12 Feb 2015 | Digital Freedom, mobile, News and features, United Kingdom
In his new ebook, tech expert Jamie Bartlett describes what he sees as the long-term ‘Snowden effect’: the explosion of new ways to keep online secrets and protect privacy, and the challenges that presents for state security services. In this extract, Bartlett uncovers some of the more revolutionary plans in the privacy pipeline.
Motivated by an honourable desire to protect online freedom and privacy, hundreds of computer scientists and internet specialists are working on ingenious ways of keeping online secrets, preventing censorship, and fighting against centralised control. A veritable army motivated by a desire for privacy and freedom, trying to wrestle back control for ordinary people. This is where the long-term effects will be felt.
Soon there will be a new generation of easy-to-use, auto-encryption internet services. Services such as MailPile, and Dark Mail – email services where everything is automatically encrypted. Then there’s the Blackphone – a smart phone that encrypts and hides everything you’re doing. There are dozens – hundreds, perhaps – of new bits of software and hardware like this that cover your tracks, being developed as you read this – and mainly by activists motivated not by profit, but by privacy. Within a decade or so I think they will be slick and secure, and you won’t need to be a computer specialist to work out how they work. We’ll all be using them.
And there are even more revolutionary plans in the pipeline. An alternative way of organising the internet is being built as we speak, an internet where no one is in control, where no one can find you or shut you down, where no one can manipulate your content. A decentralised world that is both private and impossible to censor.
Back in 2009, in an obscure cryptography chat forum, a mysterious man called Satoshi Nakamoto invented the crypto-currency Bitcoin.* It turns out the real genius of Bitcoin was not the currency at all, but the way that it works. Bitcoin creates an immutable, unchangeable public copy of every transaction ever made by its users, which is hosted and verified by every computer that downloads the software. This public copy is called the ‘blockchain’. Pretty soon, enthusiasts figured out that the blockchain system could be used for anything. Armed with 30,000 Bitcoins (around $12 million) of crowdfunded support, the Ethereum project is dedicated to creating a new, blockchain-operated internet. Ethereum’s developers hope the system will herald a revolution in the way we use the net – allowing us to do everything online directly with each other, not through the big companies that currently mediate our online interaction and whom we have little choice but to trust with our data.
Already others have applied this principle to all sorts of areas. One man built a permanent domain name system called Namecoin; another an untraceable email system call Bitmessage.
Perhaps the most interesting of all is a social media platform called Twister, a version of Twitter that is completely anonymous and almost impossible to censor. Miguel Freitas, the Brazilian who spent three months building it, tells me he was sparked into action when he read that David Cameron had considered shutting down Twitter after the 2011 riots. ‘The internet alone won’t help information flow,’ Freitas says, ‘if all the power is in the hands of a few people.’
This trend towards decentralised, encrypted systems has become an important aspect of the current crypto-wars.† MaidSafe is a UK start-up that, in a similar way, wants to redesign the internet infrastructure towards a peer-to-peer communications network, without centralised servers. Its developers are building a network made up of contributing computers, with each one giving up a bit of its unused hard drive. You access the network, and the network accesses the computers. Everything is encrypted, and data is stored across the entire network, which makes hacking or spying extremely difficult, if not impossible.
Nick Lambert, the Chief Operating Officer for MaidSafe, explained to me the vision. When you open a browser and surf the web it might feel like a seamless process, but there are all manner or rules and systems that clutter up the system: domain name servers, company servers, routing protocols, security protocols. This is the stuff that keeps the internet going: rules that route your request for traffic, servers that host that web page you’re after, systems that certify for your computer that the site you’re trying to access isn’t bogus. Because it all happens at the speed of light, it doesn’t feel cluttered up, of course.
But all these little stages and protocols create invisible centres of power, explains Nick – be they governments, big tech companies or invisible US-based regulators – and they are all exercising control over what happens on the net. That’s bad for security, and bad for privacy. MaidSafe strips all this out. The end result, says Nick, will be a network that is very difficult to censor and offers more privacy. ‘Even if we wanted to censor users’ content, we couldn’t – because with this system we don’t know or have access to anything the users do.
They’re in control.’ Nick accepts some people will misuse it – but that’s true of almost any technology. ‘Kitchen knives can cause harm,’ he says, ‘but you wouldn’t ban kitchen knives.’
As I see it, this powerful combination of public appetite and new technology means staying hidden online will become easier and more sophisticated. It might feel unlikely at a time when every click and swipe is being collected by someone somewhere, but in the years ahead, it will be harder for external agencies to monitor or collect what we share and see; and censorship will become far more difficult. A golden age of privacy and freedom. Perhaps.
