Index unveils 2016 Freedom of Expression Awards shortlist

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An Aleppo-based journalist training women to report on the crisis in war-torn Syria, an Indonesian comic who jokes about Islamic extremism and a 19-year-old campaigner against repression in Eritrea are among those shortlisted for the 2016 Index on Censorship Freedom of Expression Awards.

Drawn from more than 400 crowdsourced nominations, the Index awards shortlist celebrates artists, writers, journalists and campaigners tackling censorship and fighting for freedom of expression. Many of the 20 shortlisted nominees are regularly targeted by authorities or by criminal and extremist groups for their work: some face regular death threats, others criminal prosecution.

Judges for this year’s awards are Nobel Prize-winning author Wole Soyinka, pianist James Rhodes, tech entrepreneur Bindi Karia, Colombian journalist Maria Teresa Ronderos, human rights lawyer Kirsty Brimelow QC and Bahraini campaigner Nabeel Rajab.

“Censorship is not something that happens ‘somewhere else’,” said Jodie Ginsberg, CEO of Index on Censorship. “It occurs on a daily basis in every country, in every part of the world. The shortlist honours those who are among the bravest and most creative in tackling such threats.”

Awards are offered in four categories: journalism; arts; campaigning; and digital activism.

Nominees include Good Chance Theatre who work in the infamous “Jungle” refugee camp in Calais, France; imprisoned Bahraini academic and blogger Dr Abduljalil Al-Singace, who has continued to protest in prison despite being subjected to torture and abuse for daring to speak out on human rights abuses in his country; GreatFire, an anonymous group that battles China’s severe web censorship; and Pravit Rojanaphruk, a veteran reporter who was arrested, interrogated and forced out of his job for criticising Thailand’s military government.

Other nominees include Zaina Erhaim, who returned to her native Syria to report on the conflict and train women to tell unreported stories; Sakdiyah Ma’ruf, a female Muslim stand-up comedian from Indonesia; and campaigner Nkosilathi Emmanuel Moyo, a Zimbabwean who fights corruption in his country, currently in hiding after sending Robert Mugabe a prison uniform for his 92nd birthday this month.

Winners, who will be announced at a gala ceremony in London on 13 April, become Index on Censorship Freedom of Expression Awards Fellows and are given support for their work.

“How do you fight for free expression beyond a moment? How do you keep it alive? You must remember how stressful it is for people on the ground. This fellowship, following us for a year, it is a good idea,” said Rafael Marques de Morais, Freedom of Expression Award winner for Journalism in 2015.

Notes for editors:

  • Index on Censorship is a UK-based non-profit organisation that publishes work by censored writers and artists and campaigns against censorship worldwide.
  • More detail about each of the nominees is included below.
  • The winners will be announced at a ceremony at The Unicorn Theatre, London, on 13 April.

For more information, or to arrange interviews with any of those shortlisted, please contact: David Heinemann on 0207 260 2660. More biographical information and photos of the nominees are available at awards.indexoncensorship.org

 

Index on Censorship Freedom of Expression Awards nominees 2016
Arts
Belarus Free Theatre and The Ministry of Counterculture (UK/Belarus)
Ten-year-old Belarus Free Theatre has been using their creative and subversive art to protest the dictatorial rule of Aleksandr Lukashenko for a decade
Tania Bruguera (Cuba)
American-Cuban artist Tania Bruguera, who uses art to campaign for greater openness in Cuban society, was arrested after attempting to stage her play #YoTambienExijo at a festival in Havana. It is now a global movement
Good Chance Theatre (UK)
Good Chance works in the infamous Jungle refugee camp in Calais, France, to provide a space for refugees to express themselves
Sakdiyah Ma’ruf (Indonesia)
Sakdiyah Ma’ruf is a female Muslim stand-up comedian from Indonesia who challenges Islamic fundamentalism and advocates for women’s rights
Murad Subay (Yemen)
Artist Murad Subay uses his country’s streets as a canvas to protest Yemen’s war, institutionalised corruption and forced “disappearings”

Campaigning
Abduljalil Al-Singace (Bahrain)

Dr. Abduljalil Al- Singace is an imprisoned Bahraini human rights activist, academic and blogger who has not let prison stop him from calling attention to his country’s human rights practices
Vanessa Berhe (US)
University student Vanessa Berhe is fighting for the release of her uncle, Eritrean journalist Seyoum Tsehaye, and for freedom of expression in Eritrea, one of the world’s worst most censored countries
Bolo Bhi (Pakistan)
A women-lead digital rights campaigning group who have orchestrated an impressive effort to turn back the Pakistani government’s draconian attempt to censor the internet
Nkosilathi Emmanuel Moyo (Zimbabwe)
Prolific author and activist Nkosilathi Emmanuel Moyo campaigned against political corruption and worked with young people to foster human rights
Pu Zhiqiang (China)
A human rights lawyer who represented Ai Weiwei, Pu Zhiqiang has been targeted by China’s authorities for his unwavering support of free speech

