Pavel Litvinov: A dissident hero

Pavel Litvinov, who recently turned 82, is an imposing figure. When I meet him on a rainy August day, he fills the space in his compact living room in the suburban New York City garden apartment he shares with his wife, Julia Santiago. We picked the day, 22 August, for our interview out of convenience, but it happens to resonate. It was on 21 August 1968 that Soviet troops invaded Czechoslovakia, demolishing the “socialism with a human face” of its leader, Alexander Dubček.

Days later, at noon on 25 August, the then 28-year-old physicist Litvinov, with seven comrades – including the group’s organiser, poet Natalya Gorbanevskaya (and her baby in a pram) – met in Moscow’s Red Square to unfurl a banner that turned out to be life-changing. Its message was plain: “Hands off the CSSR [Czechoslovak Socialist Republic].” Within minutes, the KGB arrived to forcibly take them away to camps or psychiatric hospitals. Litvinov, hit hard in the face, was arrested and sent to internal exile in a Siberian mining town for five years with his then wife. His daughter was born there.

“I was in prison for several months and then in exile and had to work in the mines. I couldn’t leave the village; I couldn’t get permission to travel,” Litvinov said. Recalling his motivation for the action, he added: “It felt internally necessary. I had a very strong feeling of what is fair and unfair, and that people have to treat each other gently and with respect.”

The Litvinov family was well known in both dissident and Soviet ruling circles. His grandfather was Maxim Litvinov, once Joseph Stalin’s people’s commissar for foreign affairs until he was deposed in 1939 because, as a Jew, he became an obstacle to warmer ties with Adolf Hitler. “I was 11 when my grandfather died; we were good friends,” he explained. “He was already disappointed in the Russian revolution and the Bolsheviks.” His parents’ home was a gathering place for dissidents. Literature also inspired him. “Most important was Russian literature from the 19th century –Pushkin, Tolstoy, Lermontov… They expressed a feeling of compassion toward helping others under the autocratic state,” he said.

Indeed, books and literature, in the form of samizdat, were crucial – not only the literary classics but also records of the dissidents’ trials in real time. Litvinov deconstructs the samizdat publication process for me, explaining how, during these trials, somebody would gain access to the court and bring the information home. “They would write the transcript by hand; then we would find someone who had a typewriter,” he said. “I would print pages on very thick photographic paper. The book would be photographed and developed in a darkroom. Sometimes we would have a party to read the book. I would read the first page, give [someone else] the second page, who would give it to the next one. We would read Doctor Zhivago in half a night, then have tea or vodka. Then I would give a film to a friend from Leningrad, and someone would come from Kyiv – same procedure.”

From his earliest dissident days, Litvinov’s strategy was to appeal to allies outside the Soviet Union. And that’s the connection to Index on Censorship. In 1968, he co-wrote with dissident Larisa Bogoraz an Appeal to World Public Opinion, about dissident trials. “I wrote the appeal in Russian. Some of the foreign correspondents translated it to English. In the evening we would always listen to the BBC. They started to speak about the letter. They said Stephen Spender read about it… and Spender called Igor Stravinsky, Mary McCarthy[and] famous American and English writers and composers. They started to interview them. It was so touching when they interviewed Stravinsky. He was 90. He said – in Russian – ‘My teacher[Nikolai] Rimsky-Korsakov suffered from Russian censorship and that’s why I signed this letter, because these people protested against censorship’.”

The appeal didn’t keep Litvinov and his group out of prison, but it did have global political impact, opening a path between Litvinov and Spender. And it led to the creation of Index on Censorship. “Mary McCarthy said that the letter had more influence than napalm did in Vietnam,” he said proudly. “Our fight was a fight for freedom of speech, a protest against censorship. Censorship could be when they don’t let you publish a book, or when you lose a job, or when you get kicked out of the country, or when you get put in prison. All that means censorship.”

Just before the Red Square demonstration, Litvinov sent a letter to Spender suggesting an international council to support democracy in the Soviet Union, along with a publication to promote the situation there. “When I returned [from Siberia],there was a young man – now I realise that he was 10 years older than I, but he looked younger. He said: ‘I am Michael Scammell. I am a Russian specialist’.”

Scammell asked Litvinov if he knew more about what Scammell was doing now. “I said ‘No’,” he recalled, with a smile appearing after all these decades. Scammell said: “You gave me my first job. I was a writer and journalist. Now I have a job at a magazine as editor of Index on Censorship.” The idea that Litvinov had broached with Spender had come to fruition in his absence thanks to him, Stuart Hampshire, Scammell and others. “We became friends and Scammell was eventually kicked out of Russia,” Litvinov remembered.

