Freedom of Expression Awards Fellowship

[vc_row][vc_column][vc_empty_space height=”5px”][vc_custom_heading text=”Freedom of Expression Awards Fellowship” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_custom_heading text=”Submit your nomination now” font_container=”tag:h3|text_align:center|color:%23dd3333″ use_theme_fonts=”yes” link=”url:%23nomination|||”][vc_empty_space height=”5px”][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text]

Winners of the Freedom of Expression Awards Fellowship receive 12 months of capacity building, coaching and strategic support. Through the fellowships, Index seeks to maximise the impact and sustainability of voices at the forefront of pushing back censorship worldwide.

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The nomination period for the 2019 Freedom of Expression Awards Fellowship is now open.

The Freedom of Expression Awards Fellowship programme offers 12 months of support to individuals or organisations fighting to defeat censorship worldwide. Fellows receive assistance throughout the year, beginning with an all-expenses-paid training week in London. The Fellowship is an opportunity to build new skills and to network with other groups fighting for similar causes. The Fellowship encourages collaboration, helps maximise ongoing work and supports sustainability. The Fellowship is an enriching, one-of-a-kind experience in which fellows become part of a supportive worldwide community of free expression champions.

All information submitted as part of the nomination process will be held in strict confidence and used only in connection with the nomination. Your information will not be shared, sold or transferred to any party outside of Index or the nominations process. Your information will not be held after the nominations process is complete.[/vc_column_text][gravityform id=”23″ title=”false” description=”false” ajax=”false”][/vc_column][/vc_row][vc_row equal_height=”yes”][vc_column][vc_empty_space height=”5px”][vc_custom_heading text=”2019 Freedom of Expression Awards Fellowship Timeline” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_row_inner equal_height=”yes” el_class=”awards-timeline-grid”][vc_column_inner width=”1/6″][vc_single_image image=”80944″ img_size=”full”][vc_column_text]25 JUN – 30 SEP 2018

NOMINATIONS[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_single_image image=”80945″ img_size=”full”][vc_column_text]DEC 2018

JUDGING PANEL ANNOUNCED[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_single_image image=”80946″ img_size=”full”][vc_column_text]JAN 2018

SHORTLIST ANNOUNCED[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_single_image image=”80947″ img_size=”full”][vc_column_text]1-5 APR 2019

AWARDS FELLOWSHIP WEEK[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_single_image image=”80948″ img_size=”full”][vc_column_text]4 APR 2019

AWARDS GALA[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_single_image image=”80949″ img_size=”full”][vc_column_text]APR 2019 – MAR 2020

AWARDS FELLOWSHIP[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space][/vc_column][/vc_row][vc_row full_width=”stretch_row”][vc_column][vc_custom_heading text=”About the Awards Fellowship” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_row_inner equal_height=”yes” el_class=”awards-timeline-grid”][vc_column_inner width=”1/6″][vc_single_image image=”94804″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]One Full Year

Fellows receive 12 months of direct assistance, starting with an all-expenses-paid training week in London in April 2018.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]Survive

Index helps fellows build key partnerships, troubleshoot and receive expert support in multiple areas including personal safety, finance, PR and mental health.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]Thrive

Fellows work with Index and partners to identify and realise key strategic goals.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]Amplify

Index promotes news and regional developments through our magazine, website and social media.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]Network

Fellows become part of a supportive community of free expression champions worldwide.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_custom_heading text=”What we look for in selecting Awards Fellows” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_row_inner equal_height=”yes” el_class=”awards-timeline-grid”][vc_column_inner width=”1/6″][vc_single_image image=”94805″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]Timeliness

A significant contribution within the past 12 months.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]Resilience

Courage to speak out, persisting in the face of adversity.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]Innovation

Creative ways of promoting free expression or circumventing censorship.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]Impact

Evidence of shifting perceptions, influencing public or government opinion, contributing to legislative change.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/6″][vc_column_text]Need

