16 Jan 18 | News and features, Volume 46.04 Winter 2017
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China’s middle class protest, Rebel Pepper/Index On Censorship
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Park Avenue, central Beijing, is known for its luxurious serviced apartments, landscaped gardens and Western-style amenities, certainly not its dissident population. Yet, strolling past the compound one weekend, I was surprised to see a protest in progress.
A small group of around two dozen had assembled with signs and were milling around outside a locked shop, arguing with a harassed-looking man in the Chinese junior-management uniform of white shirt and belted black trousers. The cause of all the chaos: a swanky gym that had opened in the gated community a few months before, promising unparalleled 24-hour access to upscale fitness machines and personal trainers, had used a recent public holiday to sell all its equipment and, apparently, make off with everyone’s membership fees. Now a dispute was in full swing over who was going to take responsibility for this fiasco. The building management, who presumably had vetted the gym? The police? The residents?
The protest was a rare sighting in the capital of a country where free speech has always been tightly controlled by the government, and has become almost completely stifled under the current leader, Xi Jinping. Xi formally enters his second five-year term as general secretary, state president and “core” of the Chinese Communist Party in March, and fear for the future of political freedom and protest is at an all-time high. That paranoia is most acutely felt in the most unlikely of quarters, the main beneficiaries of the country’s economic prosperity, the Chinese middle class.
For those living just across the way, the uproar over the gym provided a rare piece of street theatre. This audience of weather tanned men and women from the country’s interior are the ones who run the market stalls, taxis and tool shops that skirt the towers. Even in central Beijing, these kinds of cheek-by-jowl living arrangements are still fairly common. Migrants run businesses out of ramshackle stores, leading hardscrabble lives beneath grandiose skyscrapers such as those in Park Avenue, where the well-heeled residents’ biggest concern is usually which international summer camp they should choose for their children.
Yet this poorer demographic is declining in China’s most-developed urban areas. Unregistered workers are being steadily forced from the cities whose growth they once spurred, ejected by implacable officials who often use passive-aggressive methods (erecting brick walls; suddenly enforcing long-stagnant municipal regulations) to make their working lives untenable. Blue-collar migrants have little leverage to protest these decisions, and are moving away, leaving behind middle-class homeowners who have no interest in complaining on their behalf. Indeed, most are happy to see them gone. The middle class prefer to consider themselves safe, content in the knowledge that their own rights are secured by lease- holds, law and lucre. All they have to worry about are gym memberships.
This is, or at least was, the essence of the unspoken contract that emerged in the bloody aftermath of the disastrous protests in Tiananmen Square during the summer of 1989. Prior to that, “the demands of politically active urbanites were aimed squarely at the national leadership and national policy – for political liberalisation, a free press, and fairness in local elections”, noted Andrew Walder in Untruly Stability: Why China’s Regime Has Staying Power.
After 1989, former leader Deng Xiaoping’s economic reforms dramatically shifted the landscape to one that focused on individual prosperity at the expense of any greater good. Stay out of the politics, the government seemingly implied, and we will stay out of your lives – a “deal” that helped drive one of the greatest booms in history. Like any agreement left unspoken, though, this pact has turned out to be worth rather less than the paper it was written on.
Now as growth slows and debts accumulate, the cracks are growing more evident in the propaganda façade of peaceful prosperity, one in which absurdist posters increasingly plead “Every day in China is like a holiday”, while uniformed soldiers patrol the capital’s streets and whole neighbourhoods are torn down without warning.
Some now refer to a “normal country delusion”, the comforting myth that being a law-abiding, middle-class citizen is a bulwark against authoritarian anger. The Germans have another word for it: mitläufer – getting along to get by; the hope that obeying rules protects oneself in the event of accidentally breaking any.
The complacency of this particular fantasy was blown apart, in spectacularly literal fashion, by the chemical explosion that occurred in the coastal city of Tianjin in the early hours of 12 August 2015. Similar blasts happen on a semi-frequent basis throughout China, usually the result of muddled regulations, lax oversight and complicity between officials, developers and businessmen. Hidden in the country’s vast interior, these disasters usually pass without comment, with protests swiftly stifled and any cover- age strictly limited to terse, state-approved reports. According to the New York Times, “68,000 people were killed in such accidents [in 2014]…most of them poor, powerless and far from China’s boom towns”.
