[vc_row][vc_column][vc_custom_heading text=”When cartoonists are being arrested, and novelists told their plots must only support the government line, you know your nation is in deep trouble, argues Rachael Jolley”][vc_row_inner][vc_column_inner][vc_column_text]
A COUNTRY’S SENSE OF humour is a nebulous thing. But when it starts to disappear, something serious is afoot.
And so it is in Spain right now. Comedy, it turns out, is touching a nerve, as it often does, and rather surprisingly the lawyers are getting involved. Comedy is not only a threat, but under threat.
What’s bizarre is, this is Spain, a modern democracy, a solid, sensible country at the centre of Europe. Locking people up for making a joke, that’s something you might expect from an authoritarian and struggling state. But Spain?
Well, it turns out, this is Spain in the 21st century. The list of comedy offences is not short. Spanish comedian Dani Mateo was told to testify before a judge in May for telling a joke referring to a monument built by Franco’s regime as “shit”. He told the joke during a satirical show. Now it doesn’t sound like the best joke in the world, but hell, we defend his right to tell it. And Mateo is not alone in the Spanish comic fraternity. There’s Facu Díaz, who was prosecuted last year for posting jokes on social media; Cassandra Vera, who was sentenced to a year in prison for making jokes about a former Spanish president; and three women who were accused of a religious hate crime for mocking a traditional Easter procession. Puppeteers whose Punch and Judy show included a sign for a made-up terrorist organisation carried by a witch spent a year fighting prosecution, unable to leave the country for weeks, receiving anonymous threats and having to report regularly to the police. On and on it goes, as Silvia Nortes reports for us on page 85.
So why does any of this matter? Well, jokes are a barometer of public mood, and as British comedian Andy Hamilton told this summer’s Hay Festival, you can even use them to test how much the public like or dislike a politician or public figure. He remembered making a joke about then Prime Minister Margaret Thatcher, and being told by one of her staunchest supporters to expect a wave of outrage. On checking, he found just three complaints, and that’s when, he said, he knew Thatcher was on the way out. Similarly, a recent joke about former UK Justice Secretary Michael Gove received a big fat zero moans in the BBC complaints box. Hamilton reckoned this was a sign of just how little the public cared about Gove.
So jokes do take the temperature of the nation, and one of many reasons politicians fear them is, as Mark Twain said, “Against the assault of laughter, nothing can stand.”
Politicians fear being made fun of, and fear that a satirical representation of themselves may take root in the electorate’s brain. They fear the public seeing their weaknesses. Some may remember that the classic satirical British TV puppet show Spitting Image reduced each member of the cabinet to a single ridiculous idea, a spitting former Home Secretary Roy Hattersley or a tiny David Steel tucked in the top pocket of David Owen (joint leaders of the SDP-Liberal alliance). Not good for their egos, not good for their future prospects. Steel said later that the sketch definitely affected his image.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”That idea of groupthink, honed by the Soviet Union, satirised by George Orwell, continues to haunt writers in former communist countries today” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Joke-telling is not the only ingredient in the comedy cupboard that upsets the powers that be. Historically, exaggerated portraits, as Edward Lucie-Smith writes in issue 197 of Index on Censorship, have long been used to diminish or enhance a public character. The most obvious creators of exaggerated portraits are newspaper cartoonists, who sometimes feel the long arm of the police on their shoulders as a result.
In our exclusive interview with legendary South African cartoonist Zapiro, he talks not only about the power of cartoonists, but the pressure on them not to offend or upset. In an interview with South African journalist Raymond Joseph, Zapiro said: “We provoke thought, even if that thought is pretty outrageous. Others can do it too. We just occupy a space where you can really push the boundaries.” Zapiro faced a six-year court battle with South Africa’s President Jacob Zuma over one of his cartoons. But Zapiro is just as feisty as ever, and reckons he is bolshier than the generations that have come after him.
Cracking down on comedy is just one way to command and control society. This issue’s special report examines others as we study the long shadows Russia’s 1917 revolution cast within and without its national borders.
