Lawsuits are discouraging quality journalism in Albania

[vc_row][vc_column][vc_column_text]Albaia MMF October 2017

Albania’s mainstream media outlets have been reluctant to cover and expose corruption in the country, and observers blame vexatious lawsuits for the hesitancy.

In June 2017, Gjin Gjoni, a court of appeals judge in Tirana, and his wife Elona Caushi, a businesswoman, filed charges against BIRN Albania along with its journalist Besar Likmeta and Aleksandra Bogdani, and separate charges against the newspaper Shqiptarja, along with its journalists Adriatic Doci and Elton Qyno.

BIRN Albania, which specialises in investigative reporting, publishing and media monitoring, along with Likmeta and Bogdani were accused of causing the couple reputational damage and anguish, for which Gjoni and Caushi are demanding 7 million Lek (€54,000) in compensation.

The BIRN Albania journalists had written about the closure and subsequent reopening of an investigation, carried out by the High Inspectorate for Declaration and Audit of Assets and Conflicts of Interest, into Gjoni for concealing wealth, falsifying official documents and money laundering.

In another article, BIRN Albania listed Gjoni as one of the ten richest judges in the country.

In a separate lawsuit, Gjoni and Caushi, based on the same reference, are asking for 4 million Lek (€30,000) in compensation from Shqiptarja, Doci and Qyno.

Kristina Voko, the executive director of BIRN Albania, considers the lawsuit malicious in nature. She pointed to the high journalistic standards held by the organisation for the work it produces.

“We are confident we will win the case because our reporting has been in public interest and solidly based on facts,” she told Index.

Doci wrote on Facebook that he was honoured by the lawsuit and that he would not remove anything in his article about Gjoni because he considers it to be accurate.

Media organisations within the country and internationally have expressed solidarity with BIRN Albania and Shqiptarja. Many think the cases will further discourage investigative journalism, which is already scarce.

Flutura Kusari, a media lawyer, said in an article published at the website Sbunker that the Gjoni lawsuits fell under the category of Strategic Lawsuits Against Public Participation (SLAPP), which she believes are being used to intimidate Albanian journalists.

“In the SLAPP lawsuits you can see prima facie that are not based in facts and they are going to be unsuccessful in the court. With them the plaintiff does not aim to win the case, but aims to frighten and discourage journalists from further reporting issues of public interest, making them pass through long and costly court processes,” she wrote.

The Union of Albanian Journalists called for Gjoni to stand down while the case is ongoing as his position in the judicial system may influence the decisions.

Blendi Salaj, the vice chairman of Albanian Media Council, considers the case as one against investigative journalism that also aims to keep the media silent.

“There are no grounds for this case but the fact that true journalism and the dissemination of information goes against the interest of subjects whose shifty activities are revealed in the press,” he told Index.

Salaj also pointed to the large damages requested as compensation by the plaintiff.

“The amount of money they request is meant to scare, worry and intimidate journalists and outlets that expose facts they don’t want out there,” he said.

Kristina Voko also agrees that lawsuits are being used as a form of intimidation.

“It is true that during the last year, there has been an increased number of lawsuits against Albanian journalists or media outlets from judges or private companies involved in different concessionary agreements,” she told Index.

“This poses concerns related to media freedom in the country,” she said.

Investigating private companies also poses difficulties for journalists in the country. It is already a rare practice in the mainstream media as result of advertising contracts and strong ties that some of these companies have with politicians.

Albania has begun the implementation of an important judicial reform after almost two years of adopting laws that aim to clean up corruption in politics.

The reform was strongly pushed by the European Commission and the United States, and is considered crucial for Albania to advance in its bid to join the European Union.

