His acclaimed Studio Abazon was fire-bombed in September 2015 in retaliation for his role in the ending of the 27-year tenure of former President Blaise Compaoré. Smockey has no doubt the attack was an attempt on his life in revenge for his activism. Thankfully the rapper was in hiding at the time and was unharmed.
Index on Censorship has named Smockey as the inaugural recipient of the Music in Exile Fund Fellowship. As the beneficiary, he will perform live in London, as well as receive training and opportunities to connect with other free speech heroes around the world. Smockey is committed to getting his studio up and running again and creating more music. Here’s just a snippet of his work as a musician and producer.
Smockey – Votez Pour Moi
Votez Pour Moi (Vote for Me) was released at the time of the 2005 presidential elections in Burkina Faso. It is about the dire state of democracy in the country. “This song is very ironic and satirical,” says Smockey. “In it, I play the role of a dictator making many promises he doesn’t intend to keep.” Dictators aren’t known for their sense of humour, but so out of touch was Compaoré’s government that they actually used Votez Pour Moi in their political campaign, playing on the TV every day.
“They didn’t listen to the lyrics and so didn’t realise it was a joke at their expense. Being in power for 30 years, they could only think of themselves,” Smockey told Index on Censorship.
Smockey – A Qui Profite le Crime
The title of this track translates as: who benefits from the crime? It is about the assassination of Thomas Sankara, the revolutionary president of Burkina Faso from 1983 until his assassination in 1987. Smockey is a self-proclaimed Sankarist, a left-wing ideology in the tradition of Sankara, who was murdered during a coup d’état organised by Compaoré.
The opening lines of the song, translated from their original French, are as follows: “So everything was planned from the beginning / For the country, but the finish is death we were served; routine investigation / Who benefits? Who benefits from the cime? / Who knows? / We were misled.”
Smockey – Tomber la Lame
Tombre la Lame (Falling Blade) is a song about female genital mutilation, a practice still common in Burkina Faso. “It happens as a result of local traditions and customs, and also religion, namely Islam,” explained Smockey. “It’s a very bad practice; women get hurt and go on to have complications later in life, such as when giving birth.” FGM is a major problem in West Africa in general, and Smockey wants to “convince people that they have to stop it”. Sankara was committed to women’s rights during his brief time in power and outlawed FGM, among other things. “When Sankara was killed, progress on this front was stopped in its tracks, so we have to continue the fight,” said Smockey.
Smockey – A Balles Reelles
In 2008, students in Ouagadougou, the capital of Burkina Faso, faced severe hardship following the sudden eviction from their halls of residence, the closure of essential facilities and the cancellation of welfare payments without notice. Authorities took the action following confrontations between students and police on 22 June 2008.
Balles Reelles, which translates as “real bullets”, is a song criticising the authorities for their harsh treatment of young people. At a press conference, Smockey and his collaborator on the track, the reggae artist Sams’K Le Jah, also criticised the passivity of the students’ parents in the face of the harsh treatment of their children. “Parents are silent when the university is closed and some students have become vulnerable,” Le Jah said.
Les Ambassadeurs de la Liberté d’Expression – Le Droit de Vivre
Les Ambassadeurs de la Liberté d’Expression, or the Ambassadors for Freedom of Expression, is a collaborative project effort including Smockey and other musicians from west Africa who are committed to strengthening freedom of expression in the region. Le Droit de Vivre (The Right to Live) was recorded at Studio Abazon before it was bombed. It is a song against extremism and injustice.
Other artists in the project include Didier Awadi of Senegal, Sissao, Alif Naaba from Burkina Faso, and Marechal Zongo, Josey and Soum Bill from Côte d’Ivoire, among others.
“Not everyone is lucky enough to have a microphone in front of them, so if you have the chance to talk, you have to say something important,” Smockey said of the project. “Art doesn’t just have to be beautiful – it can be beautiful and useful at the same time.”
Index on Censorship has teamed up with the producers of an award-winning documentary about Mali’s musicians, They Will Have To Kill Us First, to create the Music in Exile Fund to support musicians facing censorship globally. You can donate here, or give £10 by texting “BAND61 £10” to 70070.
Prague, Czech Republic. 4th February 2013 — Turkish Prime Minister Recep Tayyip Erdogan gestures during a press conference
The seizure of Turkey’s biggest opposition newspaper is the latest move against press freedom in the country. Since the election of Turkey’s president Recep Tayyip Erdoğan in 2014, the increasingly autocratic politician has waged an ongoing war with voices critical of his government.