* You’ve probably heard of this pseudonymous digital cash because it was, and still is, the currency of choice on the illegal online drugs markets.
† And increasingly, I predict, politics. Although no political parties – save the occasional fringe party – have given any thought to what crypto-currencies might mean. What does a modern centre-left party think of crypto-currency, or of blockchain decentralisation? They have no idea.
@JamieJBartlett is the director of Centre for the Analysis of Social Media, Demos and a tech blogger for @telegraph.
This extract was published on 12 February 2015 at indexoncensorship.org with the author’s permission.
10 Oct 2014 | Draw the Line, Youth Board

As protests continue to rock many countries, at times leading to use of excessive force including tear gas and rubber bullets by law enforcement officers against protesters, people have openly raised questions on police abuse. This month’s Draw the Line question focused on the excessive use of force during protests and the role police can play in striking the balance between keeping the peace and protecting free speech.
Being a witness to recent protests that turned ugly after use of batons, tear gas and rubber bullets against civilians protesting rigged elections in Pakistan, it was interesting to compare various responses on the #IndexDrawtheLine Twitter feed offered by participants from different parts of the world. An article shared by Fiona Bradley during the debate on Twitter discussed attempts made by Chinese authorities to censor use of police force against pro-democracy protesters in Hong Kong. The use of tear gas and counter protesters to disperse demonstrators has also changed the popular opinion regarding the city’s police that was once considered to be the best in region. On the other hand, an Amnesty International report revealed cases of excessive use of force by Brazil’s police throughout the protests that erupted before and during the Fifa World Cup this summer. This clearly depicts the extent to which police can be used by local authorites against civilians’ voicing their opinion publicly.
In an interview for the PBS Newshour, Margaret Huang, deputy executive director of campaigns and programs at Amnesty International’s US arm, raised an important point about the tactics deployed by the police in Ferguson, Missouri, during protests during there. “The police’s reaction might have been an overreaction. It may have actually been a violation of international standards for appropriate police response. If your purpose is to disperse people, tear gas is not a great tool for that,” Huang said. “It’s worth noting that tear gas is actually a weapon that’s not allowed to be used in warfare”, she said, “because it can be indiscriminate in who it targets. So the fact that police agencies in [the US] use it for crowd dispersal raises huge concerns about whether that’s a useful or appropriate response.”
Another important concern that has been raised is the increasing militarisation of police that is counter productive and looks more like an intimidating combat against foreign enemies in a war zone. In this case, should protesters have their own force to protect them in case the police start firing rubber bullets and tear gas on non-violent protesters or should there be appropriate training on dealing with such scenarios, keeping in mind the wide difference in domestic and military operations?
It is generally accepted that the state has an obligation to prevent injury and loss of life during public gatherings while maintaining public order to prevent social disruption and damage to property, according to the United Nations. Disgraceful police excesses will continue unabated during public gatherings unless authorities bring police tactics in line with basic human rights standards whether they belong to US, China or developing countries in south Asia and the Middle East.
A few participants from Pakistan offered the point that their country’s police cannot be trained on the lines of “protect and guard” instead of “us versus them” unless officials are appointed on merit without any political interference. But in the case of countries where political interference during recruitment isn’t the problem, one can not help but wonder about the steps required to make the police fall in line with defined international standards.
In the wake of G20 protests in London during the year 2009 that resulted in the death of news vendor Ian Thomilson, the Metropolitan Police came up with a 60 page report Adapt to Protest which advocated the need of major reforms required to deal with policing of protests. The report made a number of immediate recommendations that stressed facilitating peaceful protests, improving communication with the public/ protest groups through dialogue and moderating the impact of containment for proper access of food, water and other essentials. It acknowledged the dire need of giving importance to human rights during operational decisions and training that is needed to equip officers with tactics for effective policing and facilitating of protest activity. Such steps need to be introduced by law enforcement and then implemented independently which is not possible without the cooperation of political authorities and the public.
In this age of instant communication, people are bound to question images and videos of police abuse during mass protests accessible through internet and live television. The only way for police to strike the balance in maintaining peace and protecting civilians’ right to free speech and assembly is to start approaching it as a healthy expression of democracy instead of a menace that needs to be stifled and discouraged.