Digital Advocacy
Dokuz8 Haber and Gökhan Biçici  (Turkey)

Journalist Gökhan Biçici launched citizen news agency Dokuz8Haber to foster uncensored information and strengthen Turkish democracy, circumventing intense press censorship
GreatFire (China)
GreatFire campaigns for transparency of Chinese censorship by providing numerous effective circumvention tools to the “Great Firewall”
Love Matters (international)
An international platform dedicated to opening up conversation about sexual health in countries where such subjects are censored or taboo
Mexicoleaks (Mexico)
An anonymous news-sharing platform seeking to bring more transparency to Mexico’s society by uncovering corruption
Hebib Muntezir (Azerbaijan)
An exiled Azerbaijani activist and blogger, who works with Meydan TV, mobilising social media to get uncensored news to a surprising number of his fellow citizens

Journalism
Zaina Erhaim (Syria)

One of the few female journalists still reporting from Syria, Zaina Erhaim of Aleppo works to train women to tell the story of the war-ravaged country
Mada Masr (Egypt)
Mada Masr is an independent news cooperative launched to offer an alternative narrative to government-controlled media
Hamid Mir (Pakistan)
Hamid Mir, a television journalist whose 30-year-career has been punctuated by threats, physical assaults, abductions and assassination attempts for taking on unchallenged powers in Pakistan
Pravit Rojanaphruk (Thailand)
Pravit Rojanaphruk is a veteran reporter who was arrested, interrogated and forced to resign for speaking out against Thailand’s lèse majesté law and military government
Ferit Tunç (Turkey)
Ferit Tunç is a Kurdish journalist who set up an independent newspaper in eastern Turkey and used inventive methods including publishing recipes with hidden messages to challenge censorship of his reporting on corruption

After Charlie Hebdo: The free speech fight begins at home

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When I started working at Index on Censorship, some friends (including some journalists) asked why an organisation defending free expression was needed in the 21st century. “We’ve won the battle,” was a phrase I heard often. “We have free speech.”

There was another group who recognised that there are many places in the world where speech is curbed (North Korea was mentioned a lot), but most refused to accept that any threat existed in modern, liberal democracies.

After the killing of 12 people at the offices of French satirical magazine Charlie Hebdo, that argument died away. The threats that Index sees every day – in Bangladesh, in Iran, in Mexico, the threats to poets, playwrights, singers, journalists and artists – had come to Paris. And so, by extension, to all of us.

Those to whom I had struggled to explain the creeping forms of censorship that are increasingly restraining our freedom to express ourselves – a freedom which for me forms the bedrock of all other liberties and which is essential for a tolerant, progressive society – found their voice. Suddenly, everyone was “Charlie”, declaring their support for a value whose worth they had, in the preceding months, seemingly barely understood, and certainly saw no reason to defend.

The heartfelt response to the brutal murders at Charlie Hebdo was strong and felt like it came from a united voice. If one good thing could come out of such killings, I thought, it would be that people would start to take more seriously what it means to believe that everyone should have the right to speak freely. Perhaps more attention would fall on those whose speech is being curbed on a daily basis elsewhere in the world: the murders of atheist bloggers in Bangladesh, the detention of journalists in Azerbaijan, the crackdown on media in Turkey. Perhaps this new-found interest in free expression – and its value – would also help to reignite debate in the UK, France and other democracies about the growing curbs on free speech: the banning of speakers on university campuses, the laws being drafted that are meant to stop terrorism but which can catch anyone with whom the government disagrees, the individuals jailed for making jokes.

And, in a way, this did happen. At least, free expression was “in vogue” for much of 2015. University debating societies wanted to discuss its limits, plays were written about censorship and the arts, funds raised to keep Charlie Hebdo going in defiance against those who would use the “assassin’s veto” to stop them. It was also a tense year. Events discussing hate speech or cartooning for which six months previously we might have struggled to get an audience were now being held to full houses. But they were also marked by the presence of police, security guards and patrol cars. I attended one seminar at which a participant was accompanied at all times by two bodyguards. Newspapers and magazines across London conducted security reviews.

