Index on Censorship condemns decision to axe Flemming Rose as speaker on academic freedom

Index on Censorship is appalled by the decision by the University of Cape Town to rescind an invitation to Danish editor Flemming Rose to deliver the annual TB Davie lecture on academic freedom – especially at a time when academic freedom is under threat around the world – and considering recent events in Turkey.

Rose, the editor responsible for publishing controversial cartoons of the Prophet Mohammed in the Danish newspaper Jyllands-Posten in 2005, was invited last year to give the August 2016 lecture, which UCT describes as a “flagship lecture to promote academic freedom and freedom of speech” and which is organised by the university’s academic freedom committee.

However, in a letter sent by UCT Vice-Chancellor Max Price on 12 July, Price tells the committee that the university executive had decided “it would be extremely unwise to proceed with the address.”

What follows in the letter is an attempt by Price to justify a decision that makes a mockery of the university’s supposed defence of free speech and academic freedom.

Price – who signed an Index on Censorship letter defending academic freedom last year – begins by pointing out that no freedoms are unlimited, and highlights the limitations on free speech imposed by the South African constitution in which the right to free speech does not extend to propaganda for war, incitement of violence or advocacy of hatred. The implication of this reference is that Rose’s speech might amount in some way to one of these three. This is a dangerous and damaging route for an academic institution to take.

The letter then goes on to say that Rose’s appearance might provoke conflict on campus, pose security risks and might “retard rather than advance academic freedom on campus.” Although the letter acknowledges that the university considered holding the event as a debate with some representatives of the Muslim community – and acknowledges these representatives had been open to the idea – the letter goes on to say: “However, Mr Rose is seen by many as persona non grata and while most would protest peacefully against him, we believe there is a real danger that among those offended by the cartoons, an element may resort to violence.”

The academic freedom committee responded to Price, saying in a statement: “Academic freedom is severely compromised when security and other pragmatic considerations preclude inviting speakers who – while controversial – in no way violate our Constitutional limitations on free speech… We regret the Executive’s decision and what it reveals about the limited scope of academic freedom at UCT. Ours should be a campus on which people are free to express and contest ideas, even unpopular ones.”

The decision taken by the administration of UCT is a clear example of a type of “assassin’s veto” in which those who argue they are offended by the speech of others can use the threat of violence to silence those with whom they disagree.

Jodie Ginsberg, Index on Censorship chief executive said: “This a huge blow to free expression and academic freedom and UCT’s attempts to dress this up as otherwise are to be condemned in the strongest terms.”

Also read:

Flemming Rose responds to the University of Cape Town

Dr Max Price, Vice-Chancellor of UCT, letter to the academic freedom committee

UCT Academic freedom committee response to Dr. Max Price

UCT statement: Withdrawal of invitation to speaker of TB Davie Academic Freedom Lecture

Kenan Malik: Academic freedom and academic cowardice

Flemming Rose responds to the University of Cape Town

The University of Cape Town rescinded an invitation to journalist and editor Flemming Rose, who had been scheduled to deliver the annual TB Davie lecture on academic freedom in August. In 2005 Rose commissioned the cartoons of the prophet Mohammed that sparked protests and riots across the world.

Regarding my thoughts on the matter and the arguments put forward as motivation for taking back the invitation I find three things important:

1. I find it disgraceful that the Vice-Chancellor Mr. Max Price puts the blame on me instead of taking responsibility for his decision. He is afraid that some people might react in certain ways to my presence. That’s not my responsibility. If they choose to act in a way that concerns the VC, it’s their decision, not mine. The VC has to hold them responsible for their actions, not me. It’s the heckler’s veto. Mr. Price talks about “the harm that unlimited freedom of expression could cause.” I don’t know any person including myself who is in favor of unlimited free speech, that’s a caricature of free speech activists. What I oppose is the kind of “I am in favor of free speech, but”-position that Mr. Price provides a classic example of. His approach to free speech would make it possible to ban any speech.

2. Mr. Price is misrepresenting my position. He writes: “Mr. Rose is regarded by many around the world as right wing, Islamophobic, someone whose statements have been deliberatively provocative, insulting and possibly amount to hate speech, and an editor of a publication that many believe took a bigoted view of freedom of expression.” He adds that I am defender of “selective blasphemy”. What are the sources for these accusations? An article from 2006 at the height of the cartoon crisis, when a lot of unchecked information and rumors were making the rounds, among them that I was working for Mossad, the KGB’s successor in Russia and the CIA. My guilt seems to be that I have met and interviewed Daniel Pipes. The other source is a review of my book The Tyranny of Silence: How One Cartoon Ignited a Global Debate on the Future of Free Speech by a Danish professor who has been biased against me and Jyllands-Posten from the outset.

I find it strange that the VC uses Peter Hervik’s review as a source of authority. Hervik labels me a “radical rightwing activist” without defining what he means by that and even worse without quoting anything from what I have said and written. I am a classical liberal. I do not defend selective blasphemy, I defend the right to blasphemy as such. To provide you with an impression of his approach let me quote from the review. He writes about me:

“Not least his enormous urge to gather any news coverage from around the world in order to show that ‘I was right and that others were wrong’.”

Sounds a bit like a fanatic, or at least that’s the impression he wants to convey.

This is what I actually wrote:

“At first I wanted to document that I was right and others were wrong. But along the way, I found out that I needed to look inward, to reflect on my own story and background. Why was this debate so important to me? Why was I from the outset, almost, instinctively, able to identify the core issue… I am fully aware that other versions exist that are no less true than my own; in some cases they may be even more complete.”

