Journalist Zaina Erhaim says the Syrian government wants her killed and that co-operating with Syrian officials, by seizing her passport, was a very dangerous thing for the UK to have done. “It’s obvious that they are still dealing with Assad as a president, not a criminal.”
Erhaim, a Chevening scholar and award-winning reporter, had her passport confiscated by British officials when she flew into London to take part in a literature festival with former BBC foreign correspondent Kate Adie. Erhaim, who won the 2016 Index award for journalism, voiced concern that the actions of officials in the UK suggested that they condoned the Syrian government. “They were speaking about the regime with really tender language as if was a legitimate government,” she said.
The journalist was speaking at a press conference, organised by the Council for Arab-British Understanding, in conjunction with Index on Censorship, Reporters Without Borders, the Institute for War and Peace Reporting and the Frontline Club. Her passport was seized at Heathrow on September 22 after being reported as stolen by the Syrian government.
Erhaim considers herself to be lucky because she has another passport, even if it is now full. She is also thankful that she works for an international organisation, speaks English and has the support of other journalists.
“If this happened to another Syrian who doesn’t have another valid passport and he or she’s not supported, what would happen?,” she asked. “Because if [border officials] are following the rules, they should deport him or her back to Damascus.”
Another major concern for her is making sure European governments are not able to deport Syrians fleeing from war in the future without the press being informed.
She said: “I’m not optimistic that the Home Office is going to be doing something about the situation, I’m not optimistic that my passport is going to be returned, and even if it’s returned I don’t think I would be able to use it again.”
When asked what a future without her passport holds, Erhaim said: “I believe this is going to be the last trip abroad I’m making. This is not as scary as not being able to go back to Turkey because all my family is there, the father of my baby is there. I don’t have my exit stamp for Turkey because that’s on the new passport. So they might ask me, ‘Where is your exit stamp?’ and not allow me in, which is really scary.”
If Erhaim is unable to gain access to Turkey, the only other option she sees at the moment is to stay in Britain or another European country where she holds a visa and seek asylum. This is a prospect she currently rejects. “I’m not ready for that,” she said.
Erhaim’s future may be uncertain but she will continue to fight and will only consider asking for asylum if she was threatened in Turkey or survived an assassination attempt.
“I would rather be stuck in Turkey than here, and I will try to go back.”
On 24 September Index on Censorship’s CEO, Jodie Ginsberg, gathered with former BBC chief news correspondent Kate Adie and 2016 Index award-winning journalist Zaina Erhaim in Kew Gardens to discuss journalism in war zones. Sophia Smith-Galer, Index on Censorship youth board member, attended the event and also spoke with Channel 4’s international editor, Lindsey Hilsum, and Clarissa Ward, a foreign correspondent for CNN, to create this podcast on women on the front line.
Nominations are now open for 2017 Index on Censorship Freedom of Expression Awards. You can make yours here.
“Censorship is as much with us as it ever was,” said author, lawyer and early Index supporter Louis Blom-Cooper, in a speech to mark the 250th issue of Index on Censorship magazine, during its launch at London’s magCulture on Tuesday 12 July.
The event saw special performances by actor Simon Callow, who read Maya Angelou’s poem Caged Bird, Norwegian singer Moddi, and spoken-word artist Jemima Foxtrot, who had created a poem especially for the occasion.
When the first issue of Index on Censorship magazine was printed in 1972, the world was still in the grip of the Cold War, the internet was embryonic for high-end researchers and Britain had yet to join the European common market.
The next 249 issues chronicled the pressures faced by free speakers and free thinkers all over the world — from Argentina’s Dirty War to the rise of China’s Great Firewall. Against this backdrop of change, Index has remained committed to covering unreported stories and publishing silenced voices.
The event, The Power of Print, was held as a celebration of the magazine’s longevity and constant vigilance, as well as a tribute to all who have shared their stories and struggles.
Rachael Jolley, editor of Index on Censorship magazine, emphasised the importance of magazine culture in our lives today, despite the rise of modern technology. In a short speech she said, “Index is a global magazine read by people all over the world in 172 countries”. She said the global reach has made an impact in promoting the cause of freedom of expression, and reminded those attending of the dangers journalists face worldwide. The latest issue has a special report on the risks of reporting.
“The power of magazines remains as relevant as ever,” added Jeremy Leslie, owner of magCulture, a new specialist magazine shop and a new stockist of the magazine.
