Artist in Exile: Eddy Munyaneza driven to become the man behind the camera

[vc_row][vc_column][vc_single_image image=”104099″ img_size=”full”][vc_column_text]“If you want to make films in Burundi, you either self-censor and you remain in the country or if you don’t, you have to flee the country,” Eddy Munyaneza, a Burundian documentary filmmaker, told Index on Censorship.

Munyaneza became fascinated in the process of filmmaking at a young age, despite the lack of cinematic resources in Burundi.

He now is the man behind the camera and has released three documentaries since 2010, two of which have drawn the ire of the Burundian government and forced Munyaneza into exile.

His first documentary — Histoire d’une haine manquée — was released in 2010 and has received awards from international and African festivals. The film is based on his personal experience of the Burundian genocide of 1993, which took place after the assassination of the country’s first democratically elected Hutu president Ndadye Melchoir. It focuses on the compassionate actions he witnessed when his Hutu neighbours saved him and his Tutsi sisters from the mass killings that swept the country. The film launched Munyaneza’s career as a filmmaker.

Munyaneza was honoured by Burundi’s president Pierre Nkurunziza for his first film and his work was praised by government officials. But the accolades faded when he turned his camera toward Nkurunziza for his second film in 2016.

The film, Le Troisieme Vide, focused on the two-year political crisis and president’s mandate that followed Nkurunziza’s campaign for an unconstitutional third term in April 2015. During the following two years, between 500 and 2,000 people were tortured and killed, and 400,000 were  exiled.

The filming of his second documentary was disrupted when Munyaneza started receiving death threats from the government’s secret service. He was forced to seek asylum in Belgium in 2016 for fear of his life. Through perseverance and passion, he quietly returned to Burundi in July 2016 and April 2017 to finish his short film.

Exile hasn’t affected Munyaneza’s work: in 2018 he released his third film, Lendemains incertains. It tells the stories of Burundians who have stayed or left the country during the 2015 political tension. He secretely returned to Burundi to capture additional footage for his new film, which premiered in Brussels at the Palace Cinema and several festivals.

“I lead a double life, my helplessness away from my loved ones, and the success of the film on the other,” he said. He continues to work in exile, but also works toward returning to Burundi to see his wife and kids who currently reside in a refugee camp in Rwanda, and to create film, photography and audio programs for aspiring Burundian filmmakers.

Gillian Trudeau from Index on Censorship spoke with Munyaneza about his award-winning documentaries and time in exile.

Index: In a country that doesn’t have an abundance of film or cinema resources, how did you become so passionate about filmmaking?

Munyaneza: I was born in a little village where there was no access to electricity or television. At the age of 7, I could go into town for Sunday worship. After the first service, I would go to the cinema in the centre of the town of Gitega. We watched American movies about the Vietnam war and karate films, as well as other action movies which are attractive to young people. After the film my friends and I would have debates about the reality and whether they had been filmed by satellites. I was always against that idea and told them that behind everything there was someone who was making the film, and I was curious to know how they did it.  That’s why since that time I’ve been interested in the cinema. Unfortunately, in Burundi, there is no film school. After I finished school in 2002, I began to learn by doing. I was given the opportunity to work with a company called MENYA MEDIA which was getting into audiovisual production and I got training in lots of different things, cinema, writing, and I began to make promotional films. The more I worked, the more I learned.

Index: How would you characterise  artistic freedom in Burundi today, and is that any different to when you were growing up?

Munyaneza: To be honest, Burundian cinema really got going with the arrival of digital in the 2000s. Before 2000 there was a feature film called Gito L’Ingrat which was shot in 1992 and directed by Lionce Ngabo and produced by Jacques Sando. After that, there were some productions by National Television and other documentary projects for TV made in-house by National Television. I won’t say that the artistic freedom in those days was so different from today. The evidence is that since those years, I can say after independence, there have not been Burundian filmmakers who have made films about Burundi (either fictional or factual). There were not really any Burundian films made by independent filmmakers between 1960 and 1990. The man who dared to make a film about the 1993 crisis, Kiza by Joseph Bitamba, was forced to go into exile, just as I have been forced to go into exile for my film about the events of  2015. So if you want to make films in Burundi, you either self-censor and you remain in the country or if you don’t, you have to flee the country.

Index: You began receiving threats after you made your second film, Le troisieme vide, in 2016. The film focused on the political crisis that followed the re-election of president Nkurunziza. Why do you think the film received such a reaction?

Munyaneza: Troisieme Vide is a short film which was my final project at the end of my masters in cinema at Saint Louis in Senegal. I knew that just making a film about the 2015 crisis would spark debate. Talking about the events which led to the 2015 crisis, caused by a president who ran for a third term, which he is not allowed to do by the constitution, I was sure that when this film came out I would have problems with the government. But I am not going to be silent like people who are older than me have done, who did not document what went on in Burundi from the 1960s, and have in effect just made the lie bigger. I want to escape this Burundian fate, to at least leave something for the generations to come.    

Index: How did you come to the decision to leave Burundi and what did that feel like?

Munyaneza: Burundi is a beautiful country with a beautiful climate. My whole history is there – my family, my friends. It is too difficult to leave your history behind. The road into exile is something you are obliged to do. It’s not a decision, it’s a question of life or death.

Index: How is life in Belgium, being away from your wife and children?

Munyaneza: It is very difficult for me to continue to live far from my family ties. I miss my children. I remain in this state of powerlessness, unable to do anything for them, to educate them or speak to them. It is difficult to sleep without knowing under what roof they are sleeping.

Index: How has your time in exile affected your work?

Munyaneza: On the work front, there is the film which is making its way. It has been chosen for lots of festivals and awards. I have just got the prize (trophy) for best documentary at the African Movie Academy Award 2018. I was invited but I couldn’t go. I lead a double life, my helplessness away from my loved ones, and the success of the film on the other. I have been invited to several festivals to present my film, but I don’t have the right to leave the country because of my refugee status. I am under international protection here in Belgium.

Index: You have returned to your home country on several occasions to film footage for your films. What dangers are your putting yourself in by doing this? And what drives you to take these risks?

Munyaneza: I risked going back to Burundi in July 2016 and in April 2017 to finish my film. To be honest, I didn’t know how the film was going to end up and sometimes I believed that by negotiating with the politicians it could take end up differently. When you are outside (the country) you get lots of information both from pro-government people and from the opposition. The artist that I am I wanted to go and see for myself and film the situation as it was. Perhaps it was a little crazy on my part but I felt an obligation to do it.

Index: Your most recent film, Uncertain Endings, looks at the violence the country has faced since 2015. In it, you show the repression of peaceful protesters. Why are demonstrators treated in such a way and what does this say about the future of the country?

Munyaneza: The selection of Pierre Nkurunziza as the candidate for the Cndd-FDD after the party conference on 25 April provoked a wave of demonstrations in the country. The opposition and numerous civil society bodies judged that a third term for President Nkurinziza would be unconstitutional and against the Arusha accords which paved the way for the end of the long Burundian civil war (1993-2006).  These young people are fighting to make sure these accords, which got the country out of a crisis and have stood for years, are followed. Unfortunately, because of this repression, we are back to where we started. In fact, we are returning to the cyclical crises which has been going on in Burundi since the 1960s. But what I learnt from the young people was that the Burundian problem was not based on ethnic divides as we were always told. There were both Hutu and Tutsi there, both taking part in defending the constitution and the Arusha accords. It is the politicians who are manipulating us.

Index: Do you hold out any hope of improvements in Burundi? Do you hope one day to be able to return to your home country?

Munyaneza: After the rain, the sun will reappear.  Today it’s a little difficult, but I am sure that politicians will find a way of getting out of this crisis so that we can build this little country. I am sure that one day I’ll go back and make films about my society. I don’t just have to tell stories about the crisis. Burundi is so rich culturally, there are a lot of stories to tell in pictures.[/vc_column_text][vc_video link=”https://www.youtube.com/watch?v=mnGPlAd1to8&t=24s”][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1543844506394-837bd669-b5fd-5″ taxonomies=”29951, 15469″][/vc_column][/vc_row]

Demonising the media: Threats to journalists in Europe

[vc_row full_width=”stretch_row_content_no_spaces” full_height=”yes” css=”.vc_custom_1541435907815{background-image: url(https://mappingmediafreedom.org/wp-content/uploads/2018/11/MMF-overview-1460×490.jpg?id=100814) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Demonising the media: Threats to journalists in Europe” font_container=”tag:h1|text_align:left” use_theme_fonts=”yes”][vc_custom_heading text=”Burned in effigy. Insulted. Menaced. Spat at. Discredited by their nation’s leaders. Assaulted. Sued. Homes strafed with automatic weapons. Rape threats. Death threats. Assassinations.” use_theme_fonts=”yes”][vc_column_text]

This is the landscape faced by journalists throughout Europe over the past four years.

Mapping Media Freedom has documented media freedom incidents across Europe — over 3,000 were surveyed for this report — since May 2014. The information gathered shows journalists and media outlets targeted in a kaleidoscopic array by political leaders, businesses and the general public – but some key trends have emerged from the reports recorded and verified by the platform. This document outlines some of these, and is intended as a survey of the landscape for media freedom in the region to aid lawmakers and those who wish to help an independent, pluralistic media landscape to flourish.

This report is also available in PDF format

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Key trends” use_theme_fonts=”yes”][vc_custom_heading text=”Five issues that have been identified from the reports submitted to Mapping Media Freedom” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]

National Security and Counter-terrorism Legislation

Well-intentioned legislation that aims to protect the citizens and institutions of a country is, in the best-case scenario, often blind to journalism in the public interest. In the worst-case scenario, such laws are used deliberately to prevent the dissemination of information that is in the public interest. In 39 cases, reporters have been targeted for prosecution for publishing embarrassing leaked information that governments have asserted was not meant for public discussion. This is an acute issue that often involves the judicial and extrajudicial surveillance of journalists in an effort to ferret out the identities of whistleblowers.

Political Interference

This report identifies two key trends within this category. The first is direct interference in the operations of media outlets, either by politicians requesting editors or others involved in the production of news to alter or halt a story, or by replacing journalists critical of a particular political party or policy with ones more favourable to those in power.

Political interference has come from across the spectrum – from Podemos in Spain to the Front National in France, from Fidesz in Hungary to Labour and the Scottish National Party in the United Kingdom. The methods can take many forms, sometimes subtle (behind-the-scenes phone calls to an editor), sometimes overt (preventing a journalist affiliated with particular outlets from attending a press conference) – but the goal of controlling information flow remains the same.

The second form of interference is potentially more insidious: attempts to discredit media outlets by smearing journalists, news outlets, and in some cases an entire industry in order to sow doubt about the veracity of their reporting. This is having a damaging effect, particularly on the safety of journalists, who increasingly are seen as “fair game” by the broader public and subjected to both verbal and physical threats.

Social Media/Online Harassment

Social media has provided journalists with a wide avenue to share their information and interact with readers in a public yet intimate way. This has helped media professionals in reporting and allowed for constructive debates around current events, and can help improve the quality of information available to citizens overall. However, the other side of that bargain is the growing hostility toward journalists online. This takes many forms, from tweets of sexual harassment to death threats made via Facebook. This is a widespread and pernicious issue that journalists across the continent confront on a daily basis, and is fomented by the widely reported remarks of some politicians from member states. Women are most frequently the target of such attacks.

Protests

Journalists also face a number of risks offline. When protesters pour into the streets, journalists are necessarily among the first responders – an essential part of their professional duties. Traditionally present at demonstrations to document and interpret events, media workers – whether freelance or staff – are also among the first to be corralled, targeted and injured. A number of incidents documented at protests – as recorded by the Mapping Media Freedom project – provide insight into the multidimensional threats that journalists confront when called upon to report from the scene of demonstrations, whether small or large. These include a lack of understanding among some police forces about the role of media at such events.

Public Television

A significant but underreported trend during the period was the threat to public broadcasters. A number of national broadcasters were brought under closer government control. Taken together, these reports outline the importance of maintaining the editorial independence of these vital public services.
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Driven by Index on Censorship’s decades-long experience in monitoring censorship across the globe, Mapping Media Freedom set out to record the widest possible array of press freedom violations.

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_column_text]Mapping Media Freedom is a project, funded by the European Commission, to investigate the full spectrum of threats to media freedom in the region – from the seemingly innocuous to the most serious infractions – in a near-real-time system that launched to the public on 24 May 2014.

