17 Jun 15 | Azerbaijan News, mobile, News and features
Governments don’t really like coming across as authoritarian. They may do very authoritarian things, like lock up journalists and activists and human rights lawyers and pro democracy campaigners, but they’d rather these people didn’t talk about it. They like to present themselves as nice and human rights-respecting; like free speech and rule of law is something their countries have plenty of. That’s why they’re so keen to stress that when they do lock up journalists and activists and human rights lawyers and pro-democracy campaigners, it’s not because they’re journalists and activists and human rights lawyers and pro-democracy campaigners. No, no: they’re criminals you see, who, by some strange coincidence, all just happen to be journalists and activists and human rights lawyers and pro-democracy campaigners. Just look at the definitely-not-free-speech-related charges they face.
1) Azerbaijan: “incitement to suicide”
Khadija Ismayilova is one of the government critics jailed ahead of the European Games.
Azerbaijani investigative journalist Khadija Ismayilova was arrested in December for inciting suicide in a former colleague — who has since told media he was pressured by authorities into making the accusation. She is now awaiting trial for “tax evasion” and “abuse of power” among other things. These new charges have, incidentally, also been slapped on a number of other Azerbaijani human rights activists in recent months.
2) Belarus: participation in “mass disturbance”
Belorussian journalist Irina Khalip was in 2011 given a two-year suspended sentence for participating in “mass disturbance” in the aftermath of disputed presidential elections that saw Alexander Lukashenko win a fourth term in office.
3) China: “inciting subversion of state power”
Chinese dissident Zhu Yufu in 2012 faced charges of “inciting subversion of state power” over his poem “It’s time” which urged people to defend their freedoms.
4) Angola: “malicious prosecution”
Journalist and human rights activist Rafael Marques de Morais (Photo: Sean Gallagher/Index on Censorship)
Rafael Marques de Morais, an Angolan investigative journalist and campaigner, has for months been locked in a legal battle with a group of generals who he holds the generals morally responsible for human rights abuses he uncovered within the country’s diamond trade. For this they filed a series of libel suits against him. In May, it looked like the parties had come to an agreement whereby the charges would be dismissed, only for the case against Marques to unexpectedly continue — with charges including “malicious prosecution”.
5) Kuwait: “insulting the prince and his powers”
Kuwaiti blogger Lawrence al-Rashidi was in 2012 sentenced to ten years in prison and fined for “insulting the prince and his powers” in poems posted to YouTube. The year before he had been accused of “spreading false news and rumours about the situation in the country” and “calling on tribes to confront the ruling regime, and bring down its transgressions”.
6) Bahrain: “misusing social media
Nabeel Rajab during a protest in London in September (Photo: Milana Knezevic)
In January nine people in Bahrain were arrested for “misusing social media”, a charge punishable by a fine or up to two years in prison. This comes in addition to the imprisonment of Nabeel Rajab, one of country’s leading human rights defenders, in connection to a tweet.
7) Saudi Arabia: “calling upon society to disobey by describing society as masculine” and “using sarcasm while mentioning religious texts and religious scholars”
In late 2014, Saudi women’s rights activist Souad Al-Shammari was arrested during an interrogation over some of her tweets, on charges including “calling upon society to disobey by describing society as masculine” and “using sarcasm while mentioning religious texts and religious scholars”.
8) Guatemala: causing “financial panic”
Jean Anleau was arrested in 2009 for causing “financial panic” by tweeting that Guatemalans should fight corruption by withdrawing their money from banks.
9) Swaziland: “scandalising the judiciary”
Swazi Human rights lawyer Thulani Maseko and journalist and editor Bheki Makhubu in 2014 faced charges of “scandalising the judiciary”. This was based on two articles by Maseko and Makhubu criticising corruption and the lack of impartiality in the country’s judicial system.
10) Uzbekistan: “damaging the country’s image”
Umida Akhmedova (Image: Uznewsnet/YouTube)
Uzbek photographer Umida Akhmedova, whose work has been published in The New York Times and Wall Street Journal, was in 2009 charged with “damaging the country’s image” over photographs depicting life in rural Uzbekistan.
11) Sudan: “waging war against the state”
Al-Haj Ali Warrag, a leading Sudanese journalist and opposition party member, was in 2010 charged with “waging war against the state”. This came after an opinion piece where he advocated an election boycott.
