28 Mar 2023 | Afghanistan, News and features
In deeply patriarchal and repressive societies like Afghanistan women have always been subjected to gender-based discrimination and violence. This was the case before the Taliban came to power but it has become much worse since – and women, who were already underrepresented in the media industry, are suffering immeasurably.
The dwindling community of female journalists has reached a concerning level. Soon after the Taliban’s coup they started a crackdown on all journalists. There were raids on the houses of journalists, arrests, detentions, intimidation and harassment.
In addition to direct threats, the Taliban started to systematically harass women in the media to make it difficult for them to work. The Taliban introduced strict dress codes, including making the veil mandatory. The ban on long-distance travel of women without a male guardian has made field work for women impossible. Women have also been banned from appearing on TV shows. The Taliban effectively want us to completely disappear from the media landscape.
Due to these barbaric laws many women have lost their jobs and many have fled the country. Those women who were the sole earners in the family are now living in destitution.
The outflux of women with essential skills has created a brain drain in Afghanistan. Years of progress with regards to media development, women empowerment and capacity building of women in media has been undone by the Taliban in merely two years. All the women journalists who toiled for years and built up their skills – despite the difficulties – are now either confined to the home or in exile in miserable situations. Unfortunately some have lost their lives in attempts to seek shelter. A female senior Pashto journalist, Torpekai Amarkhel, drowned with her family in a boat sailing them to Italy just a few weeks ago.
Amarkhel’s asylum case for Australia was in process. But due to the long, arduous, slow and chaotic process of filling and requesting asylum or refugee status in developed countries, journalists in distress are opting for perilous and illegal means of immigration. It’s a response coming from extreme desperation and frustration. Western countries must try to understand this and must make the visa process easy, fast and efficient.
Within Afghanistan, people’s desperation is being exploited for financial gain. Acquiring essential travel documents is being aggravated by long delays, tough requirements and chaotic procedures, which has meant the opening of illegal channels to mint more money from helpless people running for their lives. For example the average fees for a passport right now is at least $3000 and fees for a Pakistani visa is $1200. This makes the legal evacuation from Afghanistan for those journalists at risk almost impossible, forcing them to opt for illegal channels. For those taking this route the outcomes can be awful. In many instances people are arrested and detained in neighbouring countries.
In exile the Afghan journalists are unable to continue their journalistic work due to a myriad of issues, such as lack of opportunities in the countries of temporary residence, language barriers, legal barriers and discrimination against Afghans. The result? Women journalists in exile are either forced to stay at home or they are forced to do menial work to simply make end meets. They’re out of work, gaps in their career growing. Some are now quitting the industry and switching careers.
The situation is stifling for male journalists too. The heart-wrenching stories of Afghan journalists are sadly countless. A journalist who worked alongside me in a media outlet recently posted on Twitter and other social media platforms about selling one of his kidneys to get some money to support himself and his family in exile in Pakistan. Another journalist from Afghanistan trashed all his academic and professional documents out of frustration at his joblessness and inability to get any humanitarian support. And another journalist, a senior one with a strong track record in the industry, has become a cobbler working in the streets.
In order to save the community of journalists in general, and women journalists in particular, the world must act. Western countries must open their doors so that we can access work, education and free speech and expression which we have been denied in our own country. But everyone can help protect Afghan journalists and create opportunities for them within Afghanistan and in exile. Engage with Afghan journalists through fellowships, scholarships, workshops, training and other opportunities to save the media from dying. And finally pressurise the Taliban to reverse their barbaric decisions that have created a gender-based apartheid and is pushing generations of Afghans back to the stone age.
10 Mar 2023 | Ruth's blog
Wednesday marked International Women’s Day, an opportunity to reflect upon the role of women in society. In the midst of a war in Europe and global economic crisis it is easy to focus on the immediate, on the current existential crisis, but there is an onus on us to remember what is happening further afield.
