinea to confirm that Ramon will be free to travel,” said Joy Hyvarinen, head of advocacy at Index on Censorship said.
Esono Ebalé, who had been living abroad since 2010, has been held in prison in Malabo, Equatorial Guinea’s capital, since his arrest on September 16, 2017. He was arrested while he was in the country to request a new passport.
Three days after Esono Ebalé’s arrest, the state-owned TV channel ran a report alleging that he had been arrested for counterfeiting and attempting to launder approximately US$1,800 of local currency found in the car he was driving.
Esono Ebalé was not formally charged until 82 days after his arrest. This prolonged period – during which the investigating judge did not respond to three pleadings or motions submitted by his lawyers – called into question the credibility of the evidence. It also appeared to violate Equatorial Guinean law, which mandates that a judge must charge suspects within 72 hours of arrest, unless the judge recognizes an exception.
The charge sheet alleged that an undercover agent, working on a tip, approached Esono Ebalé to provide change for a large bill and was given counterfeit money in return. The charge sheet also stated that the head of the National Police testified regarding receiving information about Esono Ebalé’s alleged involvement in counterfeiting money and that the false notes were presented to the judge. It included no information as to where the police found the money or other alleged members of the counterfeit ring. The judge refused bail and ordered Esono Ebalé to pay a 20 million CFA francs (US$36,000) assurance to satisfy any fines the court may levy on him.
Cartoonists are frequently targeted by authorities for their work. Malaysian cartoonist Zunar has had his works banned, been barred from international travel and frequently arrested for his work. Indian cartoonist Aseem Trivadi was arrested for sedition in 2012 for a series of cartoons that mocked the government, while Syrian cartoonist Ali Ferzat lives in exile after being brutally beaten by government forces.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”1″ element_width=”12″ grid_id=”vc_gid:1519753879317-fe1d51d9-7d5c-0″ taxonomies=”19377″][/vc_column][/vc_row]
26 Oct 17 | Events
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Private view, charity sale
When: Tuesday 21 November 6-8pm
Where: Westminster Reference Library, 35 St Martin’s Street, London WC2H 7HP
Tickets: Free. Registration required via [email protected]
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Exhibition
When: 21 November to 7 December, Mon – Fri 10am to 8pm, Sat 10am to 5pm, Sun Closed
Where: Westminster Reference Library, 35 St Martin’s Street, London WC2H 7HP
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Workshop
With Banx Cartoons and The Surreal McCoy
When: Saturday 25 November 2-4pm
Where: Westminster Reference Library, 35 St Martin’s Street, London WC2H 7HP
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Cartoons and censorship
A discussion with cartoonist Andy Davey, Jodie Ginsberg of Index on Censorship, Guardian and Index on Censorship magazine cartoonist Martin Rowson and via video link: Malaysian cartoonist Zunar and Robert Russell, Cartoonists Rights Network International.
When: Tuesday 28 November 6-8pm
Where: Westminster Reference Library, 35 St Martin’s Street, London WC2H 7HP
Tickets: Free. Registration required via Eventbrite.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_column_text]Join the UK’s Professional Cartoonists’ Organisation, Cartoonists’ Rights Network International and Index on Censorship – to try to bring the plight of persecuted cartoonists to the fore.
Repressive governments the world over fear cartoonists. Cartoonists get straight to the point.
Images remain in the public eye longer than do acres of type. While we in the UK and Europe generally accept often excoriating depictions of our leaders, this is definitely not the case in the rest of the world. Here, politicians actually applaud critical and often insulting drawings of themselves, sometimes even assembling personal collections thereof. Not so elsewhere. In at least one verified instance, a foreign cartoonist was visited by government agents and had his hands broken. Doubtless there are others.
Repressive governments, fearful of the truth, regularly imprison cartoonists.
This exhibition seeks to do that. Whilst it is not easy to highlight a repressive government’s treatment of any given cartoonist because that government will often react by threatening the cartoonist’s family and friends, any and all proceeds from this exhibition will go towards trying to alleviate the conditions many cartoonists the world over have to live with.
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