From the beginning the early Soviets were not particularly fond of disagreement. Shortly after their rise to power, between October 1917 and June 1918, around 470 opposition publications were closed down. Lenin was clear how the nation should work. He believed that journalists, novelists and opinion formers were either with him, or against the state. If they were against the state, they shouldn’t be allowed to write or outline their views. “Down with non-partisan writers,” he argued. This is a view very much in favour with many other rulers today, including Angola’s President José Eduardo dos Santos, Chinese President Xi Jinping, and, recently, US President Donald Trump.
That idea of groupthink, honed by the Soviet Union, satirised by George Orwell, continues to haunt writers in former communist countries today. In Uzbekistan, as Hamid Ismailov outlines, the Soviet Union may have fallen, but the thinking remains the same. Writers with arguments that contradict President Shavkat Mirziyoyev are either neutralised by being employed by the state as advisers and consultants, or leave the country, or fail to be published.
In President Vladimir Putin’s Russia most of the media, apart from a few brave exceptions, fall into line with government positions. For instance, in February this year, according to the Index-led Mapping Media Freedom project, major Russian national television channels abruptly reduced the number of times they mentioned the US president. This followed a Kremlin order to cut back on “fawning coverage” of Trump.
In all the recent furore over “fake news”, prompted by almost incessant use of the term by Trump to undermine any reporting he didn’t like, it’s worth pointing out that tricks to get the public to believe something that is not true have been used throughout history. In fact, as Jemimah Steinfeld investigates (page 114), the Roman emperor Augustus was a master of manipulation well before PR handbooks were written.
And open the pages of a treasured book in our office and you’ll see an early version of photoshopping at work. Photographs featured in The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia, show how people were “disappeared” from official Soviet portraits in the 1930s as they fell out of favour. Belarusians have been experiencing government attempts to get them to believe false stories for decades. In his report on page 52, Andrei Aliaksandrau unpicks the tricks used over the years and holds them up to the light.
And there’s some excellent thoughtful pieces in our fiction section too, with two new short stories written for this publication: one by Turkish writer Kaya Genç, and the other by British writer Jonathan Tel. The final slice is a new English translation of a much older story, by Russia’s “Comrade Count” Alexei Tolstoy.
To finish, a sad note. Our regular, and fantastic, Brazil correspondent Claire Rigby has died suddenly. Claire did amazing reporting for us, and we will miss her.
Rachael Jolley is the editor of Index on Censorship magazine. She recently won the editor of the year (special interest) at British Society of Magazine Editors’ 2016 awards
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”80569″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422017716030″][vc_custom_heading text=”Provoking the president” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422017716030|||”][vc_column_text]June 2016
Legendary South African cartoonist Zapiro talks about being sued for millions by Jacob Zuma, fighting for “Lady Press Freedom” and death threats.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90636″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/030642200002900126″][vc_custom_heading text=”Funeral of laughter” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F030642200002900126|||”][vc_column_text]January 2000
Oscar Collazos reports on the Colombian mourners after the assassination of comedian Jaime Garzon, who told insolent truths to the world.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89185″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220500157814″][vc_custom_heading text=”You must be joking! ” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064220500157814|||”][vc_column_text]May 2005
Israeli comedians who dare to make jokes around the Shoah run foul of their country’s ultimate taboo: this is no laughing matter.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”100 Years On” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F06%2F100-years-on%2F|||”][vc_column_text]Through a range of in-depth reporting, interviews and illustrations, the summer 2017 issue of Index on Censorship magazine explores how the consequences of the 1917 Russian Revolution still affect freedoms today, in Russia and around the world.