On Wednesday for International Women’s Day I addressed students on behalf of the Anne Frank Trust. I highlighted the importance of not only telling women’s stories but also the power of amplifying their lived experiences, wherever they may be. Collectively we all made a promise that this week – and I hope in future weeks – we would seek to tell the stories of the women who have made a mark and ensure that the world knows their names.
I seek to deliver on that promise.
I am proud to be the Chief Executive of Index on Censorship, a charity which endeavours to provide a voice to the persecuted, which campaigns for freedom of expression around the world. I work daily with dissidents who risk everything to change their societies and their communities for the better. Men and women. But today I would like to highlight the names of some of those women who have paid the ultimate sacrifice in the last year for the supposed “crime” of doing something we take for granted every day – using the human right of freedom of expression.
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Deborah Samuel – a student brutally murdered in Nigeria after being accused of blasphemy on an academic social media platform.
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Nokuthula Mabaso – a leading woman human rights defender in South Africa and leader of the eKhenana Commune. She was assassinated outside of her home, in front of her children.
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Shireen Abu Akleh – a veteran Palestinian-American correspondent for Al Jazeera who was killed while reporting on an Israeli raid in the West Bank.
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Jhannah Villegas – a local journalist in the Philippines was killed at her home. The police believe this was linked to her work.
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Francisca Sandoval – a local Chilean journalist was murdered, and several others hurt when gunmen opened fire on a Workers’ Day demonstration.
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Mahsa Amini – a name all too familiar to us, as her murder inspired a peaceful revolution which continues to this day. Murdered by the Iranian morality police for “inappropriate attire”.
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Oksana Baulina – a Russian journalist killed during shelling by Russian forces in the Ukrainian capital, Kyiv.
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Oksana Haidar – a 54-year-old Ukrainian journalist and blogger better known under the pseudonym “Ruda Pani”, killed by Russian artillery, northeast of Kyiv.
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Oleksandra Kuvshynova – a Ukrainian producer who was killed outside of Kyiv, while working with Fox News.
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Petronella Baloyi – a South African land and women human rights defender gunned down while in her home.
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Yessenia Mollinedo Falconi, a Mexican journalist who was the founder and editor of El Veraz. A crime and security correspondent, she received a death threat a fortnight before she was shot. She was killed alongside her colleague Sheila Johana García Olivera
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Vira Hyrych – a journalist for Radio Free Europe’s Ukrainian service, killed by Russian shelling.
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Yeimi Chocué Camayo – an Indigenous women’s rights activist, killed in Columbia when returning to her house.
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Cielo Rujeles – wife of social leader Sócrates Sevillano, shot and killed alongside her husband in Colombia.
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Luz Angelina Quijano Poveda – a delegate of the Community Action Board in Punta Betín, Colombia, murdered at her home.
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Sandra Patricia Montenegro – a PE teacher and social leader was shot and killed in front of her students in Colombia.
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Melissa Núñez – a transgender activist shot dead by armed men in Honduras.
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María del Carmen Vázquez – a Mexican activist and member of the Missing Persons of Pénjamo, murdered by two men at her home in. She was looking for her son who disappeared last summer.
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Blanca Esmeralda Gallardo – activist and member of the Collective Voice of the Missing in Puebla, who was assassinated on the side of the highway in Mexico as she waited for a bus to take her to work. She was searching for her 22-year-old daughter who vanished in 2021.
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Yermy Chocue Camayo – treasurer of the Chimborazo indigenous reservation in Colombia, and human rights defender, killed as she headed home.
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Dilia Contreras – an experienced presenter for RCN Radio in Columbia, shot dead in a car alongside her colleague Leiner Montero after covering a festival in a local village.
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Edilsan Andrade – a Colombian social leader and local politician, shot and killed in the presence of one of her children.
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Jesusita Moreno, aka Doña Tuta – a human rights activist who defended Afro-Colombian community rights. Facing threats against her life, she was assassinated whilst at her son’s birthday party.
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Maria Piedad Aguirre – a Colombian social leader who was a defender of black communities, violently murdered with a machete; she was found at home by one of her grandchildren.
