30 Aug 18 | Bahrain
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Bahraini activist Ali Mushaima was hospitalised after completing one month of his hunger strike outside the Bahrain Embassy in London to protest the inhuman treatment of his 70-year-old father, political prisoner Hassan Mushaima, while serving a life sentence in Bahrain. Mushaima was taken to St Thomas’ Hospital in Westminster by ambulance Thursday afternoon.
Since the beginning of Mushaima’s protest on 1 August, he has lost 13 Kg. Mushaima’s doctor, who paid him a visit outside the Embassy last night, said his health conditions were critical, including low sugar levels which had reached 4.1, low body temperature and low blood pressure. This morning, Ali’s sugar levels reached 3.2.
On 28 August, Mushaima received a call from his father who informed him that he was taken to the hospital unshackled for a PET cancer scan. This came after two years in which the Bahraini authorities have denied him access to an oncologist. Hassan also told Ali that all of his books, personal notes, writing material and even the Quran might have been destroyed after being confiscated without “any legal or logical justification” in October 2017. The authorities appear to have taken this action even though the materials were previously approved by the prison administration. This information was provided to a fellow inmate by a prison officer while Hassan was at the hospital.
Mushaima has publicly spoken about his father’s mistreatment, including contacting the Foreign and Commonwealth Office, and writing to the Queen, asking Her to use Her strong friendship with the King of Bahrain to help him save his father.
Mushaima’s peaceful protest and his efforts to save his father have now gained cross-party support in the UK. SNP Ian Blackford, called on the Secretary of State to step in and demand Hassan Mushaima’s release. The co-leaders of the Green Party, Caroline Lucas MP and Jonathan Bartley, have additionally written to MENA Minister Alistair Burt to demand intervention.
BIRD has written to the Foreign Office to express concerns that it is relying on assurances by the Bahraini government and the UK-trained National Institute for Human Rights (NIHR) in Bahrain. Through its technical assistance programme, since 2012 the UK government has been funding various institutions in Bahrain that are complicit in the denial of adequate medical treatment, including the NIHR.
Mushaima told BIRD yesterday: “The Bahraini authorities are shameless. It took a month of hunger strike in London before they allowed my father to undertake his cancer screening in Bahrain. The same happened with my other requests which they ultimately acknowledged. I will not stop until my father gets what he is entitled to, and the more authorities abuse him, the more I will expose them.”
Commenting, BIRD Director of Advocacy, Sayed Ahmed Alwadaei said: “It is heartbreaking to see someone going through so much suffering to demand respect for the most basic human rights that everyone should be entitled to. Instead of meeting Ali’s simple demands, the Bahraini Government tried to publicly defame him. In so doing, the Gulf Kingdom is normalising a new worrying pattern of abuse against political prisoners, and by backing their lies, the UK has now become part of the problem, rather than a solution.”
Background:
In response to Ali’s hunger strike, Hassan Mushaima received a cancer scan and has been given access to vital medication that was previously unavailable to him, but several issues remain:
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In October 2017, Hassan Mushaima’s books, personal notes, and writing materials were confiscated for no reason. They may have been destroyed.
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Hassan Mushaima continues to be denied his right to family visitation without being subjected to humiliating measures, including being shackled. He last saw his family 18 months ago, in February 2017.
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02 Aug 18 | Artistic Freedom, Event Reports, News and features
[vc_row][vc_column][vc_raw_html]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[/vc_raw_html][vc_column_text]“When I started recording my music I made the decision that I would be out. But at the same time I was so conscious of using pronouns and not coming across as too gay or not coming across too assuming,” said MNEK, English singer, songwriter and record producer, speaking at the Sonos Store in London.
Expression Uncensored, which was hosted by Sonos, Index on Censorship and Gay Times Magazine, featured a panel — Julia Farrington, associate art producer at Index, MNEK, Sado Opera, a queer band, and Princess Julia, a DJ and music writer — that discussed queer music and censorship around the world.
Farrington defined the two main types of censorship that she believes exist — classic state-sponsored censorship imposed through laws and government, and self-censorship.
MNEK’s self-censoring in the beginning of his career was the result of societal pressures. While he said that his coming out was in general a positive experience, he also talked about growing up in a British-Nigerian household where the only thing you hear about homosexuality is that it is wrong. After coming out to his parents, MNEK said that while they support his career and the music he produces, they are sometimes still shocked because “it’s not something they’re used to but it’s all about them learning. There’s nothing wrong with learning something new.”
Living in London, Princess Julia said she had never faced state-sponsored censorship. Instead she faced self-censorship as a result of cultural pressures to look and be a certain way. As part of the Blitz Kids of the 1970s, she helped usher in an era of queer people being able to express themselves the way they wanted to.