12) Hong Kong: “nuisance crimes committed in a public place”
Avery Ng wearing the t-shirt he threw at Hu Jintao. Image from his Facebook page.
Avery Ng, an activist from Hong Kong, was in 2012 charged “with nuisance crimes committed in a public place” after throwing a t-shirt featuring a drawing of the late Chinese dissident Li Wangyang at former Chinese president Hu Jintao during an official visit.
13) Morocco: compromising “the security and integrity of the nation and citizens”
Rachid Nini, a Moroccan newspaper editor, was in 2011 sentenced to a year in prison and a fine for compromising “the security and integrity of the nation and citizens”. A number of his editorials had attempted to expose corruption in the Moroccan government.
This article was originally posted on 17 June 2015 at indexoncensorship.org
16 Mar 15 | Magazine, mobile, Volume 44.01 Spring 2015
[vc_row][vc_column][vc_custom_heading text=”How can more refugees get their voices heard? The latest issue of Index on Censorship magazine is out now and features a special focus on the threats to free expression within refugee camps.”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
We follow the steps of Italian journalist Fabrizio Gatti, who spent four years undercover investigating migrant routes from Africa to Europe. We look at how social media has become a blessing and a curse – offering a connection back home and a means of surveillance. We have pieces by refugees, written from inside camps about persisting myths; by those struggling to claim rights as workers; and by those who have set up innovative, creative projects to share their stories.
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_empty_space height=”50px”][vc_single_image image=”64776″ img_size=”full”][/vc_column_inner][/vc_row_inner][vc_column_text]
The issue also features a thoughtful analysis of the aftermath of the Charlie Hebdo attack in Paris, with contributions from Chilean writer Ariel Dorfman; Irish co-creator of Father Ted, Arthur Mathews; Turkish novelist Elif Shafak; British playwright David Edgar; former head of BBC news Richard Sambrook; and Hong Kong-based journalist Hannah Leung. Taking the long view, this group of writers looks at the worldwide picture, and how terror is used to silence.
Also, Martha Lane Fox and retired Major General Tim Cross go head-to-head, debating if privacy is more vital than national security. We have stories about attacks on journalists covering the drug trade in South America; a cover-up of abortion figures in Nicaragua; and the lessons to be learnt from attempts to downplay epidemics, from Aids to ebola. Plus an extract from Lucien Bourjeily’s new play, which has skirted the Lebanese censors’ ban, and poetry from Turkish writers Ömer Erdem and Nilay Özer – all translated into English for the first time.
The issue’s cover artwork is by cartoonist Ben Jennings, and the magazine also features work from our regular collaborator Martin Rowson; and extracts from a graphic reportage set in an Iraqi camp, by Olivier Kugler.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: ACROSS THE WIRES” css=”.vc_custom_1483457468599{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
How refugee stories get told
Undercover immigrant – Italian journalist Fabrizio Gatti spent four years undercover investigating refugee routes from Africa to Europe
Taking control of the camera – Almir Koldzic and Aine O’Brien on refugee camp projects – from soap operas to photography classes – that help refugees tell their own stories. Also: Valentino Achak Deng on life after fleeing Sudan’s civil war; Kate Maltby visits the Syrian Trojan Women’s acting project; and Preti Taneja on bringing Shakespeare to the children of Zaatari
The way I see it – Refugees Rana Moneim and Mohammed Maarouf share their viewpoints from inside a camp, plus a camp visitor shatters his preconceptions
Clear connections – Jason DaPonte on how social media’s power is being harnessed by refugees
Who tells the stories? – Mary Mitchell and Mohammed Al Assad on a storytelling project in a Lebanon camp
Realities of the promised land – Iara Beekma looks at life for Haitian immigrants in Brazil and their rights as workers
The whole picture – Photojournalist Chris Steele-Perkins’ honest account of decades spent capturing refugees’ stories, from Rwandans to the Rohingha
Stripsearch – Our regular cartoonist, Martin Rowson, imagines the Democratic Republic of Cyberspace
Escape from Eritrea – Ismail Einashe explores the dangers of fleeing one of the world’s harshest regimes
A very human picture – Artist Olivier Kugler illustrates life within Iraq’s Domiz refugee camp
In limbo in world’s oldest refugee camps – Tim Finch looks at the places where 10 million people can spend years, or even decades
