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[vc_row][vc_column][vc_custom_heading text=”The brave stand up when others are afraid to do so. Let’s remember how hard that is to do, says Rachael Jolley in the autumn 2020 issue of Index on Censorship magazine.”][vc_column_text]
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fas fa-quote-left” color=”custom” custom_color=”#dd0d0d”][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”The dissenting voice in law is a model for why freedom of expression is so vital in life.”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fas fa-quote-left” color=”custom” custom_color=”#2a31b7″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”It is convenient for the authorities on both sides of the sea that the numbers appear lower than they really are and the real stories don’t get out.”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
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[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_custom_heading text=”Listen”][vc_column_text]The autumn 2020 magazine podcast featuring Hong Kong-based journalist Oliver Farry, who discusses the crackdown on pro-democracy demonstrations in the region
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[vc_row][vc_column][vc_custom_heading text=”Special report”][vc_column_text]Government hits activists’ online profiles by Arzu Geybulla: Journalists and activists are finding their social media profiles hacked and sometimes deleted in a clear harassment campaign in Azerbaijan
Presiding over bloodshed by Issa Sikiti da Silva: The voice of the opposition is increasingly missing in action as Uganda approaches election day
“Silence got us nowhere. We need to speak up” by Rushan Abbas: One woman’s anguish and outrage over her sister’s disappearance and the millions of others into the concentration camp network in Xinjiang, China
“The idea is to kill journalism” by Bilal Ahmad Pandow: Kashmiri journalists on what it’s like working under lockdown, an internet blackout and a new draconian media law
What has the government got to hide? by Jessica Ní Mhainín: The new Irish government has to decide whether to block access to historic child abuse records
Don’t show and tell by Orna Herr: In a bid to avoid offence, TV shows are disappearing from the airwaves. Are we poorer for it?
Restaurants scrub off protest walls by Oliver Farry: All signs of the city’s recent protest past are being removed in Hong Kong’s restaurants, shops and even libraries following the new security law
Closure means no closure by Stefano Pozzebon and Morena Pérez Joachin: The library housing documents on the disappeared of Guatemala’s brutal civil war has been closed and with it the disappeared have disappeared further
The unknown quantity by Alessio Perrone: The Italian government is making efforts to cover up who and how many are trying to cross the Mediterranean
Tracing Turkey’s disappeared by Kaya Genç: A centre looks into the forced disappearances of Kurds in Turkey. Will they find answers or obstacles?
“There’s nobody left to speak” by Somak Ghoshal: First they came for the journalists. Then they came for the lawyers and activists. Who can speak out in today’s India?
Out of sight, but never out of mind by Laura Silvia Battaglia: Our interview with the director of a new documentary about the disappeared in Syria
Blogger flees Tunisia after arrest by Layli Foroudi: After telling a joke, one Tunisian blogger had to flee her country to avoid prison
Becoming tongue-tied by Sally Gimson: China is one country that is forcing people to give up their minority languages. Others have also attempted it
Spain’s lonely voices by Silvia Nortes: We trace the demise of many minority Spanish languages and look at whether others will survive[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Global view”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Why Index has never been needed more by Ruth Smeeth: The world is witnessing an acceleration of illiberalism. We all need to be vigilant[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”In focus”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Ecce homo sovieticus by Andrey Arkhangelsky: Decades after the end of the Soviet Union, Russians are still plagued by totalitarianism. It’s getting worse
“I have suffered death threats and they killed my pet dogs” by Stephen Woodman: Mexican journalists work in war-like conditions. Many are suffering terrible mental illnesses because of it
Nonsense and sensibility by Jemimah Steinfeld: An interview with the bestselling author Dave Eggers about society’s slide into a total surveillance state
Fighting the laws that are silencing journalists by Jessica Ní Mhainín: Vexatious legal threats are part of the European media landscape. We need to take action against them, says a new Index report
2020 by Ben Jennings: Is Alexa censoring the news or is it just that bad? A new cartoon from the award-winning illustrator
Will the centre hold by Michella Oré? They voted for Trump in 2016 because their voices were not being heard. How does middle America feel today?