Driven by Index on Censorship’s decades-long experience in monitoring censorship across the globe, Mapping Media Freedom set out to record the widest possible array of press freedom violations in an effort to understand the precursors to the retreat of media freedom in a country. The ambitious scope of the project called for a flexible methodology that draws on a network of regional correspondents, partner organisations and media sources.

Mapping Media Freedom defines a media worker as anyone partaking in the gathering, assessing, creating and presenting of news and information.

How It Works

Submitted reports are fact-checked against news outlets and through discussions with the submitting correspondent. Reports are then published to a public-facing website for use by researchers, journalists and policymakers. The outputs are available to the wider public through downloadable CSV files from the database and are shared widely on social media. The project has issued periodic reports that summarised data on a quarterly and yearly basis. This document is the result of a full review of the data reported to and verified by the project’s contributors covering 35 countries.

Each report is flagged against seven main categories and 64 subcategories to provide a sortable and searchable database of the types of press freedom violations taking place in a country. EU-affiliated countries are further categorised by their status: member states, candidates and potential candidates. Full descriptions of the categories and subcategories are available in the Mapping Media Freedom methodology section of this document.  

Going beyond traditional statistical recording, Mapping Media Freedom’s correspondents write short narrative reports about the incidents. The goal is to recount the facts dispassionately, without bias toward the journalist or media outlet. Where possible, the incident is placed in the context of wider trends within the locality, whether a city or national media market. All reports for the 35 countries covered in this report are published in English and edited by project staff based at Index on Censorship.

The platform records incidents at the local and national levels. In addition to the categorisation, this geographic spread aims to provide for the first time the fullest possible awareness of the state of play for journalists away from a country’s largest media markets, where most well-publicised press freedom violations occur.

Because Mapping Media Freedom relies primarily on inputs from a concentrated group of part-time correspondents, it cannot record every violation of press freedom in the countries covered. Further, if incidents are not reported in the media, addressed by unions or self-reported by journalists on social media, there is no way for the database to register that the incident occurred.

Because of its focus on narrative, the platform allows for the retrospective interrogation of reports against new criteria as its methodology evolves, and as the database recorded an ever-larger pool of information new categories were added. For example, EU-related and “whistleblowing” flags were appended in late 2015, and a “commercial interference” flag was added in spring 2018. In a manual process, each new flag is tested against all the reports on the platform, providing researchers with insights into incidents that have occurred since 2014.

The methodology aims to be as succinct as possible, and directs submitters to flag the most appropriate subcategories that apply to the Limitation to Media Freedom category. As a result, reported incidents can appear – legitimately – in simultaneous subcategories across the project. For example, a journalist’s car or home could be firebombed after they have published a series of articles about corruption in the local administration. This report could be listed as a “Limitation to Media Freedom”, subcategories “Attack to Property” and “Intimidation”, depending on the facts of the incident. At the same time, reports are keyworded and mapped to appear geographically on the map and through the platform’s search functionalities.

Mapping Media Freedom covers all media workers, whether they work for state-backed news outlets, those funded by supporters of opposition parties or non-partisan media providers. In all instances, the reports documented are rigorously fact-checked by an independent editorial team working at Index on Censorship.

The Software

The Mapping Media Freedom map and database rest on a modified version of the Ushahidi platform, which was developed to track election violence in the wake of Kenya’s disputed 2008 presidential poll. The platform is now in its third iteration; Mapping Media Freedom uses the map as its primary visualisation of the data and offers targeted search functionality at mappingmediafreedom.org to help users navigate to the data they are seeking. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”European media freedom” use_theme_fonts=”yes”][vc_custom_heading text=”Key themes 2014-18″ font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-angle-double-right” color=”black” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

As security – rather than the protection of fundamental rights and freedoms – becomes the number-one priority of governments worldwide, broadly written security laws have been twisted to silence journalists.

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National Security Legislation

In October 2017, a reporter for The Wall Street Journal was convicted of producing “terrorist propaganda” in Turkey and sentenced to more than two years in prison.

Ayla Albayrak was charged over an August 2015 article in the newspaper, which detailed government efforts to quell unrest among the nation’s Kurdish separatists, “firing tear gas and live rounds in a bid to reassert control of several neighbourhoods”.

Albayrak was in New York at the time the ruling was announced and was sentenced in absentia, but her conviction forms part of a growing pattern of arrests, detentions, trials and convictions for journalists under national security laws – not just in EU candidate country Turkey, the world’s top jailer of journalists.

As security – rather than the protection of fundamental rights and freedoms – becomes the number-one priority of governments worldwide, broadly written security laws have been twisted to silence journalists.

It is seen starkly in the 272 cases that Mapping Media Freedom has logged and verified from countries affiliated with the EU. This includes everything from the alleged glorification of terrorism in Spain to the hundreds of journalists jailed in Turkey following the failed coup to the seizure of a BBC journalist’s laptop in the United Kingdom.

This abusive phenomenon started small, as in the case of Turkey, where dismissive official rhetoric was aimed at small segments – like Kurdish journalists – among the country’s press corps, but over time expanded to extinguish whole newspapers or television networks that espoused critical viewpoints on government policy.

While Turkey has been an especially egregious example of the cynical and political exploitation of terror offences, the trend toward the criminalisation of journalism that makes governments uncomfortable is spreading.

In Spain, the police association filed a lawsuit against Mònica Terribas, a journalist for Catalunya Ràdio, accusing her of “favouring actions against public order for calling on citizens in the Catalonia region to report on police movements during the referendum on independence”. The association said information on police movements could help terrorists, drug dealers and other criminals.

In Turkey, reporting deemed critical of the government, the president or their associates is being equated with terrorism – as seen in the case of German journalist Deniz Yücel, who was detained in February 2017.

Yücel, a Turkish-German dual national, was working as a correspondent for the German newspaper Die Welt. He was arrested after he was summoned to a police station for questioning about a report he wrote about the Turkish energy minister. He was accused of sedition and using “terrorist propaganda to incite the population”. He was eventually released after a year in detention.

There are also multiple examples of Turkey using Interpol arrest warrants against exiled journalists like Can Dündar, whose extradition from Germany it demanded, and Hamza Yalçın, who was detained by Spanish authorities, though both of those countries declined to enforce the requests.

And governments are also using terror laws to spy on journalists. In 2014, the UK police admitted that it used powers under terror legislation to obtain the phone records of Tom Newton Dunn, political editor of The Sun newspaper, to investigate the source of a leak in a political scandal. Police used powers under the Regulation of Investigatory Powers Act, which circumvents another law that requires police to have approval from a judge to get disclosure of journalistic material. In September 2018, the European Court of Human Rights ruled that the UK’s mass surveillance regime violated human rights.

Even jokes can land journalists in trouble under terror laws. French police searched the office of community station Radio Canut in Lyon and seized the recording of a radio programme after two presenters were accused of “incitement to terrorism”. The presenters had been talking about the protests by police officers which had recently been taking place in France. One presenter said: “This is a call to people who killed themselves or are feeling suicidal, and to all kamikazes, [to] blow themselves up in the middle of the crowd.” One of the presenters was put under judicial supervision and forbidden to host the radio programme until he appeared in court.

The misuse and abuse of national security legislation to identify government critics, or silence critical media, is of growing concern. EU governments in particular need to be mindful that loosely drafted national security laws are often copied by far more restrictive regimes to support their repression of critical media.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-angle-double-right” color=”black” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

All too often, politicians and business interests are short-circuiting the public’s right to information by placing their personal or party agendas ahead of the public good.

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Political Interference

Direct Interference

A journalist working for a country’s public broadcaster produces a report that points out that a high-level politician’s family could potentially gain from a government investment. The politician sends a series of emails attacking the journalist for publishing false information and accusing them of acting unprofessionally. The journalist resigns, saying that further research into the conflict of interest is being prevented by their employer.

These events took place in Finland in November 2016. The country’s prime minister, Juha Sipilä, sent emails to Yle journalist Salla Vuorikoski after she wrote articles about a deal involving public money, a state-owned mining firm and another firm linked to the prime minister’s family. Nearly three weeks later, in December 2016, Vuorikoski stepped down, and fellow Yle senior reporter Jussi Eronen resigned citing pressure to act in contradiction of his journalistic ideals. Sipilä, who had handed control of his business interests to his children several years earlier, was ultimately cleared of any wrongdoing by the country’s parliamentary ombudsman.  

Several months later, in March 2017, the political party The Finns, which was supporting Sipilä’s government in the Finnish parliament, proposed altering the governing structure of Yle, limiting its independence. At the time, the party’s opposition to multiculturalism was cited as the motive for the proposal.

While these two distinct events – the original reportage and the later push to amend Yle’s governance – may be unconnected, the appearance of political manoeuvring raises serious implications for press freedom, and highlights how journalists can come under pressure from politicians even in a country widely regarded as having some of the highest levels of media freedom worldwide.

In an ideal media environment, ethical journalists would be free to investigate and independently reveal the information that they had found, without retribution or pressurisation by political or business interests. Even the member states of the EU are not ideal environments. All too often, politicians and business interests are short-circuiting the public’s right to information by placing their personal or party agendas ahead of the public good.

Since the election of Emmanuel Macron as French president, several members of the government have tried to control coverage by calling editorial offices, by asking journalists not to criticise the government, write about the ruling party’s finances or explore allegations of corruption, or even by threatening legal action when information which was embarrassing for the government was leaked.

Other forms of interference include lawsuits, such as the 47 lawsuits being brought against investigative journalist Daphne Caruana Galizia at the time of her murder in Malta in 2017, as well as libel cases in countries such as Spain and Greece. The use of litigation to intimidate journalists is a serious concern and an area that Index on Censorship will be focusing on in 2019.

In the United Kingdom and France, journalists may be locked in side rooms or barred from attending conferences – an all-too-common occurrence across the continent, as Mapping Media Freedom’s “Blocked Access” subcategory shows.

The purchase or takeover of previously independent or critical media outlets by government supporters, or the abuse of the media licensing system is another form of interference. In Hungary, business interests aligned with the governing party have bought up media outlets and turned them from critical to pro-government outlets overnight, and popular radio stations have lost their licences against a backdrop of diminishing media plurality. In candidate country Serbia, when a tax inspection fails to find any impropriety at a media outlet, another is ordered, then another, then another. In Poland, a network was nearly fined for reporting on protests that were sparked by opposition to reporting restrictions in parliament.

Targeting the media financially is a well-trodden route for penalising critical outlets. On 6 July 2017 the offices of Rise Project, a Romanian investigative outlet, were raided by tax inspectors. Many believe the timing of the raid was chosen to intimidate the outlet, as Rise Project had previously announced that they would publish an important story on 6 July. The investigation alleged that Liviu Dragnea, the president of the governing Social Democratic Party, had exerted control over the Romanian secret services.

On 28 January 2018, a confidential report by the Romanian Tax Authority on the activity of Rise Project, containing its sources of income as well as the list of its paid collaborators and projects, was leaked to the press. The report was used in a smear campaign against the organisation.

Other forms of direct interference include intervening in the appointment of staff at state media operators, as outlined in section on Public Broadcasting.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-angle-double-right” color=”black” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

The willingness to smear journalists or the outlets they report for, rather than debate the facts, in order to warp the public’s right to information is the true threat to media freedom in the EU.

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”2/3″][vc_column_text]Demonising the Media

The willingness to smear journalists or the outlets they report for, rather than debate the facts, in order to warp the public’s right to information is the true threat to media freedom in the EU, its candidate countries and potential candidate countries. This fraught situation is occurring in countries at the heart of the EU, but it is even more pronounced in countries on its fringes, where robust checks and balances are absent in practice, and the independent media are anaemic due to shrivelling advertising budgets – or, worse, dependent on government largesse for large portions of their financing.

Leading political figures in countries from the UK to Hungary have smeared journalists and media outlets critical of them, dismissing their reports as “fake news”; they have thus created an environment in which reporters are demonised, and thereby more vulnerable to abuse online and off.

In Romania, journalists are publicly chastised for “promoting” protests against government policies. In Italy, journalists have been threatened with having their police protection removed.