Editors and journalists have been targeted against a backdrop of regional conflict and a reignited battle with the country’s Kurdish minority. According to Turkey’s justice minister as many as 1,845 cases have been opened against people accused of insulting President Recep Tayyip Erdoğan since he came to office in 2014. Journalists, celebrities and even children have faced charges.
Condemnation of the move against Zaman has been swift.
“With this move, Turkey has hit a new low for media freedom,” said Index on Censorship CEO Jodie Ginsberg. “We now need the international community to help pull it back from the brink by encouraging governments to speak out publicly against these actions instead of turning a blind eye to President Erdogan’s creeping authoritarianism.”
Writers, journalists and artists all told Index of their concerns about Turkey’s future.
Journalist Fredericke Geerdink, who was arrested and deported from Turkey for reporting on the conflict with the Kurds, said “it’s no surprise at all that Zaman was taken over by the government. After all, the government’s papers hinted on it weeks ago already. It was not a matter of if, but when and how Zaman would be silenced, and the affiliated Cihan news agency with it. But let’s not pretend that this is the day democracy in Turkey was carried to its grave. The press in Turkey has never been free. President Erdogan is only taking the poor press freedom situation in Turkey to new, extreme levels by using existing structures in the state system. The end of his reign, which will inevitably come, will not be enough to save the media in Turkey. Both the laws restricting press freedom and the ownership structures in the media should be tackled. For this, it is crucial that journalists in Turkey stand together, despite the polarization in society that hinders solidarity among journalists as well.”
Historian and author Tom Holland said, “that the rich and argumentative journalistic culture of Turkey should come to this. The free airing of opinions is a mark, not of Turkish weakness, but of Turkish strength”.
Neil Mackay, novelist and editor of the Sunday Herald in Scotland said “the actions of the Turkish government are a chilling attack on freedom of speech which all journalists and writers across the globe should oppose. No country which aspires to democracy can operate without a truly free press. I call on the Turkish government to overturn their decision immediately, and allow the newspaper Zaman, and its staff and editors, to report events freely and without government control.”
Cardiff University professor of journalism Richard Sambrook said “independence of media from government control is internationally recognised as essential for a mature, healthy democracy – and is also essential for economic and social development. I’d urge the Turkish authorities to reconsider this regressive move”.
Deputy managing editor London Evening Standard Will Gore said the “move by Turkish authorities to place the Zaman newspaper group under the management of trustees is a deeply worrying development in the government’s ongoing crackdown on media freedom in Turkey. Not only does it imperil free speech but strikes at the heart of one of the fundamental tenets of democracy. Journalists around the world should raise their voices in protest”.
Artist and writer Molly Crabapple said: “The Turkish government’s takeover of Zaman is only one of their recent, frightening moves to curtail the already highly restricted freedoms of journalists working in Turkey. These include the trial of Cumhurriyat editors, the arrests of journalists working for the Kurdish leftist news site Jiyan, the three-month long detention of VICE News producer Mohammed Rasool, the detention of Syrian photojournalist Rami Jarrah, expulsions of foreign journalists, and the near complete press blackout in Eastern Turkey. Writers and journalists must call on the Turkish government to respect freedom of speech and press.”
Telegraph columnist Tim Stanley called the move “unconstitutional, troubling and part of a pattern of making life harder for the opposition. Nobody would deny that Turkey faces serious security challenges. But a free press is essential to democracy, and the world needs a democratic Turkey now more than ever”.
the problem with zaman: columnist says today’ll be in turkey’s history as the day turkey crossed into open facism. https://t.co/V5cH7fsyB6
The European Federation of Journalists said: “The European Union cannot remain silent to the political seizure of Zaman newspaper, Today’s Zaman daily and Cihan news agency. The appointment of trustees by the judicial system was actually foreseen to save dying private companies and cannot be used to silence critical media outlets or to attack social rights of media workers”.
Amnesty International accused the Erdogan government of “steamrolling over human rights” and warned that “s free and independent media, together with the rule of law and independent judiciary, are the cornerstones of internationally guaranteed freedoms which are the right of everyone in Turkey”.
