12 Sep 2017 | Magazine, Magazine Contents, Volume 46.03 Autumn 2017
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The retro medium of radio is back, as we explore in the Autumn issue of Index on Censorship magazine 2017, which is excellent news for the delivery of well, news. Laura Silvia Battaglia reports from Mosul on the radio station that is giving a voice to the people there, while Claire Kopsky interviews people behind “radio boats“, boats that are broadcasting information on cholera in the Central African Republic in a bid to educate the population about the disease.
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Then there are the examples of radio proving a perfect outlet for people to share their most private inner thoughts and experiences, as Wana Udobang writes about from a Nigerian context and Xinran remembers back in China.
Part of the increased popularity of radio is that it’s managed to evolve and we have an article on how podcasts are being made in some of the least likely – and most censored – places, such as China, and smuggled into North Korea. We also have a handy guide on making your own podcasts, for those with an idea.
But radio’s ability to reach the masses also means that this powerful tool can get into the wrong hands. Ismail Einashe explores this in his article on al-Shabaab in Somalia, who operate a very popular radio station. Then there’s Rwanda, which two decades ago saw the airwaves being monopolised by voices promoting genocide. The country has moved on a lot, but radio is still far from free.
Outside the special report, we take you to Russia where a seemingly innocent film about the last tsar has angered the country’s church. With Banned Books Week coming up, we ask a selection of writers to choose the books that made them think most about free speech. What would be your pick? And we have an extract from a forthcoming novel highlighting the dangers of being a journalist in Mexico, with superb illustrations to accompany.
Finally, don’t miss our cut-out-and-keep male nipple template, a handy tool to ensure female nipples are social media friendly.
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Why the rebirth of radio is delivering more news
Fear for the airwaves, by Ismail Einashe: In Somalia al-Shabaab control a prominent radio station and a fifth of the country. Meet the radio presenters who brave danger to keep reporting
Project freedom? by Sally Gimson: Radio Free Europe was at the frontline of Cold War reporting. Three decades on, is it still needed?
Sound unbound, by Oleg Shynkarenko: How a new radio station was built from scratch using crowdfunding to break away from oligarchs and government pressure
Don’t touch that dial, by Kieran Etoria-King, Rachael Jolley, Jemimah Steinfeld: Interviews with a pirate rain DJ, comedian Robin Ince, a Hong Kong presenter, the controller of BBC World Service English and the editor of a refugee radio station
Syrians speaking, by Rhodri Davies: Syrians in exile on why they set up a new radio station and what it covers
Power to the podcast, by Mark Frary: Podcasting is bringing a whole new audience to radio and giving investigative journalism a boost. Plus, our handy guide to making your own podcasts
Stripsearch cartoon, by Martin Rowson: There’s a new app out called Smart Ink. Will it become a dictator’s favourite tool?
Tuning into a brave new world, by Jan Fox: Grassroots radio is on the rise in the USA, where a 98-year-old granny is a station superstar, but it’s not without challenges
Under the rad(io)ar, by Kaya Genç: A radio station in Turkey, known for its criticism of the government, is somehow surviving the current crackdown
Taboos and telephones, by Xinran: Radio was one of the first outlets where Chinese women spoke about personal issues such as forced abortions. Is the same honesty possible today?