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Elizabeth Mendoza – social leader, was shot and killed in her home in Colombia. Her husband, son and nephew were also murdered.
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María José Arciniegas Salinas – a Colombian indigenous human rights defender, assassinated by armed men who said they belonged to the Comandos de la Frontera group.
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Shaina Vanessa Pretel Gómez – who was known among the LGBTIQ+ community for her activism, including work to establish safe spaces for homeless people and a passion for the arts, was shot dead early in the morning by a suspect on a motorbike.
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Rosa Elena Celix Guañarita – a Colombian human rights defender was shot while socialising with friends.
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Mariela Reyes Montenegro – a leader of the Union of Workers and Employees of Public Services was murdered in Colombia.
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Alba Bermeo Puin – an indigenous leader and environmental defender in Ecuador was murdered when five months pregnant.
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Mursal Nabizada – a former female member of Afghanistan’s parliament and women’s rights campaigner murdered at her home.
This is not an exhaustive list by any stretch of the imagination. Compiling the names and profiles of women who have been killed as a result of their right to exercise freedom of expression is almost impossible, not least because of the nature of the repressive regimes which too many people live under. But every name represents thousands of others who day in, day out put their lives at risk to speak truth to power. They were mothers, grandmothers, daughters, nieces, granddaughters, sisters, aunts, friends, partners, wives.
To their families, they were the centre of the world. To us, today, their stories bring fear and inspiration in equal measure. They are heroes whose bravery we should all seek to emulate.
24 Feb 2023 | Belarus, FEATURED: Jessica Ní Mhainín, News and features, Ukraine
The people in Belarus are not willing to fight against Ukraine. It won’t be easy to convince them,” Ukrainian president Volodymyr Zelensky told the Munich Security Conference last week amid threats from Belarus that it could join the Russian offensive. The Belarusian regime has supported Russia since the invasion, but their armed forces have not (yet) been directly involved in the conflict.
Like in Russia, anti-war rhetoric has been heavily repressed in Belarus. Last March mothers of Belarusian soldiers were arrested after they gathered in the church to pray for peace. And only last week a 65-year-old garage owner was fined, and his business closed for having called Russian military personnel “occupiers” and refusing to sell them goods.
Nonetheless, some political prisoners have managed to communicate their feelings about the war. “We are one, we used to be at peace […] Hide your pride and shake hands,” Siarhei Sakavets wrote in his poem “22.02.2022” on the eve of the invasion. “There are so many rumours about everything that is happening, and the news on TV. God help me. I am very worried about you,” Larysa Kuzmenka wrote to her daughter and grandson last November.
Reading these letters from Belarusian political prisoners published by Index on Censorship, Pasha Bystrova – a Ukrainian woman who now lives in the Netherlands – says she felt a sense of “extreme injustice”. In different ways, Ukrainians and Belarusians are being deprived of their fundamental rights. They are suffering the consequences of tyranny.
Bystrova, who now works with refugees – including Ukrainian refugees – told Index that she feels that political prisoners and refugees are alike in that they are often perceived as being ‘the other’ by wider society. They are misunderstood because many people have preconceived ideas of who a ‘political prisoner’ or ‘refugee’ is. Having read political prisoners’ letters, Bystrova said: “I felt this could be me, any of us or our loved ones.”
Bystrova feels that the fates of Ukraine and Belarus are intertwined. “I believe the result of this war will greatly influence the situation in Belarus,” Bystrova told Index. “The collapse of the Lukashenka regime is inevitable.” That’s why defending Ukraine is “for our freedom and yours”.
Index on Censorship has so far published letters from 29 of the 1450 political prisoners in Belarus. Read their letters here
21 Feb 2023 | FEATURED: Jemimah Steinfield, Index Arts, News and features, United Kingdom
As a child I used to dream about the day I would go to Willy Wonka’s chocolate factory. I’d watch the movie on repeat, always captivated by the moment when Charlie enters that room, the one with the marshmallow trees and the chocolate river. In other words, the room of childhood dreams. Flash forward to a year ago. My son was having a tantrum, refusing to leave the house (he was three, it happens). I was trying the normal tricks to calm and cajole him. Nothing was working. Eventually I told him about the Willy Wonka room. As if by magic he calmed instantly, put on his coat and we left.