Tianjin – a city bristling with international enterprises, and easily reachable from Beijing via high-speed rail in just 30 minutes – was a very different affair. Reporters from the Chinese and international media descended on the scene within hours and the story was carried for days, providing an almost unheard of level of scrutiny.
The government’s disaster-management skills were on full display: untrained junior firefighters sent to tackle a chemical blaze for which they were fatally unequipped; a series of disastrous press conferences; officials sacked and replaced on an almost daily basis; then, finally, a total media shutdown.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”They’ve taken everything from us. We’ll take everything from them.” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
But amid the disarray, the overriding narrative concerned the thousands of middle- income homeowners who had been killed, injured or displaced as a result of zoning irregularities that allowed 11,000 tonnes of highly volatile chemicals to be stored next to the new (and now obliterated) residential blocks within the blast zone. As one blogger observed, these were the people who “maintain a noble silence on any public incident you’re aware of. On the surface, you look no different from a middle- class person in a normal country.”
Writing on microblog service Weibo, user Yuanliuqingnian noted that when these same apolitical families gathered near the site, first to mourn, then – as the official silence grew deafening – to protest their treatment, an un- fortunate realisation set in. They “discovered they’re the same as those petitioners they look down on… kneeling and unfurling banners, going before government officials and saying ‘we believe in the Party, we believe in the country’.
The homeowners realise, much to their embarrassment, that, after an accident, there’s really #nodifference between us and them.”
A year on, Hong Kong newspaper Ming Pao reported that the treatment of these middle-class victims remained taboo: family members of the firefighters were arrested for mourning their dead sons, while a collective of homeowners protested anew that the government had still not compensated them for their lost properties. They’d become the very people they disdained: what older Chinese called yuanmin –“people with grievances”.
In some instances, government policy unwittingly forged these resistances. I met one family in Shanghai whose home had been demolished for the 2010 World Expo. After months of protest, local officials ensured that both parents lost jobs or promotions and their two sons, in their late teens, were denied graduate placements. The result was four enraged adults with nothing to lose. “They’ve taken everything from us,” the mother vowed. “We’ll take everything from them.” Such outbursts echo the sea change in mainland protest, from the political to the personal. Today’s yuanmin “invoke national law and charge local authorities with corruption or malfeasance” as Walder observed.
“Protest leaders see higher levels of government as a solution to their problem, and their protests are largely aimed at ensuring the even-handed enforcement of national laws that they claim are grossly violated.”
These grievances are still highly risky and liable to be dispersed (or, worse, ruthlessly punished), and are only occasionally and specifically effective. Sometimes, officials might be motivated by political imperatives to quickly mollify any protesters; sometimes they might be compelled, for the same reasons, to thoroughly quash them.The result is that, despite being afforded exclusively bourgeois privileges such as healthcare and education, China’s middle class exists “in constant fear of losing everything”, writes Jean-Louis Rocca in his book, The Making of the Chinese Middle Class.“They live in an unstable world, and they are never sure where they are on the social ladder. They imitate the bourgeoisie’s life- style and they strive to avoid falling into the category of ‘workers’.”
“Zhang”, a Shenzhen-based journalist who asked for a pseudonym for fear of official repercussions, blamed the “growing pressure in Chinese society and the instability of government policies”. In the case of housing, “[some] had already scraped together barely enough to buy a house, now they had to come up with more money in the short term. In this way, even though you are ‘middle class’, you don’t quite feel like you are living the life a middle- income person deserves”.
Exacerbating matters is the lack of options available to those who have been wronged, swindled or otherwise denied their supposed rights. “Some don’t really know what options they have,” Zhang told Index. “Some are aware they can’t really do anything, in fear they might lose more of what they have.”