In November 2016, during a press conference, Slovakian Prime Minister Robert Fico called journalists dirty, anti-Slovak prostitutes, and before that he did not hesitate to call journalists “toilet spiders” or “slimy snakes”. In August 2017, during a press conference, Fico accused a reporter of being “controlled by the opposition”.

In Serbia, where President Aleksandar Vučić is a dominant presence on TV channels, he regularly humiliates journalists at press conferences. They are often shouted at, threatened and targeted: in some cases, journalists who Vučić mentioned by name in a negative context later receive death threats online.

Stevan Dojčinović, the editor-in-chief of KRIK, a media organisation which investigates crime and corruption, has been attacked and smeared numerous times by pro-government tabloids after reporting about the private property of politicians. Dojčinović and KRIK have been sued by Nenad Popović, a minister in the current Serbian government, after reporting on his offshore companies which appeared in the Paradise Papers data leak.

“If you are targeted, put on the front page or at the central headlines in the evening news, and accused of being a traitor, political activist, non-balanced or simply a thief – you are automatically forced to defend yourself, if not publicly, then at least in your nearest surrounding,” journalist Tamara Skrozza told Mapping Media Freedom. Skrozza was described as an “enemy of the state and President Vučić” by a pro-government TV station earlier this year, and describes the result of such smears: “Your family is in danger, your privacy is attacked and you are not able to lead a normal life. This, of course, causes a lot of stress and damages your health for a long time.”

None of this should be taken as an advocation of a position that holds that journalists and journalism should be free of critique. But the quality of the debate needs to be constructive, factual and professional. Burning a journalist in effigy, as happened twice in Croatia, does not contribute to the overall quality of information available to Croatians.

A culture of impunity is also exacerbating these problems. Investigative journalists are under particular pressure in the region: three journalists have been killed in the EU since October 2017.

These cases have received a great deal of attention internationally. However, other examples of impunity abound. In Croatia, a threatening comment was left on the Facebook page of independent and critical news website Index.hr: “These Index.hr journalists should be killed … because they undermine and damage everything that is Croatian.”

The poster was quickly identified and indicted, but legal authorities dropped the charges because, among other extenuating circumstances, he was a “highly decorated Croatian war veteran”. The Croatian Journalists’ Association (HND) condemned the decision, describing it as “scandalous”.

Ema Tarabochia, a researcher for a regional project on media freedom and the safety of journalists, said that the corrosive influence of hate speech on Croatian society in recent years has been very strong. “Even though there are no extremist parties in parliament, public space is poisoned by daily verbal attacks,” Tarabochia said. She said that evidence shows that journalists working for independent, commercial and nonprofit media, who are labelled as “leftist journalists”, are at a higher risk of suffering minor injuries and death threats. This pattern is repeated in a number of countries covered by the map.

“They are threatened or attacked out of ideological or ethnical reasons,” Tarabochia said, adding that there are still no verdicts in two cases in which members of a far-right party, Autochthonous Croatian Party of Right (A-HSP), burned copies of Novosti, the Serbian-language minority newspaper. The campaign, led by far-right political parties and conservative civil associations, reached fever pitch in September 2017 and was followed by numerous verbal threats to Novosti journalists.

“Lack of public rebuke from the centres of power, especially the political one, are encouraging the perpetrators,” Tarabochia said, adding that condemnation “would be a clear message to the perpetrators that such behaviour will not be tolerated”.

Moreover, an absence of reports should not be taken as evidence that the press freedom environment is healthy in such countries. With just 10 reports verified by Mapping Media Freedom during the time period covered here, Finland is the among the member countries with the fewest reports. Yet if the country’s prime minister is willing to pressurise a journalist, it should be assumed that only the most egregious examples of press freedom violations are being discussed in the public arena. A number of member states with smaller populations – Finland, Denmark, Ireland, Estonia, Latvia and Lithuania – have few reports, but this may be something of a false flag. Other factors – such as societal and professional pressures – may be interfering with the discussion of incidents.

The pressures placed on journalists as part of this widespread political interference also lead to self-censorship on the part of the individual, and lessen the appetite for risky investigative journalism on the part of news outlets; this was cited as the reason for the resignations in the Yle cases.

Reporting incidents of censorship – including self-censorship – is vital to building an accurate picture of the state of media freedom in the region; we would urge journalists’ unions and media outlets to continue to report incidents widely, and confidentially if necessary.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_column_text]

Blocked Access

Informal blacklists of media outlets. Exorbitant fees for access to public information. Restrictions on reporting from parliament and refugee camps. Journalists prohibited from asking questions at – or barred outright from – press conferences.

These Hungarian incidents, which were among the 545 cases of blocked access that were verified in the 35 EU-affiliated countries covered in this report, are all too often a fact of life for journalists. When journalists are prevented from reporting on an event – whether it be the opening of a pig farm or a press conference or a protest – the public’s right to information is damaged.

In the Hungarian context, preventing journalists from reporting comes in a variety of forms, from chasing them with a piece of construction equipment to preventing their investigation of a leak at a garbage dump to placing restrictions on where and how they can report in parliament. News outlets were barred from the Fidesz election centre. At the height of the government’s feud with television network RTL Klub, it was prevented from covering the opening of a new football stadium – as well as targeted with a punitive tax on its profits.  

The Fidesz government’s shifting war with the media has seen journalists from outlets owned by business interests on the outs with the country’s prime minister repeatedly blocked from attending party events. In February 2018, yet more restrictions were placed on journalists, limiting members of the press to a 10-metre-long hall in parliament. During the period covered here, Mapping Media Freedom recorded seven incidents that highlight the limiting of the right to report from the seat of government power. Further restrictions on the press in the halls of power have arisen in Poland, the Netherlands and Germany.

At the height of the refugee crisis, Hungary repeatedly denied journalists the ability to access camps housing the migrants. An AP journalist was compelled to delete footage that showed police unleashing a dog on migrants crossing the border from Serbia. Police issued a letter forbidding journalists from approaching “illegal immigrants” to ask questions. In another incident, police declared a train station an “operational zone” and pushed journalists out. One journalist tweeted that the refugees said: “Do not leave us.” The journalist accused the Hungarian authorities of trying not to let the world see what they were doing. Similar restrictions have been placed on journalists at the Greek border.

Among the candidate countries, half of Turkey’s 103 incidents of blocked access reviewed for this report took place before the July 2016 coup attempt. Police and the government have placed an array of restrictions on reporters, from curfews near to the Syrian border to deportation orders and the well-documented trials of journalists taking place in the country.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-angle-double-right” color=”black” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

The immediacy and near-anonymity of social media allow journalists to connect with a huge audience, but leave them open to insult and derision.

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Online Harassment

In December 2016, an anonymous Twitter user posted a private photo of journalist Vonny Moyes, a writer for Scottish newspaper The National, to shame her. Moyes said that she was targeted because she had written for pro-independence outlets and drawn the attention of pro-union trolls. When a particular column was commented on by leading UK conservatives, Moyes said this acted as an amplifier and exposed her to more direct harassment than usual.

The individual who ultimately sought out and posted the nude images of the journalist had trolled her over earlier articles. When the photos appeared on Twitter, Moyes asked the user to remove them and told the troll she would be contacting the police. She asked her followers to report the user to Twitter, which they did. The user deleted their account soon after.

“I then tweeted for the rest of the evening about the issue in order to deconstruct the victim-blaming and sex-shaming narrative, to essentially take back the perceived power the troll believed they had,” Moyes told Mapping Media Freedom of the incident.

In August 2014, Amberin Zaman, a Turkish journalist who was then the Turkey correspondent for The Economist, was singled out by the country’s president, who said to her: “Know your place.” In November 2014, a Twitter user wrote that she would be cut in half for writing about Isis, and she was told by a western embassy to avoid travelling to the Syrian border. Later, Zaman’s press card was revoked for her critical – tweeted – opinions about the Turkish government. In each of these situations, Zaman faced an onslaught of threats via social media.

Foreign correspondents in Turkey have also come under pressure, with one saying he had to leave the country upon receiving thousands of threatening comments after his reporting on the Soma mine disaster.

The immediacy and near-anonymity of social media allow journalists to connect with a huge audience, but leave them open to insult and derision. The online harassment incidents reported to Mapping Media Freedom from the countries covered here include a litany of death, rape and fake news accusations from members of the public and politicians.

In the 117 cases of online harassment reviewed here, the largest number of reports among EU countries came from Croatia with 16. It was followed by Italy (9), Spain (9), the UK (8) and France (5). In candidate and potential candidate countries, the highest number of incidents was logged as originating in Bosnia and Herzegovina with 16. It was followed by Serbia (9), the Republic of Macedonia (5), Kosovo (4) and Turkey (4).

Other studies undertaken into the level of harassment faced by journalists, particularly female journalists online, suggest the number of cases reported to Mapping Media Freedom vastly underestimates the extent of the problem. We welcome the attention that bodies such as UNESCO and the OSCE have brought to this issue.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-angle-double-right” color=”black” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

Traditionally present at demonstrations to document and interpret events, media workers – whether freelance or staff – are also among the first to be corralled, targeted and injured.

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Protests

When protesters pour into the streets, journalists are necessarily among the first responders; this is an essential part of their professional duties. Traditionally present at demonstrations to document and reflect, media workers – whether freelance or staff – are also among the first to be corralled, targeted and injured.

A number of incidents happening at protests – as recorded by the Mapping Media Freedom project – have provided an insight into the various threats that journalists confront when called upon to report from the scenes of demonstrations, whether small or large.

Against a backdrop of nationalism, xenophobia, economic insecurity and anti-government sentiment, reporters have been indirectly targeted by demonstrators, counter demonstrators and police.

This report examined 191 verified cases from the 35 countries affiliated with the EU – 28 member states, 5 candidates for entry and 2 potential candidates for entry. There were 46 incidents in France, 31 in Spain, 27 in Germany and 14 in Romania.

The numbers reflect only what was reported to and verified by Mapping Media Freedom. We have repeatedly found during the project that journalists underreport incidents they see as too minor, commonplace or part of the job, or where they fear reprisals from organised groups or law enforcement. In some cases, project correspondents have identified incidents retrospectively as a result of offhand comments on social media networks or media reports appearing only after a similar incident has come to light.  

Contexts vary, but journalists face risks originating with both protesters and police, and as a result of finding themselves stuck between protesters and police (or various groups of protesters). However, more than half the incidents (13 out of 25) reported in the first seven  months of 2018 involve members of law enforcement, suggesting the need for improvements in police handling of media attending protests.

This year also saw a number of incidents in which protesters targeted journalists because of the political alignment that they or the media outlet they work for holds. This has been exhibited by reports originating from anti-government protests aimed at Poland’s conservative Law and Justice Party.  

This issue is explored further in our companion report Targeting the Messenger, which is available here. [/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner width=”1/4″][vc_icon icon_fontawesome=”fa fa-angle-double-right” color=”black” size=”xl” align=”right”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

The question of the independence of national broadcasters is regularly debated and contested across Europe.

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Public Broadcasting

During the period covered in this report, Mapping Media Freedom has recorded a number of incidents related to national broadcasters in EU member states. Taken together, these reports outline the importance of maintaining the editorial independence of public broadcasters.

The question of the independence of national broadcasters is regularly debated and contested across Europe. Many governments play an important role in selecting national broadcasters’ management, for instance in Italy or France.

Public broadcasters have come under particular pressure in Poland and Hungary. Overhauled in 2016, Telewizja Polska has come under the direct control of the ruling conservative Law and Justice Party. The Polish legislation was modelled on the Hungarian changes implemented by that country’s ruling party Fidesz. In each country, the restructuring resulted in the elimination of hundreds of positions, including dozens of journalists.

In Austria, the conservative and far-right coalition government is planning an extensive reform of the state Austrian Broadcasting Corporation (ORF), which would include scrapping the tax funding it gets so that funds would be directly allocated by the government.

In June 2018, presenters of Galician public broadcaster TVG’s afternoon news programme resigned in protest at the alleged political influence of the news agenda at the channel. The presenters and some of their colleagues had taken part in regular “Black Friday” actions in protest at the alleged manipulation of the channel’s news report. The action was inspired by an effort launched by staff at the Spanish national broadcaster RTVE in April 2018 in protest at what they see as political manipulation of the news agenda.