This article was published on 10 October 2014 at indexoncensorship.org
1 Oct 2014 | Magazine, Volume 43.03 Autumn 2014
[vc_row][vc_column][vc_custom_heading text=”The explosion of social media, the rise of citizen reporters, the dangers of freelancing in a war zone, the invention of new technology: journalism is clearly going through its biggest changes in history. But will the public know more or less as a result?”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]
This is the question we explore in great depth in the latest issue of Index on Censorship magazine. Contributors include Iona Craig (2014 winner of the Martha Gellhorn Prize for her reporting in Yemen); Index award nominee Dina Meza and the BBC’s Samira Ahmed. We also have an exclusive, new short story by acclaimed novelist, playwright and author Ariel Dorfman.
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”59980″ img_size=”full”][/vc_column_inner][/vc_row_inner][vc_column_text]
And Australia’s race commissioner, Tim Soutphommasane, speaks out on how the right to be a bigot should not override the right to be free from the effects of bigotry.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: THE FUTURE OF JOURNALISM” css=”.vc_custom_1483551011369{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Back to the future: Iona Craig on journalists trying to stay safe in war zones
Digital detectives: Ray Joseph on the new technology helping Africa’s journalists investigate
Re-writing the future: Five young journalists talk on their hopes and fears for the profession – from Yemen, India, South Africa, Germany and the Czech Republic
Attack on ambition: Dina Meza on a Honduran generation ground down by fear
Stripsearch cartoon: Martin Rowson envisages an investigative reporter meeting Deep Throat
Generation why: Ian Hargreaves asks on how the powerful may or may not be held to account in the future
Making waves: Helen Womack reports from Russia on the radio station standing up for free media
Switched on and off: US journalist Debora Halpern Wenger on TV’s power shift from news producers to news consumers
TV news will reinvent itself (again): Taylor Walker interviews a veteran TV reporter on the changes ahead
Right to reply: Samira Ahmed on how the BBC tackles viewers’ criticism
Readers as editors: Stephen Pritchard on how news ombundsmen create transparency
Lobby matters: Political reporter Ian Dunt on the push/pull of journalists and politicians inside Britain’s corridors of power
Funding news freedom: Glenda Nevill looks at innovative ways to pay for reporting
Print running: Will Gore on how newspapers innovate for new audiences
Paper chase: Luis Carlos Díaz on overcoming Venezuela’s newsprint shortage
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Free thinking? Australia’s race commissioner Tim Soutphommasane on bigotry
Guarding the guards: Jemimiah Steinfeld on China’s human rights lawyers becoming targets
Taking down the critics: Irene Caselli investigates allegations that Ecuador’s government is silencing social media users
Maid equal in Brazil: Claire Rigby on the Twitter feed giving voice to abuse of domestic workers in Brazil
Home truths in the Gulf: Georgia Lewis on how UAE maids fear speaking out on maltreatment
Text messaging: Indian school books are getting “Hinduised”, reports Siddarth Narrain from India
We have to fight for what we want: our editor, Rachael Jolley, interviews the OSCE’s Dunja Mijatovic on 20 years championing free speech
Decoding defamation: Lesley Phippen’s need-to-know guide for journalists
A hard act to follow: Tamsin Allen gives a lawyer’s take on Britain’s libel reforms
Walls divide: Jemimah Steinfeld speaks to Chinese author Xiaolu Guo about a life of censorship
Taking a pop: Steven Borowiec profiles controversial South Korean artist Lee Ha
Mapping media threats: Melody Patry and Milana Knezevic look at rising attacks on journalists in the Balkans
Holed up in Harare: Index’s contributing editor Natasha Joseph reports from southern Africa on the dangers of reporting in Zimbabwe
Burma’s “new” media face threats and attack: Burma-born author Wendy Law-Yone looks at news in the run up to the impending elections
Head to head: Sascha Feuchert and Charlotte Knobloch debate whether Mein Kampf should be published
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Political framing: Kaya Genç interviews radical Turkish artist, Kutlug Ataman
Action drama: Julia Farrington on Belarus Free Theatre and the upcoming Belarus election
Casting away: Ariel Dorfman, a new short story by the acclaimed human rights writer
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
Index around the world: Alice Kirkland gives a news update on Index’s global projects
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]
From the factory floor: Vicky Baker on listening to the world’s garment workers via new technology
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.
Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.
SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]
16 Sep 2014 | Magazine, Volume 43.03 Autumn 2014

Index on Censorship autumn magazine
In the autumn issue of Index on Censorship magazine, don’t miss: Burmese-born author Wendy Law-Yone on the challenges the Burma’s media face in the run-up to the next election; TV journalist Samira Ahmed on how television channels should respond to viewers’ complaints; award-winning foreign correspondent Iona Craig reports from Yemen on threats to journalism in conflict zones; plus a brand new short story from playwright and author Ariel Dorfman.