Scammell organised lectures for Litvinov at British universities and invited him to join the Index editorial board, which he did for a while. I wonder whether Litvinov thought that repression could return to Russia after all this time. Indeed, today, he sees a direct line to what’s happening there. “It is a continuation of the kind of thing that happened with Russia and Czechoslovakia. Ukraine was [always]a threat to the Soviet empire. It was clear for all of us that if Ukraine would survive on its own there would be no more Soviet Union. So, there was always tension. In the Stalinist labour camps, half of the political prisoners in the Gulag after World War I were Ukrainian… people strongly felt their national identity and culture. A lot of dissidents became our friends.” But he didn’t consider war. “I really didn’t expect it until the last minute. Russia really has to lose badly or Russia will start another imperialist adventure,” he said.

I wonder, too, about his assessment of Vladimir Putin. He is quick to respond. “In the 1930s, there were very terrible KGB people but among them there were at least people who were ideological communists. In Putin’s generation they didn’t believe in communism or Marxism. They believed in secret police and dirty tricks and spying.” He describes his surprise at how so many people find Putin palatable. “I always thought that because he was KGB, he was bad. He said he was proud of the KGB. The KGB executed millions of people and he is still proud. If he would say they did some good things and some bad things… but nothing.”

In 2006 he retired from his 30-year job as a science teacher at a Westchester school and today he stays in close touch with those who have left, and continue to leave, Russia. He does what he can to support dissent inside the country, especially backing a new generation with fundraising and encouragement. “There is a group to whom I am very close – OVD-Info. The guy who started it is in Germany and they are available 24/7. If someone is arrested anywhere in Russia, they can call them and, in an hour, there will be a lawyer at the police station. They are the next generation of dissidents.”

Does Litvinov have any regrets, having performed heroic actions that exiled him from his birth country? “This was the whole fun of it,” he said. “I enjoyed my life. I was not afraid. I was ready for much worse conditions than I had in Siberia. Then I emigrated and saw America and Europe. I feel like I am more American than Russian.”

Before leaving, I ask him if he has hope. He sighs and at first responds: “Oh, hope.” I think he will say “No”, but instead he says: “Now, with the war, strangely enough there is more hope. Because it looked like Putin had a good chance, he had so much control, but now because of the crazy war that makes no sense, he probably won’t survive for long. What will happen I don’t know. [But] I think the war will kick him out. If the war is over, practically Russia cannot win.

This article is from the winter issue of Index on Censorship, which will be published shortly. Click here more information on the issue.

In memory of Viktor Fainberg, 1968 Red Square demonstrator

The prominent Soviet-era Russian dissident Viktor Fainberg died this week at the age of 91. Fainberg, who was a philologist, was one of the eight people who protested in Red Square, Moscow on 25 August 1968 against the Soviet invasion of Czechoslovakia, alongside Pavel Litvinov and the late poet Natalya Gorbanyevskaya, among others. Despite the protest lasting only five minutes, all were arrested by the Soviet authorities.

All these people were instrumental in the founding of Index, as Jo-Ann Mort’s interview with Pavel Litvinov, published here, shows.

On Fainberg specifically, after his arrest he was brutally assaulted by the police to the point where he could not physically stand trial. Fainberg was examined, then sent to a Leningrad psychiatric hospital for over four years with no evidence of mental illness – details of which he shared with the translator Richard McKane who he met at an Index on Censorship party in the 1970s. He was then diagnosed with schizophrenia, which was a common tactic during the Khrushchev era to repress dissenters and silence voices of criticism in the Soviet Union, which continued into the Brezhnev era.

In the spring of 1971, Fainberg staged an 81-day hunger strike against conditions in the psychiatric hospital, and was eventually released in February 1973.

Fainberg founded the Campaign Against Psychiatric Abuse in April 1975, an organisation which campaigned against the abuse of human rights through misuse of psychiatry in the Soviet Union. The country withdrew from the World Psychiatric Association in 1983.

After his release, Fainberg, born into a Jewish family in Kharkiv, Ukraine on 26 November 1931, initially moved to Israel before settling in France in later life.

Index patron Tom Stoppard’s play Every Good Boy Deserves Favour was jointly dedicated to Fainberg, and Stoppard himself joined Index’s advisory board in 1978 after writing about Fainberg’s incarceration.

In 2014, Fainberg received the Medal of the President of the Slovak Republic for his actions in 1968, and in 2018 received the Gratias Agit award from the Czech Ministry of Foreign Affairs for promoting the good name of the Czech Republic.

He kept up his activism to the end, shifting his focus to Ukraine. Years before the recent invasion, Fainberg spoke out against the Kremlin’s Ukrainian political prisoners. He also warned of the “shadow of Munich hanging over Europe”.