Stationed in the warzone, by Laura Silvia Battaglia: Radio presenters in Mosul tell Index how the station is giving a voice to the people, but it has not been easy operating under bombardment
Secrets, lies and Lagos lives, by Wana Udobang: Exorcisms and illicit affairs are just some of the topics callers to a popular talk show in Nigeria wanted to share
New waves, by Claire Kopsky: Radio took to riverboats in the Central African Republic to bring information and news about a cholera epidemic
Chat rooms, by Milton Walker: Talk about interactivity, Jamaican radio shows sometimes receive as many as 4,000 text messages
Sound and fury, by Graham Holliday. Two decades ago Rwandan radio was monopolised by voices promoting genocide, but radio is still not free from controversy
Let’s get this show on the road, by Silvia Nortes: Meet the Spanish comedians behind Radio Gaga, a television show about radio which visits overlooked communities
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China’s other great wall, by Madeleine Thien: 1980s Beijing saw the creation of another wall, one promoting democracy. The Booker Prize nominee discusses its legacy today
Closing access to the back door, by Iona Craig: Investigative journalists working in hostile environments need encrypted apps to work more safely. This is being forgotten in the current debate on encryption
No one owns language, by Jemimah Steinfeld: The 2016 Man Booker Prize winner Paul Beatty discusses “offensive” language and teaching styles
Risky business, by Charlotte Bailey: Amid confiscations and threats, one chain of bookstores continues to operate in Libya
Tracking down the F word in fiction, by Mahesh Rao, Sean Gallagher, Kieran Etoria-King, Grainne Maguire, Ryan McChrystal: Ahead of Banned Books Week, writers choose the books that make them think about free speech
Costume drama, by Amie Ferris-Rotman: Russia’s religious right claim God is annoyed about a film on the last tsar, just part of a new censorship culture
Bulldozing his way through the media, by Natasha Joseph: Tanzania’ current president has been nicknamed “the bulldozer” and the media is in his sight
Big brother we’re watching you, by Jason Daponte: Members of a new, hip London club claim to have empowered voters in the UK General Election
Making a killing, by Duncan Tucker: A special Index investigation looking at why Mexico is an increasingly deadly place to be a journalist as reporters face threats from corrupt police to deadly drug gangs
New tribal instinct, by Peter Bazalgette: Our pact mentality has become more pronounced as we spend more time online, the author argues
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Parallel lives and unparalleled risks, by Tim MacGabhann: The author discusses his time reporting from Mexico, how the death of one journalist particularly affected him and introduces an excerpt from his forthcoming book
The people’s poet, by Wiji Thukul: Nearly 20 years since Indonesia’s famous poet disappeared, Eliza Vitri Handayani introduces the man and some new translations of his poems
The disappeared, by Chawki Amari: The award-winning Algerian writer talks about prison in Algeria and the media landscape in France. Plus a short story
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Index around the world, by Kieran Etoria-King: Top comedy acts discuss the importance of humour following our event Stand up for Satire, plus news of other Index summer highlights
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Endnote”][vc_column_text]
Uncovering the nipple cover-up, by Jemimah Steinfeld: The battle to give the female nipple equal rights as one woman heads to the Supreme Court. Plus, a cut-out-and-keep male nipple for social media use
[/vc_column_text][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”Free to air” font_container=”tag:p|font_size:24|text_align:left” link=”url:%20https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F09%2Ffree-to-air%2F|||”][vc_column_text]Through a range of in-depth reporting, interviews and illustrations, the autumn 2017 issue of Index on Censorship magazine explores how radio has been reborn and is innovating ways to deliver news in war zones, developing countries and online
With: Ismail Einashe, Peter Bazalgette, Wana Udobang[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”95458″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/magazine”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
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12 Sep 2017 | News and features, Volume 46.03 Autumn 2017
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A LONG TIME ago my friend Tom told me that for many people there were only two states of mind: talking, and waiting to talk. In effect as his simple description suggests, no one was listening to what anyone else had to say.
This was way before social media got to the state it is in today. In 2017 we have all become transmitters, broadcasting our micro thoughts and reactions almost incessantly. Sometimes I worry that people spend so much of their time on Twitter that they can’t have time to fit in basics like eating, cooking, sleeping, and doing a job.
Listen to a radio show, and you might be provoked, informed or excited about a new subject. But in listening you are doing something that is a little out of fashion, contemplating what others are saying, not writing down some angry instant response, or even just posting the first thought that comes into your head. Surprisingly radio is on the rise again (Americans listened to 11.5 billion hours of news across Nielsen’s portable people meter markets in 2016, up from 10.5 billion in 2015), its audience is growing across various age groups, and part of the reason might be because we are all tired of transmitting constantly. Instead we appear to be happier to settle down and listen to radio and, particularly its news programmes, again.
In the summer of 2017, around 48.2 million people in Britain listened to the radio at least once a week, up 0.9% from 2016. And in 2017 across the Atlantic, the USA is seeing a surge in listeners for news and talk radio. Of particular interest is the steady growth in those who listen to the radio for news in the 18-35 age group. Radio was thought to be going out of fashion as new technologies elbowed it out of the way, but instead it’s back and gathering new audiences. Part of the reason might be growing awareness that someone’s ramblings are not necessarily a reliable source of information.