The control exerted by the Polish government over state broadcasters creates a situation where state channels can be used as a platform by members of the government to attack private media outlets and journalists working for them, as happened in May when TVP published information meant to discredit Łukasz Maziewski, a journalist who had been critical of the Law and Justice government. TVP pointedly described Fakt, the publication for which he writes, as a “German-Swiss tabloid”. Fakt is the bestselling newspaper in Poland.

In 2017, in Poland, there was a proposal to introduce a 15% cap on foreign ownership of media companies, reminiscent of a Russian law passed in 2014 which prevented foreign investors from owning more than a 20% stake in Russian media outlets. In Poland, public media are pitted against privately owned channels, which government officials regularly attempt to discredit, as happened in May when an MP claimed that 90% of privately owned media belong to foreign capital.

In Poland and Hungary, Mapping Media Freedom has logged incidents in which journalists who work for independent and privately owned media outlets are banned from accessing events, while journalists who work for state media gain access.

In Bosnia and Herzegovina, at the beginning of July, after months of pressure, a cantonal government replaced the managers of the local public broadcaster RTV USK. In Romania, at the end of June, Romanian public television terminated the contract of the production team responsible for the programme Starea Nației (State of the Nation), which had recently aired content that showed the broadcaster’s management in an unflattering light. In a video, TVR head Doina Gradea could be seen berating TVR journalists who had published reports critical of the government, and shouting: “They deserve fists in their mouths!” Gradea and the channel’s legal department signed the notice terminating the contract.

In Austria, in April, a month prior to his election as head of the ORF’s board of trustees, a member of the right-wing governing Freedom Party of Austria voiced his concerns about the “objectivity” of the broadcaster and threatened to dismiss a third of its foreign correspondents.

In Montenegro, at the beginning of June, the council supervising the Montenegrin public broadcaster RTGC dismissed the head of the broadcaster, Andrijana Kadija; the action was seen by local civil society and journalists as an attempt by the ruling Democratic Party of Socialists to stifle editorial independence. The Montenegrin Journalists’ Association said RTCG staff were working under “tremendous political pressure” from the government, making it “difficult for reporters and editors to do their jobs professionally”.

The pressure exerted on journalists results in politically warped content, increased censorship and self-censorship.

Mapping Media Freedom’s Poland correspondent said she felt that public broadcasters contributed to “creating a parallel reality”, and that when she worked for a state broadcaster she abstained from pitching stories that could be deemed controversial, as she knew they would not be commissioned. She said: “Most of the journalists for TVP are very young, not experienced and not qualified, but they fulfil their editors’ expectations. The rest does not matter. Public media outlets are seen as propaganda tools, detached from reality.”

Close governmental control over state broadcasters can have very tangible effects for a country’s citizens. Mapping Media Freedom’s Hungary correspondent, said: “Controlling and using the public media for political purposes is a very important piece in the overall plan of the Orbán government to control the information ordinary people living in rural areas have access to. In underdeveloped areas, most people get their daily news from public media. Local newspapers were purchased by businessmen close to the government; independent radio stations did not receive new licences from the Media Council (and were replaced by government-friendly stations), meaning that people who are not particularly tech-savvy, and don’t use the internet, have no access to information critical to the government. Meanwhile independent media is shrinking.”

Between 2015 and 2016, the European Audiovisual Observatory noted that a third of public media suffered budget cuts totalling nearly €139 million. In France the government asked for large cuts, prompting a strike in autumn 2017. The French government has also announced changes to public television due in 2019. Unions already fear that certain channels will be merged or eliminated.

Debate over licence fees persists across the EU, as seen last year in Switzerland, where the proposition to make the licence fee disappear was overwhelmingly opposed by citizens during a referendum.

This context of crisis contributes to deteriorating working conditions and job losses at state broadcasters. In the Czech Republic, in June, during a meeting of the parliamentary committee for the media, the head of the state radio announced planned cuts of 120 workers. When an opposition party deputy on the committee asked him whether he was planning to use this opportunity to settle scores with his opponents within the radio network by carrying out a purge, the director said that he did not want to increase the licence fee, and that the dismissals would provide enough money in the budget to pay the remaining employees.

These incidents suggest that public media, which plays a vital role in citizens’ right to information, is under acute pressure. The EU must act more decisively to ensure these services have independence.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Limitations to media freedom: Key categories” use_theme_fonts=”yes”][vc_custom_heading text=”Five subcategories that register the most serious threats to individual media professionals” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”106449″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

Deaths

The 19 reports coded with the death flag from EU member states, candidate states and potential candidate states in the database record a variety of factors.

Member States

Slovakia

Investigative journalist Ján Kuciak and his partner were killed at their home in February 2018. Kuciak was investigating the relationship between criminal syndicates and government officials. Authorities have since made a number of arrests.

Malta

Anti-corruption journalist Daphne Caruana Galizia was killed when the car she was driving exploded as a result of a bomb in October 2017. Caruana Galizia was the subject of multiple lawsuits at the time of her murder.

Denmark

Swedish freelance journalist Kim Wall was murdered during a trip on an experimental submarine in August 2017. Inventor Peter Madsen, who created the vessel Wall was writing a story about, was later found guilty of the crime.

Danish film director Finn Nørgaard and security guard Dan Uzan were murdered in February 2015 when an armed individual attacked two seminars in an attempt to assassinate Lars Vilks, a controversial Swedish cartoonist, who was scheduled to appear.

The Netherlands

Crime journalist Martin Kok was shot dead in December 2016. Kok, who was the founder of a blog about the Dutch criminal underworld, had been targeted with a car bomb in July 2016.

Poland

Journalist Łukasz Masiak was beaten to death in Mława in June 2015. Masiak, who ran local news site NaszaMlawa.pl, which monitored local officials, had regularly received death threats, though Polish authorities later found that his profession did not play a role in his death and the perpetrator was charged.   

France

Twelve people were murdered in a January 2015 terrorist attack on satirical magazine Charlie Hebdo. Ten of the victims worked for the weekly, which had published cartoons depicting the Prophet Mohammed, and two were police officers. Four cartoonists were killed.

Candidate Countries

Serbia

Journalist and radio host Luka Popov was murdered at his home in Srpski Krstur during a burglary in June 2016. Three suspects were later arrested and police said they confessed to the crime.

Turkey

  • Syrian journalists Orouba Barakat and her daughter Halla Barakat were murdered by a distant relative in September 2017. They had been subjected to threats from groups associated with the Bashar Assad government.
  • In April 2017 Saeed Karimian was killed in Istanbul by several hooded men who shot him and his business partner, a native of Kuwait. Karimian, an Iranian television executive based in Istanbul, was condemned in absentia in Tehran for “spreading propaganda against Iran”.
  • During the failed July 2016 coup attempt, soldiers shot and killed Mustafa Cambaz, a photographer with the pro-government newspaper Yeni Şafak, in the Çengelköy neighbourhood of Istanbul.
  • Journalist Mohammed Zahir al-Sherqat was murdered in April 2016 by members of Isis, which claimed he was killed for presenting “anti-Islamic State programs”.
  • Journalist Gülşen Yıldız was killed in February 2016 during a terrorist attack on a military convoy in Ankara. The journalist was among 28 people killed in the incident.
  • The body of Rohat Aktaş, a news editor and reporter for the Kurdish-language daily Azadiya Welat, was recovered in February 2016 from a Cizre basement, where he was trapped with dozens of others during clashes between Kurdish separatists and Turkish forces.
  • Syrian journalist Naji Jerf was shot and killed in Gaziantep. Jerf’s murder was seen as an assassination because he had documented atrocities by Isis and trained hundreds of citizen journalists.
  • Syrian citizen-journalist Ibrahim Abd al-Qader was beheaded in the city of Şanlıurfa, where he had been living as a refugee. Al-Qader was a contributor to the “Raqqa is Being Slaughtered Silently” information network and the Ayn al-Watan website. The journalist’s body was found at the home of a friend, Fares Hammadi, who had also been decapitated.
  • Influential Turkish blogger Ferdi Özmen was killed in Istanbul in October 2014. Özmen was an ardent supporter of Mustafa Kemal Atatürk’s policies and a critic of the government.
  • Serena Shim was killed in a car crash in Suruç in October 2014. Shim, a reporter for Iran’s Press TV, had been reporting from the Turkish-Syrian border on Isis militants crossing into Turkey, and had recently said on air that she was accused of spying by Turkish intelligence.
  • Media worker Kadri Bağdu was murdered in October 2014 while distributing the Kurdish dailies Azadiya Welat and Özgür Gündem in Seyhan, in the south-eastern province of Adana. He was shot five times by two individuals who then fled on a motorcycle.

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Physical Assaults

There were 445 verified incidents flagged as having a physical assault as part of the narrative in the EU member states, candidate and potential candidate countries.

Italy was the EU member state with the most reports categorised as physical assaults, with 83 incidents verified during the period covered. It was followed by Spain (38), France (36), Germany (25) and Hungary (18). In candidate and potential candidate countries, Turkey had the highest number of assaults with 36. It was followed by Serbia (26), Bosnia and Herzegovina (16), Macedonia (14) and Kosovo (13).

In Italy, assaults are most often directed against journalists by private individuals who are part of the stories being covered. In France, Germany, Spain and Hungary, journalists are most often assaulted during demonstrations – whether by protesters or police. [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”106446″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

Arrests/Detentions

There were 437 verified incidents flagged as having included an arrest or detention as part of the narrative in the EU member states, candidate and potential candidate countries.

The overwhelming number of arrests and detentions in the countries covered in this report took place in Turkey. The country’s 324 reports – including the 80 that took place before the failed coup of July 2016 – document the ongoing crackdown on press freedom that accelerated after the attempted putsch.

Among the member states, Greece had 15 reports. It was followed by France (9), Germany (8), the Netherlands (7) and Latvia (6). In the candidate and potential candidate countries: Macedonia (9), Serbia (8), Bosnia and Herzegovina (4) and Kosovo (4). [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”106448″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

Blocked Access

There were 545 verified incidents categorised as having blocked access as part of the narrative in the EU member states, candidate and potential candidate countries.

Among the member states, Hungary’s journalists were prevented from covering events in 52 incidents. It was followed by France (38), Poland (36), Germany (34) and Italy (33). In candidate and potential candidate states, Turkey had 103 incidents. It was followed by Serbia (29), FYROM (28), Bosnia and Herzegovina (19), Albania (5) and Montenegro (5). [/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”106453″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

Intimidation

There were 697 verified incidents categorised as having intimidation as part of the narrative in the EU member states, candidate and potential candidate countries.

Among the member states, Italy’s journalists were intimidated most often, with 133 reports. It was followed by Romania (47), Croatia (41), France (39) and Hungary (36). In candidate and potential candidate countries, Bosnia and Herzegovina had 47 reported incidents. It was followed by Serbia (40), Macedonia (31), Turkey (31) and Montenegro (19).

Italian journalists are most often threatened by private citizens, who often resort to physical violence. The country’s journalists also face intense pressure from individuals allegedly connected to criminal syndicates. The high number of Italian reports is due to the awareness of the issue raised by the work of Ossigeno per l’informazione, which monitors press freedom in Italy using its oxygen methodology. [/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_column_text][/vc_column_text][vc_custom_heading text=”Selected countries” use_theme_fonts=”yes”][vc_custom_heading text=”We have chosen six nations from the project which demonstrate the various trends outlined above. These are not indicative of “best” or “worst”, and are here to illustrate the regional themes as they are experienced in individual countries.” font_container=”tag:h3|text_align:left” use_theme_fonts=”yes”][vc_column_text]

Austria

In Austria, Mapping Media Freedom has recorded a significant rise in the intimidation of media outlets and journalists. Seven of the eight incidents that have been categorised as intimidation were logged by the platform after the December 2017 election. Journalists’ unions and watchdogs see a correlation between the change in Austria’s political landscape and the increase in violations of media freedom.

“Since the inauguration of the Austrian conservative right-wing populist government on 18 December 2017, there are rapidly increasing signs that media freedom is being restricted in Austria. Journalists are publicly attacked by politicians,” Rubina Möhring, president of Reporters Without Borders, told Mapping Media Freedom in March 2018.

Eike-Clemens Kullmann, president of the Journalists Department of Austria’s Union of Private Sector Employees, Graphical Workers and Journalists, told Mapping Media Freedom: “In the print media, the union observes with great concern an increasing number of attacks and defamation aimed at intimidating colleagues who are willing to stand up for the freedom of journalism.”  