Sound and fury – Rachael Jolley interviews musician Martyn Ware, from Heaven 17 and the Human League, on the power of soundscape storytelling
Sheltering against resentment – Natasha Joseph reports from Johannesburg on the end of the line for a sanctuary for those fleeing xenophobia
Understanding how language matters – Kao Kalia Yang recalls her childhood as a Hmong refugee in Thailand and the USA
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Outbreaks under wraps – Alan Maryon-Davis looks at how denials and cover-ups spread ebola, Sars and Aids
Trade secrets – César Muñoz Acebes investigates Paraguay’s drug war and the dangers for journalists, plus Duncan Tucker on Mexico’s courageous bloggers and social media users, who are filling the gaps where Mexico’s press fears to tread
Lies and statistics – Nina Lakhani reports from Nicaragua on the cover-up of abortion figures and domestic abuse
Charlie Hebdo: taking the long view – After the Paris murders, seven writers from around the world look at how offence and terror are used to silence, featuring Arthur Mathews, Ariel Dorfman, David Edgar, Elif Shafak, Hannah Leung, Raymond Louw, Richard Sambrook
Screened shots – Jemimah Steinfeld on the Chinese film industry’s obsession with portraying Japan’s invasion during World War II
Finland of the free – Risto Uimonen explains why the Finns always top media freedom indexes, and the Belfast Telegraph’s readers’ editor, Paul Connolly, shares his thoughts on the future of press regulation
Head to head: Is privacy more vital than national security? Martha Lane Fox and Tim Cross debate how far governments should go when balancing individual rights and safeguarding the nation
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
The state v the poets – Kaya Genç introduces works by Turkish poets Ömer Erdem and Nilay Özer
Knife edge – Lebanese playwright Lucien Bourjeily presents an exclusive extract from his latest play as it escapes the censors’ ban
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Global view – Index’s CEO Jodie Ginsberg says universities must not fear offence and controversy
Index around the world – Aimée Hamilton provides an update on Index on Censorship’s work
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Social disturbance – Vicky Baker looks at how user-generated content lost its innocence, from digital jihadis to hoaxes and propaganda
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]
28 Nov 14 | Academic Freedom, News and features, United States
Independent student newspapers struggle in an increasingly digital world. Advertising revenue is shrinking. Budding journalists must learn how to fill the gap while maintaining news coverage free of administration censorship.
Of the more than 500 student newspapers in the US, Index spoke with two papers about their work and how they finance themselves independently.
“We really value our independent status because it allows us to be critical of the administration and be a watchdog of our university,” Kyle Plantz, editor-in-chief at Boston University’s Daily Free Press, said in an email interview.
The paper formed in 1970 after the university’s then president John Silber cut funding to two campus publications to prevent coverage of Kent State protests. As a result they merged to become the Free Press.
In recent years, Daily Free Press staff has written articles covering topics on campus such as gender neutral housing and students’ issues with the Student Activities Office, which oversees student organisations. In late 2011-2012, the paper provided extensive coverage of the arrest of two ice hockey players charged with sexual assault.
Nicole Brown, editor-in-chief at New York University’s Washington Square Press, also said her paper acts as a watchdog on the NYU administration.
“We need to be able to question our university and present information to the community,” Brown said. “We also need to be able to voice our opinions without fear of being punished for those opinions.”
The Washington Square Press keeps an open dialogue on campus through its feature, NYU Reacts. It includes students’ thoughts on topics ranging from ISIS subway threats to pro-democracy protests in Hong Kong. The paper also publishes articles on sensitive issues, such as a November 2013 piece in which NYU faculty express concern over the London campus’s rapid expansion.
Many student papers struggle to maintain steady revenue. Brown said the Washington Square Press relies on advertising, sold and managed by student staff.
“With a move toward more online content, there are more opportunities to sell ad spaces online, as well as in print,” Brown said.
For the Free Press, nearly $70,000 (£44,576.05) debt to their printers recently threatened to shutter their publication. They switched from publishing four days a week to once a week and, on 10 November, launched a crowd-sourcing campaign.