With: Andrei Arkhangelsky, BG Muhn, Nina Khrushcheva[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”91220″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/magazine”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
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From left: Co-founder Superflux and Freedom of Expression Awards Judge Anab Jain, finalist Maati Monjib, music executive and Freedom of Expression Awards Judge Stephen Budd, tech expert Nicole Yershon, global publishing director Ziyad Marar, president and founder of the Bianca Jagger Human Rights Foundation Bianca Jagger, CNN London Bureau chief Tommy Evans, comedian and actor Katy Brand, cartoonist Martin Rowson, Index CEO Jodie Ginsberg, Turkey Blocks’ Alp Toker, Poet Shane Solanki, Turkey Blocks’ Isik Mater, artist Bob and Roberta Smith, wife and campaigning partner of Ildar Dadin Anastasia Zotova, Maldives Independent’s Ahmed Naish, Freedom of Expression Awards Judge and Barrister Caoilfhionn Gallagher QC, Maldives Independent’s Zaheena Rasheed (Photo: Elina Kansikas for Index on Censorship) High resolution images are available for download on Flickr
A Chinese political cartoonist forced into exile and a Russian prisoners and LGBT rights activist convicted under the country’s draconian anti-protest law were among the winners of the 2017 Index on Censorship Freedom of Expression Awards.
The winners, announced on Wednesday evening at a gala ceremony in London, also included a crusading news organisation battling corruption in the Maldives and a group tracking Turkey’s internet shutdowns.
Awards were presented in four categories: Arts, Campaigning, Digital Activism and Journalism.
“These winners are free speech heroes who deserve global recognition,” said Index on Censorship CEO Jodie Ginsberg. “They, like all of those nominated, face huge personal and political hurdles in their fight so that others can express themselves freely.”
Drawn more than 400 public nominations, the winners were presented with their awards at a ceremony at the Unicorn Theatre, London, hosted by comedian Katy Brand.
Winners were presented with cartoons created by Aseem Trivedi, an Indian political cartoonist and activist, known for his Cartoons Against Corruption campaign.
Each of the award winners becomes part of the third cohort of Freedom of Expression Awards fellows. They join last year’s winners — Zaina Erhaim (Journalism), Bolo Bhi (Campaigning), GreatFire (Digital Activism), Murad Subay (Arts), Smockey (Music in Exile) — as part of a world-class network of campaigners, activists and artists sharing best practices on tackling censorship threats internationally.
Through the fellowship, Index works with the winners – both during an intensive week in London and the rest of the awarding year – to provide longer term, structured support. The goal is to help winners maximise their impact, broaden their support and ensure they can continue to excel at fighting free expression threats on the ground.
Judges included Harry Potter actor Noma Dumezweni, Hillsborough lawyer Caoilfhionn Gallagher QC, former Vanity Fair editor Tina Brown, as well as Anab Jain, TED fellow and co-founder of Superflux, and Stephen Budd, chairman of the Music Managers Forum.
Awards judge Tina Brown said: “At a time when freedom of expression and press are facing continuous and unprecedented threats around the globe, I am more than ever inspired by the boundless courage and sacrifices of Rebel Pepper, Ildar Dadin, Maldives Independent and Turkey Blocks. Ridiculed, persecuted, imprisoned, tortured, banned or exiled, these writers and activists are putting their lives on the line every day in order to protect basic human rights and fight injustice everywhere.”
This is the 17th year of the Freedom of Expression Awards. Former winners include activist Malala Yousafzai, cartoonist Ali Ferzat, journalists Anna Politkovskaya and Fergal Keane, and Bahrain Center for Human Rights.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content_no_spaces” content_placement=”middle”][vc_column][vc_column_text]
From left: Cartoonist Martin Rowson accepting the Arts Award on behalf of Chinese cartoonist Rebel Pepper; Alp Toker of Digital Activism Award-winner Turkey Blocks; Isik Mater of Digital Activism Award-winner Turkey Blocks; Anastasia Zotova, wife and campaign partner of Campaigning Award-winner Ildar Dadin; Ahemd Naish, editor of Journalism Award-winning Maldives Independent; Zaheena Rasheed, former editor of Journalism Award-winning Maldives Independent. (Photo: Elina Kansikas for Index on Censorship) High resolution images are available for download on Flickr
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_text_separator title=”2017 Freedom of Expression Journalism Award “][vc_column_text]Maldives Independent and Zaheena Rasheed have been named the winner of the 2017 Freedom of Expression Journalism Award.