Those cases where the 2018 Awards Fellowship can potentially add the most value.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_custom_heading text=”We award Fellowships in four categories” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_row_inner equal_height=”yes” el_class=”text_white”][vc_column_inner width=”1/4″ css=”.vc_custom_1501508115518{background-color: #cb3000 !important;}”][vc_custom_heading text=”Arts” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]for artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″ css=”.vc_custom_1501508268476{background-color: #d98c00 !important;}”][vc_custom_heading text=”Campaigning” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]for activists and campaigners who have had a marked impact in fighting censorship and promoting freedom of expression[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″ css=”.vc_custom_1501508309950{background-color: #cb3000 !important;}”][vc_custom_heading text=”Digital Activism” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]for innovative uses of technology to circumvent censorship and enable free and independent exchange of information[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″ css=”.vc_custom_1501508333043{background-color: #d98c00 !important;}”][vc_custom_heading text=”Journalism” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]for courageous, high-impact and determined journalism that exposes censorship and threats to free expression[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height=”15px”][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1504188991311{background-color: #f2f2f2 !important;}”][vc_column][vc_tta_tabs color=”white” active_section=”1″][vc_tta_section title=”2018 Fellows” tab_id=”1501506166658-bae3c112-ebd9″][vc_custom_heading text=”Campaigning” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Fcampaigning-fellow-2017%2F|||”][vc_row_inner][vc_column_inner][vc_custom_heading text=”2018 Fellows” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][vc_column_text]

Selected from over 400 public nominations and a shortlist of 16, the 2018 Freedom of Expression Awards Fellows exemplify courage in the face of censorship. Learn more about the fellowship.

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Arts” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Farts-fellow-2017%2F|||”][vc_custom_heading text=”Museum of Dissidence” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Farts-fellow-2018%2F|||”][vc_single_image image=”97994″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/04/arts-fellow-2018/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Campaigning” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Farts-fellow-2017%2F|||”][vc_custom_heading text=”ECRF” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Fcampaigning-fellow-2018%2F|||”][vc_single_image image=”97988″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/04/campaigning-fellow-2018/”][vc_column_text]The 2018 Campaigning Award is supported by Doughty Street Chambers[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Digital Activism” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Fdigital-activism-2017%2F|||”][vc_custom_heading text=”Habari RDC” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Fdigital-activism-2018%2F|||”][vc_single_image image=”97990″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/04/digital-activism-2018/”][vc_column_text]The 2018 Digital Activism Award is sponsored by Private Internet Access[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Journalism” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Fjournalism-2017%2F|||”][vc_custom_heading text=”Wendy Funes” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Fjournalism-2018%2F|||”][vc_single_image image=”98000″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/04/journalism-2018/”][vc_column_text]The 2018 Journalism Award is sponsored by Vice News[/vc_column_text][/vc_column_inner][/vc_row_inner][three_column_post title=”2018 Fellows News” category_id=”23707″][/vc_tta_section][vc_tta_section title=”2017 Fellows” tab_id=”1524472475785-d2464a89-c53e”][vc_row_inner][vc_column_inner][vc_custom_heading text=”2017 Fellows” font_container=”tag:h2|text_align:center” use_theme_fonts=”yes”][vc_column_text]

Selected from over 400 public nominations and a shortlist of 16, the 2017 Freedom of Expression Awards Fellows exemplify courage in the face of censorship. Learn more about the fellowship.