The seizure of Zaman, a news organisation aligned with the Gulen movement, is the latest move in a campaign of pressure against the newspaper. On 14 December 2014, police arrested senior journalists and media executives associated with the Gulen movement on terrorism-related changes. Among the arrestees was Ekrem Dumanli, editor-in-chief of Zaman. When the police raided the paper’s offices they were greeted by protesters tipped off in advance. Dumali surrendered to the police later that day. He and other detainees were ordered released on 19 December for lack of evidence.
At the time, the US State Department cautioned Turkey not to violate its “own democratic foundations” while drawing attention to raids against media outlets “openly critical of the current Turkish government.” EU foreign affairs chief Federica Mogherini and EU Enlargement Commissioner Johannes Hahn said that the arrests went “against European values” and “are incompatible with the freedom of media, which is a core principle of democracy”.
Dündar, the editor-in-chief of the Turkish daily Cumhuriyet, and his Ankara bureau chief, Gül, had been held since the evening of 26 November. They are charged with spying and terrorism because last May they published evidence of arms deliveries by the Turkish intelligence services to Islamist groups in Syria. They are currently awaiting trial.
According to the Committee to Protect Journalists, Turkey had 14 journalists in jail at the end of 2015. There have been 17 journalists arrested or detained in the country in 2016, according to verified incidents reported to Index’s project Mapping Media Freedom.
Freedom of expression campaigners Index on Censorship and the producers of award-winning documentary They Will Have To Kill Us First are pleased to announce the Burkinabe rapper and producer Serge Martin Bambara (aka Smockey) as the recipient of the inaugural Music in Exile Fund Fellowship.
An icon of democracy in Burkina Faso, Smockey is an artist, music producer and political activist who fuses hip-hop with traditional local sounds and satire. His acclaimed Studio Abazon was fire-bombed in late 2015 in retaliation for his role in the ending of the 27-year tenure of former President Blaise Compaoré.
As winner, Smockey will perform live in London as well as participate in the Index on Censorship Freedom of Expression Awards fellowship week in April 2016 – an intensive week of coaching and networking for global champions against censorship. With high level training in advocacy, fundraising and digital security, Index supports these activists to stand up to the pressure of censorship and continue their battle for free expression around the world.
“Serge Bambara’s overtly political music has not only made him an extremely popular figure in his own country, Burkina Faso, but also a target for entrenched interests. Throughout his career he has used his talents to battle corruption and demand a democratic future for Burkina Faso. Proof of the power of art and music, we are delighted to have him as the inaugural Music in Exile fellow,” said Jodie Ginsberg, CEO, Index on Censorship.
“Not everyone is lucky enough to have a microphone in front of them, so if you have the chance to talk, you have to say something important and try and change humanity,” Serge Bambara said. Smockey’s work tackles tough political and social subjects. His song Votez pour moi lampoons the lack of democracy in Burkina Faso, A qui profite le crime calls out government corruption and Tomber la lame tackles female genital mutilation.
In September 2015, Smockey’s studio was bombed during a military coup by forces loyal to the former president – an act designed to intimidate him and Burkina’s youth. After seven days of international pressure, the junta returned power to the provisional government but Studio Abazon, a former hub for young and aspiring musicians in Burkina Faso, was damaged beyond repair.
Index on Censorship stands behind Smockey and hopes that the inaugural Music in Exile Fellowship can help him continue to encourage and enthuse young Burkinabes with his music.
Donations to the Music in Exile Fund can be made HERE.
A full profile about Smockey and his music can be read HERE.
For more information please contact: David Heinemann on 0207 260 2660 or [email protected]
The Music in Exile Fund was launched in October 2015 by freedom of expression campaigners Index on Censorship and the producers of award-winning documentary They Will Have To Kill Us First to help support musicians facing censorship in their home countries.
The fund contributes to Index on Censorship’s year-long Freedom of Expression Awards Fellowship programme, helping musicians to build international profile and to create, perform and share their work in a safe environment.
The fund operates under the banner of Index’s Freedom of Expression Awards, which take place in April. This year there will be a specific music category. The funds raised will support a musician or group through a year-long mentorship scheme helping them to tackle and overcome free expression challenges for them and their audiences. Legal support, career development, training in advocacy and fundraising, networking and digital security are all part of this mentorship scheme.
The film, called “essential viewing” (Dazed & Confused) and “rare and inspiring” (The Times) follows musicians in Mali after its capture by jihadist militants in 2012. Music, one of the country’s most important forms of communication, disappeared overnight. Radio stations were destroyed, instruments burned and musicians faced torture, even death. But rather than lay down their instruments, Mali’s musicians fought back. The film is currently premiering in the United States. Details about screenings can be found HERE.