Meanwhile, according to the Reuters Institute for the Study of Journalism at Oxford University, figures show that in most countries the proportion of the public using social media as a source for news has stagnated. In Portugal, Italy and Australia it has declined.
So why is radio so important? It has a particular strength over other forms of media and communication. You might only need a battery to give it life. And you can listen to radio anywhere without wifi, without a plug point, without being able to read, and without much fuss. That makes radio an essential for anyone living in a remote location, who hasn’t got access to newspapers or internet. It can bring the news and information about what is happening in the world to you, and if you live in a country where you don’t want people to track you, then a battery-operated radio is the way to go.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”Digital technologies have given radio a new lease of life.” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
In remote regions of Africa and India, where few other options are available, radio is massively important as a means of finding out what is going on locally, and internationally.
Radio is an old technology. It is the wrinkly old guy against the bouncing baby that is Twitter. The first voice broadcast was in 1900, and it’s come a long way since then.
After television came along, some thought it was the end for radio. But it wasn’t. Then along came the internet, and again some thought it was the last long days of summer for radio. But in fact digital technologies have given radio a new lease of life. Podcasting has kicked a whole new audience radio-wards, while retaining some of its old audience. Podcasts are portable, of course, and can be listened to on the way to work.
According to data from US-based Edison Research, audiences for podcasts in Australia and the United States are seeing steady growth. In Australia, among those who listen to podcasts, 30% listen to more than five hours a week, either at home or in their cars.
Not only have podcasts given us a new form of radio, but they have opened up new opportunities for people who want to make their own programmes. Anyone can now be the equivalent of a radio reporter by making their own podcast at very little cost. With some basic skills and nothing more than a smart phone, you can record interviews, and add an introduction. You can even cut them together on a phone app, or a free internet programme, before publishing your programme on a platform like Soundcloud.
Podcasting has given investigative reporting a boost too, as those who listened to the award-winning Serial will recognise. Meticulous and detailed research went into the journalism for the first series of Serial, which reinvestigated a murder in Baltimore. Millions of people tuned in around the world to find out what each episode would unveil. But unlike the old days of radio, listeners didn’t always have to listen at the same time every week, or sit around an old set in the corner of their living room. The podcast could be downloaded to phones, or iPads for a long journey, or even just live streamed.
While journalists are using radio to bring information to hard to reach places, the bad news, which we report in this issue, is that others are trying to stop them.
In India, the government still tightly controls news radio, so only the state can broadcast, despite having hinted over the past few years that things might change. This is a country where radio is vital for millions of people. The Indian government should be rethinking its approach to radio as innovative radio pioneer Shu Choudray argues (p17).
In Somalia, radio journalist Marwan Mayow Hussein checks under his car for bombs before going off to work. The work he does is dangerous, and certain people would rather he didn’t broadcast, as Ismail Einashe reports in this magazine (p8). Meanwhile in Iraq, the team at Alghad FM in Mosul don’t make their names public in order to stay a little safer as they continue to work in a war zone. Laura Silvia Battaglia went there to meet them (p41).
In Rwanda, radio is vital, Peter Kettler who ran an NGO called Coffee Lifeline there, told Index: “Radio is far more powerful than messages on mobile phones. In Rwanda you are dealing with a heavily illiterate population, but everyone has a radio or access to a shared radio.” During the period of genocide radio was used to incite violence. Graham Holliday investigates the role of radio in Rwanda today (p51), and finds it faces censorship and banning orders. The BBC World Service in English and Kinyarwanda have been banned by the president, and journalists are fleeing the country.
The new rise of radio allows more opportunities to discuss and debate than ever before, but we must also fight for radio stations to be unbound from state control and to be able to broadcast news freely.