But after the dust settled, after the initial rush of apparent solidarity, it became clear that very few people were actually for free speech in the way we understand it at Index. The “buts” crept quickly in – no one would condone violence to deal with troublesome speech, but many were ready to defend a raft of curbs on speech deemed to be offensive, or found they could only defend certain kinds of speech. The PEN American Center, which defends the freedom to write and read, discovered this in May when it awarded Charlie Hebdo a courage award and a number of novelists withdrew from the gala ceremony. Many said they felt uncomfortable giving an award to a publication that drew crude caricatures and mocked religion.

Index's project Mapping Media Freedom recorded 745 violations against media freedom across Europe in 2015.

Index’s project Mapping Media Freedom recorded 745 violations against media freedom across Europe in 2015.

The problem with the reaction of the PEN novelists is that it sends the same message as that used by the violent fundamentalists: that only some kinds of speech are worth defending. But if free speech is to mean anything at all, then we must extend the same privileges to speech we dislike as to that of which we approve. We cannot qualify this freedom with caveats about the quality of the art, or the acceptability of the views. Because once you start down that route, all speech is fair game for censorship – including your own.

As Neil Gaiman, the writer who stepped in to host one of the tables at the ceremony after others pulled out, once said: “…if you don’t stand up for the stuff you don’t like, when they come for the stuff you do like, you’ve already lost.”

Index believes that speech and expression should be curbed only when it incites violence. Defending this position is not easy. It means you find yourself having to defend the speech rights of religious bigots, racists, misogynists and a whole panoply of people with unpalatable views. But if we don’t do that, why should the rights of those who speak out against such people be defended?

In 2016, if we are to defend free expression we need to do a few things. Firstly, we need to stop banning stuff. Sometimes when I look around at the barrage of calls for various people to be silenced (Donald Trump, Germaine Greer, Maryam Namazie) I feel like I’m in that scene from the film Lock, Stock and Two Smoking Barrels where a bunch of gangsters keep firing at each other by accident and one finally shouts: “Could everyone stop getting shot?” Instead of demanding that people be prevented from speaking on campus, debate them, argue back, expose the holes in their rhetoric and the flaws in their logic.

Secondly, we need to give people the tools for that fight. If you believe as I do that the free flow of ideas and opinions – as opposed to banning things – is ultimately what builds a more tolerant society, then everyone needs to be able to express themselves. One of the arguments used often in the wake of Charlie Hebdo to potentially excuse, or at least explain, what the gunmen did is that the Muslim community in France lacks a voice in mainstream media. Into this vacuum, poisonous and misrepresentative ideas that perpetuate stereotypes and exacerbate hatreds can flourish. The person with the microphone, the pen or the printing press has power over those without.

It is important not to dismiss these arguments but it is vital that the response is not to censor the speaker, the writer or the publisher. Ideas are not challenged by hiding them away and minds not changed by silence. Efforts that encourage diversity in media coverage, representation and decision-making are a good place to start.

Finally, as the reaction to the killings in Paris in November showed, solidarity makes a difference: we need to stand up to the bullies together. When Index called for republication of Charlie Hebdo’s cartoons shortly after the attacks, we wanted to show that publishers and free expression groups were united not by a political philosophy, but by an unwillingness to be cowed by bullies. Fear isolates the brave – and it makes the courageous targets for attack. We saw this clearly in the days after Charlie Hebdo when British newspapers and broadcasters shied away from publishing any of the cartoons featuring the Prophet Mohammed. We need to act together in speaking out against those who would use violence to silence us.

As we see this week, threats against freedom of expression in Europe come in all shapes and sizes. The Polish government’s plans to appoint the heads of public broadcasters has drawn complaints to the Council of Europe from journalism bodies, including Index, who argue that the changes would be “wholly unacceptable in a genuine democracy”.

In the UK, plans are afoot to curb speech in the name of protecting us from terror but which are likely to have far-reaching repercussions for all. Index, along with colleagues at English PEN, the National Secular Society and the Christian Institute will be working to ensure that doesn’t happen. This year, as every year, defending free speech will begin at home.

What’s the taboo? Winter magazine 2015/16

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What’s taboo today? It might depend where you live, your culture, your religion, or who you’re talking to. The latest issue of Index on Censorship magazine explores worldwide taboos in all their guises, and why they matter. Comedians Shazia Mirza and David Baddiel look at tackling tricky subjects for laughs; Alastair Campbell explains why we can’t be silent on mental health; and Saudi Arabia’s first female feature-film director Haifaa Al Mansour speaks out on breaking boundaries with conservative audiences.