In his 2015 letter to abducted Ukrainian military pilot Nadiya Savchenko, who was on hunger strike in a Russian prison, he wrote “I was born in Ukraine, in Kharkiv.  The first nature that I saw, the first songs that I heard, were the nature and the songs of Mother Ukraine”. At the end of the letter, Fainberg told Savchenko that he was joining her hunger strike (which she later agreed to end). Fainberg also attended many protests in Paris, demanding the release of Ukrainian filmmaker Oleh Sentsov.

On news of his death Mikhail Khodorkovsky, the Russian businessmen who was himself jailed for falling foul of the Putin regime, said:

“He was an amazing, remarkable man who felt other people’s pain as if it were his own. The world is a different place without him – even less human, even colder.”

Contents – Crown confidential: How Britain’s royals censor their records

The winter issue of Index takes as its central theme the censorship of British royal history.

With the recent death of Queen Elizabeth II putting the UK under increased global scrutiny, Index looked at the battle to access royal archives.

Index spoke to historians, academics, and writers, and were surprised at the number of historic files on the Royal Family which are unavailable, and the absurdity of the reasons for denying access to some of them. We have one simple request: end this secretive culture by opening up official archives related to the Royal Family.

Up front

Royal secrecy has no place in a democracy by Jemimah Steinfeld:  We need an end to the UK tradition of keeping royal archives secret.

The Index by Mark Frary: The latest news from the free speech frontlines. Big impact elections, stirring words from the sister of a jailed British-Egyptian activist and a note on billionaire social media takeovers

Features

Mexico’s truth stares down barrel of a gun, by Chris Havler-Barrett: An overreaching military tightens its firm grip in a country mired by violence.

The war the world forgot, by Jemimah Steinfeld: Inside the book exposing the raw truth of the ongoing war in Yemen.

A dissident hero, by Jo-Ann Mort: A journey back to the dissident foundations of Index, through Pavel Litvinov’s memories.

The truth is in the telling, by Kaya Genç: Who decides the limits of disinformation? In Turkey, the government wields the power.

Reaching for an emotional flak jacket, by Rachael Jolley: Trauma takes its toll on journalists, whose mental health is swept under the rug. But are times changing?

Bad seeds, by Vandana Shiva: In seed banks in India, farmers claw back control and give a voice to nature.

Singapore’s elastic band of a Public Order Act, by Kirsten Han: A threat of prison for peaceful protesters, unless you’re in with the right people.

Hong Kong’s valiants with a message for the world, by Yeung Willie Sau: Even in in the face of totalitarianism, the activist chronicling protesters’ journeys refuses to be silenced

Press under pressure, by Alessio Perrone: A new government threatens further erasure of media freedom in Italy – just don’t call them right-wing.

Radical timelines, by Lili Rutai, Mehran Bhat, and Muqeet Shah and Andrew Mambondiyani: A round-the-world tour of social media’s power to both platform and silence.

Tapestry of tyranny, by Katie Dancey-Downs: The embroidery collective stitching stories of Belarus’s political prisoners.

Special Report: Crown confidential

Crown confidential, by Martin Bright: An exclusive Index investigation into the extent Britain’s royals want to control their own story.

Secrets, lies and a costly legal battle, by Andrew Lownie: One historian’s hard fight to reveal the truth about the Mountbattens.

A royal reckoning, by Jenny Hocking: The Queen meddled in an Australian election and then meddled in the history.

Comment

Down with a disclaimer, by Marc Nash:  The crowning glory of the argument against labelling art in the case of The Crown.

The Satanic Verses is the rude contrary of the authoritarian lie, Hanif Kureishi: A celebration of Salman Rushdie’s work and an unwavering stand against the spectre of fascism.

Jamaica needs to be a republic – now, by Roselea Hamilton: Support for the monarchy is fading on this commonwealth island.

Report first, talk later…, by Richard Sambrook: Has pressing emotional buttons become the driving force of news?

UK law risks criminalising the innocent, by Danny Shaw:  The most draconian piece of legislation in years will kill protest.

Crowning glory, by Ben Jennings: Announcing the birth of a right royal cartoon.

Challenge the gatekeepers, by Ruth Anderson: We need a conversation about where lines are drawn and by whom.

Culture

Russia’s exiled author writes back: by Martin Bright and Zinovy Zinik: An exclusive new story from an author who escaped under the Iron Curtain.

The Unbeaten, by Jemimah Steinfeld: Unpacking samizdat success, writing from Ukraine and keeping creative spirit alive, over coffee with Andrey Kurkov.

The smile that says a thousand words, by Katie Dancey-Downs and Danson Kahyana:  A Ugandan poet turns the trauma of an attack into an act of bravery.

Truth, down under, by Francis Clarke and Diane Fahey: Falling for fake news like lemmings off a cliff.

Last word, by Masih Alinejad: The Iranian activist on the growing protest movement and what book she’d read in prison.