Website Maldives Independent, which provides news in English, is one of the few remaining independent media outlets in a country that ranks 112 out of 180 countries on the Reporters Without Borders Press Freedom Index. In August 2016 the Maldives passed a law criminalising defamation and empowering the state to impose heavy fines and shut down media outlets for “defamatory” content. In September, Maldives Independent’s office was violently attacked and later raided by the police, after the release of an Al Jazeera documentary exposing government corruption that contained interviews with editor Zaheena Rasheed, who had to flee for her safety. Despite the pressure, the outlet continues to hold the government to account.
Doughty Street Chambers Barrister and 2017 Freedom of Expression Awards judge Caoilfhionn Gallagher QC said: “Maldives Indpendent under the stewardship of Zaheena Rasheed has faced attacks from all sides in recent years and despite all that they’ve continued to do what they do best: tell stories, expose corruption, expose human rights abuses and attacks on a free press.”
Zaheena Rasheed, former editor, Maldives Independent said: “This award feels like a lifeline. Most of our challenges remain the same, but this recognition and the fellowship has renewed and strengthened our resolve to continue reporting, especially on the bleakest of days. Most importantly, we no longer feel so alone. Tonight I want to honour my colleague, Ahmed Rilwan – who embodies the spirit of speaking truth to power, even in the face of the gravest threats. He’s been missing for nearly 1,000 days now. I want to say tonight, that no matter how long it may take, we will continue the search for him and fight for him.”
Speech | Profile[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_text_separator title=”2017 Freedom of Expression Digital Activism Award”][vc_column_text]
Turkey Blocks is a digital transparency project documenting internet blackouts in a country marked by increasing authoritarianism, a strident crackdown on press and social media and numerous human rights violations.Turkish-British technologist Alp Toker brought together a small team to investigate internet restrictions and using Raspberry Pi technology they built an open source tool able to reliably monitor and report both internet shut downs and power blackouts in real time. Using their tool, Turkey Blocks have since broken news of 14 mass-censorship incidents during several politically significant events in 2016. The tool has proved so successful that it has been implemented elsewhere globally.
Designer and 2017 Freedom of Expression Awards judge Anab Jain said: “Alp Toker and Turkey Block’s work is important because it is going to have impact not just in Turkey but across the world wherever we start to see internet shutdowns.”
Alp Toker, founder of Turkey Blocks, said: “Turkey Blocks has developed new technology that can pinpoint and validate reports of shutdowns in real time. Through 2016 we uncovered evidence of over a dozen major blackouts during national emergencies, arrests of opposition party members and a devastating attempted military coup. We provided the data that enabled media, local press and international communities to report with confidence and push back to keep the internet on. We encouraged the government to become more transparent and limit use of their telecommunications kill-switch. Today our cause crosses political lines and resounds throughout Turkey’s polarised society.”
Speech | Profile[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_text_separator title=”2017 Freedom of Expression Campaigning Award”][vc_column_text]
A Russian prisoners and LGBT rights activist, Dadin was the first, and only, person to be convicted under a notorious 2014 public assembly law. Aimed at punishing anyone who breaks strict rules on protest, the law was enacted to silence dissent after a wave of demonstrations following President Vladimir Putin’s last election victory. Dadin’s crime was to stage a series of one-man pickets, often standing silently with a billboard, attempting to duck the cynical law and push for free expression. For his solo enterprise, Dadin was arrested and sentenced to three years imprisonment in December 2015. In November 2016, website Meduza published a letter smuggled from Dadin to his wife, exposing torture he suffered alongside fellow prisoners. In February 2017, a Russian court quashed his conviction and Dadin was released.
Barrister and 2017 Freedom of Expression Awards judge Caoilfhionn Gallagher QC said: “Ildar Dadin has stood up to the Russian authorities in circumstances where we know how risky that can be: It has cost individuals their lives in recent years. It can even lose you a presidential election, as we now know. But Ildar, despite that, has continued to speak out and he continues to speak out even in the worst of circumstances.”