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Plus a crackdown on porn and showing your cleavage in China; growing up in Germany with the ghosts of WW2; what you can and can’t say in Israel and Palestine; and the argument for not editing racism out of old films. As the anniversary of Charlie Hebdo murders approaches, we also have a special section of cartoonists from around the world who have drawn taboos from their homelands – from nudity, atheism and death to domestic violence and necrophilia.

Also in this issue, Mark Frary explores the secret algorithms controlling the news we see, Natasha Joseph interviews the Swaziland editor who took on the king and ended up in prison, and Duncan Tucker speaks to radio journalists who lost their jobs after investigating presidential property deals in Mexico.
And in our culture section, Chilean author Ariel Dorfman looks at the power of music as resistance in an exclusive short story, which is finally seeing the light after 50 years in the pipeline. We have fiction from young writers in Burma tackling changing rules in times of transition, and there’s newly translated poetry written from behind bars in Egypt, amid the continuing crackdown on peaceful protest.

Each magazine sale helps Index on Censorship fight for free expression worldwide. Order your copy here, or take out a digital subscription via Exact Editions (just £18 for the year).

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Why breaking down social barriers matters

Stand up to taboos – Shazia Mirza and David Baddiel on how comedy tackles the no-go subjects

The reel world – Nikki Baughan interviews female film directors Susanne Bier and Haifaa Al Mansour, from Denmark and Saudi Arabia

Not just hot air – Kaya Genç goes inside Turkey’s right-wing satire magazine Püff

Slam session Péter Molnár speaks to fellow Hungarian slam poets about what they can and can’t say

Whereof we cannot speak – Regula Venske on growing up in Germany after WWII

China’s XXX factor – Jemimah Steinfeld investigates a crackdown on porn and cleavage

Pregnant, in danger and scared to speak – Nina Lakhani and Goretti Horgan on abortion laws and social stigma in El Salvador and Ireland

Airbrushing racism – Kunle Olulode explores the problems of erasing racist words from books and films

Why are we whispering? Alastair Campbell on why discussing mental illness still makes some people uncomfortable

Shouting about sex (workers) – Ian Dunt looks at the debate where everyone wants to silence each other

The history man – Professor Mohammed Dajani Daoudi explains how he has no regrets, despite causing outrage after taking Palestinian students to Auschwitz

Provoking Putin Oleg Kashin on how new laws are silencing Russians

Quiet zone: a global cartoon special – Featuring taboo-busting illustrations from Bonil, Dave Brown, Osama Eid Hajjaj, Fiestoforo, Ben Jennings, Khalil Rhaman, Martin Rowson, Brian John Spencer, Padrag Srbljanin, Toad and Vilma Vargas

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Reining in power – Natasha Joseph talks to the Swaziland editor who took on the king

Whose world are you watching?Mark Frary explores the secret algorithms controlling the news we see

Bloggers behind bars – Ismail Einashe interviews Ethiopia’s Zone 9 bloggers

Mexican airwaves – Duncan Tucker speaks to radio journalists who were shut down after investigating presidential property deals

Head to head – Bassey Etim and Tom Slater debate whether website moderators are the new censors

Off the map – Irene Caselli on how some of the poorest people in Buenos Aires fought back against Argentina’s mainstream media

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The rocky road to transition Ellen Wiles introduces new fiction by young Burmese writers Myay Hmone Lwin and Pandora

Sounds of solidarity Chilean author Ariel Dorfman presents his short story on the power of music as resistance

Poetry from a prisoner – Omar Hazek shares his verses written in an Egyptian jail and translated by Elisabeth Jaquette

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Global view – Index on Censorship’s CEO, Jodie Ginsberg, on the pull between extremism legislation, free speech and terrorism

Index around the world – Josie Timms presents Index’s latest work and events

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Don’t judge a reader by their book  – Vicky Baker on the danger of owning or reading certain texts

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

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Russia: Blasphemy law has aided the growth of religious censorship

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Archangel on the roof of St. Isaac’s Cathedral, St.Petersburg, Russia. Credit: Akimov Igor / Shutterstock

Since the amended blasphemy law came into force in July 2013, Russian journalists have faced a growth of religious censorship. This is according to a new study by Zdravomyslie, a foundation that promotes secularism.

Insulting religious beliefs of citizens was previously regulated by the Code of Administrative Offences and punishable by a fine not exceeding 1 thousand roubles (around $15). But after the scandal of the punk-prayer of feminist group Pussy Riot, who were sentenced to two years in jail for a performance in the Moscow’s Cathedral of Christ the Saviour in 2012, the Russian parliament adopted amendments that criminalised blasphemy.