While debates on the future of the media tend to focus solely on new technology and downward financial pressures, we ask: will the public end up knowing more or less? Will citizen journalists bring us in-depth investigations? Will crowd fact-checking take over from journalists doing research? Who will hold power to account? The subject is tackled from all angles, from our writers from across the globe.
Also writing for this issue are Australia’s race commissioner Tim Soutphommasane; human rights lawyer Tamsin Allen on defamation; and novelist Kaya Genc. From South Korea Steven Borowiec talks to controversial artist Lee Ha, and in London political editor Ian Dunt walks the corridors of political power in the UK’s Houses of Parliament and asks if journalists there get too close to government.
Other articles include:
- African digital journalism by Ray Joseph
- Generation why by Ian Hargreaves
- Funding news freedom by Glenda Nevill
You can buy the print version magazine or subscribe for £31 per year here, or download a digital version for your iPad for just £1.79. All subscriptions help fund Index’s work, protecting freedom of expression worldwide.
Read about our magazine launch at the Frontline Club on 22 October.
FULL CONTENTS: ISSUE 43, 3 – The future of journalism
Back to the future: Iona Craig on journalists trying to stay safe in war zones
Digital detectives: Ray Joseph on the new technology helping Africa’s journalists investigate
Re-writing the future: Five young journalists talk on their hopes and fears for the profession – from Yemen, India, South Africa, Germany and the Czech Republic
Attack on ambition: Dina Meza on a Honduran generation ground down by fear
Stripsearch cartoon: Martin Rowson envisages an investigative reporter meeting Deep Throat
Generation why: Ian Hargreaves asks on how the powerful may or may not be held to account in the future
Making waves: Helen Womack reports from Russia on the radio station standing up for free media
Switched on and off: US journalist Debora Halpern Wenger on TV’s power shift from news producers to news consumers
TV news will reinvent itself (again): Taylor Walker interviews a veteran TV reporter on the changes ahead
Right to reply: Samira Ahmed on how the BBC tackles viewers’ criticism
Readers as editors: Stephen Pritchard on how news ombundsmen create transparency
Lobby matters: Political reporter Ian Dunt on the push/pull of journalists and politicians inside Britain’s corridors of power
Funding news freedom: Glenda Nevill looks at innovative ways to pay for reporting
Print running: Will Gore on how newspapers innovate for new audiences
Paper chase: Luis Carlos Díaz on overcoming Venezuela’s newsprint shortage
IN FOCUS
Free thinking? Australia’s race commissioner Tim Soutphommasane on bigotry
Guarding the guards: Jemimiah Steinfeld on China’s human rights lawyers becoming targets
Taking down the critics: Irene Caselli investigates allegations that Ecuador’s government is silencing social media users
Maid equal in Brazil: Claire Rigby on the Twitter feed giving voice to abuse of domestic workers in Brazil
Home truths in the Gulf: Georgia Lewis on how UAE maids fear speaking out on maltreatment
Text messaging: Indian school books are getting “Hinduised”, reports Siddarth Narrain from India
We have to fight for what we want: our editor, Rachael Jolley, interviews the OSCE’s Dunja Mijatovic on 20 years championing free speech
Decoding defamation: Lesley Phippen’s need-to-know guide for journalists
A hard act to follow: Tamsin Allen gives a lawyer’s take on Britain’s libel reforms
Walls divide: Jemimah Steinfeld speaks to Chinese author Xiaolu Guo about a life of censorship
Taking a pop: Steven Borowiec profiles controversial South Korean artist Lee Ha
Mapping media threats: Melody Patry and Milana Knezevic look at rising attacks on journalists in the Balkans
Holed up in Harare: Index’s contributing editor Natasha Joseph reports from southern Africa on the dangers of reporting in Zimbabwe
Burma’s “new” media face threats and attack: Burma-born author Wendy Law-Yone looks at news in the run up to the impending elections
Head to head: Sascha Feuchert and Charlotte Knobloch debate whether Mein Kampf should be published
CULTURE
Political framing: Kaya Genç interviews radical Turkish artist, Kutlug Ataman
Action drama: Julia Farrington on Belarus Free Theatre and the upcoming Belarus election
Casting away: Ariel Dorfman, a new short story by the acclaimed human rights writer
ALSO
Index around the world: Alice Kirkland gives a news update on Index’s global projects
From the factory floor: Vicky Baker on listening to the world’s garment workers via new technology