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Arts” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Farts-fellow-2017%2F|||”][vc_custom_heading text=”Rebel Pepper” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Farts-fellow-2017%2F|||”][vc_single_image image=”94724″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/04/arts-fellow-2017/”][/vc_column_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Campaigning” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Fcampaigning-fellow-2017%2F|||”][vc_custom_heading text=”Ildar Dadin” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Fcampaigning-fellow-2017%2F|||”][vc_single_image image=”94725″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/04/campaigning-fellow-2017/”][vc_column_text]The 2017 Campaigning Award is supported by Doughty Street Chambers[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Digital Activism” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Fdigital-activism-2017%2F|||”][vc_custom_heading text=”Turkey Blocks” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Fdigital-activism-2017%2F|||”][vc_single_image image=”94726″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/04/digital-activism-2017/”][vc_column_text]The 2017 Digital Activism Award is sponsored by Private Internet Access[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/4″][vc_custom_heading text=”Journalism” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Fjournalism-2017%2F|||”][vc_custom_heading text=”Maldives Independent” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F04%2Fjournalism-2017%2F|||”][vc_single_image image=”94727″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2017/04/journalism-2017/”][vc_column_text]The 2017 Journalism Award is sponsored by CNN[/vc_column_text][/vc_column_inner][/vc_row_inner][three_column_post title=”2017 Fellows News” category_id=”15965″][/vc_tta_section][vc_tta_section title=”2016 Fellows” tab_id=”1501487515382-d17ff4cd-299e”][vc_row_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”2016 Fellows” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Arts | Murad Subay” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F11%2Farts-fellow-2016%2F|||”][vc_single_image image=”74790″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/11/arts-fellow-2016/”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Campaigning | Bolo Bhi” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F03%2Fcampaigning-2016%2F|||”][vc_single_image image=”82685″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/03/campaigning-2016/”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Digital Activism | GreatFire” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F03%2Fdigital-activism-2016%2F|||”][vc_single_image image=”82689″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/03/digital-activism-2016/”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Journalism | Zaina Erhaim” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F03%2Fjournalism-2016%2F|||”][vc_single_image image=”82702″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/03/journalism-2016/”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Music in Exile | Smockey” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2016%2F03%2Fmusic-in-exile-2016%2F|||”][vc_single_image image=”81098″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2016/03/music-in-exile-2016/”][/vc_column_inner][/vc_row_inner][three_column_post title=”2016 Fellows News” category_id=”16122″][/vc_tta_section][vc_tta_section title=”2015 Fellows” tab_id=”1501487515639-5231aa25-0705″][vc_row_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”2015 Fellows” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Arts | El Haqed” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2015%2F03%2Farts-2015%2F|||”][vc_single_image image=”81111″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2015/03/arts-2015/”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Campaigning | Amran Abdundi” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2015%2F03%2Fcampaigning-2015%2F|||”][vc_single_image image=”81118″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2015/03/campaigning-2015/”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Digital Activism | Tamás Bodoky” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2015%2F03%2Fdigital-activism-2015%2F|||”][vc_single_image image=”81126″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2015/03/digital-activism-2015/”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Journalism | Rafael Marques de Morais” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2015%2F03%2Fjournalism-2015%2F|||”][vc_single_image image=”81131″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2015/03/journalism-2015/”][/vc_column_inner][vc_column_inner width=”1/6″][vc_custom_heading text=”Journalism | Safa Al Ahmad” font_container=”tag:h4|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2015%2F03%2Fjournalism-2015-2%2F|||”][vc_single_image image=”81138″ img_size=”full” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2015/03/journalism-2015-2/”][/vc_column_inner][/vc_row_inner][three_column_post title=”2015 Fellows News” category_id=”16123″][/vc_tta_section][/vc_tta_tabs][/vc_column][/vc_row][vc_row][vc_column][vc_separator color=”black”][vc_row_inner equal_height=”yes”][vc_column_inner width=”1/2″][vc_custom_heading text=”Support the Index Awards.” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]

By donating to the Freedom of Expression Awards you help us support individuals and groups at the forefront of tackling censorship.

Find out more

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″ css=”.vc_custom_1528707303361{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2018/04/EMK_2426web-1460×490-1.jpg?id=99905) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][/vc_column_inner][/vc_row_inner][vc_empty_space height=”30px”][vc_separator color=”black”][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1500374757272{margin-top: 20px !important;padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_column][vc_row_inner][vc_column_inner][vc_custom_heading text=”SPONSORS” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1484567001197{margin-bottom: 30px !important;}”][vc_column_text]

The Freedom of Expression Awards and Fellowship have massive impact. You can help by sponsoring or supporting a fellowship.