A clear majority of threats reported to Mapping Media Freedom originated with the right-wing governing coalition partner FPÖ and its political affiliates, which targeted media outlets, in particular the public broadcasting cooperative ORF.

Fred Turnheim, president of the Austrian Journalists Club, told Mapping Media Freedom: “The former far-right opposition party FPÖ has been well known for criticising the press for what it considers a liberal bias and lack of objectivity in the past.”

Turnheim said that since joining the government, FPÖ has the ability to influence the media landscape and try to pressure journalists into silence.  

Turnheim views the influence of US President Donald Trump as an important turning point, which now risks normalising the defamation of media outlets as peddlers of fake news and journalists as liars. “President Trump opened the possibility of discrediting journalists without providing any evidence. This is an attitude which has spread not only to Austria.”

Möhring cited the FPÖ’s intention “to intimidate individual journalists in order to produce and influence reports in their favour and to reduce the reputation of independent journalism, especially the ORF, among the general public”. However, she assigned responsibility for the rise in intimidation in the country not only to the FPÖ, but also to Chancellor Sebastian Kurz, “who tolerates and approves of the FPÖ’s behaviour and, additionally, pursues an enforced one-sided information policy called message control”.[/vc_column_text][vc_column_text]

Hungary

Mapping Media Freedom published 69 reports of censorship in Hungary between May 2014 and 31 July 2018. The most important impact on the state of media freedom is the concentration of media outlets in the hands of a few businessmen close to the government.

Only a handful of independent media outlets continue working in Hungary, publishing almost exclusively on the internet. This has led to a situation where access to information critical of the government is difficult to obtain, especially in rural areas with low internet penetration and for people who are less tech-savvy.

One of the largest internet news sites, Origo, was sold to business circles close to the government in 2014. The most important left-leaning daily, Népszabadság, was closed in October 2016.

After Fidesz won the parliamentary elections in April 2018 for the third time, dissenting oligarch Lajos Simicska sold his media interests. The leading conservative newspaper Magyar Nemzet was closed in April 2018, and the only news channel critical of the government, Hír TV, was also sold in July 2018.

After a media outlet is taken over by business circles close to the government, the leading journalists and management are usually dismissed, and the outlet begins publishing/broadcasting materials in line with the direction set during informal meetings by people close to the government. Self-censorship is pervasive among the journalists who continue working at these outlets.

Press freedom and the right to access to information in Hungary were considerably affected by the acquisition of virtually all county newspapers by businessmen close to the government in 2016.

“We consider the government monopoly on news unhealthy and damaging, going against the laws concerning free competition and media,” Miklós Hargitai, the president of the National Association of Hungarian Journalists (MÚOSZ), told Mapping Media Freedom. He added that because MÚOSZ is not a government authority, its leverage is limited.

“We raise awareness of the illegalities through our statements and petitions, as well as interviews published in the few remaining free media outlets. We also plan to file a complaint to the European Commission, because the media conglomerate serving the interests of the government is functioning using mainly public funds: cheap credits and preferentially contracted state advertising. In our opinion, this is state subsidy, which is forbidden in the EU,” Hargitai said.[/vc_column_text][vc_column_text]

The Netherlands

On 21 June this year, the offices of two Dutch weekly magazines were shot at with an anti-tank gun. The property was badly damaged, but as it was late at night, no one was injured. The weeklies, Panorama and Nieuwe Revu, are both known for their reporting on organised crime, and more specifically feuds between various criminal motorcycle gangs. The main suspect turned out to be a member of one of those motorcycle gangs.

Over the past five years, Mapping Media Freedom has shown that most of the media freedom violations in the Netherlands were reported in the subcategory “Intimidation”. The intimidation came from various sources: individuals, politicians, companies and the public. Journalists are mostly the target when they deal with such topics as organised crime, Islam, right-wing politician Geert Wilders and Turkish President Recip Tayyip Erdogan.

Several journalists received threats in the aftermath of the failed coup in Turkey and a diplomatic row between the Netherlands and Turkey in 2017. Political party Denk, a Dutch party accused of having ties with Erdogan’s Justice and Development Party, refused critical journalists at their press conferences. They published a campaign video in which they warn their voters to “distrust the media, don’t fall for it”.

Journalists who write critically about far-right parties like Geert Wilders’ Party for Freedom and Forum for Democracy also often receive threatening and intimidating messages.

A trend of sexist threats and intimidation against women journalists reached a low point in May 2017, when Dutch journalist Loes Reijmer received multiple rape threats after the right-wing blog GeenStijl published her photo with a salacious text. It resulted in many more women journalists coming out in the open with their stories about sexual harassment online.

“Parties like Denk and PVV increasingly depict journalists as a biased party,” said Thomas Bruning, from the Dutch Union for Journalists (NVJ). “And because of social media, the threshold is lower than it used to be for the public to react, often anonymously. And the chance of being caught is lower, so people are getting away with it.”

A prominent Dutch study showed that over 60% of Dutch journalists have at some point in their career received threats and experienced intimidation. The survey, A Threatening Climate (2017), showed that 61% of all (638) questioned Dutch journalists had been threatened, 22% even on a monthly basis. Amnesty International called the Dutch numbers “worrying”.

According to Alex Brenninkmeijer, the former Dutch ombudsman who led the investigation, an explanation is the lack of trust in the media. “This is a consequence of the attitude of politicians towards journalists. You see this in the US and the UK, and it’s spilled over to the Netherlands,” he said. “The tone used by politicians has become increasingly harsh. These are the people who should lead by example.” He added that journalism has become more polarised and politicised over the past few years, like the society has. “The pressure on journalists has increased, as if they are forced to take sides, left or right. As a result, they become the subject of hate and intimidation.”

This often results in self-censorship. The majority of journalists questioned in the survey stated that threats and intimidation have negative consequences on the quality, independence and diversity of their work, and are therefore a danger to press freedom. Some have become more careful when dealing with sensitive topics; some avoid certain places and topics.

Brenninkmeijer added that he is most worried about the vulnerable position of journalists in their profession. “Fewer journalists are contracted, instead they have flexible contracts or are freelancers,” he said. “This leads to an employer having less responsibility for the safety of the journalist. The journalist’s position is weak and unprotected. And journalism becomes increasingly under pressure in society.”[/vc_column_text][vc_column_text]

Spain

Between May 2014 and August 2018, Mapping Media Freedom reported 46 cases of censorship in Spanish media. Nemesio Rodríguez, president of the Spanish Federation of Journalism Associations, said: “There is evidence of journalists being pressured to change their information. Only 21% of journalists declare they have never received pressures to change their information. 75.7% believe it is usual that journalists yield to pressure, which in many occasions leads to self-censorship.”

Rodríguez pointed to judicial decisions as one of the factors that have limited the freedom of information. These decisions derive from restrictive laws passed during the right-wing People’s Party governments, especially the so-called “Gag Law” – the Citizen Security Law – which “contains articles that have weakened this freedom, since its judicial interpretation has ended by penalising free opinion. On the other hand, police sanctions against journalists and photojournalists have led to self-censorship to avoid problems.”

The Platform for the Defence of Freedom of Information also blames legislative and judicial powers. “The Citizen Security Law has been applied against journalists in the exercise of their work; and judicial procedures against investigative journalism, mainly in corruption cases by demands for the right to honour.”

Rodríguez also blames governments. “The News Service Council – the body in charge of guaranteeing internal control and independence within Spain’s public TV and radio corporation – reported hundreds of cases of censorship, manipulation, partisanship and other bad practices during Mariano Rajoy’s government.” Rajoy, the former head of the PP, was Spain’s prime minister from 2011 to 2018. “Also, Catalan television TV3 received accusations of informative manipulation and partiality in favour of a pro-independence thesis.”

PDLI pointed out: “We cannot forget other threats, such as the reform of the Criminal Code, as well as the deterioration of working conditions in the press; and the safety of journalists, especially women, due to threats and harassment in social networks would be another relevant factor.”

Overall, Rodríguez remarked that “this is not a state of widespread risk for freedom of expression and freedom of press. There is no censorship in Spain, if we understand censorship as the aim of a government to prevent the dissemination of information contrary to its interests.” Nevertheless, he admitted: “It is much harder to put an end to pressures coming from economic powers, since many media outlets are controlled by financial groups.”

PDLI does not share Rodríguez’s views. “There has been an unprecedented deterioration, particularly since the approval of the ‘Gag Law’, and it needs to be reverted urgently.”[/vc_column_text][vc_column_text]

Sweden

Sweden is still home to resilient, diverse and independent media, with relatively healthy commercial media supplementing a well-funded public service offering over TV, radio and online. The past year has however seen further evidence that the rise of populist right-wing politics in Sweden threatens both the operational freedom of journalists and their traditional place as an important component in the functioning of Sweden’s parliamentary democracy.

This threat is most obvious in the actions of extra-parliamentary hard-right activists pursuing traditional neo-Nazi methods of intimidation through marching, physical attacks and directly criminal behaviour, but a more pervasive threat is the delegitimisation of the media more generally by activists and politicians from the insurgent Sweden Democrats party.

In August 2018, for example, the SD leader Jimmie Åkesson said on air that he would like to close down the public service radio channel P3 for being too left-wing, attracting criticism. In the runup to the recent election the party has maintained a consistent hostility to the established commercial and public media, which they claim are trapped by political correctness and populated by a leftist elite. On election night Åkesson audibly lamented the number of journalists in the room, and the party’s strong showing has raised the prospect of their influencing media legislation in the coming years. Jesper Bengtsson, the chairman of Swedish PEN, said that “in Jimmie Åkesson’s world all journalism seems to just be an opinion. How should we get away from that idea of journalism?”

This type of scepticism of professional journalistic work has also been evident in the Moderate Party. This summer Hanif Bali, a member of parliament, was heavily criticised after posting mocked-up pictures of himself on the cover of the computer game Call of Duty, indicating that he was at war with the newspaper Dagens Nyheter.

Other dangers in the Swedish media include the increased precarity of work for freelancers, who are facing structural challenges to carrying out their work safely, and the apparent indifference by some members of the police to the safety and responsibility of journalists operating in public spaces. There is also a secondary challenge from foreign broadcasters in the US and Russia producing inaccurate news reporting on Sweden, which then undermines the professional legitimacy of Swedish journalists – a phenomenon which became particularly evident during the election campaign.

Going forward, the Swedish government is taking measures to combat fake news and reform support it provides to online and offline publications.[/vc_column_text][vc_column_text]

Montenegro

Montenegro’s atmosphere of impunity is cited by reporters within the country as the main reason for the high rate of intimidation against media workers. Nineteen of the 47 incidents logged in the country between May 2014 and August 2018 included threats against journalists. The threats come from a variety sources, including politically connected individuals and politicians: “Prime minister’s brother threatens and swears at journalist” and “Parliament vice-president threatens and insults journalist” are among them.  

Marijana Camović, president of the Trade Union of Media of Montenegro, told Mapping Media Freedom that the escalation of threats and intimidation is the end result of unresolved assaults and the 2004 murder of Duško Jovanović, who was the director and editor-in-chief of the daily Dan. “In a society where such things are unpunished, then intimidations are even less punished,” Camović said.

According to Tea Gorjanc-Prelević, executive director of Human Rights Action, an NGO that focuses on freedom of expression, one of the main reasons for the rise in intimidation is that there is little respect for the country’s laws, authorities or institutions – “especially if the one who is threatening is affiliated to the authorities”.

Camović said that authorities need to resolve threats against journalists quickly and effectively. She pointed to the case of journalist Sead Sadiković, who was targeted twice in as many years with threats and intimidation. A year after the first incident, an explosive device was thrown at his home because the perpetrators were upset with his reporting. “If the institutions were proactive in the first incident, the second would have never happened,” Camović said.

Gorjanc-Prelević said that priority should be given to strengthening the rule of law regarding all kinds of criminal behaviour, but pressure should also be put on authorities to diligently investigate and sanction those who are threatening journalists.

HRA recently proposed amendments to the Montenegrin Criminal Code with the aim of increasing the punishment for attacks on journalists, in order to contribute to the climate of general prevention.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”Methodology” use_theme_fonts=”yes”][vc_column_text]What is Mapping Media Freedom?