Order your full-colour print copy of our journalism in danger magazine special here, or take out a digital subscription from anywhere in the world via Exact Editions (just £18* for the year). Each magazine sale helps Index on Censorship fight for free expression worldwide.
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Magazines are also on sale in bookshops, including at the BFI and MagCulture in London, Home in Manchester, Calton Books in Glasgow and News from Nowhere in Liverpool as well as on Amazon and iTunes. MagCulture will ship anywhere in the world.
Index writers pick their favourite features from 250 issues
To celebrate the 250th issue of Index on Censorship magazine, we asked some of our contributors to nominate memorable articles from the publication’s long history. Here they share their memories and recommendations.
David Aaronovitch – author, Times columnist and chair of Index on Censorship
We are all familiar with the idea of luvvies. The word suggests the artist, actor or musician who, unread and emoting, trespasses onto the stage of public affairs and gets on everyone’s tits. It is sometimes true but usually wrong. One of my favourite Index magazine pieces (and there are so many to choose from) was written in 2006 by that epitome of the engaged intellectual, Tom Stoppard. Stoppard was involved with Index in its early days and has remained a patron and in this piece, he asks whether freedom of speech really is a human right. This is an awkward question in the middle of a magazine which would want to assist at every turn that a right is exactly what it is – none greater. But Stoppard argues that what makes a society one in which he would want to live is not the demanding of a right, but the according of it – the day-by-day renewed assumption that others will say what they want. Because that’s the way we choose to live.
As I am trying to finish a major piece of writing, I didn’t have the time to go to the office where most of my Index back issues await me. I remember stories and poems from countries that generally receive little or no attention and wanted to highlight one of those. Index has published so many of my own works over the decades (I especially think Trademark Territory or Je Suis José Carrasco piece are relevant today), but, hands down, I would have to choose the publication of [my 1990 play] Death and the Maiden as my most important memory. Index was the first to publish the text before it became famous. This is typical of Index’s commitment to those who are on the margins of public notoriety, its mission to bring out of the darkness the voices that are suppressed by tyrants or by neglect and indifference, the voices of the Paulinas of the world.
I would have to pick Fabrizio Gatti’s piece Undercover Immigrant, which is a stunning piece of journalism. Gatti spent fours years undercover, investigating migrant journeys from Africa to Europe. What is remarkable about his piece, an extract of his book published for the first time in English by Index, is that he so successfully managed to hide his true identity as a Italian by assuming the identity of Bilal, a Kurdish asylum seeker. By doing this, Gatti got unique access into the Lampedusa’s migrant centres, the tiny island in the Med that has become a symbol of Europe’s migrant crisis. Through telling the story of “Bilal”, he was able to get fascinating perspective on the migrant journeys and reveals the shocking stark reality of being a migrant in Italy, a situation which 10 years on from Gatti’s undercover reports has sadly barely changed. Like then, thousands of migrants still die in dinghies trying to reach Europe.
Undercover Immigrant was published in Spring 2015 (volume 44 , issue 1), within a special report on refugee voices. You can also listen to an extract of the piece via an Index podcast
Janet Suzman – actress and director
I am without hesitation going to choose the whole of your Shakespeare-themed spring 2016 edition. I’m choosing it because from the beginning of my career I fervently believed that there was more to Shakespeare – indeed more to all drama – than simply getting one’s teeth into a juicy part. From every corner of the unfree world, the essays you have printed bear me out; theatre is a danger to ignorance and autocracy and Shakespeare still holds the sway. To quote my favourite aperçu: Shakespeare’s plays, like iron filings to a magnet, seem to attract any crisis that is in the air. I congratulate you and Index on giving such space to a writer who is still bannable after 400-plus years.
There are too many articles to choose from, but I chose Ken Wiwa’s Letter to my Father, as it perfectly demonstrates Index on Censorship’s commitment to story-telling. Ken Wiwa’s letter [to his father and environmental activist Ken Saro-Wiwa who was hanged during Nigeria’s military dictatorship] reminds the reader that behind significant political events are personal stories, like the relationship between a son and his father. Index recognises the power of personal stories in order to reach the widest audience.
Index will celebrate 250 issues of the magazine next week at a special event at MagCulture. To explore over 40 years of archives, subscribe today via Sage Publications. Or sign up for Exact Editions’ digital version, which offers access to 38 back issues.