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Rachael Jolley is the editor of Index on Censorship magazine. She recently won the editor of the year (special interest) at British Society of Magazine Editors’ 2016 awards
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”89165″ img_size=”213×300″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/03064220100390021001″][vc_custom_heading text=”Radio waves” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F03064220100390021001|||”][vc_column_text]June 2010
Liam Hodkinson and Elizabeth Stitt compile comprehensive facts on radio usage throughout the world.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90954″ img_size=”213×300″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229408535741″][vc_custom_heading text=”Death by radio” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064229408535741|||”][vc_column_text]September 1994
If Rwandan genocide comes to trial, owners of Radio des Milk Collines should be head of the accused.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89165″ img_size=”213×300″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422010372565″][vc_custom_heading text=”Going local” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422010372565|||”][vc_column_text]June 2010
Jo Glanville explains how radio has the most impact on the local level than any other media platform.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row][vc_column width=”1/3″][vc_custom_heading text=”Free to air” font_container=”tag:p|font_size:24|text_align:left” link=”url:%20https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F09%2Ffree-to-air%2F|||”][vc_column_text]Through a range of in-depth reporting, interviews and illustrations, the autumn 2017 issue of Index on Censorship magazine explores how radio has been reborn and is innovating ways to deliver news in war zones, developing countries and online
With: Ismail Einashe, Peter Bazalgette, Wana Udobang[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”95458″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/09/free-to-air/”][/vc_column][vc_column width=”1/3″][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
Subscription options from £18 or just £1.49 in the App Store for a digital issue.
Every subscriber helps support Index on Censorship’s projects around the world.
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8 Sep 2017 | Media Freedom, media freedom featured, News and features, Turkey, Turkey Uncensored
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“Of course I am afraid. Only a fool wouldn’t be afraid at such a time,” said Ali Sirmen, a veteran journalist who has spent decades working at Cumhuriyet, whose writers and executives — five of whom remain imprisoned — are on trial facing terror charges.
This is not the first time journalists from Cumhuriyet have faced trial. The newspaper’s long history — it was founded in 1924 and christened by none other than the republic’s founder Mustafa Kemal Atatürk; “cumhuriyet” is the Turkish word for republic — is one of “prisons and clampdowns” according to Cumhuriyet’s own wording. The newspaper has been shut down many times, many of its employees imprisoned and six of them were murdered over the course of its 93-year long history.
The 78-year-old Sirmen first started at Cumhuriyet in 1974 and wrote for the newspaper until 1991, when he walked with 80 other journalists in protest of the editorial line adopted by then editor-in-chief Hasan Cemal. After a seven year stint at the then-mainstream Milliyet, Sirmen returned to Cumhuriyet in 1998.
Sirmen was imprisoned both after the 12 March 1971 and 12 September 1980 military coups for his writing. He has seen both civilian and military prisons. He was eventually acquitted both times, but only after serving time in prison.
“If I had stayed 20 more days in prison in the 12 September period, I would have completed the sentence they were seeking for me,” he remembers. “The practice of pretrial detention as punishment for journalists started in those times,” Sirmen said.
Keeping up appearances
According to Sirmen, trial proceedings of military eras were mostly a show, but they were still less farcical than the courtrooms of post-15 July Turkey. “They [the courts of military rule periods] at least tried to keep up appearances. They abided by established procedures; here, there is no such concern at all.”
“As someone who knows the prisons of the coup periods, I have said many times that the situation is much worse today. For example, when I was acquitted in the Madanoğlu trial [in which Sirmen was accused of supporting a failed coup in 1971] the Military Court of Cassation overruled our convictions twice in spite of pressure from the military regime. Can such a thing happen today?” he asked.
Hasan Cemal, the editor-in-chief whom Sirmen walked out on in 1991, agrees. “Cumhuriyet was shut down during both coup periods; saw immense levels of crackdowns, its writers were imprisoned many times, but not to the extent that we see today.”
Like Sirmen, Cemal agrees that the judiciary tried to act in compliance with the law despite pressure. “There was no rule of law in the 12 September period; true, but to a certain extent, there was a state that heeded laws. We don’t have that anymore.”
A secular, forward-looking newspaper
But Cemal doesn’t believe in comparisons. “It might be misleading comparing one grievance with another. If journalism is considered a crime in our day, if freedom of expression is being trampled under feet, if the media today has only one voice, what good would it do to compare this horrible situation with the 12 March or 12 September period?”
Although the two journalists might have locked horns in the past, both name “belief in democracy, secularism and the rule of law” as the definitive values which Cumhuriyet stands for. Both of them also agree that it is precisely why the newspaper, which is doing poorly both financially and in terms of circulation, has come under attack. Why would anyone bother to silence an apparently moribund newspaper?