The map is a collection of narrative reports about incidents targeting journalists/media workers in 43 countries. While visualised as a map, it is a news service and database verifying, collating and recording threats to media freedom that have been reported to it by a network of correspondents, partners and journalists. The strength of Mapping Media Freedom is that it contains a wealth of details about the types of incidents affecting journalists.

What kinds of incidents are reported?

Mapping Media Freedom monitors limitations, threats and violations that affect journalists as they do their job. We strive to have a complete narrative of the objective facts of incidents without bias against news outlets or journalists.

Each incident is categorised by the following:

Limitation to Media Freedom

Did the incident happen to a media worker while they were carrying out their professional duties? If so, what categories fit the facts of the incident?

  • Death: Media worker killed as a result of their work
  • Physical Assaults: Media worker subjected to violence as a result of their work
  • Injury: Media worker injured as a result of their work
  • Arrest/Detention: Media worker arrested or detained as a result of their work
  • Interrogation: Media worker questioned by authorities as a result of their work
  • Intimidation: Media worker menaced as a result of their work
  • Collateral Targets: Threats made against those associated with a journalist, ie family or friends
  • Attack to Property: Computers, cameras or other tools damaged
  • Civil Charges: Media worker sued as a result of their work
  • Criminal Charges: Media worker charged in connection with their work
  • Legal Measures: Laws or court orders curtailing media outlets or workers
  • Loss of Employment: Termination, job cuts
  • Blocked Access: Media worker prevented from covering a story or speaking to a source
  • Defamation/Discredit: Media worker publicly ridiculed
  • Psychological Abuse: Verbal harassment, offline bullying
  • Sexual Harassment: Media worker targeted for gender or sexual identity
  • Trolling/Cyberbullying: Media worker harassed online
  • DDoS/Hacking: News site or journalist targeted
  • Violation of Anonymity: Publicly naming a source
  • Bribery/Payments: Money proffered to influence coverage
  • Impunity: Incidents where crimes against journalists go unpunished
  • Targeting Whistleblowers: Targeting anonymous sources
  • Attacking Freedom of Association: Union-busting by media outlet management

Case of Censorship

Did this incident include content produced by a journalist/media worker? What happened to that content?

  • Article/Work didn’t appear at all
  • Article/Work was heavily cut omitting important information
  • Article/Work was slightly but significantly changed
  • Article/Work was framed in a misleading way
  • Self-censorship
  • Soft censorship
  • Commercial interference

Source of the Threat/Violation/Abuse

Who targeted the journalist/media worker?

  • Employer/Publisher/Colleague(s)
  • Police/State Security
  • Government/State Agency/Public Official(s)
  • Court/Judicial
  • Political Party
  • Corporation/Company
  • Private Security
  • Known Private Individual(s)
  • Criminal Organisation
  • Another Media
  • Other/Unknown

Type of Journalist

What type of journalist/media worker was involved? In the case of bloggers/citizen journalists: were they involved in journalistic activities?

  • Journalist
  • Broadcaster
  • Photographer
  • Documentarist
  • Cameraperson
  • Editor
  • Blogger/Citizen Journalist
  • Other

Gender

What is the gender of the journalist/media worker involved in the incident?

  • Female
  • Male
  • Nonbinary
  • Not Applicable

Support Needed

If known, what could unions or media outlets help the journalist with?

  • Legal Aid
  • Physical Protection
  • Training
  • Informational Resources
  • Publicity
  • Union Intervention
  • Solidarity

EU Membership

To which category does the country in which the incident took place belong?

  • EU Member States
  • Candidate Countries
  • Potential Candidates

How do we verify the incidents submitted?

The platform’s methodology complies with the journalistic standards employed by Reuters and AP. Each report is verified by 2-3 trusted and independent sources, which include but are not limited to local and national media outlets, journalists’ unions, police reports and the social media accounts of the individuals directly involved.

When violations are self-reported or clarification is needed, Index staff also verify incidents with the media worker(s) affected by getting first-hand testimony, and/or speak to journalists’ unions.

Our verification process is a multilayered one in which staff work with a team of independent journalists to verify and report incidents submitted to the website. The goal is the most complete narrative of the incident that reflects the objective events.  

Who is considered a journalist/media worker?

A media worker is anyone partaking in the gathering, assessing, creating and presenting of news and information.

What countries are monitored?

Mapping Media Freedom monitors a total of 43 countries which include the EU member states, candidates and potential candidates for EU membership, non-EU EEA states and four former Soviet bloc nations.

Albania | Austria | Azerbaijan | Belarus | Belgium | Bosnia and Herzegovina | Bulgaria | Croatia | Cyprus (Northern Cyprus) | Czech Republic | Denmark | Estonia | Finland | France | Germany | Greece | Hungary | Iceland | Ireland | Italy | Kosovo | Latvia | Lithuania | Luxembourg | Macedonia | Malta | Montenegro | Netherlands | Norway | Poland | Portugal | Romania | Russia | Serbia | Slovakia | Slovenia | Spain | Sweden | Switzerland | Turkey | Ukraine (Crimea) | United Kingdom | Vatican

European Union member states

Austria | Belgium | Bulgaria | Croatia | Cyprus (Northern Cyprus) | Czech Republic | Denmark | Estonia | Finland | France | Germany | Greece | Hungary | Ireland | Italy | Latvia | Lithuania | Luxembourg | Malta | Netherlands | Poland | Portugal | Romania | Slovakia | Slovenia | Spain | Sweden | United Kingdom

European Union candidate states

Albania | Macedonia | Montenegro | Serbia | Turkey

European Union potential candidate states

Bosnia and Herzegovina | Kosovo

Non-EU states

Azerbaijan | Belarus | Iceland | Norway | Russia | Switzerland | Ukraine (Crimea) | Vatican[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/2″][vc_column_text]Acknowledgements

This report was prepared by Valeria Costa-Kostritsky, Sean Gallagher, Jodie Ginsberg, Joy Hyvarinen and Paula Kennedy with contributions from Mapping Media Freedom correspondents: Adriana Borowicz, Ilcho Cvetanoski, João de Almeida Dias, Amanda Ferguson, Dominic Hinde, Investigative Reporting Project Italy, Linas Jegelevicius, Juris Kaza, David Kraft, Lazara Marinkovic, Fatjona Mejdini, Mitra Nazar, Silvia Nortes, Platform for Independent Journalism (P24), Katariina Salomaki, Zoltan Sipos, Michaela Terenzani, Pavel Theiner, Helle Tiikmaa, Christina Vasilaki, Lisa Weinberger

Illustrations

Alex Green

Design

Matthew Hasteley[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_row_inner][vc_column_inner width=”1/3″][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”106454″ img_size=”full” alignment=”center”][/vc_column_inner][vc_column_inner width=”1/3″][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”106452″ img_size=”full” onclick=”custom_link” link=”https://ecpmf.eu/”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”106451″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”106450″ img_size=”full” onclick=”custom_link” link=”https://europeanjournalists.org/”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

Saudi Arabia: Kingdom must be held to account for suppression of dissent

Saudi journalist, Global Opinions columnist for the Washington Post, and former editor-in-chief of Al-Arab News Channel Jamal Khashoggi offers remarks during POMED’s “Mohammed bin Salman’s Saudi Arabia: A Deeper Look”. March 21, 2018, Project on Middle East Democracy (POMED), Washington, DC.

Saudi journalist, Global Opinions columnist for the Washington Post, and former editor-in-chief of Al-Arab News Channel Jamal Khashoggi offers remarks during POMED’s “Mohammed bin Salman’s Saudi Arabia: A Deeper Look”. March 21, 2018, Project on Middle East Democracy (POMED), Washington, DC.

Recognising the fundamental right to express our views, free from repression, we the undersigned civil society organisations call on the international community, including the United Nations, multilateral and regional institutions as well as democratic governments committed to the freedom of expression, to take immediate steps to hold Saudi Arabia accountable for grave human rights violations. The murder of Saudi journalist Jamal Ahmad Khashoggi in the Saudi Consulate in Istanbul on 2 October is only one of many gross and systematic violations committed by the Saudi authorities inside and outside the country. As the International Day to End Impunity for Crimes against Journalists approaches on 2 November, we strongly echo calls for an independent investigation into Khashoggi’s murder, in order to hold those responsible to account.

This case, coupled with the rampant arrests of human rights defenders, including journalists, scholars and women’s rights activists; internal repression; the potential imposition of the death penalty on demonstrators; and the findings of the UN Group of Eminent Experts report which concluded that the Coalition, led by Saudi Arabia, have committed acts that may amount to international crimes in Yemen, all demonstrate Saudi Arabia’s record of gross and systematic human rights violations. Therefore, our organisations further urge the UN General Assembly to suspend Saudi Arabia from the UN Human Rights Council (HRC), in accordance with operative paragraph 8 of the General Assembly resolution 60/251.

Saudi Arabia has never had a reputation for tolerance and respect for human rights, but there were hopes that as Crown Prince Mohammed Bin Salman rolled out his economic plan (Vision 2030), and finally allowed women to drive, there would be a loosening of restrictions on women’s rights, and freedom of expression and assembly. However, prior to the driving ban being lifted in June, women human rights defenders received phone calls warning them to remain silent. The Saudi authorities then arrested dozens of women’s rights defenders (both female and male) who had been campaigning against the driving ban. The Saudi authorities’ crackdown against all forms of dissent has continued to this day.

Khashoggi criticised the arrests of human rights defenders and the reform plans of the Crown Prince, and was living in self-imposed exile in the US. On 2 October 2018, Khashoggi went to the Consulate in Istanbul with his fiancée to complete some paperwork, but never came out. Turkish officials soon claimed there was evidence that he was murdered in the Consulate, but Saudi officials did not admit he had been murdered until more than two weeks later.

It was not until two days later, on 20 October, that the Saudi public prosecution’s investigation released findings confirming that Khashoggi was deceased. Their reports suggested that he died after a “fist fight” in the Consulate, and that 18 Saudi nationals have been detained. King Salman also issued royal decrees terminating the jobs of high-level officials, including Saud Al-Qahtani, an advisor to the royal court, and Ahmed Assiri, deputy head of the General Intelligence Presidency. The public prosecution continues its investigation, but the body has not been found.

Given the contradictory reports from Saudi authorities, it is essential that an independent international investigation is undertaken.

On 18 October, the Committee to Protect Journalists (CPJ), Human Rights Watch, Amnesty International, and Reporters Without Borders (RSF) called on Turkey to request that UN Secretary-General Antonio Guterres establish a UN investigation into the extrajudicial execution of Khashoggi.

On 15 October 2018, David Kaye, the UN Special Rapporteur on freedom of expression, and Dr. Agnès Callamard, the UN Special Rapporteur on summary executions, called for “an independent investigation that could produce credible findings and provide the basis for clear punitive actions, including the possible expulsion of diplomatic personnel, removal from UN bodies (such as the Human Rights Council), travel bans, economic consequences, reparations and the possibility of trials in third states.”

We note that on 27 September, Saudi Arabia joined consensus at the UN HRC as it adopted a new resolution on the safety of journalists (A/HRC/Res/39/6). We note the calls in this resolution for “impartial, thorough, independent and effective investigations into all alleged violence, threats and attacks against journalists and media workers falling within their jurisdiction, to bring perpetrators, including those who command, conspire to commit, aid and abet or cover up such crimes to justice.” It also “[u]rges the immediate and unconditional release of journalists and media workers who have been arbitrarily arrested or arbitrarily detained.”

Khashoggi had contributed to the Washington Post and Al-Watan newspaper, and was editor-in-chief of the short-lived Al-Arab News Channel in 2015. He left Saudi Arabia in 2017 as arrests of journalists, writers, human rights defenders and activists began to escalate. In his last column published in the Washington Post, he criticised the sentencing of journalist Saleh Al-Shehi to five years in prison in February 2018. Al-Shehi is one of more than 15 journalists and bloggers who have been arrested in Saudi Arabia since September 2017, bringing the total of those in prison to 29, according to RSF, while up to 100 human rights defenders and possibly thousands of activists are also in detention according to the Gulf Centre for Human Rights (GCHR) and Saudi partners including ALQST. Many of those detained in the past year had publicly criticised reform plans related to Vision 2030, noting that women would not achieve economic equality merely by driving.

