Risks, Rights and Reputations: Challenging a risk averse culture

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Risks, Rights & Reputations (RRR) provides artists and arts organisations with the guidance, inspiration, tools and resources to navigate the rights and responsibilities of producing socially sensitive work. 

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_column_text]Embracing risk and controversy, understanding rights and responsibilities and re-evaluating reputation, all contribute to creating the conditions for freedom of artistic expression to thrive.

Drawing on our experience of monitoring censorship and self-censorship over the past 10 years in the UK, Index aims to build institutional and individual confidence and resilience needed to navigate dilemmas and embrace controversy associated with challenging, provocative art and expression by the full diversity of artists. Building on the 2018 programme run in partnership with What Next? And Cause4 RRR provides resources, guidance, mentoring, bespoke training, and access to pro-bono support to promote artistic freedom of expression to the cultural sector. [/vc_column_text][vc_custom_heading text=”Resources” use_theme_fonts=”yes”][vc_row_inner disable_element=”yes”][vc_column_inner width=”1/2″][vc_column_text]

RRR pro-bono professional advice

The service provides free advice and support to colleagues in the cultural sector facing ethical, reputational, legal or personal issues at any point in the life cycle of creating, producing or presenting a piece of work.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]

Bespoke training and consultancy

The problems and dilemmas associated with the programming and planning of certain works of art are usually very specific, affected by the specific location and siting of the work, the audience, particular communities of interest who might be hostile to the work, concerns about press and social media.  We offer bespoke training and consultancy.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner][vc_custom_heading text=”Case Studies” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]These case studies cover art work going back over the past 9 years that deals with some of the most highly sensitised, contentious and complex issues in today’s society – terrorism, incest, slavery, illegal immigration, grooming, radicalisation – provoking debate and controversy around authorship, representation, the role of the police and online campaigns and self-censorship. In some cases the work was removed, in others not – in some the controversy was anticipated, in others not. Collectively, the case studies aim to equip arts organisations and artists with insight into what worked and what didn’t, what mistakes were made, and what lessons were learned.

The most recent and ongoing series of case studies, written over the past couple of years, are short publications of record with a brief account of what happened, supported by press commentary and short ‘reflective’ interviews with people involved looking back on the legacy of the events.[/vc_column_text][posts_grid_width_page category_id=”8884″][vc_custom_heading text=”Commentary and Reports” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][posts_grid_width_page category_id=”8885″][/vc_column_inner][/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”103263″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Kwame Kwei-Armah, Artistic Director, Young Vic[/vc_column_text][vc_column_text]

“The work produced and directed on stages across the UK has made unprecedented strides in putting ideas, visual or otherwise, to audiences since the UK Theatre Act was overturned in 1968. That said, it’s our duty as theatre makers to keep the torch burning and ensure the legacy of those who campaigned continues. We can do that by never believing there isn’t a boundary that can’t be pushed, or a difficult question we can’t ask.”

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”105283″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Sir Nick Serota, chair of Arts Council England[/vc_column_text][vc_column_text]

“In recent years there have been an increasing number of high-profile cases raising ethical and censorship issues around plays, exhibitions and other artworks. Censorship – and self-censorship – can stand in the way of great art. That’s why Arts Council England is committed to supporting those organisations who are taking creative risks. It’s important that organisations are aware of relevant legislation and the excellent guidance that exists. This programme is an important step in ensuring that our sector can continue to create vital, challenging, and risk-taking work.”

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][vc_empty_space][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Further Reading” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][posts_grid_width_page category_id=”22244″][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Art and the Law” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fcampaigns%2Fart-and-the-law%2F|||”][vc_column_text]Guides to the law on free expression and the arts in England and Wales[/vc_column_text][vc_tta_tabs][vc_tta_section title=”Child Protection” tab_id=”1500476202857-57f7def9-a917bf12-4b2a”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

Child Protection

Child protection is a sensitive area of law and a deserved focus of public concern.  The prospect of a police investigation alone will be a matter of substantial press interest, while an actual prosecution, although unlikely in the professional arts sector, would nevertheless result in grave consequences for the gallery and the artist.