Ingrained anxieties are apparent in the issues that do force members of the smart-phone-clutching middle class off their We- Chat groups – where posts about “sensitive” issues are quietly erased by sophisticated censorship algorithms – and into the less- forgiving arena of public protest.
In May, dozens protested outside Beijing’s housing authority against new regulations that prevent homeowners buying multiple apartments, saying that the rules trampled on their property rights. There were similar, and partially successful, demonstrations in Shanghai the following month over residen- tial zoning rights. In this case, the municipal authorities chose to blame property develop- ers as they backed down, accusing them of “distorting the policy”.
In July, thousands staged the biggest protest in Beijing in years, after a pyramid scheme they’d invested in was declared illegal, with millions in funds frozen.
The response to the disruption was harsh. After detaining 64, police said they had “released some who created minor harm, but made good confessions. However, there will be a crackdown on those plotting and inciting the gathering.” Some are realising that this is often the case. Many others, though, are in denial about the insecurity of their wealth. Comparing Chinese society to an “atmospheric tank”, scholar Zeng Peng warned, in a paper on protest, that “to prevent the gas tank bursting, on the one hand [the government] should stop the production of grievances, on the other hand repair the safety valves”.
There have never been strong systemic means for resolving disputes in China, other than by drawing public attention. In imperial eras, yuanmin would bang gongs or throw themselves in front of visiting envoys from Beijing to plead their case, believing that the emperor’s officials would be outraged by the local rot. Today, the commonest resort for everyday yuanmin is to take to social media to blow off steam or report malfeasance.
Those without the audience or the means might take things further, travelling to Beijing to lodge a petition of complaint, an archaic and ineffectual process that dates back to ancient times, and whose continued necessity is an embarrassment for Beijing. As if recognising this, while fearing the consequences of addressing it fully, the current administration seems intent on shearing off access to any valves they don’t completely control, even while it struggles to quell the multiplying means of production.
Even when protests seem successful, the effects can prove deleterious in the long term. As Tianjin proved, the middle classes may find their calls for change ignored, the rules changed abruptly or their actions punished, just like their poorer neighbours. And those aggrieved Park Avenue protestors who’d demanded their membership fees back? When I returned a half-hour later, they’d disappeared too; not a single one remained, nor any sign to indicate they’d ever been there.
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Robert Foyle Hunwick is a freelance journalist based in Beijing
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”91419″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064228908534694″][vc_custom_heading text=”The people’s horror” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064228908534694|||”][vc_column_text]September 1989
Index’s Asia specialist, Lek Hor Tan, reviews why China’s human rights record has long been glossed over and looks at the history that led up to the massacre in Tienanmen Square.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89086″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422013495334″][vc_custom_heading text=”Border trouble: china’s internet” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422013495334|||”][vc_column_text]July 2013
Chinese government uses sophisticated methods to censor the internet. Despite citizens’ attempts to circumvent barriers, it has created a robust alternative design.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89073″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422013513103″][vc_custom_heading text=”Stamping out the moderates ” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422013513103|||”][vc_column_text]December 2013
Chinese authorities are cracking down on popular New Citizens’ Movement, even though its leaders are trying to protect rights already guaranteed under the constitution.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”What price protest?” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F12%2Fwhat-price-protest%2F|||”][vc_column_text]In homage to the 50th anniversary of 1968, the year the world took to the streets, the winter 2017 issue of Index on Censorship magazine looks at all aspects related to protest.
With: Micah White, Ariel Dorfman, Robert McCrum[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”96747″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/12/what-price-protest/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
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08 Jan 18 | Argentina, Brazil, Colombia, Ecuador, Honduras, Mexico, News and features, Venezuela
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Latin America is home to a growing number of independent publications, like Venezuela’s Efecto Cocuyo, that do not depend on government advertising
With general elections scheduled in six Latin American countries this year, and another six to follow in 2019, the relationship between the media and democracy could have a major impact on the future of the region. However, mounting financial pressures are robbing many media outlets of their objectivity and forcing them to toe pro-government lines.