Another recent target of the crackdown on dissent is prominent economist Essam Al-Zamel, an entrepreneur known for his writing about the need for economic reform. On 1 October 2018, the Specialised Criminal Court (SCC) held a secret session during which the Public Prosecution charged Al-Zamel with violating the Anti Cyber Crime Law by “mobilising his followers on social media.” Al-Zamel criticised Vision 2030 on social media, where he had one million followers. Al-Zamel was arrested on 12 September 2017 at the same time as many other rights defenders and reformists.

The current unprecedented targeting of women human rights defenders started in January 2018 with the arrest of Noha Al-Balawi due to her online activism in support of social media campaigns for women’s rights such as (#Right2Drive) or against the male guardianship system (#IAmMyOwnGuardian). Even before that, on 10 November 2017, the SCC in Riyadh sentenced Naimah Al-Matrod to six years in jail for her online activism.

The wave of arrests continued after the March session of the HRC and the UN Committee on the Elimination of Discrimination against Women (CEDAW) published its recommendations on Saudi Arabia. Loujain Al-Hathloul, was abducted in the Emirates and brought to Saudi Arabia against her will on 15 May 2018; followed by the arrest of Dr. Eman Al-Nafjan, founder and author of the Saudiwoman’s Weblog, who had previously protested the driving ban; and Aziza Al-Yousef, a prominent campaigner for women’s rights.

Four other women’s human rights defenders who were arrested in May 2018 include Dr. Aisha Al-Manae, Dr. Hessa Al-Sheikh and Dr. Madeha Al-Ajroush, who took part in the first women’s protest movement demanding the right to drive in 1990; and Walaa Al-Shubbar, a young activist well-known for her campaigning against the male guardianship system. They are all academics and professionals who supported women’s rights and provided assistance to survivors of gender-based violence. While they have since been released, all four women are believed to be still facing charges.

On 6 June 2018, journalist, editor, TV producer and woman human rights defender Nouf Abdulaziz was arrested after a raid on her home. Following her arrest, Mayya Al-Zahrani published a letter from Abdulaziz, and was then arrested herself on 9 June 2018, for publishing the letter.

On 27 June 2018, Hatoon Al-Fassi, a renowned scholar, and associate professor of women’s history at King Saud University, was arrested. She has long been advocating for the right of women to participate in municipal elections and to drive, and was one of the first women to drive the day the ban was lifted on 24 June 2018.

Twice in June, UN special procedures called for the release of women’s rights defenders. On 27 June 2018, nine independent UN experts stated, “In stark contrast with this celebrated moment of liberation for Saudi women, women’s human rights defenders have been arrested and detained on a wide scale across the country, which is truly worrying and perhaps a better indication of the Government’s approach to women’s human rights.” They emphasised that women human rights defenders “face compounded stigma, not only because of their work as human rights defenders, but also because of discrimination on gender grounds.”

Nevertheless, the arrests of women human rights defenders continued with Samar Badawi and Nassima Al-Sadah on 30 July 2018. They are being held in solitary confinement in a prison that is controlled by the Presidency of State Security, an apparatus established by order of King Salman on 20 July 2017. Badawi’s brother Raif Badawi is currently serving a 10-year prison sentence for his online advocacy, and her former husband Waleed Abu Al-Khair, is serving a 15-year sentence. Abu Al-Khair, Abdullah Al-Hamid, and Mohammad Fahad Al-Qahtani (the latter two are founding members of the Saudi Civil and Political Rights Association – ACPRA) were jointly awarded the Right Livelihood Award in September 2018. Yet all of them remain behind bars.

Relatives of other human rights defenders have also been arrested. Amal Al-Harbi, the wife of prominent activist Fowzan Al-Harbi, was arrested by State Security on 30 July 2018 while on the seaside with her children in Jeddah. Her husband is another jailed member of ACPRA. Alarmingly, in October 2018, travel bans were imposed against the families of several women’s rights defenders, such as Aziza Al-Yousef, Loujain Al-Hathloul and Eman Al-Nafjan.

In another alarming development, at a trial before the SCC on 6 August 2018, the Public Prosecutor called for the death penalty for Israa Al-Ghomgam who was arrested with her husband Mousa Al-Hashim on 6 December 2015 after they participated in peaceful protests in Al-Qatif. Al-Ghomgam was charged under Article 6 of the Cybercrime Act of 2007 in connection with social media activity, as well as other charges related to the protests. If sentenced to death, she would be the first woman facing the death penalty on charges related to her activism. The next hearing is scheduled for 28 October 2018.

The SCC, which was set up to try terrorism cases in 2008, has mostly been used to prosecute human rights defenders and critics of the government in order to keep a tight rein on civil society.

On 12 October 2018, UN experts again called for the release of all detained women human rights defenders in Saudi Arabia. They expressed particular concern about Al-Ghomgam’s trial before the SCC, saying, “Measures aimed at countering terrorism should never be used to suppress or curtail human rights work.” It is clear that the Saudi authorities have not acted on the concerns raised by the special procedures – this non-cooperation further brings their membership on the HRC into disrepute.

Many of the human rights defenders arrested this year have been held in incommunicado detention with no access to families or lawyers. Some of them have been labelled traitors and subjected to smear campaigns in the state media, escalating the possibility they will be sentenced to lengthy prison terms. Rather than guaranteeing a safe and enabling environment for human rights defenders at a time of planned economic reform, the Saudi authorities have chosen to escalate their repression against any dissenting voices.

Our organisations reiterate our calls to the international community to hold Saudi Arabia accountable and not allow impunity for human rights violations to prevail.

We call on the international community, and in particular the UN, to:

  1. Take action to ensure there is an international, impartial, prompt, thorough, independent and effective investigation into the murder of journalist Jamal Ahmad Khashoggi;
  2. Ensure Saudi Arabia be held accountable for the murder of Khashoggi and for its systematic violations of human rights;
  3. Call a Special Session of the Human Rights Council on the recent wave of arrests and attacks against journalists, human rights defenders and other dissenting voices in Saudi Arabia;
  4. Take action at the UN General Assembly to suspend Saudi Arabia’s membership of the Human Rights Council; and
  5. Urge the government of Saudi Arabia to implement the below recommendations.

We call on the authorities in Saudi Arabia to:

  1. Produce the body of Jamal Ahmad Khashoggi and invite independent international experts to oversee investigations into his murder; cooperate with all UN mechanisms; and ensure that those responsible for his death, including those who hold command responsibility, are brought to justice;
  2. Immediately quash the convictions of all human rights defenders, including women and men advocating for gender equality, and drop all charges against them;
  3. Immediately and unconditionally release all human rights defenders, writers, journalists and prisoners of conscience in Saudi Arabia whose detention is a result of their peaceful and legitimate work in the promotion and protection of human rights including women’s rights;
  4. Institute a moratorium on the death penalty; including as punishment for crimes related to the exercise of rights to freedom of opinion and expression, and peaceful assembly;
  5. Guarantee in all circumstances that all human rights defenders and journalists in Saudi Arabia are able to carry out their legitimate human rights activities and public interest reporting without fear of reprisal;
  6. Immediately implement the recommendations made by the UN Group of Eminent Experts on Yemen; and
  7. Ratify the International Covenant on Civil and Political Rights, and bring all national laws limiting the rights to freedom of expression, peaceful assembly and association into compliance with international human rights standards.

Signed,

Access Now
Action by Christians for the Abolition of Torture (ACAT) – France
Action by Christians for the Abolition of Torture (ACAT) – Germany
Al-Marsad – Syria
ALQST for Human Rights
ALTSEAN-Burma
Americans for Democracy & Human Rights in Bahrain (ADHRB)
Amman Center for Human Rights Studies (ACHRS) – Jordan
Amman Forum for Human Rights
Arabic Network for Human Rights Information (ANHRI)
Armanshahr/OPEN ASIA
ARTICLE 19
Asian Forum for Human Rights and Development (FORUM-ASIA)
Asian Human Rights Commission (AHRC)
Asociación Libre de Abogadas y Abogados (ALA)
Association for Freedom of Thought and Expression (AFTE)
Association for Human Rights in Ethiopia (AHRE)
Association malienne des droits de l’Homme (AMDH)
Association mauritanienne des droits de l’Homme (AMDH)
Association nigérienne pour la défense des droits de l’Homme (ANDDH)
Association of Tunisian Women for Research on Development
Association for Women’s Rights in Development (AWID)
Awan Awareness and Capacity Development Organization
Bahrain Institute for Rights and Democracy (BIRD)
Bureau for Human Rights and the Rule of Law – Tajikistan
Cairo Institute for Human Rights Studies (CIHRS)
Cambodian League for the Promotion and Defense of Human Rights (LICADHO)
Canadian Center for International Justice
Caucasus Civil Initiatives Center (CCIC)
Center for Civil Liberties – Ukraine
Center for Prisoners’ Rights
Center for the Protection of Human Rights “Kylym Shamy” – Kazakhstan
Centre oecuménique des droits de l’Homme (CEDH) – Haïti
Centro de Políticas Públicas y Derechos Humanos (EQUIDAD) – Perú
Centro para la Acción Legal en Derechos Humanos (CALDH) – Guatemala
Citizen Center for Press Freedom
Citizens’ Watch – Russia
CIVICUS
Civil Society Institute (CSI) – Armenia
Code Pink
Columbia Law School Human Rights Clinic
Comité de acción jurídica (CAJ) – Argentina
Comisión Ecuménica de Derechos Humanos (CEDHU) – Ecuador
Comisión Nacional de los Derechos Humanos – Dominican Republic
Committee on the Administration of Justice (CAJ) -Northern Ireland
Committee to Protect Journalists
Committee for Respect of Liberties and Human Rights in Tunisia
Damascus Center for Human Rights in Syria
Danish PEN
DITSHWANELO – The Botswana Center for Human Rights
Dutch League for Human Rights (LvRM)
Election Monitoring and Democracy Studies Center – Azerbaijan
English PEN
European Centre for Democracy and Human Rights (ECDHR)
European Saudi Organisation for Human Rights (ESOHR)
FIDH within the framework of the Observatory for the protection of human rights defenders
Finnish League for Human Rights
Freedom Now
Front Line Defenders
Fundación regional de asesoría en derechos humanos (INREDH) – Ecuador
Foundation for Human Rights Initiative (FHRI) – Uganda
Global Voices Advox
Groupe LOTUS (RDC)
Gulf Centre for Human Rights (GCHR)
Hellenic League for Human Rights (HLHR)
Human Rights Association (IHD) – Turkey
Human Rights Center (HRCIDC) – Georgia
Human Rights Center “Viasna” – Belarus
Human Rights Commission of Pakistan
Human Rights Concern (HRCE) – Eritrea
Human Rights in China
Human Rights Center Memorial
Human Rights Movement “Bir Duino Kyrgyzstan”
Human Rights Sentinel
IFEX
Index on Censorship
Initiative for Freedom of Expression (IFoX) – Turkey
Institut Alternatives et Initiatives citoyennes pour la Gouvernance démocratique (I-AICGD) – DR Congo
International Center for Supporting Rights and Freedoms (ICSRF) – Switzerland
Internationale Liga für Menscherechte
International Human Rights Organisation “Fiery Hearts Club” – Uzbekistan
International Legal Initiative (ILI) – Kazakhstan
International Media Support (IMS)
International Partnership for Human Rights (IPHR)
International Press Institute
International Service for Human Rights (ISHR)
Internet Law Reform and Dialogue (iLaw)
Iraqi Association for the Defense of Journalists’ Rights
Iraqi Hope Association
Italian Federation for Human Rights (FIDH)
Justice for Iran
Karapatan – Philippines
Kazakhstan International Bureau for Human Rights and the Rule of Law
Khiam Rehabilitation Center for Victims of Torture
KontraS
Latvian Human Rights Committee
Lao Movement for Human Rights
Lawyers’ Rights Watch Canada
League for the Defense of Human Rights in Iran (LDDHI)
Legal Clinic “Adilet” – Kyrgyzstan
Ligue algérienne de défense des droits de l’Homme (LADDH)
Ligue centrafricaine des droits de l’Homme
Ligue des droits de l’Homme (LDH) Belgium
Ligue des Electeurs (LE) – DRC
Ligue ivoirienne des droits de l’Homme (LIDHO)
Ligue sénégalaise des droits humains (LSDH)
Ligue tchadienne des droits de l’Homme (LTDH)
Maison des droits de l’Homme (MDHC) – Cameroon
Maharat Foundation
MARUAH – Singapore
Middle East and North Africa Media Monitoring Observatory
Monitoring Committee on Attacks on Lawyers, International Association of People’s Lawyers (IAPL)
Movimento Nacional de Direitos Humanos (MNDH) – Brasil
Muslims for Progressive Values
Mwatana Organization for Human Rights
National Syndicate of Tunisian Journalists
No Peace Without Justice
Norwegian PEN
Odhikar
Open Azerbaijan Initiative
Organisation marocaine des droits humains (OMDH)
People’s Solidarity for Participatory Democracy (PSPD)
People’s Watch
PEN America
PEN Canada
PEN International
PEN Lebanon
PEN Québec
Promo-LEX – Moldova
Public Foundation – Human Rights Center “Kylym Shamy” – Kyrgyzstan
Rafto Foundation for Human Rights
RAW in WAR (Reach All Women in War)
Reporters Without Borders (RSF)
Right Livelihood Award Foundation
Robert F. Kennedy Human Rights
Sahrawi Media Observatory to document human rights violations
SALAM for Democracy and Human Rights (SALAM DHR)
Scholars at Risk (SAR)
Sham Center for Democratic Studies and Human Rights in Syria
Sisters’ Arab Forum for Human Rights (SAF) – Yemen
Solicitors International Human Rights Group
Syrian Center for Legal Studies and Research
Syrian Center for Media and Freedom of Expression (SCM)
Tanmiea – Iraq
Tunisian Association to Defend Academic Values
Tunisian Association to Defend Individual Rights
Tunisian Association of Democratic Women
Tunis Center for Press Freedom
Tunisian Forum for Economic and Social Rights
Tunisian League to Defend Human Rights
Tunisian Organization against Torture
Urgent Action Fund for Women’s Human Rights (UAF)
Urnammu
Vietnam Committee on Human Rights
Vigdis Freedom Foundation
Vigilance for Democracy and the Civic State
Women Human Rights Defenders International Coalition
Women’s Center for Culture & Art – United Kingdom
World Association of Newspapers and News Publishers (WAN-IFRA)
World Organisation Against Torture (OMCT) within the framework of the Observatory for the protection of human rights defenders
Yemen Center for Human Rights
Zimbabwe Human Rights Association (ZimRights)
17Shubat For Human Rights