Read more[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”81100″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2015/07/art-and-the-law-child-protection/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Counter Terrorism” tab_id=”1500535116364-451e594b-9153bf12-4b2a”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

Counter Terrorism

Counter-terrorism is a complex and controversial area of the law, not least because the offences are often very widely drafted. The relevant legal definition of terrorism, contained within the Terrorism Act 2000 (and further extended in 2006), is very broad and potentially covers a very wide range of acts beyond those that are widely understood to be “terrorist” in nature.

Read more[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”81105″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2015/07/art-law-counter-terrorism/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Obscene Publications” tab_id=”1500535326180-535796ce-7cf4bf12-4b2a”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

Obscene Publications

Obscene publications are governed by the Obscene Publications Act 1959 and the Obscene Publications Act 1964. The 1959 Act sets out the legal test for obscenity and creates certain offences and defences.

Read more[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”81110″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/02/art-law-obscene-publications/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Public Order” tab_id=”1500535513084-1a5d8cbc-8b31bf12-4b2a”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

Public Order

Public order law is complicated and its application to any particular case will be fact-specific. It should be borne in mind that much of this area of law – in particular breach of the peace – is governed by the common law. Common law, also referred to as case law, is made by judges and developed in the cases that come before the court over time.

Read more[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”81133″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2015/07/art-law-public-order/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][vc_tta_section title=”Race and Religion” tab_id=”1500535700426-333d46b7-c509bf12-4b2a”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

Race and Religion

UK law criminalises conduct that has the intent of stirring up racial hatred or hatred on grounds of religion or sexual orientation.

Read more[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”81139″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/02/art-law-race-religion/”][/vc_column_inner][/vc_row_inner][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row]

Cartoonist Ramón Esono Ebalé wins CRNI award

[vc_row][vc_column][vc_single_image image=”96393″ img_size=”full” add_caption=”yes” alignment=”center”][vc_column_text]Cartoonist Ramón Esono Ebalé has been named the winner of the 2017 Cartoonists Rights Network International Award for Courage in Editorial Cartooning.

An outspoken and gifted graphic novelist and cartoonist, Ebalé is imprisoned in Equatorial Guinea’s notorious Black Beach prison under as yet unspecified charges.

“The Equatorial Guinean government, one of the most notorious kleptocracies in Africa, is clearly angered by his outspoken comic and cartoon based criticism of the ruling family,” Joel Pett, president of the CRNI board of directors, wrote in a statement accouncing the award.

Ebalé, alias Jamon y Queso, was arrested on 16 September in Malabo, the capital of Equatorial Guinea. He was initially questioned by security agents in relation to his cartoons that are critical of President Obiang and other government officials. News outlets reported a few days later that he is being investigated for alleged money laundering and counterfeiting money.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_single_image image=”96264″ img_size=”full” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/10/exhibition-repressive-governments-world-fear-cartoonists/”][/vc_column][vc_column width=”1/2″][vc_column_text]

Exhibition: Repressive governments the world over fear cartoonists

Repressive governments the world over fear cartoonists. Cartoonists get straight to the point. Join Index, CRNI and the UK’s Professional Cartoonists Organisation for an exploration of cartooning.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.

Join our mailing list (or follow us on Twitter or Facebook) and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row]

Risks, rights and reputations: challenging a risk averse culture

[vc_row][vc_column][vc_single_image image=”96667″ img_size=”full” alignment=”center”][vc_column_text]Risks, Rights and Reputations is led by Index on Censorship in partnership with What Next? and Cause4.

This vital half-day training for CEOs and chairs of trustees supports arts and cultural organisations to handle difficult subjects and sensitive stories to deliver the best work possible.