I didn’t mention Augustus Gloop in my retelling. If I had I might have missed out the fact he was “fat” because, well, I try to avoid that word in my house. I don’t want my son to grow up body conscious or to fat shame others. That is my prerogative as a parent; I can filter and rewrite as I see fit. It is not, though, the prerogative of the publishing house, or a streaming service. But that’s exactly the role they have given themselves. As was recently announced in The Daily Telegraph, Roald Dahl’s children’s books are being rewritten to remove language deemed offensive by the publisher Puffin. Sensitivity readers have been hired, their job to bring the books up to the 21st Century. So Augustus Gloop is now “enormous” not “fat” and, amongst other issues that I’ll get to shortly, I’m curious as to whether that is even any better?
Ditto references to “female” characters like Miss Trunchbull in Matilda, who has gone from a “most formidable female” to a now “most formidable woman”. Shouldn’t that be “person”? Or do we have to wait for the 2024 edition?
This sets a really bad precedent. I hate to be the cliché – work at Index on Censorship, talk about slippery slopes – but this really is a slippery slope. The library shelf that Dahl’s books sit on is full of works that teeter on the edge of PC. Take just one example, Judith Kerr’s beloved The Tiger Who Came to Tea. In this it’s Sophie’s mother who is at home looking after Sophie while it’s Sophie’s father who is at work, and it’s Sophie’s father who has the great idea to go out for sausages and chips (and presumably has all the capital to pay for it). Of course Daddy bloody saves the day! Shall we rewrite that?
I don’t like the traditional gender roles of Kerr’s book, nor do I like some of the language and descriptions in Dahl’s. But these books are products of our uncomfortable past and no amount of editing can change that past. Editing can, however, gloss over it as if it never happened, which is far more concerning. How are we supposed to understand who we are today if we don’t have the context of where we’ve come from? It even denies us our victories. “Look! Mummy and Daddy both work today!” I can tell my kids proudly if they question the dynamics in Kerr’s Tiger.
Another troubling aspect concerns author consent. In the journalism industry, once something has been published it’s considered bad practise to make any changes, certainly without the permission of the author. With Dahl, not only have words been changed, passages have been added. According to the Roald Dahl Story Company “it’s not unusual to review the language” during a new print run and any changes were “small and carefully considered”. Are these small? In The Witches, when it first introduces the witches as bald beneath their wigs a new line follows: “There are plenty of other reasons why women might wear wigs and there is certainly nothing wrong with that.” That’s very well-meaning, it’s just that Dahl didn’t write that. I fear the power we are giving to publishers and estates to reword as they see fit. Ultimately in the wrong hands good intentions easily turn bad.
My final irritation is more personal. My son’s bookshelf is spilling over with stories, a glorious catalogue of old and new. I’m amazed by the number of fantastic children’s writers out there today and a little overwhelmed. Justification for the Dahl modifications seems to be along the lines of a commitment to diversity and inclusivity, something we can all get behind. If Puffin and Netflix are so committed to these values why don’t they instead invest in and support authors from other backgrounds? After all, Roald Dahl was a white male with an anti-Semitic track record. He’s hardly the poster boy of 2023.
As much as they have their problems, I like some of Dahl’s characters and plots both from a place of nostalgia and from a place of good story-telling. I look forward to the day when my son progresses from tales of golden tickets to giants outside windows (way too scary for now). But he shouldn’t need to watch Charlie and the Chocolate Factory on repeat like me because there are many other brilliant books out there, waiting to be turned into film. What we need is money channelled to new stories, not new, redacted versions of Matilda.
This article originally appeared in The Bookseller here.