With traditional advertising revenue in decline, Latin American governments are using vast publicity budgets to keep cash-strapped publications afloat. In return, the media are expected to portray their benefactors in a favourable light.
According to the NGO Freedom House, much of the media in Brazil, Colombia, Ecuador, Honduras and Mexico is heavily dependent on government advertising, resulting in widespread self-censorship and collusion between public officials, media owners and journalists.
“The history of journalism in Latin America is a history of collusion between the press and powerful people,” said Rosental Alves, a Brazilian journalist and founder of the Knight Center for Journalism in the Americas, in an interview with Index. Sections of the media have become subservient, he explained, as any critical coverage could be punished with audits or a loss of advertising revenue.
Financial pressures on the media are particularly pronounced in Venezuela. Alves observed that the Nicolás Maduro regime has applied “waves of censorship” to the media by first decrying it as “the enemy of the people” and then buying up media companies to “make them friendly.”
Freedom House notes that “although privately owned newspapers and broadcasters operate alongside state outlets, the overall balance has shifted considerably toward government-aligned voices in recent years. The government officially controls 13 television networks, dozens of radio outlets, a news agency, eight newspapers, and a magazine.”
This is compounded by Venezuela’s severe economic problems and the virtual government monopoly on newsprint supplies that have led to newspaper closures, staff cutbacks and reduced circulation of critical media.
Mexico’s government has taken the more subtle approach of co-opting swathes of the media through unprecedented expenditure on advertising. According to the transparency group Fundar, President Enrique Peña Nieto has spent almost £1.5 billion on advertising in the past five years, more than any president in Mexican history. On top of that, state and municipal administrations have also spent millions on publicity in local media.
Darwin Franco, a freelance journalist in Guadalajara, told Index that government spending has led to some publications telling reporters “who they can and cannot criticise in their work.”
Then there is the infamous chayote, a local term for bribes paid to journalists in return for favourable coverage. Franco said Mexican reporters are particularly vulnerable to economic pressures or under-the-table incentives because it’s so hard for them to make a living.
“Freelance journalists in Mexico don’t receive the benefits that employees are legally entitled to,” he said. “National media outlets — and even some international ones — pay us minimal fees for stories, which in some cases don’t even cover the costs of reporting.”
Franco, who also teaches journalism at a local university, added that many reporters take on second jobs to supplement their income. With Mexican journalists making less than £450 per month on average, he acknowledged that “there may be people who are tempted” to take money from the government.
Despite these financial pressures, Alves is encouraged by the technology-driven democratisation of the media across Latin America, with increased internet penetration and the affordability of smartphones allowing people who could not afford computers to access nontraditional media for the first time.
These include rudimentary blogs, social media accounts and more sophisticated media startups, Alves said, with countries like Argentina, Brazil, Colombia, Mexico and even Venezuela home to a growing number of independent publications that do not depend on government advertising.
“We are living a time of the decline of advertisements as the main source of revenue for news organisations. On the one hand you have this huge decline in traditional advertising because of Google and Facebook getting all this money, and on the other hand you see the virtual disappearance of the entry barriers for becoming a media outlet,” Alves noted.
“We’re moving from the mass media to a mass of media because there’s this proliferation of media outlets that don’t depend on a lot of money,” he added. “If you can gather some philanthropic support or membership, or you’re just doing it by yourself, like many courageous bloggers are doing in many parts of the region, you don’t make any money but you don’t spend any money either.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Survey: How free is our press?” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F12%2Fsurvey-free-press%2F|title:Take%20our%20survey||”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-pencil-square-o” color=”black” background_style=”rounded” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]
This survey aims to take a snapshot of how financial pressures are affecting news reporting. The openMedia project will use this information to analyse how money shapes what gets reported – and what doesn’t – and to advocate for better protections and freedoms for journalists who have important stories to tell.