Who Speaks for Iowa by Jan Fox? The owner of a small-town radio station talks about feeling ignored in the rural USA[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Culture”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Past imperfect by Lisa Appignanesi: The award-winning writer speaks to Rachael Jolley about the inspiration for her new short story, written exclusively for Index, which looks at the idea of ageing, and disappearing memories, and how it plays out during lockdown
The history man by Xue Yiwei: One of China’s most widely read writers discusses a childhood memory of being punished for singing, alongside his short story, published in English for the first time here
Four more years by Mark Frary? Analysis of the upcoming US election looking at the media, plus a new satirical short story by Kaya Genç in which a dog considers Trump’s re-election hopes
Speech patterns by Abraham Zere: The Eritrean writer on escaping one of the world’s most censored countries and now living in Trump’s USA. Plus a new short story of his[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Index around the world”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]New tactics to close down speech by Orna Herr: The news editor at Rappler speaks to Index about legal threats against the media outlet’s CEO, Maria Ressa, plus a report on Index’s recent work[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”End Note “][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]Spraying discontent by Jemimah Steinfeld: With museums closed some of the most powerful art is on the streets. Index speaks to the world’s street artists on why it is suddenly a popular form of protest[/vc_column_text][/vc_column][/vc_row]
[vc_row][vc_column][vc_single_image image=”114787″ img_size=”full” add_caption=”yes”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]One of the things I love about working at Index is the fact that free speech isn’t easy. That every time a new, or even a more established, issue arises you have to think through what it means and how it fits into your own value system.
Should you defend the right of a racist to hide behind their right to free speech? Where is the line between protecting free speech and opposing hate speech?
Free speech underpins our right to protest. However, does that mean if people decide to protest against our free press, that it is legitimate free expression too?
Crucially, if a repressive regime is undermining the right to free speech and attacking every other human right, is a boycott, whether of goods or culture, a legitimate way to protest?
If you believe in the basic human right of free expression – can you and should you boycott? Is your right to protest through boycott or blockades legitimate if the people or items you are boycotting are also simply exercising their right to free speech?
This question has been playing on the team at Index this week.
Every day we discuss what’s happening in China, from the acts of genocide against the Uighur Muslims, to the impact of the national security law in Hong Kong and the latest revelations about the curtailing of human rights in Inner Mongolia.
Every day we despair at what is happening to people who are living under a tyrannical regime that cares little for its citizens and even less for the Universal Declaration of Human Rights.
Which brings me, bizarrely, to the latest Disney film release – Mulan.
Mulan should be an inspirational story, one of a woman whose actions saved a dynasty.
A woman who didn’t want her father to face another conscription, to fight in a war she knew would lead to his death. To protect her family, she pretended to be a man and joined the army and ultimately saved the day.
However, the latest version of the story is rightly proving to be controversial.
The actor playing Mulan has praised the actions of the police against the protestors in Hong Kong – parroting the Chinese Communist Party line straight from Beijing.
The script of the film shows Mulan as Han Chinese and not of Mongolian origin as many believe she was. The views of one actor, as wrong as I believe them to be, are a matter for her. The cultural misrepresentation makes for an inaccurate and to many an offensive film, but these editorial choices do not warrant a boycott of someone’s art.
What might is that Disney shot the film in the Xinjiang province.
Xinjiang is the home of the majority Muslim Uighur community and, now, the site of numerous concentration camps, where women are being forcibly sterilised, piles of human hair are being collected, people are being disappeared and the term re-education has become code for the eradication of any cultural identity that does not subscribe to the Beijing norm.
The term for this is genocide. A mass killing and cultural subjugation waged against millions of people. And it is happening today, right now in Xinjiang on the orders of the Chinese Communist Party.
Disney chose to film their latest Mulan adaptation in Xinjiang and, in doing so, have marginalised the suffering of our fellow human beings. Disney exists to turn fantasies and fairy tales into real life, their raison d’etre is to transport us all to worlds of innocent pleasure. Yet they used their power to thank the public security bureau in the city of Turpan and the “publicity department of CPC Xinjiang Uyghur Autonomy Region Committee” in the end credits.
They thanked the people who are not only complicit but who are seemingly orchestrating acts of genocide. Their power and agency was used not to stand with the oppressed but with the oppressors.
Index doesn’t support boycotts; we were established to publish the work of censored artists and writers – those who are being persecuted. In my opinion that puts us on the side of the Uighurs not Disney.
Disney isn’t persecuted, it isn’t being censored – you can still see Mulan. But choices and actions have consequences. The choices Disney made to ignore the inconvenient truth of a genocide are not immune from scrutiny because their end product is an artistic output. This is a company that should be held accountable for its actions.
Free speech is important; it’s vital. It gives every one of us the right to protest. So, I’m using my right of free speech to say that I think Disney should be ashamed and that I won’t be watching Mulan and I don’t think anyone else should either. I stand with the Uighurs.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][three_column_post title=”You might also want to read” category_id=”13527″][/vc_column][/vc_row]
In our autumn 2020 podcast we speak with Hong Kong-based journalist Oliver Farry, who discusses the crackdown on pro-democracy demonstrations in the region, which was once a beacon of free expression. And New York-based journalist Michella Oré tells us why, even if Donald Trump doesn’t win a second presidential term, his stint in The White House has sparked a fire in the USA which will be hard to put out. Also Jemimah Steinfeld and Orna Herr from the Index editorial team discuss their favourite articles from the new magazine.
Print copies of the magazine are available via print subscription or digital subscription through Exact Editions. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.