Speaking on behalf of Ildar Dadin, his wife and campaigning partner Anastasia Zotova said: “Tonight I tell you, that in Russia, there are no human rights. It is a society ruled through levels of cruelty and bigotry where Russians are forced to worship the great leader and any and all dissidents are stoned. Maybe I cannot join you in London but I can refuse to be silent. And you, friends, can refuse to be silent too. You can refuse to let these people silence me. Together, we can refuse to look away.”
Speech | Profile[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_text_separator title=”2017 Freedom of Expression Arts Award”][vc_column_text]
Cartoonist Wang Liming (aka Rebel Pepper) was presented with the Index 2017 Freedom of Expression Award Arts award for satirising Chinese Premier Xi Jinping and lampooning the ruling Communist Party. For his efforts Rebel Pepper has been repeatedly persecuted. In 2014, he took exile in Japan after serious threats against him were posted on Chinese government-sanctioned online forums. The Chinese state has since disconnected him from his fan base by repeatedly deleting his social media accounts, conversations with friends and family are under state surveillance, and exile has made him isolated, bringing significant financial struggles. Nonetheless, Rebel Pepper keeps drawing, ferociously criticising the Chinese regime.
Journalist and 2017 Freedom of Expression Award judge Tina Brown said: “Rebel Pepper was cut off from his family, cut off from all his friends and he wasn’t even able to go back for his mother’s funeral after she died from cancer, which is a very, very cruel fate for someone who simply wanted to tell the truth. At a time when the president of China is going off to Davos and making big statesmen-like speeches about how China is a big open society now, everybody come and trade, the fact is that it’s a really repressive and dark regime.”
In his acceptance speech, delivered by video, Wang Liming said: “Political cartoons are significant as I can use my works to peel away the mask of false perfection put on by the Chinese government. The humour and satire employed in my works can also help lighten the mood and dispel the fear that the Chinese people have towards the administration. I feel that these are the key reasons why political cartoons play such an important role in China. Ever since I came to Japan, I have been able to relish freedom of speech to the fullest. As such, my works are no longer limited by any external restrictions save for the boundaries of my own imagination.”
Speech | Profile[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_text_separator title=”Jodie Ginsberg: Our ambition is modest: nothing less than an end to censorship”][vc_column_text]
Jodie Ginsberg, chief executive, Index on Censorship (Photo: Elina Kansikas for Index on Censorship)
“I hope you are indeed having an extraordinary evening. It’s extraordinary because of the individuals and groups we have honoured here tonight and it’s extraordinary because you make it so.
“Many of you are old friends of Index. Others are new acquaintances. For those of us who are new to us – and the old friends who may have forgotten – I want to take this opportunity to tell, or remind, you a little bit about us and what we do.
“Index was founded 45 years ago to tell the stories of dissidents behind the Iron Curtain and beyond – from the very first magazine we featured stories from across the world by and about censored writers and artists: from Brazil to Greece to Bangladesh. We were concerned then, as now, not just with the written word but all forms of expression. And we have continued to publish this magazine – the only of its kind in the world – ever since.”
[/vc_column_text][vc_column_text]High-resolution images are available for download on Flickr.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_media_grid grid_id=”vc_gid:1494001232704-44285c22-af33-2″ include=”89695,89694,89693,89692,89691,89690,89689,89688,89687,89686,89685,89684,89683,89682,89681,89680,89679,89678,89677,89676,89675,89673,89672,89671,89669,89667,89666,89665,89663,89662,89582,89581,89580,89578,89577,89576,89575,89574,89552,89551,89550,89549,89548,89547,89546,89545,89544,89543,89542,89540,89539,89538,89537,89536,89535,89534,89533,89532,89531,89530,89529,89528,89527,89523,89522,89520,89519,89518,89517,89515,89514,89513,89512,89511,89510,89509,89508,89491,89490,89489,89488,89487,89484,89706″][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1494001233011-308855d4-4b96-8″ taxonomies=”8935, 8734″][/vc_column][/vc_row]
Jodie Ginsberg is chief executive of Index on Censorship.