More information[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”97191″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/01/tracey-bagshaw-compromise-compromising-news/”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Commercial interference pressures on the UK’s regional papers are growing. Some worry that jeopardises their independence.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”81193″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/12/jean-paul-marthoz-commercial-interference-european-media/”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Commercial pressures on the media? Anti-establishment critics have a ready-made answer: of course, journalists are hostage to the whims of corporate owners, advertisers and sponsors. Of course, they cannot independently cover issues which these powers consider “inconvenient”.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”96949″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.opendemocracy.net/openmedia/mary-fitzgerald/welcome-to-openmedia”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Forget fake news. Money can distort media far more disturbingly – through advertorials, and through buying silence. Here’s what we’re going to do about it.
This article is also available in Dutch | French | German | Hungarian | Italian |
Serbian | Spanish| Russian[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.
Join our mailing list (or follow us on Twitter or Facebook) and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1515148254502-253f3767-99a5-8″ taxonomies=”8996″][/vc_column][/vc_row]
08 Jan 18 | Awards, News and features, Press Releases
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Index on Censorship Freedom of Expression Awards Fellowship 2018
Index on Censorship is proud to announce that long-time BBC reporter Razia Iqbal and CEO of the world famous Serpentine Galleries Yana Peel will join a panel of judges to decide the 2018 Freedom of Expression Awards Fellowship winners.
The Freedom of Expression Awards, now in their 18th year, honour champions of free expression and those battling censorship around the world in the field of arts, campaigning, digital activism and journalism. Many have faced prosecution and punishment for their work.
Peel sits on advisory boards for the Tate, the British Fashion Council and the Lincoln Center for the Performing Arts, and is a young global leader of the World Economic Forum. Currently CEO of the Serpentine Galleries, she previously ran Intelligence Squared Group, a leading forum for live debate, and was a regular contributor to the Davos annual meeting and the DLD, particularly on topics at the intersection of technology and visual art.
Iqbal has been an arts correspondent for the BBC for over a decade and is one of the main presenters of Newshour, the flagship news and current affairs programme on BBC World Service radio, and regularly presents The World Tonight on BBC Radio 4.
Iqbal says “In my lifetime, there has never been a more critical time to fight for freedom of expression. Whether it is in countries where people are imprisoned or worse, killed, for saying things the state or others, don’t want to hear, it continues to be fought for and demanded. It is a privilege to be associated with the Index on Censorship judging panel.”
The judging panel will also include Raspberry Pi Ltd CEO Eben Upton, founder of the Raspberry Pi Foundation, a UK-based charity that advances computer science education in schools, who was recently elected to the fellowship of the Royal Academy of Engineering in 2017; and Tim Moloney QC, deputy head of Doughty Street Chambers and Band 1 of Crime Silks, classed as leading silk in the current Legal 500.
Announcing the judging panel, Index on Censorship chief executive Jodie Ginsberg said:“Freedom of expression is a right that our award winners and nominees work tirelessly to defend. The awards draw attention to the repression that they face every day and give us a chance to celebrate and support these inspiring journalists, activists, and artists.
“We’re excited to announce this year’s remarkable panel of judges, who are leaders and experts in their fields. The Freedom of Expression Awards Fellowship recognise global free speech heroes and provide assistance so that their important work can continue.”
Previous winners of the Freedom of Expression Awards include Nobel Peace Prize winner Pakistani education campaigner Malala Yousafzai, Chinese political cartoonist Rebel Pepper and Yemeni street artist Murad Subay. Hundreds of public nominations are made for the awards each year. Many of those nominated are regularly targeted by authorities or by criminal and extremist groups for their work. Some face regular death threats, others criminal prosecution.
Previous judges include digital campaigner and entrepreneur Martha Lane Fox, Nobel laureate Wole Soyinka, Harry Potter actor Noma Dumezweni, novelist Elif Shafak, award-winning journalist and former editor-in-chief of Vanity Fair and The New Yorker Tina Brown and human rights lawyer and shadow Brexit secretary Keir Starmer.
The Freedom of Expression Awards Fellowship ceremony 2018 will be held on April 19 in London.