Navigating the rights and responsibilities of art that explores socially sensitive work can appear daunting, risky and time-consuming; the prospect of controversy, protest, police intervention and possible closure or cancellation because the work is provocative, or the funder is controversial, can be powerful disincentives. And yet great art has always fuelled controversy, and experimentation and risk-taking are integral to achieving excellent, relevant art.

“In recent years there have been an increasing number of high-profile cases raising ethical and censorship issues around plays, exhibitions and other artworks. Censorship – and self-censorship – can stand in the way of great art. That’s why Arts Council England is committed to supporting those organisations who are taking creative risks. It’s important such organisations are aware of relevant legislation and the excellent guidance that exists as well as, crucially, being supported by colleagues across the sector in similar situations. This programme is an important step in ensuring that our sector can continue to create vital, challenging, and risk-taking work.”

— Sir Nick Serota – Chair of Arts Council England

The training will support participants to:

  • Deepen understanding of the legal and rights framework supporting artistic freedom in the UK
  • Explore the impact on freedom of expression of BME artists of recent controversies in the arts
  • Explore the dilemmas thrown up by ethical fundraising
  • Support organisations to understand when and how to build a relationship with the police in relation to controversial work

We are delighted that Dave Moutrey (CEO of Home) and Jonty Claypole (Chair of Home) will be hosting the session and your trainers for the afternoon will be:

  • Julia Farrington – Freedom of expression specialist from Index on Censorship
  • Helen Jenkins – Fundraising consultant from Cause4
  • Raheel Mohammed – Founder and Director from Maslaha
  • A member of the Public Order and Public Safety training team from the College of Policing

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When: Monday 26 February 2018, 12:30–5:30pm
Where: HOME, 2 Tony Wilson Place, Manchester, M15 4FN
Tickets: £48 – £96 via Eventbrite

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Risks, rights and reputations: challenging a risk-averse culture

[vc_row][vc_column][vc_single_image image=”96667″ img_size=”full” alignment=”center”][vc_column_text]Risks, Rights and Reputations is led by Index on Censorship in partnership with What Next? and Cause4.

This vital half-day training for CEOs and chairs of trustees supports arts and cultural organisations to handle difficult subjects and sensitive stories to deliver the best work possible.

Navigating the rights and responsibilities of art that explores socially sensitive work can appear daunting, risky and time-consuming; the prospect of controversy, protest, police intervention and possible closure or cancellation because the work is provocative, or the funder is controversial, can be powerful disincentives. And yet great art has always fuelled controversy, and experimentation and risk-taking are integral to achieving excellent, relevant art.

“In recent years there have been an increasing number of high-profile cases raising ethical and censorship issues around plays, exhibitions and other artworks. Censorship – and self-censorship – can stand in the way of great art. That’s why Arts Council England is committed to supporting those organisations who are taking creative risks. It’s important such organisations are aware of relevant legislation and the excellent guidance that exists as well as, crucially, being supported by colleagues across the sector in similar situations. This programme is an important step in ensuring that our sector can continue to create vital, challenging, and risk-taking work.”

— Sir Nick Serota – Chair of Arts Council England

The training will support participants to:

  • Deepen understanding of the legal and rights framework supporting artistic freedom in the UK
  • Explore the impact on freedom of expression of BME artists of recent controversies in the arts
  • Explore the dilemmas thrown up by ethical fundraising
  • Support organisations to understand when and how to build a relationship with the police in relation to controversial work

We are delighted that Jude Kelly CBE (Artistic Director of Southbank Centre) and Elaine Bedell (Chair of Southbank Centre – TBC) will be hosting the session and your trainers for the afternoon will be:

Julia Farrington – Freedom of expression specialist from Index on Censorship
Michelle Wright – Fundraising consultant from Cause4
Raheel Mohammed – Founder and Director from Maslaha
A member of the Public Order and Public Safety training team from the College of Policing

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When: Wednesday 25 April 2018, 12:30–5:30pm
Where: Southbank Centre, Belvedere Road, London, SE1 8XX
Tickets: £48 – £96 via Eventbrite

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