Index is grateful to those who supported the 2018 Freedom of Expression Awards Fellowships:

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” el_class=”container container980″][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”80918″ img_size=”234×234″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”https://uk.sagepub.com/”][vc_single_image image=”85983″ img_size=”234×234″ alignment=”center” onclick=”custom_link” link=”https://www.privateinternetaccess.com/”][/vc_column_inner][vc_column_inner width=”1/2″ offset=”vc_col-xs-6″][vc_single_image image=”80921″ img_size=”234×234″ alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”https://www.google.co.uk/about/”][vc_single_image image=”85586″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://www.edwardian.com/”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” el_class=”container container980″][vc_column_inner width=”1/3″ offset=”vc_col-xs-6″][vc_single_image image=”99955″ img_size=”full” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http://www.vodafone.com/content/index.html#”][/vc_column_inner][vc_column_inner width=”1/3″ offset=”vc_col-xs-6″][vc_single_image image=”82323″ alignment=”center” onclick=”custom_link” link=”https://news.vice.com/”][/vc_column_inner][vc_column_inner width=”1/3″ offset=”vc_col-xs-6″][vc_single_image image=”80923″ img_size=”medium” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”http://www.doughtystreet.co.uk/”][/vc_column_inner][/vc_row_inner][vc_row_inner equal_height=”yes” el_class=”container container980″][vc_column_inner width=”1/3″ offset=”vc_col-xs-6″][/vc_column_inner][vc_column_inner width=”1/3″ offset=”vc_col-xs-6″][vc_single_image image=”80924″ img_size=”full” alignment=”center” onclick=”custom_link” img_link_target=”_blank” link=”https://psiphon.ca/”][/vc_column_inner][vc_column_inner width=”1/3″ offset=”vc_col-xs-6″][/vc_column_inner][/vc_row_inner][vc_column_text]

If you are interested in sponsorship you can contact [email protected]

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Editorial: Laughter tracked

[vc_row][vc_column][vc_custom_heading text=”When cartoonists are being arrested, and novelists told their plots must only support the government line, you know your nation is in deep trouble, argues Rachael Jolley”][vc_row_inner][vc_column_inner][vc_column_text]

Punch and Judy puppets. Credit: Sid Williams / Flickr

Punch and Judy puppets. Credit: Sid Williams / Flickr

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A COUNTRY’S SENSE OF humour is a nebulous thing. But when it starts to disappear, something serious is afoot.

And so it is in Spain right now. Comedy, it turns out, is touching a nerve, as it often does, and rather surprisingly the lawyers are getting involved. Comedy is not only a threat, but under threat.

What’s bizarre is, this is Spain, a modern democracy, a solid, sensible country at the centre of Europe. Locking people up for making a joke, that’s something you might expect from an authoritarian and struggling state. But Spain?

Well, it turns out, this is Spain in the 21st century. The list of comedy offences is not short. Spanish comedian Dani Mateo was told to testify before a judge in May for telling a joke referring to a monument built by Franco’s regime as “shit”. He told the joke during a satirical show. Now it doesn’t sound like the best joke in the world, but hell, we defend his right to tell it. And Mateo is not alone in the Spanish comic fraternity. There’s Facu Díaz, who was prosecuted last year for posting jokes on social media; Cassandra Vera, who was sentenced to a year in prison for making jokes about a former Spanish president; and three women who were accused of a religious hate crime for mocking a traditional Easter procession. Puppeteers whose Punch and Judy show included a sign for a made-up terrorist organisation carried by a witch spent a year fighting prosecution, unable to leave the country for weeks, receiving anonymous threats and having to report regularly to the police. On and on it goes, as Silvia Nortes reports for us on page 85.