I hope you are indeed having an extraordinary evening. It’s extraordinary because of the individuals and groups we have honoured here tonight and it’s extraordinary because you make it so.
Many of you are old friends of Index. Others are new acquaintances. For those of us who are new to us – and the old friends who may have forgotten – I want to take this opportunity to tell, or remind, you a little bit about us and what we do.
Index was founded 45 years ago to tell the stories of dissidents behind the Iron Curtain and beyond – from the very first magazine we featured stories from across the world by and about censored writers and artists: from Brazil to Greece to Bangladesh. We were concerned then, as now, not just with the written word but all forms of expression. And we have continued to publish this magazine – the only of its kind in the world – ever since.
Our aim is to put ourselves out of business. Our ambition is modest: nothing less than an end to censorship. Sadly, however, the enemies of free speech seem as strong as ever. It is for that reason Index not only publishes its magazine but campaigns against censorship, targeting countries and issues where we believe our specialist knowledge and expertise can have a marked impact. In Europe, we monitor threats to press freedom and next week we publish a groundbreaking report on US media freedom in the Trump era. We also encourage debate about free speech and – through the awards fellowship – support groups and individuals tackling censorship to be even more effective.
Why do we do this? We do it because we believe freedom of expression is the bedrock of all other freedoms – a necessary condition for the flourishing not just of life, but a life with meaning.
But it is a fragile freedom. Across the globe, freedom of expression is under threat. We still live in a world where writers can be killed for voicing their religious or non-religious beliefs and a blind eye turned by authorities, where journalists are detained for criticising their governments even in supposed democracies, and where taking offence has become a sufficient benchmark to enforce silence.
This is not the world I want to see. Nor is it the world I want my children to grow up in. I believe that if we want a more tolerant, inclusive society we need to defend freedom of expression – and that means defending the rights of those with whom you disagree as vigorously – if not more vigorously – than those whose views accord with your own.
Tonight we have heard remarkable stories of people fighting to speak out. But what we have also done is listen. Tonight we have celebrated not just what it means to speak freely but also what it means to be heard. Though Ildar and Rebel Pepper could not join us, the knowledge that there is a witness to their stories provides the strength to continue as it does for friends like former winner Nabeel Rajab, who has now been detained without trial for more than 9 months in a Bahraini jail simply for exercising his peaceful right to expression.
Noma said of tonight’s finalists: “These stories have to be told on behalf of people who cannot speak for themselves”. They also have to be heard. And I want to thank you for hearing them.
Thank you for helping us defend freedom of expression – a freedom that does not make us human but what gives us humanity.
For his one-man protests, Ildar Dadin was sent to prison in December 2015 where he was tortured, before his conviction was quashed in February 2017. Read the full profile.[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_single_image image=”84888″ img_size=”full” alignment=”center”][vc_column_text]
Despite the persecution he faces for his work, Rebel Pepper continues to satirise the Chinese state from a life in exile in Japan. Read the full profile
Established in 2015, Turkey Blocks is an independent digital research organisation that monitors internet access restrictions in Turkey. Read the full profile.
Maldives Independent, the Maldives’ premiere English publication and one of the few remaining independent media outlets, was formed in exile in Sri Lanka in 2004. Read the full profile.
JOINT ORAL STATEMENT ON THE DETERIORATION OF FREEDOM OF EXPRESSION AND MEDIA FREEDOM IN TURKEY
UN Human Rights Council 34th Special Session
Item 4: Human rights situations that require the Council’s attention
15 March 2017
Mr President,
Index on Censorship, PEN International, ARTICLE 19 and 65 organisations are deeply concerned by the continuous deterioration of freedom of expression and media freedom in Turkey following the violent and contemptible coup attempt on 15 July 2016.