She believes that “there’s always been avant garde scenes, underground scenes going on. In times of repression or rebellion even, these scenes tend to emerge. Obviously in Russia, that why there are pockets of creative people striving forth and trying to have an identity.”
Hailing from Russia, Sado Opera faced more state-sponsored censorship, which, in general, leads to self-censorship for fear of being targeted.
Sado Opera was originally created to fight the censorship and homophobia in Russia. The group talked about Russia’s homosexual propaganda law, which forbids talking about homosexuality in public. The name of the law was changed to Promoting Untraditional Family Values to hide the homophobia of the government. The government gives laws unassuming names to make it harder for people to discern the malicious intent behind the legislation, Sado Opera explained.
“Other artists might want to express support, but they can’t. The atmosphere makes you double-think what you say” said Sado Opera.
Although MNEK hasn’t experienced the level of state-sponsored censorship that Sado Opera has, he talks about how he hasn’t been to Nigeria in a long time because of unconscious “fears and my own insecurities with going back there and knowing the legislative issues that are there.”
Sado Opera was only able to be more open about their message when they moved to Berlin, where they have sponsorship from a club and have partnered with several organisations that support LGBTQ+ people facing persecution and women who have survived rape.
MNEK said “it’s a bonus when you realise your music is helping someone live their life” and each artist revealed similar sentiments. [/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_column_text]
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Index encourages an environment in which artists and arts organisations can challenge the status quo, speak out on sensitive issues and tackle taboos.
Index currently runs workshops in the UK, publishes case studies about artistic censorship, and has produced guidance for artists on laws related to artistic freedom in England and Wales.
Learn more about our work defending artistic freedom.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_single_image image=”101971″ img_size=”full” add_caption=”yes”][vc_single_image image=”101969″ img_size=”full” add_caption=”yes”][/vc_column][/vc_row]
02 Aug 18 | Events
[vc_row][vc_column][vc_single_image image=”65502″ img_size=”full” add_caption=”yes”][vc_column_text]Is free speech a way to promote unheard and under-represented voices and perspectives, or is it a tool wielded by extremists and supremacists? Join activist, educator and filmmaker Toyin Agbetu, photographer and writer Courtney Hamilton, journalist Kiri Kankwhende, Buzzfeed News Editor Elizabeth Pears, activist and charity director Ethel Tambudzai, and filmmaker Dionne Walker as they present various positions in this lively discussion tackling taboos, censorship and some of the thorny, nuanced issues surrounding free speech, moderated by Kunle Olulode, director of Voice4Change. There will be a bar and the opportunity for all to join the discussion. Queensberry Rules apply![/vc_column_text][vc_column_text]In Partnership With[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”101939″ img_size=”full” onclick=”custom_link” link=”https://whatson.bfi.org.uk/Online/default.asp?BOparam::WScontent::loadArticle::permalink=freespeechpunchup&BOparam::WScontent::loadArticle::context_id=”][/vc_column_inner][vc_column_inner width=”1/2″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
When: Thursday 06 September 2018 19:00
Where: Blue Room, BFI Southbank, Belvedere Road, South Bank London SE1 8XT (Directions)
Tickets: Free. Registration required via BFI
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05 Jul 18 | Events
[vc_row][vc_column][vc_single_image image=”100897″ img_size=”full” alignment=”center”][vc_column_text]50 years on do we need a new Theatres Act? Are artists and cultural institutions entering a new era of self-censorship and if so what does the future look like? Join leading cultural and political figures in a panel discussion that explores the complexities of modern day censorship and its impact on arts and culture.
This event is in collaboration with the Index on Censorship.
There will also be the opportunity to put your questions to the panel on the night #JoinTheDebate
Julia Farrington
Index on Censorship – International freelance producer, campaigner and trainer, working at the intersection between arts and human rights. Specialises in artistic freedom of expression
Shereener Browne – Barrister at Garden Court Chambers with over 23 years experience. She started her legal career at the criminal bar and built a reputation for defending young offenders accused of serious gang-related crimes. In 2016 Shereener embarked up an acting career.
Agnieszka Kolek – Artist, Curator, Polish Woman of the Year 2013 in the UK for Co-organizing and Curating Passion for Freedom London Art Festival.
Anders Lustgarten – Political playwright “renowned for his hard-hitting, wide-ranging approach to political and social questions” (Time Out). Recent work includes The Secret Theatre at Shakespeare’s Globe (2017), an allegory for modern surveillance set in the reign of Elizabeth I.
Kenan Malik – Writer, lecturer and broadcaster. Columnist for the Observer and International New York Times. Latest book: The Quest for a Moral Compass (Atlantic).[/vc_column_text][vc_column_text]
When: Thursday 20 September, 7-8:30pm
Where: Sam Wanamaker Playhouse, 21 New Globe Walk, Bankside, London SE1 9DT (Directions)
Tickets: £15 (£12 Members / Students) via Shakespeare’s Globe
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