So why does any of this matter? Well, jokes are a barometer of public mood, and as British comedian Andy Hamilton told this summer’s Hay Festival, you can even use them to test how much the public like or dislike a politician or public figure. He remembered making a joke about then Prime Minister Margaret Thatcher, and being told by one of her staunchest supporters to expect a wave of outrage. On checking, he found just three complaints, and that’s when, he said, he knew Thatcher was on the way out. Similarly, a recent joke about former UK Justice Secretary Michael Gove received a big fat zero moans in the BBC complaints box. Hamilton reckoned this was a sign of just how little the public cared about Gove.

So jokes do take the temperature of the nation, and one of many reasons politicians fear them is, as Mark Twain said, “Against the assault of laughter, nothing can stand.”

Politicians fear being made fun of, and fear that a satirical representation of themselves may take root in the electorate’s brain. They fear the public seeing their weaknesses. Some may remember that the classic satirical British TV puppet show Spitting Image reduced each member of the cabinet to a single ridiculous idea, a spitting former Home Secretary Roy Hattersley or a tiny David Steel tucked in the top pocket of David Owen (joint leaders of the SDP-Liberal alliance). Not good for their egos, not good for their future prospects. Steel said later that the sketch definitely affected his image.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”That idea of groupthink, honed by the Soviet Union, satirised by George Orwell, continues to haunt writers in former communist countries today” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

Joke-telling is not the only ingredient in the comedy cupboard that upsets the powers that be. Historically, exaggerated portraits, as Edward Lucie-Smith writes in issue 197 of Index on Censorship, have long been used to diminish or enhance a public character. The most obvious creators of exaggerated portraits are newspaper cartoonists, who sometimes feel the long arm of the police on their shoulders as a result.

In our exclusive interview with legendary South African cartoonist Zapiro, he talks not only about the power of cartoonists, but the pressure on them not to offend or upset. In an interview with South African journalist Raymond Joseph, Zapiro said: “We provoke thought, even if that thought is pretty outrageous. Others can do it too. We just occupy a space where you can really push the boundaries.” Zapiro faced a six-year court battle with South Africa’s President Jacob Zuma over one of his cartoons. But Zapiro is just as feisty as ever, and reckons he is bolshier than the generations that have come after him.

Cracking down on comedy is just one way to command and control society. This issue’s special report examines others as we study the long shadows Russia’s 1917 revolution cast within and without its national borders.

From the beginning the early Soviets were not particularly fond of disagreement. Shortly after their rise to power, between October 1917 and June 1918, around 470 opposition publications were closed down. Lenin was clear how the nation should work. He believed that journalists, novelists and opinion formers were either with him, or against the state. If they were against the state, they shouldn’t be allowed to write or outline their views. “Down with non-partisan writers,” he argued. This is a view very much in favour with many other rulers today, including Angola’s President José Eduardo dos Santos, Chinese President Xi Jinping, and, recently, US President Donald Trump.

That idea of groupthink, honed by the Soviet Union, satirised by George Orwell, continues to haunt writers in former communist countries today. In Uzbekistan, as Hamid Ismailov outlines, the Soviet Union may have fallen, but the thinking remains the same. Writers with arguments that contradict President Shavkat Mirziyoyev are either neutralised by being employed by the state as advisers and consultants, or leave the country, or fail to be published.

In President Vladimir Putin’s Russia most of the media, apart from a few brave exceptions, fall into line with government positions. For instance, in February this year, according to the Index-led Mapping Media Freedom project, major Russian national television channels abruptly reduced the number of times they mentioned the US president. This followed a Kremlin order to cut back on “fawning coverage” of Trump.

In all the recent furore over “fake news”, prompted by almost incessant use of the term by Trump to undermine any reporting he didn’t like, it’s worth pointing out that tricks to get the public to believe something that is not true have been used throughout history. In fact, as Jemimah Steinfeld investigates (page 114), the Roman emperor Augustus was a master of manipulation well before PR handbooks were written.

And open the pages of a treasured book in our office and you’ll see an early version of photoshopping at work. Photographs featured in The Commissar Vanishes: The Falsification of Photographs and Art in Stalin’s Russia, show how people were “disappeared” from official Soviet portraits in the 1930s as they fell out of favour. Belarusians have been experiencing government attempts to get them to believe false stories for decades. In his report on page 52, Andrei Aliaksandrau unpicks the tricks used over the years and holds them up to the light.