A vetting process for all judges and prosecutors in the country supervised by an international body is underway as the first step to reform the system. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1506959873796-92fda719-8e40-6″ taxonomies=”6564″][/vc_column][/vc_row]

Film premiere: Chauka, Please Tell Us The Time

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Behrouz Boochani, Manus Island

Behrouz Boochani, Manus Island

Manus Island, in Papua New Guinea, is the location of a controversial detention centre which the Australian government uses to hold over 1,000 asylum seekers indefinitely. It is also home to Iranian journalist and 2017 Index journalism award nominee Behrouz Boochani. His film Chauka, Please Tell Us the Time, which exposes the realities of life as a detainee on Manus Island, has been selected for the BFI London Film Festival.

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Boochani while detained on Manus, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in.

Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

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When: Sunday 8 October, 5:45pm
Where: Vue Leicester Sq, Screen 7
Tickets: £9.00-£17.60

When: Monday 09 October 2017, 3:45pm
Where: BFI Southbank, NFT3
Tickets: £6.50-£9.90

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Sweden: Mainstream populism has emboldened extremist opponents of the press

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Tess Asplund faces protesters from the Nordic Resistance Movement in Borlänge, Sweden, in May 2016

Tess Asplund faces protesters from the Nordic Resistance Movement in Borlänge, Sweden, in May 2016

In exactly a year from now, Sweden will go to the polls to elect a new government, and it seems certain that the far-right Sweden Democrats party will further cement their place in parliament, and possibly even support a conservative coalition government.

The rise of the party – and the normalisation of their nationalist agenda – over the past decade has been accompanied by a more toxic fringe with clearer ties to extra-parliamentary far-right and neo-Nazi-movements who have identified established journalists as a barrier to the re-assertion of traditional Swedish values. Buoyed by the success of populism in mainstream politics, neo-Nazi groups such as the Nordic Resistance Movement (NMR) have become more visible and the NMR will this year protest outside of the Gothenburg Book Fair, a hub for Swedish publishing and journalism which symbolises the “cultural Marxism” the far right assert has ruined the country.

The sight of Nordic white supremacists rallying at such a huge cultural event is though merely the tip of an invisible iceberg of intimidation and opposition to Sweden’s cultural and journalistic community by the far right.

A survey by Swedish public TV’s Kulturnyheter editorial desk of five major Swedish media outlets found that the overall level of threats to journalists was increasing, as were the amount of incidents filed with the police by journalists or their employers.  Attacks range from low-level intimidation and character assassination on social media to direct and persistent death threats. A now-removed website recently named a list of journalists it deemed traitors – alongside politicians and other public figures – with a call for violence against them.

The relationship between the Sweden Democrats and the networks that seek to intimidate journalists is not straightforward, but party figures have been connected to the site Granskning Sverige for example. Granskning Sverige was implicated in misinformation campaigns against journalists through selective editing of interviews, and party figures shared Granskning Sveriges content whilst party spokesperson Adam Martinnen gave his approval of the site in an interview.

When the newspaper Expressen revealed the names of the people behind Granskning Sverige, its editor in chief was visited in their home by two supporters of the site.

A common belief amongst conservatives and the far right is that journalism is a hotbed of far-left politics. Mats Qviberg, a former financier who purchased and then sold a share in the Metro newspaper, recently said of his own staff that there were “Stalinists” who needed to be “cleaned out”.

Lisa Bjurwald, a former journalist with the Aftonbladet tabloid newspaper who has authored several books on right-wing extremism, has taken a leading role in discussions regarding far-right threats to journalists. Bjurwald and her colleague Lisa Röstlund both received threats from a 55-year old anonymous emailer last summer. They managed to identify the harasser and testified against her in court in May. The emails contain threats, including: “I would cut you up so that you can’t produce any more bastard kids.” And “It would be wonderful to see your Leninist whore throats cut.”

Her misgivings are backed up by statistics. A recent survey by Gothenburg’s school of journalism, media and communication run in coordination with the Swedish Journalism Union concluded that threats were an everyday reality for a majority of Swedish journalists. Thirty percent had been directly threatened and two-thirds had been the subject of derisory comments or assaults on their integrity. Thirty percent also said they avoided tackling controversial subjects in order to avoid harassment.