For Index on Censorship
Sean Gallagher, [email protected]
About the Freedom of Expression Awards Fellowship
Winners of the 2018 Freedom of Expression Awards Fellowship receive 12 months of capacity building, coaching and strategic support. Through the fellowships, Index seeks to maximise the impact and sustainability of voices at the forefront of pushing back censorship worldwide. More information
About Index on Censorship
Index on Censorship is a London-based non-profit organisation that publishes work by censored writers and artists and campaigns against censorship worldwide. Since its founding in 1972, Index on Censorship has published some of the greatest names in literature in its award-winning quarterly magazine, including Samuel Beckett, Nadine Gordimer, Mario Vargas Llosa, Arthur Miller and Kurt Vonnegut. It also has published some of the world’s best campaigning writers from Vaclav Havel to Elif Shafak.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”1/2″][staff name=”Razia Iqbal, Journalist” profile_image=”97201″]Razia Iqbal is a presenter for BBC News: she is one of the main presenters of Newshour, the flagship news and current affairs programme on BBC World Service radio. She also regularly presents The World Tonight on BBC Radio 4, a British weekday current affairs radio programme broadcast. Iqbal has hosted HARDtalk Extra, a BBC television and radio programme that conducts in depth one-on-one interviews with significant artists such as Pakistani pop star Haroon and prolific American writer, Joyce Carol Oates. She was the BBC’s arts correspondent for a decade, and has worked as a political reporter and a foreign correspondent in Pakistan and Sri Lanka. Iqbal has also made several successful documentaries through the BBC and presented on a variety of programmes. She was born in Kampala, Uganda and came to London as a child. Iqbal graduated with a BA in American Studies from the University of East Anglia and was nominated in 2013 for the “Services to Media” award at the British Muslims Awards. [/staff][/vc_column_inner][vc_column_inner width=”1/2″][staff name=”Tim Moloney QC, Barrister” profile_image=”97202″]Tim Moloney QC is the deputy head of Doughty Street Chambers. His practice encompasses crime, extradition, international criminal law, international death penalty litigation, public law and media law. Moloney consistently acts in high profile litigation across the spectrum of his practice. He also advises high profile organisations on their exposure to involvement with acts of terrorism and is regularly involved in training of lawyers overseas in the law and practice relating to terrorism and the death penalty. He also regularly advises media organisations on issues they face relating to terrorism and disclosure. Following the completion of his Ph.D, Moloney was a lecturer in law before being called to the Bar in 1993. He became a QC in 2010. He continues to write and lecture extensively. He is the author of the sexual offences, terrorism and appeals sections of the leading reference work, Blackstone’s Criminal Practice, and is the author of the sentencing chapters in Rook and Ward on Sexual Offences. Moloney is also a member of the panel of experts for Halsbury’s Laws.[/staff][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][staff name=”Yana Peel, Chief Executive” profile_image=”97203″]Yana Peel is CEO of the Serpentine Galleries, London, one of the most recognised organisations in the global contemporary art, design and architecture worlds. Prior to this she ran Intelligence Squared Group, the leading forum for live debate. Having co-founded Outset Contemporary Art Fund in 2003 as a hub for creative funding solutions for cultural projects, Peel maintains advisory positions across the arts that include: Tate, British Fashion Council, V-A-C Foundation Moscow, Lincoln Center and Asia Art Archive. At ParaSite Art Space and Intelligence Squared, she serves as board co-chair. Peel is a young global leader of the World Economic Forum and a regular contributor to the Davos annual meeting and DLD, particularly on topics at the intersection of technology and visual art. Her two children provide inspiration for her best-selling book series, Art for Baby, which benefits the National Society for the Protection against Cruelty to Children (NSPCC). Peel was born in St Petersburg, Russia, attended McGill University, completed her post-graduate studies in Economics at LSE, and started her career at Goldman Sachs.[/staff][/vc_column][vc_column width=”1/2″][staff name=”Eben Upton CBE, Chief Executive” profile_image=”97204″]Eben Upton CBE is a founder of the Raspberry Pi Foundation and serves as the CEO of Raspberry Pi Ltd, its commercial and engineering subsidiary. He is the co-author, with Gareth Halfacree of the Raspberry Pi User Guide, and with Jeff Duntemann and others of Learning Computer Architecture with Raspberry Pi. He was elected to the Fellowship of the Royal Academy of Engineering in 2017. In an earlier life, he founded two successful mobile games and middleware companies, Ideaworks 3d and Podfun, held the post of director of studies for Computer Science at St John’s College, Cambridge, and wrote the Oxford Rhyming Dictionary with his father, Professor Clive Upton. He holds a BA in Physics and Engineering, a PhD in Computer Science, and an MBA, from the University of Cambridge.[/staff][/vc_column][/vc_row][vc_row][vc_column][vc_separator][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” css=”.vc_custom_1515150485442{background-color: #cb3000 !important;}” el_class=”text_white”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]
By donating to the Freedom of Expression Awards you help us support individuals and groups at the forefront of tackling censorship.