The paper surpassed their goal and raised over $82,000 in just three days, with Daily Free Press alumnus Bill O’Reilly donating $10,000 and local businessman Ernie Boch Jr. donating $50,000.
“[Reducing publication], along with cutting some other costs, we are able to continue to receive ad revenue and sustain our weekly print edition,” Plantz said. “We are assessing how we want to use [the extra funds] and what will be beneficial to our organization in the future.”
Independent newspapers must find a way to financially sustain themselves or campuses will lose reliable, student-run news.
As Plantz said, “We are one of the only outlets that allow students to have a voice, question authority, and be a place for students, faculty, staff, and the administration to come together to learn about what’s happening on campus.”
This article was originally posted 28 November on indexoncensorship.org
23 Oct 14 | China, Digital Freedom, News and features
(Image: Screengrab from linecorp.com/en/)
The instant messaging app LINE has strengthened its censorship methods in mainland China, according to new findings from the Citizen Lab at the University of Toronto. The academic researchers not only found proof that the app now censors more topics than ever before, but also that LINE is censoring in a way that is harder to detect for the average user.
Want to discuss the China’s ruling Communist Party (CPC) with your friends on LINE? Go ahead. Compare foreign leaders to dictators? No problem, chat away. Unless you mention both the CPC and dictatorship in one chat message, you won’t notice LINE’s new censorship policy. That’s because LINE recently “improved” its censorship methods in China by adding almost fifty so-called regular expressions to its long list of taboo subjects; that is, groups of words that users are allowed to use independently, but not in combination.
The findings are interesting because LINE’s novel use of regular expressions allows a more subtle form of censorship, argues Jason Q. Ng, one of the researchers at the University of Toronto. “It allows for a more nuanced censorship for topics such as Xinjiang, instead of just a blanket block,” he told Pao-Pao over the phone, referring to the western province which has long been plagued by tensions between Chinese authorities and the indigenous Uighur people.
That’s positive for the authorities, he explains: “If you hide a smaller set of things, less people will encounter censorship than if you block everything related to a certain topic. Many people might want to speak in a so-called ‘legitimate’ way on a topic like Xinjiang, so if [the censors] block everything related to the topic, it will just make those people curious about the censorship, and the reasons behind its existence.”
Ng says that he thinks that the new method of censorship will only hinder the small minority of people already aware of the existence of censorship. One of the new, blocked combinations of words on LINE includes “Xinjiang”（新疆）and “independent” (獨立). Similar censorship techniques have already been implemented on Weibo, also known as Chinese Twitter.
There’s a whimsical name for the phenomenon that the Chinese authorities are trying to avoid with these new techniques: the Streisand effect, after American singer Barbara Streisand. In 2003, she attempted to suppress photographs of her residence in Malibu, California by suing a photographer. The lawsuit ended up inadvertently generating a storm of publicity: whereas only six people had viewed the photographs before the lawsuits — two of which were her attorneys — the case caused 420,000 people to look up the photos within the month.
But it is a serious principle, as demonstrated earlier this month, during the protests in Hong Kong which were in a sense also a prime example of the dreaded Streisand effect. After a few students were teargassed by the police in an effort to suppress their protest, local outrage and support only swelled, resulting in a much higher turnout at demonstrations on the following days.
The Citizen Lab researchers have been tracking and analyzing LINE’s censorship for close to a year. They have reverse engineered the application, finding that when the user’s country is set to China it will enable censorship by downloading a list of banned words from a website called Naver. Whenever the list is updated, they study the differences compared to previous lists.
In a post on their website, Citizen Lab also show users how they can change their regional settings, allowing them to circumvent censorship on LINE within China.
In Citizen Lab’s report on the new methods, the researchers conclude that the new list “demonstrates LINE Corporation’s continued commitment to filtering keywords for users based in China and a push to improve the underlying technology”.
Still, Jason Q. Ng says that it is hard to say whether LINE’s censorship is better or worse than other chat apps like WeChat. “For LINE it is easier to see the exact way they censor,” he says. “Normally we can’t do that: we have to test the app word by word. We are still working on WeChat. Also, it depends on the way you measure: some apps might censor less, but have the ability to surveil a lot. That might be worse for the users.”
This article was originally published at pao-pao.net