“I do have strong opinions when it comes to certain things. But I am not a person who takes an instant stand on just anything. I am a natural skeptic. I ponder at length and lose myself in layers of meaning and the many sides of an issue, I don’t see that trait as a flaw: It is the condition of modern man and indeed the core strength of secular democracies, which are founded on the idea that there is no monopoly on truth. Doubt is the germ of curiosity and critical questioning, and its prerequisite is a strong sense of self, a courage that leaves room for debate.”

A bit different than Hervik’s version, right?

To me this looks like a deliberate distortion of I was trying to say in that paragraph. Disagreement is necessary and fine but we have to present the point of view of our opponents in a more or less fair way. Anyone who needs to misrepresent the point of view of his opponent usually has a bad case.

It’s really a sign of poor judgement and bad academic standards to disinvite me on the basis of what other people say about me, when I have published a book that covers my own story, which tells how my views on politics were formed and analyses the history of tolerance and free speech. The book is not only focusing on Islam. I write about the Russian Orthodox’ Church silencing of criticism, Hindu-nationalists attacks on an Indian Muslim artist and so on and so forth. Why use second-hand sources when you can read the primary source in English and make up your mind?

This doesn’t mean that I would favour banning a “radical right wing” speaker, whatever that means. I would defend such a speaker’s right to make his case. After all, that’s the way we learn to argue against points of views that we don’t like.

3. Mr. Price is also getting the facts wrong about Jyllands-Posten and its position. The newspaper published several cartoons ridiculing Jesus, even by Kurt Westergaard, the artist that did the cartoon of the Mohammad with a bomb in his turban. The Jesus cartoons that were refused were submitted by a freelancer not a staffer, so it was like refusing any other article or cartoon by a freelancer.

In my book (the Danish version) I have included some of those and other images. Apart from Westergaard’s I have added Serrano’s Piss Christ and an image by Jens Jørgen Thorsen, a Danish artist who in 1984 painted Jesus with an erection on a public building and cartoons from the Nazi Magazine Der Stürmer, George Grosz’ drawings of a Christ-like figure equipped with a gas mask on the cross next to a canon (World War I) and Manet’s Lunch on the Green Grass. All this to show examples of images that throughout history have caused controversy.

Contrary to what Mr. Price writes, Jyllands-Posten published antisemitic cartoons and cartoons mocking the Holocaust (a full page on 4 February, 2006 at the height of the cartoon crisis) that previously had been published in Arab newspapers. We, like most other Danish newspapers, published submissions to the Iranian Holocaust cartoon contest as well. We did it, not because we support the views expressed in the cartoons (the same point goes for the Mohammed-cartoons) – publication does not mean endorsement. We did it in order for our readers to see what makes people laugh in the countries where many were so upset by the Mohammed cartoons.

Recently I have defended radical imams’ right to hate speech, and I have (in Danish) written favorably about a book by a socially conservative Norwegian Muslim (title: Is it possible to love the Koran and Norway at the same time?).

Also read:

Index on Censorship condemns decision to axe Flemming Rose as speaker on academic freedom

Dr Max Price, Vice-Chancellor of UCT, letter to the academic freedom committee

UCT Academic freedom committee response to Dr. Max Price

UCT statement: Withdrawal of invitation to speaker of TB Davie Academic Freedom Lecture

Kenan Malik: Academic freedom and academic cowardice

Podcast: Kenyan journalist forced into hiding after reporting the news

“Yassin Juma is an extraordinary journalist, who has taken great personal risks to get the story of what is happening in the war that is being waged in Somalia against Al-Shabaab,” writer Ismail Einashe told Index on Censorship.

But Juma is now in hiding.

Einashe interviewed the Kenyan investigative journalist for the latest issue of Index on Censorship magazine, which is themed on the risks of reporting worldwide.

Juma was arrested in January for posting information on social media about a recent attack on the Kenyan Defence Force by the Al-Shabaab militant group. Juma revealed that, according to a credible source within the KDF, 103 soldiers had been killed in an attack on the Kenyan army base in El Adde, Somalia.

The journalist was later arrested and faced charges of  “misuse of a telecommunication gadget”. After being grilled by police and detained for two days, he was released without charge but has since gone into hiding, fearing that his reporting is angering the authorities.

Listen to Einashe explaining the significance of this case on the Soundcloud above. The full article, written by Einashe, is in the latest issue of Index on Censorship magazine.

Print copies of the magazine are available here, or you can take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

Over £2,000 raised for Music in Exile Fund to support persecuted musicians

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Jodie Ginsberg, CEO Index on Censorship. Credit: Eric Hobson

Thanks to generous support from fans at a gig for Malian rock band Songhoy Blues at The Roundhouse in London, Index on Censorship raised more than £1,800 on Saturday to support its new fund for persecuted musicians.

Reflecting on the music ban imposed by extremists in northern Mali in 2012, Index chief executive Jodie Ginsberg reminded a capacity crowd of the threats faced by musicians worldwide. “If we don’t support these musicians, the next act would not be Songhoy Blues but an empty stage,” she said.

The money raised will go towards supporting the Music in Exile Fellowship — part of Index’s Freedom of Expression Awards programme — to support a group or individual facing persecution for their work.

Over £200 was also raised at a special screening of the film They Will Have to Kill Us First, whose producers came up with the idea for the fund, at the Everyman in Belsize Park on Saturday afternoon.

“The response of the audiences at Saturday’s events was amazing — we’re delighted,” Ginsberg said. “Few people can imagine a world without music, and the support for the fund shows just how important it is to so many people to make sure we don’t end up with such a world.”

The first Music in Exile Fellow — Serge Bambara, aka Smockey — will be performing in London in July.

If you would like to support the fund, please text BAND61 £10 to 70070 to donate £10 or visit our Justgiving page.

songhoy

Songhoy Blues at The Roundhouse, May 2016. Credit: Eric Hobson