[/vc_column_text][/vc_column][vc_column width=”1/2″ css=”.vc_custom_1515150288338{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2017/04/2017-awards-fellows-1460×490-2.jpg?id=89631) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][/vc_column][/vc_row][vc_row][vc_column][vc_separator][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.
Join our mailing list (or follow us on Twitter or Facebook) and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]
04 Jan 18 | Media Freedom, media freedom featured, News and features, United Kingdom
[vc_row][vc_column][vc_single_image image=”97191″ img_size=”full” alignment=”center”][vc_column_text]“News is something which somebody wants suppressed: all the rest is advertising.”
Variations on this quote, originally attributed to William Randolph Hearst, have echoed around newsrooms for decades, with advertising and editorial kept separate. Nowadays, though, the line is becoming more blurred for the UK’s regional media.
And it is driving journalists away from the jobs they love. One former local paper editor told Index she bowed out after commercial influence became the last straw.
“The last 10 years have seen increasing pressure from commercial departments to not use, or minimise, any story which has the potential to upset an advertiser – or even a potential advertiser,” she said. “While working as an editor I was told, in no uncertain terms, we were not to run a court story involving an advertiser breaching health and safety legislation. And that is just one example.
“My instincts were to fight every inch of the way, but the reality was that the dice were loaded in favour of those bringing in revenue, the ad team, not those irritating journalists who believed in printing news, whatever it was and whoever it involved.”
An increasing number of media CEOs have commercial roots rather than editorial backgrounds, with publishers sometimes accused of arguing that commercial needs can override journalistic integrity because advertisers pay the wages.
Print circulation is falling – as is advertising revenue. Enders Analysis predicts that by 2019, the UK newspaper industry’s revenue will be nearly £1bn a year less than in 2011, and eMarketer’s latest UK media ad-spending forecast predicted newspapers would see their income fall by 9% in 2017.
Regional papers have a smaller pool of advertisers to draw on than their national competitors, so commercial directors are keen to court businesses in the hope they may become advertisers, or to keep their budgets on par with previous years.
Reporters complain that they spend too much time rehashing press releases with little news value, and sub-editors regularly come across “stories” on commercial events with instructions not to edit them. Often, a paid-for supplement will follow, linked to an agreement for editorial coverage.
Ian Murray, executive director of the Society of Editors, says this closer relationship is important but needs to be handled with care.
“Editors left their ivory towers a few years ago now, and any editor or news editor who doesn’t understand that the continued existence of their publication is tied to its commercial success won’t last long in the job,” he said. “But whereas it is acceptable for an editor to agree to, say, a new section on a topic that will attract or support advertising, it remains their role if not their duty to ensure commercial interests do not affect genuine news reporting.”
This is a tightrope Nigel Pickover has negotiated in his four decades in the regional press. The former editor of the Ipswich Star and the Eastern Daily Press believes editorial staff need a sixth sense regarding potentially undue influence.
“If there is a newsroom campaign or a royal wedding supplement, it’s entirely appropriate to link with colleagues to see if there are commercial opportunities. Producing newspapers and websites is an expensive business,” he said.
“The biggest danger to me – in a time of tight resources and open pages – is clever PR firms delivering well-written copy, pictures and even video into the editorial system. Again, these stories must pass muster and not be used as space fillers if they are just free puffs.”