“The way Cumhuriyet views secularism, democracy, the supremacy of law, freedoms and human rights; its face is turned towards the west; all of these are unacceptable for the Erdoğan mentality. Because if Cumhuriyet is the west, then Erdoğan is the east,” according to Cemal. [/vc_column_text][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][/vc_column][vc_column width=”1/2″][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Media freedom is under threat worldwide. Journalists are threatened, jailed and even killed simply for doing their job.” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fcampaigns%2Fpress-regulation%2F|||”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship monitors media freedom in Turkey and 41 other European area nations.
As of 8/9/2017, there were 522 verified violations of press freedom associated with Turkey in the Mapping Media Freedom database.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship campaigns against laws that stifle journalists’ work. We also publish an award-winning magazine featuring work by and about censored journalists. Support our work today.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”vista_blue”][vc_column_text]A game of thrones
The incident in which dozens of writers left Cumhuriyet en masse in protest of Cemal in 1991 was not the first episode of ideological shifts in the newspaper’s history manifested as a show-down. In fact, the newspaper is notorious for infighting, which, this time, gave the prosecutors material to base the current trial on. In fact, two reporters whose testimonies were included in the indictment still work at the newspaper and they will testify in Monday’s trial.
On 2 April 2013, the Cumhuriyet Foundation — which appoints the editor-in-chief of the newspaper — saw a change of guard: a more liberal group, as opposed to the traditionally hard-line Kemalist executives, was elected to the seats on the foundation’s executive board. Testimony from some of the former board members are also included in the indictment, and these individuals will also testify — most likely against the defendants — in the hearings that begin on 11 September.
The new foundation team, the prosecutor says, hired columnists and allowed reporting that served the purposes of the Fethullah Gülen Network, which is referred to as a terrorist organisation by Turkish courts.
A legal battle over the foundation’s leadership is still ongoing and pro-government media has openly sided with the old guard at Cumhuriyet. That is a separate case, but Cumhuriyet being forcefully returned to its previous executives is not a far-fetched possibility.
A brief history of government pressure on Cumhuriyet
Detentions and arrests
Detention and imprisonment of Cumhuriyet journalists go back a long way. In one of the notable cases in 1962, contributor Şadi Alkılıç and editor Kayhan Sağlamer were arrested and imprisoned over an article published in Cumhuriyet praising socialism. Alkılıç was acquitted in 1967 after a higher court overruled his sentence handed down over socialism propaganda.
İlhan Selçuk, one of the newspaper’s iconic names, who was also the founder of the Cumhuriyet Foundation, and the then editor-in-chief of the newspaper, Oktay Kurtböke, and several other Cumhuriyet writers were detained after the 12 March 1971 coup d’état — along with several others. Selçuk was subject to torture in prison in this period, where he and his fellow defendants were accused of supporting a failed coup attempt that would have taken place three days prior to the actual coup.
Ali Sirmen, Erdal Atabek and Ataol Behramoğlu were imprisoned by the courts of the 1982 military regime for membership of the left-wing Peace Association.
More recently, in 2008, the newspaper’s Ankara Bureau Chief Mustafa Balbay was imprisoned in an investigation into Ergenekon, a behind-the-scenes network which allegedly plotted to overthrow the AKP government, according to the prosecutor. Columnist Erol Manisalı was also arrested in the same investigation in 2009; he was released after three months in prison. İlhan Selçuk was also detained in the same investigation.
In May 2016, the newspaper’s former editor-in-chief Can Dündar and Ankara Bureau Chief Erdem Gül were arrested over a news story which suggested that the Turkish government sent weapons and ammunition to armed jihadist groups in Syria.
Outside the current case, Oğuz Güven, editor of the newspaper’s internet edition, was imprisoned for a month when for a headline cumhuriyet.com.tr used describing the accidental death of a prosecutor who led investigations into the 15 July 2016 failed coup.
Closures:
The newspaper was shut down for the first time on October 29 1934 for 10 days. Then it was shuttered for 90 days in 1940 over its publications that went against the official line of the government. After the 12 March 1971 coup d’état, it was shuttered for 10 days. It was shut down twice following the September 12 1980 coup d’état in Turkey by the military junta, first over an article by İlhan Selçuk, which praised “Kemalizm” and later over a book written by the newspaper’s chief columnist and owner Nadir Nadi.
Assassinations:
Cumhuriyet journalists have also faced fatal attacks. Six Cumhruiyet journalists, all of whom were known for their staunch secularist views, have been killed since 1978. Columnist Server Tanilli, an Istanbul University academic, was left paralysed following an armed attack on 7 April 1978. Cumhuriyet columnist Cavit Orhan Tütengil was assassinated on 7 December 1979 while waiting for a public bus.