Over 180 news outlets have been shut down under laws passed by presidential decree following the imposition of a state of emergency. There are now at least 148 writers, journalists and media workers in prison, including Ahmet Şık, Kadri Gürsel, Ahmet and Mehmet Altan, Ayşe Nazlı Ilıcak and İnan Kızılkaya, making Turkey the biggest jailer of journalists in the world. The Turkish authorities are abusing the state of emergency by severely restricting fundamental rights and freedoms, stifling criticism and limiting the diversity of views and opinions available in the public sphere.
Restrictions have reached new heights in the lead up to a crucial referendum on constitutional reforms, which would significantly increase executive powers, set for 16 April 2017. The Turkish authorities’ campaign has been marred by threats, arrests and prosecutions of those who have voiced criticism of the proposed amendments. Several members of the opposition have been arrested on terror charges. Thousands of public employees, including hundreds of academics and opponents to the constitutional reforms, were dismissed in February. Outspoken “No” campaigners have been detained, adding to the overall climate of suspicion and fear. The rights to freedom of expression and information, essential to fair and free elections, are in jeopardy.
In the run-up to the referendum, the need for media pluralism is more important than ever. Voters have the right to be duly informed and to be provided with comprehensive information on all views, including dissenting voices, in sufficient time. The prevailing atmosphere should be one of respect for human rights and fundamental freedoms. There should be no fear of reprisals.
We urge this Council, its members and observer states, to call on the Turkish authorities to:
Guarantee equal broadcasting time for all parties and allow for the dissemination of all information to the maximum extent possible in order to ensure that voters are fully informed;
Put an end to the climate of suspicion and fear by:
Immediately releasing all those held in prison for exercising their rights to freedom of opinion and expression;
Ending the prosecutions and detention of journalists simply on the basis of the content of their journalism or alleged affiliations;
Halting executive interference with independent news organisations including in relation to editorial decisions, dismissals of journalists and editors, pressure and intimidation against critical news outlets and journalists;
Revoke the excessively broad provisions under the state of emergency, the application of which, in practice, are incompatible with Turkey’s human rights obligations.
Thank you Mr. President
ActiveWatch – Media Monitoring Agency
Adil Soz – International Foundation for Protection of Freedom of Speech
Albanian Media Institute
Americans for Democracy & Human Rights in Bahrain
ARTICLE 19
Association of European Journalists
Basque PEN
Brazilian Association for Investigative Journalism
Canadian Journalists for Free Expression
Cartoonists Rights Network International
Center for Independent Journalism – Hungary
Croatian PEN centre
Danish PEN
Digital Rights Foundation
English PEN
European Centre for Press and Media Freedom
European Federation of Journalists
Finnish PEN
Foro de Periodismo Argentino
German PEN
Global Editors Network
Gulf Centre for Human Rights
Human rights watch
Icelandic PEN
Independent Chinese PEN Center
Independent Journalism Center – Moldova
Index on Censorship
Institute for Media and Society
International Press Institute
International Publishers Association
Journaliste en danger
Media Foundation for West Africa
Media Institute of Southern Africa
Media Watch
MYMEDIA
Nigeria PEN Centre
Norwegian PEN
Pacific Islands News Association
Pakistan Press Foundation
Palestine PEN
PEN American Center
PEN Austria
PEN Canada
PEN Català
PEN Centre in Bosnia and Herzegovina
PEN Centre of German-Speaking Writers Abroad
PEN Eritrea in exile
PEN Esperanto
PEN Estonia
PEN France
PEN International
PEN Melbourne
PEN Myanmar
PEN Romania
PEN Suisse Romand
PEN Trieste
Portuguese PEN Centre
Punto24
Reporters Without Borders
Russian PEN Centre
San Miguel PEN
Serbian PEN Centre
Social Media Exchange – SMEX
South East Europe Media Organisation (SEEMO)
South East European Network for Professionalization of Media
Vigilance pour la Démocratie et l’État Civique
Wales PEN Cymru
World Association of Newspapers and News Publishers (WANIFRA)