In July the Swedish minister for Culture and Democracy, Alice Bah Kuhnke, unveiled a strategy spearheaded by the Fojo media institute at Sweden’s Linnaeus University to protect journalists and tackle threats and intimidation, aiming to support the location and prosecution of harassers or those posing a danger to journalists, elected officials and artists.

“The problems with hate and threats to journalists have escalated in recent years and constitute a considerable threat to Sweden’s democracy. In their latest report, the Swedish Civil Contingencies agency suggested that an inquiry was needed to increase the legal protection for journalists reflective of the seriousness of threatening and harassment to representatives of the media industry. That same report says that threats and provocation of journalists are particularly serious because they are working in the service of democracy,” says Kersti Forsberg, Fojo’s director.

Worryingly for a profession built on democratic values, another significant element in the Swedish picture is declining trust in the media among the Swedish population. A book and report by researchers at Gothenburg found that trust in the media fell noticeably the further right voters identified on the political spectrum, peaking amongst supporters of far-right politics. Even more noticeably, the study showed that 54% of those surveyed felt the media was not reporting on the negative social consequences of immigration in Sweden.

Rather than merely being the work of a small group of individuals, opposition to journalists and intimidation is now a relatively mainstream undertaking when seen in the context of mistrust of journalistic institutions.

Swedish journalism, which has often been a benchmark for institutional strength and which takes its role as an important organ of society seriously, faces new threats, and the establishment of populist right politics as a permanent fixture has put it under more pressure than ever. Rather than merely being a target for individual threats and harassment, journalists in Sweden are realising that significant sections of society see them not as guarantors of democracy but as a partisan threat which needs to be neutralised.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1506333367029-0a79f09b-a789-1″ taxonomies=”9008, 6564″][/vc_column][/vc_row]

Free to air: Radio reborn

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Free to air is the autumn 2017 edition of Index on Censorship magazine

Free to air is the autumn 2017 edition of Index on Censorship magazine

Join Index on Censorship magazine for the launch of the autumn 2017 celebrating all things radio.

In conjunction with our friends at Resonance FM, Index will be broadcasting all evening on Tuesday 10 October, as we discuss the rebirth of radio and why it is so important to freedom of expression.

Special guests include Jamie Angus, deputy director of the BBC World Service Group, broadcaster and DJ Tabitha Thorlu-Bangura from NTS Live, broadcaster and sound artist Fari Bradley from Resonance FM and writer and broadcaster Mark Frary, who will also be running a short DIY podcasting workshop before the panel discussion.

We’re launching the magazine with its special report Free to Air: Why the Rebirth of Radio is Delivering More News at the iconic Tea Building in Shoreditch, home to digital product studio ustwo, our venue partners for the launch. Features in the latest magazine include a 98-year-old granny making grassroots radio in the USA, radio journalists in Somalia who brave danger to do their jobs and the Spanish comedians who make a television show about a radio station.

There will be drinks from Flying Dog Brewery, our freedom of expression chums and sponsors and we’ll be closing the evening with a DJ set from Resonance FM’s very own Nana Nicol.

6:00 – 6:30 DIY podcasting workshop, register for your free space via [email protected]
6:30 – 7:15 drinks
7:15 – 8:30 Panel discussion
8:30 – 9:00 DJ set from Nana Nicol

Many thanks to:[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”95760″ img_size=”full” onclick=”custom_link” link=”https://resonancefm.com/”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”80918″ img_size=”full” onclick=”custom_link” link=”https://uk.sagepub.com/”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”95897″ img_size=”full” onclick=”custom_link” link=”https://ustwo.com/”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

When: Tuesday 10 October 18:30 to 21:00
Where: ustwo London, 62 Shoreditch High Street, London E1 6JJ
Tickets: Free. Registration required via Eventbrite

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