Passion for Freedom: “There is always someone who wants to take freedom away”

[vc_row][vc_column][vc_single_image image=”97076″ img_size=”full” add_caption=”yes”][vc_column_text]Agnieszka Kolek is curator and co-founder of Passion for Freedom, an annual competition exhibition of by artists facing censorship worldwide. In February 2015, Kolek survived the terrorist attack in Copenhagen, targeting the panel discussion she appeared in alongside Swedish artist Lars Vilks. Later that year in London, the Passion for Freedom 2015 exhibition at Mall Galleries, London, hit the headlines when a work Isis Threaten Sylvania by Mimsy was removed by the curators on the advice of the police. They had no choice because they couldn’t pay the £36,000 demanded by the police to guarantee security of the exhibition.

JF: How does your experience of the Danish police compare to the British police?

AK: The panel discussion — Art, Blasphemy and Freedom of Speech — was organised by the Lars Vilks Committee with the full support of the police. This was only a month after the Charlie Hebdo attack, but there was no question that the discussion should go ahead. There were two plain-clothed police officers, two uniformed police and then two special service officers responsible for Lars, who has 24-hour police protection. Police checked bags as the audience came in. When the attack happened — the Danish filmmaker Finn Nørgaard, one of the guests, was shot outside the venue and died on the pavement — the two special service officers took Lars to safety. We know that after an attack on freedom of speech the next target is Jews – it happened with Charlie Hebdo and it happened in Copenhagen when the same gunman attacked a bat mitzvah party in the evening, killing the security guard. Danes feel very bad that they didn’t anticipate this pattern and there was a lot of blaming of the police for this, but they did their best considering the circumstances. I think there has to be more legal power give to the police to extinguish the sources of the extremism, and its results. When you already have flames it is harder to put it, instead you have to prevent the fire from starting.

In London in 2015 it was very different. The police wanted to determine what artworks could go on show, and even the artistic value of exhibited works, showing an indirect form of censorship claiming it was “for your own good – security”. Police intelligence identified “serious concerns” regarding the “potentially inflammatory content” of Mimsy’s work and for this reason “advised” us to remove the work or pay protection money at £6,000 a day. We were completely shocked. Out of all the works in the exhibition, we would never have thought that they would pick this one out. We asked for more information about the “serious concerns”, especially because we wanted to know if there was a threat to Mimsy herself. They didn’t give us any more information. They wanted to place blame on the festival or its artists for causing problems, rather than protecting the space for art to show the suffering of people around the world and the lack of freedom to openly discuss it. While we tried to fundraise for our own protection, we were threatened with more works being withdrawn. Art cannot be controlled by the police – not in London, which for hundreds of years is a symbol of democracy and freedom. Not in the creative capital of Europe where artists flock from all over the world.

JF: But in Copenhagen two people lost their lives – you could have lost yours. How do you reconcile the loss of life with the pursuit of freedom?

AK: It is not easy to answer as I am not treating others’ and my own life lightly. Behind each individual there is a unique person, unique life story and to cut it short for the supposedly abstract ideal of free speech and expression might seem reckless. It is not. Again and again we learn how giving concessions to those who want to restrict freedoms of speech allows the darkness not only to enter our home but also our hearts. Not resisting it at early stages causes our societies to change beyond recognition.

I was invited to the Copenhagen event way ahead, so after the Charlie Hebdo attack, the chair got in touch with me to say she would understand in view of the heightened security risk, if I chose not to come. So I thought long and hard about it and said I will have to die someday, and I know I will look back at that this moment and I will remember the choice I made and it will be important.

Passion for Freedom is a very effective tool for assessing how much freedom there is in society. Artists cannot be easily controlled. In their inner core they are idealists. We stand with them giving them space and time to express themselves. Freedom will prevail despite political and corporate pressure to censor and restrict open debate. We are its guardians.

JF: How have the experiences of 2015 impacted on how you approach this year’s exhibition?

AK: The commitment and the conviction are still there. But we are not clear where we stand, because there is no clear definition of what is appropriate or what is inflammatory. It is a shifting ground. In the past, we created the space to fully exhibit work that had been censored elsewhere by a curator or a gallery owner. Now we are in the situation where the state, through the arm of the police, imposes this pre-emptive self-censorship on you. Since the censorship incident, we cannot guarantee artists that they will be able to exhibit/perform during a festival talking about freedom. Over the years there has been a number of artists who requested to be exhibited under pseudonyms (as often their lives are threatened in the UK or back in their home countries). Can we guarantee that the police will not arrest them? Until now, we could guarantee it to them. Since 2015 we are not sure that is the case. My approach is not to have any preconceived idea of how it will go with the police this time. We will still try to be open and have a dialogue in the belief that the police are still there to protect us and it is still a democratic country. I will be honest – we are also treating it as a kind of testing ground. Let’s see if this is still a democratic country or is it just on paper?

The artistic community in the United States and Australia is shocked by the police’s censorious attitude to arts in London. There are groups of people who decided to open Passion for Freedom branch offices in New York and Sydney to ensure that British censorship is being exposed. And in case freedom is completely extinguished in the UK they can continue the important work to give artists the platform to exhibit their works and debate important issues in our societies. And if we discover that there is even less freedom than in 2015, we are considering moving this exhibition to Poland because there is more freedom there. This is on the cards, we are already discussing it.

JF: Do you think Passion for Freedom exhibition represents a security risk?

AK: The way it is being framed in the media it looks like we are troublemakers and we are asking for it. I see it another way – we are representing the majority of society that wants to ask questions, to solve problems and to move forward together. Instead of giving in to a minority that wants to use violence and threats as a way to push forward their own agenda.  I think it is in the interests of any society to make sure there is the space for difficult conversations because it moves away from creating the situation where the only way to solve problems is violence. You need to allow people to have this space and art is a wonderful tool to do that, without falling for propaganda, or just favouring one way of looking at things over another.  Here you can have different voices, at different volumes, and different issues at play.

JF: The 2015 terror attack in Copenhagen targeted Swedish artist Lars Vilks and those who support him. Why do you think it is important for an artist to be free to deliberately insult and offend people’s religious beliefs? 

AK: The world is a much more complex place than the newspaper headlines would like us to believe. Lars Vilks was invited to participate in an art exhibition on the theme “The Dog in Art” that was to be held in the small town of Tällerud in Värmland. Vilks submitted three pen and ink drawings on A4 paper depicting Muhammad as a roundabout dog. At this time, Vilks was already participating with drawings of Muhammad in another exhibition in Vestfossen, Norway, on the theme “Oh, My God”. Vilks has stated that his original intention with the drawings was to “examine the political correctness within the boundaries of the art community”. It is not a secret that Sweden is known for vehemently criticising the United States and Israel, whereas political Islam and its influence on non-Muslim communities are rarely questioned.

Artists practising various forms of art, whether poetry, drama, drawing or film, have been challenging those who hold power for millennia.

Few kings, warlords or dictators allowed criticism or satire of themselves. The blasphemy laws were in place not to protect God but those who claimed to be his only representatives on earth. Nowadays, the same seems to be disguised in the cloak of hurt feelings and delicate egos. Artists are idealistic visionaries. They cannot hold themselves back pretending that they are blind to what is in front of their eyes. Lack of open discussion stifles our development as societies. Fear of reprisal and death cripples the human spirit. Those who cower under the whip hoping to appease and remove the threat are actually risking the fate of a slave and subordinating to dehumanised serfdom their true nature – that of a free man.

JF: Why do you have this passion for freedom?

AK: Behind the Iron Curtain we naively believed that not only was the West this Land of Milk and Honey of material goods, we were also certain that there was freedom here, that people would value and protect it. So moving here, first you discover that everything is not so perfect materially, but then the bigger eye-opener is that there is always someone who wants to take freedom away and if you don’t stand up tall in society this threat is always present. I don’t think you can continue just exercising freedom of speech without appreciating what it has brought to us over the long years when previous generations were fighting for it, and though it is not ideal, the state we are in is much better than it used to be.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”103159″ img_size=”full”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]

Passion for Freedom Art Festival

10th-anniversary edition, 1 – 12 October 2018, London

The Royal Opera Arcade Gallery & La Galleria Pall Mall

Royal Opera Arcade, 5b Pall Mall, London SW1Y 4UY

The 10th-anniversary edition of internationally renowned Passion for Freedom Art Festival will open in London on 1 – 12 October 2018 at its new location – the Royal Opera Arcade Gallery & La Galleria Pall Mall. The exhibition showcases uncensored art from around the world, promoting human rights, highlighting injustice and celebrating artistic freedom.

Passion for Freedom was founded in 2008 and over the past ten years grew into an international network of artists, journalists, filmmakers and activists striving to celebrate and protect freedom of expression. We have displayed more than 600 artworks from 55 countries, including China, Iran and Venezuela.

The competition attracts much worldwide attention. This year, we received more than 200 submissions out of which we will exhibit over 50 shortlisted artists. From Venezuela to Turkey to the United Kingdom, those artists ceaselessly expose the restraints on freedom of speech, expression, and information in their countries. Altogether, we will display 100 such artworks during the festival. Passion for Freedom covers painting, photography, sculpture, performance, video, as well as authors, filmmakers and journalists.

Competitors will be judged by a prestigious selection panel. Winners will be announced on the 6th of October at the Gala Award Night.

This year’s judges are:

Andrew Stahl (United Kingdom)

Francisco Laranjo (Portugal)

Gary Hill (USA)

Lee Weinberg, PhD (Israel)

Mehdi-Georges Lahlou (Belgium)

Miriam Elia (United Kingdom)

Mychael Barratt PRE (Canada/United Kingdom)

This year we are thrilled to announce a Special Theo Van Gogh Award awarded in honour of his courage and contributions to freedom of expression.

Furthermore, we have invited a select group of special guest artists to display their latest works.

Passion for Freedom 2018 Guest Artists are:

Agata Strzalka (Poland)

Andreea Medar (Romania)

Emma Elliott (United Kingdom)

Jana Zimova (Czech Republic/Germany)

Mimsy (United Kingdom)

Öncü Hrant Gültekin (Turkey/Germany)

Oscar Olivares (Venezuela)

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