Since July 2013, “public actions, clearly defying the society and committed with the express purpose of insulting religious beliefs” has been declared a federal crime and is punishable by up to three years in jail.

Evgeniy Onegin, a Zdravomyslie researcher, said that the imprecise wording of the law and stricter punishments have affected media freedom and resulted in a growth of self-censorship among journalists. His report Limitation of Media Freedom as a Consequence of the Law About Protection of Feeling of Believers was presented at a conference in Moscow at the end of October.

Onegin interviewed 128 employees of dozens of media organizations, including a major national television channel, radio stations, newspapers and websites. The majority, 119, said that after the revised blasphemy law came into force, managers told them not to mention religions, religious problems, traditions and “different manifestations of unbelief”. Some media organisations even prohibited usage of words “God”, “Allah” and “atheist” in headlines.

A journalist at a sports news website told the researcher that censorship had extended to idioms. For example, headlines “Hulk has talent from God” (about a Brazilian forward playing for Zenit Saint Petersburg football club) and “God’s hand helped Maradona” (about the score of the Argentinian forward at the World Cup in Mexico in 1986) were corrected to exclude the word “God”. The second headline was corrected a long time after publication because editorial staff decided to check archived articles.

Media professionals involved in a production of entertaining content also faced censorship. For example, a respondent working for a sketch show told Onegin about a ban on jokes containing phrases like “God will forgive you” or “you are definitely descended from a monkey”.

However, exceptions to the general policy of avoiding religious issues were made for Orthodox Church, which was confirmed by over the half of all respondents. For example, a journalist working for a national television channel said that her colleagues were told not to show “non-traditional for Russia religious symbols and signs”. However, the term non-traditional was not specified, so journalists started to avoid showing any religious objects, except those associated with the Orthodox Christianity.

The authors of the report presented a list of the most undesirable topics, which according to the respondents are potentially violations of the law. First place went to protest actions against the Orthodox Church (according to 84% of respondents), the second was atheism and unbelief (49%) and third place was coverage of religious events (23%).

Journalists also gave Onegin examples of when they were told not to cover stories: cancellation of celebration of Labour Day because of a coincidence with the holy week of Orthodox Lent; cancellation of performances of the Cannibal Corpse rock group due protests by Orthodox activists; protests of Orthodox activists against Leviathan, a movie by Andrey Zvyagentsev; cancellation of an Lord of the Rings-related Eye of Sauron installation on a Moscow tower a critical comment by an Orthodox priest.

The researcher came to conclusion, that the new blasphemy law and political, social and cultural conditions formed around it “have had a serious impact on media organisations, limiting freedom of speech and indirectly turning them into an instrument of a dominating religious organisation – Russian Orthodox church” and prevent audience of Russian media from getting an objective picture of civil society.

However, pressure on the press in Russia comes from other religions too. In January 2015, tens of thousands people gathered at a rally against French magazine Charlie Hebdo’s cartoons of the Prophet Mohammad in Grozny, the capital of predominantly Muslim Chechnya region. Kremlin-backed Chechen leader Ramzan Kadyrov not only accused European journalists in “insulting feeling of believers”, but also threatened those in Russia who supported Charlie Hebdo, including editor-in-chief of Echo of Moscow radio station Alexey Venediktov and former oligarch and vocal Kremlin critic Mikhail Khodorkovsky.

Earlier, the Chechen prosecutor’s office opened one of the first cases under the article 148 of Criminal Code, the renewed blasphemy law. In April 2014, a user of Live Journal was accused of “negative comments, expressing clearly disrespect for society and containing insulting remarks against people practicing Islam”. It was one of a few blasphemy cases that were opened in 2013-2014. However, in 2015 the use of article 148 of Criminal Code has stopped being a rareness.

In February 2015, another citizen of Chechen Republic was accused of insulting feelings of believers by posting a video on social networks. Also in February, the Investigative Committee began an initial inquiry into Tangazer opera staged in Novosibirsk theatre. In March, the first blasphemy case was opened in Ural region. In April, a user of the largest European social network, the St Petersburg-based VKontakte, was accused of insulting feelings of believers in his comments. At the end of October, VKontakte MDK was blocked by a St Petersburg court decision because it contained content that “insult feelings of believers and other groups of citizens”.

The imprecise wordings of the law and a wide range of its possible interpretations has arisen concerns of human rights activists. The several online campaigns were started to collect signatures under a petition calling for a repeal of the blasphemy law, but all of them failed to gain more than two thousand signatures.

This is one of a series articles on Russia published today by Index on Censorship. To read about the difficulties faced by Russia’s regional media in the face of growing political power, click here.