And there’s some excellent thoughtful pieces in our fiction section too, with two new short stories written for this publication: one by Turkish writer Kaya Genç, and the other by British writer Jonathan Tel. The final slice is a new English translation of a much older story, by Russia’s “Comrade Count” Alexei Tolstoy.

To finish, a sad note. Our regular, and fantastic, Brazil correspondent Claire Rigby has died suddenly. Claire did amazing reporting for us, and we will miss her.

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Rachael Jolley is the editor of Index on Censorship magazine. She recently won the editor of the year (special interest) at British Society of Magazine Editors’ 2016 awards

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”80569″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/0306422017716030″][vc_custom_heading text=”Provoking the president” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422017716030|||”][vc_column_text]June 2016

Legendary South African cartoonist Zapiro talks about being sued for millions by Jacob Zuma, fighting for “Lady Press Freedom” and death threats.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90636″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1177/030642200002900126″][vc_custom_heading text=”Funeral of laughter” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F030642200002900126|||”][vc_column_text]January 2000

Oscar Collazos reports on the Colombian mourners after the assassination of comedian Jaime Garzon, who told insolent truths to the world.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”89185″ img_size=”213×289″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220500157814″][vc_custom_heading text=”You must be joking! ” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064220500157814|||”][vc_column_text]May 2005

Israeli comedians who dare to make jokes around the Shoah run foul of their country’s ultimate taboo: this is no laughing matter.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”100 Years On” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2017%2F06%2F100-years-on%2F|||”][vc_column_text]Through a range of in-depth reporting, interviews and illustrations, the summer 2017 issue of Index on Censorship magazine explores how the consequences of the 1917 Russian Revolution still affect freedoms today, in Russia and around the world.

With: Andrei ArkhangelskyBG MuhnNina Khrushcheva[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”91220″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/magazine”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

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100 years on

FEATURING

Contents: 100 years on

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The Summer 2017 issue of Index on Censorship magazine looks at how the consequences of the 1917 Russian Revolution still affect freedoms today, in Russia and around the world. Andrei Arkhangelsky argues that the Soviet impulse to censor never left Russia, and Nina Khrushcheva, a great-granddaughter of Nikita Khrushchev, reflects on the Soviet echoes in Trump’s use of the phrase “enemies of the people”.

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Hamid Ismailov, a writer who fled Uzbekistan in 1992, also reflects on how the superficial removal of the symbols of Soviet rule did little to change the mentality of the country or its government.

BG Muhn explores the legacy of socialist realism art in North Korea, arguably the only remaining totalitarian communist country, where painters work in government-run studios to produce artwork inspired by Soviet ideals and Korean pride. Also examining propaganda in art, David Aaronovitch looks back at the famous Soviet films he grew up watching, and asks whether their distortion of true events is any more sinister than that of Hollywood.

Jan Fox also interviews Luis Lago Diaz, a Cuban filmmaker, showing the global reach of Soviet influence, and Rafael Marques de Morais dissects the Stalin-inspired cult of personality surrounding the president of Angola.

Meanwhile, with eyes on history, Kaya Genç examines the complex relationship between Russia and Turkey, Bernard Gwertzman reflects on his time as the New York Times’ Moscow correspondent during the 1960s, and Duncan Tucker investigates how Leon Trotsky’s journey from founding Soviet leader to dissident non-person saw him become a champion of free speech during his exile in Mexico.

Outside of the special report, Laura Silvia Battaglia interviews a Yemeni journalist about his ordeal reporting on his country’s war, which has included being kidnapped, tortured and shot, and Eliza Vitri Handayani explains how a small rural community in Indonesia has found innovative ways of standing up to big industry, including encasing their feet in cement.