The newspaper also took its share of the violence at the height of Turkey’s unsolved murders — which are commonly believed to be state sponsored– in the 1990s. Columnist Muammer Aksoy, who was also the president of the Atatürkist Thought Assassination, was shot dead while he was on his way home in Ankara in 1990. Socialist columnist Bahriye Üçok was killed by a bomb package sent to her house on 6 October 1990. Investigative journalist Uğur Mumcu was killed when a bomb placed in his car detonated on Jan. 24, 1993. Columnist Onat Kutlar died as a result of injuries sustained also in a bomb attack on 30 December 1994. Cumhuriyet’s Ahmet Taner Kışlalı was also killed in front of his house in a bomb attack in 1999.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1504883275252-0c531056-a363-8″ taxonomies=”7790″][/vc_column][/vc_row]
6 Sep 2017 | Austria, Awards, Europe and Central Asia, News and features
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Behrouz Boochani, Manus Island
Manus Island is the location of a controversial detention centre which the Australian government uses to hold over 1,000 asylum seekers indefinitely. It is also home to Iranian journalist and 2017 Index journalism award nominee Behrouz Boochani.
His film Chauka, Please Tell Us the Time, which exposes the realities of life as a detainee on Manus Island, has been selected for the London Film Festival in October after premiering at the Sydney Film Festival in June 2017. Shot with a smartphone acquired in return for his shoes, the feature length film exposes daily life as a Manus Island inmate.
Journalists are banned from the island but Boochani hopes that his film will expose the horrible conditions of the detention centre. He was forcibly relocated there after attempting to seek asylum by boat in May 2013. The Kurdish cultural magazine he wrote for had been raided and 11 of his colleagues were arrested forcing him to flee his native Iran.
Boochani was denied a visa to attend the premiere in Sydney but is hopeful of attending the London screening having written to the High Commissioner of the UK to Australia and the Sadiq Khan, the Mayor of London.
“The London Film Festival is one of the biggest cultural events in England and cinema can make our world more peaceful and remind us that we should care about our humanity and values,” Boochani told Index. “I’m sure the people who are running this festival want to make our world better. I wrote a letter to get a visa to go and share my ideas with people in London and I’m sure that the organisers of the festival and Mayor of London will support me.”
“I hope that more people become aware of this concentration camp and know more about how the Australian government is torturing people in this remote prison,” Boochani added. “I have been working as a journalist and human rights defender in this prison for more than three years and have found that journalism is not powerful enough to tell the history of the suffering in this prison.”
Boochani had been approached in the past about making a film but did not feel comfortable until he spoke to Dutch-Iranian filmmaker Arash Kamali Sarvestan. “Although some directors made contact with me two years ago we could not understand each other,” Boochani said. “I did not want to make a simple movie but fortunately Arash could understand me.”
Making a feature-length film is hard enough, but Boochani had no previous experience. “Arash helped me a lot. We had long conversations every day and talked a lot about the shots and how we can make this movie. I’m a novelist and I think a novelist is able to do any kind of art.”
Boochani hopes his film will also show how Manus Island and its people are being affected by the centre. “A part of this movie is about Manusian people and their culture and how Australia is using this island for its political benefits,” he said.
“This movie is not only for me or Arash but is a voice of 2,000 children, women and men who have suffered under torture for more than four years and we want the world to hear their voice,” Boochani added.
He does not think that it is the current global attitudes towards refugees which are causing mistreatment of asylum seekers. “We should think deeply in a philosophical way about liberalism. Why has liberalism lost its human values? A lot of people died in Manus and Nauru but still, most people in Australia don’t care,” Boochani said.
Boochani describes Australia’s behaviour on Manus Island as a “new kind of fascism” which is “very dangerous to our values”.
Manus Island detention centre was scheduled to close last year after the Papa New Guinea Supreme Court declared it to be illegal. Many detainees now face resettlement in Papa New Guinea but face rising hostility from the locals. Many have been acknowledged as refugees but many still remain informal or waiting to know their status. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1504690014885-9d831161-78d0-4″ taxonomies=”9020, 9030, 8148″][/vc_column][/vc_row]