Many PR companies, aware of the muddying of the waters, see benefits for all parties.
Maw Communications has clients including GoCompare, DPD and Virgin Money. Founder Gordon Maw says it is now common to have editorial coverage, traditional adverts, sponsorship, online links and inclusion in more general features in one managed campaign rather than dealing with separate departments.
“As amazing as your story or ad is, there’s a massive chance people will miss it. But with this sharing of media, everything can be done as mini campaigns – it can go everywhere,” he said. “It’s still about the story and the message but it works in different ways.”
But while some newsdesks are instructed to blur the boundaries, Iliffe’s new Bishop’s Stortford Independent sets firm limits. News editor Sinead Corr’s brief is to provide genuine local news which inspires confidence in both readers and advertisers.
“We are trying to be independent, and you can’t be that if you are in someone’s pocket,” she said. “Our ad reps sell on the quality of our editorial content. There are no mates’ rates, no puff promises.”
She says advertisers believe too much cross-contamination can damage their brands. “People aren’t falling for it… It’s the whole ethos of trust. Adverts are placed in a context where they have credibility by association.”
But what happens if advertisers do try to call the shots? They may demand inclusion in a story or threaten to withdraw advertising if an adverse story is printed.
This is where editors have to be strong, fighting their corner if needs be and employing that “sixth sense”, says Pickover.
It is this approach which will, ultimately, benefit both commercial and editorial sides, adds Murray.
“In my experience, and through anecdotal evidence from today’s editors, they remain committed to standing up for editorial independence and integrity. Management also, I believe, understand that a publication’s integrity with both readers and then advertisers will not survive the loss of real editorial standards.”
This is good news, but it still rings hollow in the ears of journalists such as the former weekly editor, who spoke to Index, who believes the daily struggle is still real – especially for smaller publications.
“I am sure there are papers out there which take no prisoners and run stories unfettered by the chains of the ad team – and I salute them. But equally, there are also plenty of stifled editorial teams being bent by the commercial will of the ad teams – be it not running a story altogether, or over-writing some PR puff to a page lead to please an advertiser.”[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Survey: How free is our press?” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F12%2Fsurvey-free-press%2F|title:Take%20our%20survey||”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-pencil-square-o” color=”black” background_style=”rounded” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]
This survey aims to take a snapshot of how financial pressures are affecting news reporting. The openMedia project will use this information to analyse how money shapes what gets reported – and what doesn’t – and to advocate for better protections and freedoms for journalists who have important stories to tell.
More information[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”81193″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/12/jean-paul-marthoz-commercial-interference-european-media/”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Commercial pressures on the media? Anti-establishment critics have a ready-made answer: of course, journalists are hostage to the whims of corporate owners, advertisers and sponsors. Of course, they cannot independently cover issues which these powers consider “inconvenient”.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”96949″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.opendemocracy.net/openmedia/mary-fitzgerald/welcome-to-openmedia”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]
Forget fake news. Money can distort media far more disturbingly – through advertorials, and through buying silence. Here’s what we’re going to do about it.
This article is also available in Dutch | French | German | Hungarian | Italian |
Serbian | Spanish| Russian[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Don’t lose your voice. Stay informed.” use_theme_fonts=”yes”][vc_separator color=”black”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]Index on Censorship is a nonprofit that campaigns for and defends free expression worldwide. We publish work by censored writers and artists, promote debate, and monitor threats to free speech. We believe that everyone should be free to express themselves without fear of harm or persecution – no matter what their views.
Join our mailing list (or follow us on Twitter or Facebook) and we’ll send you our weekly newsletter about our activities defending free speech. We won’t share your personal information with anyone outside Index.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][gravityform id=”20″ title=”false” description=”false” ajax=”false”][/vc_column_inner][/vc_row_inner][vc_separator color=”black”][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”12″ style=”load-more” items_per_page=”4″ element_width=”6″ grid_id=”vc_gid:1515055423699-6d3c86d3-086a-2″ taxonomies=”8996″][/vc_column][/vc_row]