Plus Jemimah Steinfeld asks the author Margaret Atwood about current threats to free speech, the South African cartoonist Zapiro discusses the time President Jacob Zuma sued him and in the culture section award-winning writer Jonathan Tel presents a surreal, original short story about China’s ban on time-travelling television.

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What difference Russia’s revolution makes to our freedom today

Colouring inside the red lines, by BG Muhn: North Korea expert debunks myths and expectations about the country’s art

Mexico’s unlikely visitor, by Duncan Tucker: Leon Trotsky might have arrived in Mexico with blood on his hands, but he quickly became a free speech fighter

The revolution will be dramatised, by David Aaronovitch: Filmmaker Sergei Eisenstein manipulated the past in his work, but was it for dramatic or propaganda purposes?

A spectre that still haunts Russia, by Andrey Arkhangelsky: The Soviet fear of alternative voices persists in Russia

Lenin’s long literary shadow, by Hamid Ismailov: Uzbekistan’s ruler still expects writers to conform

Land of milk and honey, by Lahav Harkov: Israel’s kibbutz movement walks a fine line between being harmonious and restrictive

Friends reunited, by Kaya Genç: For most of the 20th century, Turkey and Russia were hostile neighbours. Now as both clamp down on free speech, they’re finding common ground

The enemies of those people, by Nina Khrushcheva: Nikita Khrushchev’s great-grandchild considers life in Trump’s USA compared to her Soviet upbringing

Airbrushing history, by Jeffery Wasserstrom & Yidi Wu: With China’s Communist Party still in power, the way 1917 is remembered must follow the party line. One man learnt the hard way

Being the big man, by Rafael Marques de Morais: Angola’s long-ruling president has constructed an image of himself straight out of Stalin’s playbook

The big chill, by Bernard Gwertzman: Staged press conferences and tapped phones were two obstacles to reporting from Moscow during the Cold War for The New York Times’ correspondent

There’s nothing new about fake news, by Andrei Aliaksandrau: It might be a new term, but the mechanisms of fake news have been in place in Belarus for decades

Help! I’m a Taiwanese communist, by Michael Gold: Taiwan went through a mass killing of its communists. Today the country is opening up about this dark past and communists face a freer environment

Shot in Havana, by Jan Fox: The state still controls Cuba’s film industry, but a Cuban producer is hopeful about changes ahead

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Provoking the president, by Raymond Joseph: South African cartoonist Zapiro talks censorship and drawing in an exclusive interview

Yemen: “Nobody is listening to us”, by Laura Silvia Battaglia: A Yemeni journalist discusses the time he was abducted for 15 days and other dangers for reporters

Novel lines, by Jemimah Steinfeld: An interview with Margaret Atwood on current threats to free speech and why scientists need defending

No country for free speech? by Daniel Leisegang: An old libel law and a new one aimed at social media are two threats to free expression in Germany

Read all about it, by Julia Farrington: Somaliland’s hugely successful festival is marking 10 years of extending access to books

See no evil: A Chechen journalist on the current climate of fear and intimidation that is stopping real news getting out

No laughing matter, by Silvia Nortes: Making jokes about Franco and ETA is off the table in Spain if you want to avoid trouble with the law

Cementing dissatisfaction, by Eliza Vitri Handayani: Indonesians experimenting with creative forms of protest are grabbing attention and sparking new movements

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Frenemies, by Kaya Genç: A mysterious man arrives at the White House. What does he want? A short story written exclusively for Index

Stitched in time, by Jonathan Tel: The award-winning writer on why the Chinese government controls historical narratives and an original story based on their ban of time travel shows

A tale of two Peters, by Alexei Tolstoy: First-time English translation of a story about Peter the Great by Russia’s Comrade Count, Alexei Tolstoy

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Global view, by Jodie Ginsberg: Freedoms are being curtailed across the globe in the name of “national security”

Index around the world, by
 Kieran Etoria-King: A reporter from the Maldives explains why the Index 2017 awards were a much-needed boost

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

What the Romans really did for us, by Jemimah Steinfeld: When it comes to propaganda, Roman emperor Augustus was ahead of his time

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

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