On 17 March 2016 from 5-6pm, we will be holding a protest at the office of the NUS, Macadam House, 275 Gray’s Inn Road, London, WC1X 8QB. Join Us. Also Tweet “I call on @nusuk to revise safe space and no platform policies to facilitate not restrict free expression and thought” or email the NUS stating the same at [email protected].
NUS: Revise Safe Space and No Platform Policies to Facilitate not Restrict Free Expression and Thought
We are deeply concerned by the increasing attempts by the National Union of Students (NUS) and its affiliated Student Unions to silence dissenters – including feminists, apostates, LGBTI rights campaigners, anti-racists, anti-fascists and anti-Islamists – through its use of No-Platform and Safe Space policies.
We stand against all prejudice and discrimination. We agree that free speech does not mean giving bigots a free pass. A defence of free speech includes the right and moral imperative to challenge, oppose and protest bigoted views.
Educational institutions must be a place for the exchange and criticism of all ideas – even those deemed unpalatable by some – providing they don’t incite violence against peoples or communities. Bigoted ideas are most effectively defeated by open debate, backed up by ethics, reason and evidence.
The student body is not homogeneous; there will be differences of opinion among students. The NUS’s restrictive policies infringe upon the right of students to hear and challenge dissenting and opposing views.
We, therefore, call on the NUS to revise its No-Platform and Safe Space policies to facilitate freedom of expression and thought, rather than restrict it.
Signed:
Updated 2 March
(Students, Activists and Academics are welcome to sign on to the letter, which will be updated regularly. To sign on to the letter, please email below contact persons.) The letter was originally published here.
Alicia McElhill, President City of Leicester NUT
Asher Fainman, President of Goldsmiths ASH society
Author, Jesus & Mo
Becky Lavelle, President, Hull University Secularist, Atheist, and Humanist Society
Benjamin David, President of Warwick Atheists, Secularists and Humanists
Bread and Roses TV
Brendan O’Neill, editor of Spiked
Chris Moos, secularist activist
Connor Naylor, External Outreach Officer of the LSESU Free Speech Society
Council of Ex-Muslims of Britain
David Browne, LLM Student in International Human Rights Law
Durham Atheist, Secularist and Humanist Society
Elham Manea, Academic and human Rights advocate
Emma Humphreys Memorial Prize
Fariborz Pooya, Host of Bread and Roses TV
Feminism in London
Fireproof Library
Frederick Money, Undergraduate, Merton College Oxford
Gita Sahgal, Centre for Secular Space
Gregory Kent, academic and journalist
Gush Bhumbra, President, Leicester Secular Society
Halima Begum, ExMuslim Researcher & Blogger
Helen Chamberlain, President, Durham Atheist, Secularist and Humanist Society
Houzan Mahmoud, Women’s Rights Activist, Kurdistan
Hull University Secularist, Atheist, and Humanist Society
Ian Leaver, Secretary City of Leicester NUT
Imad Iddine Habib, Spokesperson of Council of Ex-Muslims of Britain
Index on Censorship
James Burchett, Activist
Jodie Ginsberg, CEO, Index on Censorship
Josh Crossman, psychology graduate from Aberystwyth University, and a Health Psychology MSc student at Surrey University
Julie Bindel, Justice for Women and the Emma Humphreys Memorial Prize
Justice for Women
Kameron J. St. Clare, President of the Middle Common Room, St. Hilda’s College, Oxford
Kate Smurthwaite, Comedian and Activist
Kenan Malik, Author
Keziah Conroy, UCLU Atheist, Secularity and Humanist society President
Kojin Mirizayi, Law student, President of the Kurdish Society at the University of Kent
Lee Jones, Queen Mary, University of London
Leo Gibbons-Plowright, Blogger
Lisa-Marie Taylor, Chair of Feminism in London
Maajid Nawaz, Author and Counter-extremism Activist
Magi Gibson, Scottish poet and author
Maggie Hall, Chair, Brighton Secular Humanists
Maryam Namazie, Spokesperson of Council of Ex-Muslims of Britain, One Law for All and Host of Bread and Roses TV
Matt Corden, undergraduate at Newcastle University
Miranda Yardley, Writer, Publisher and Activist
Nahla Mahmoud, Spokesperson of Council of Ex-Muslims of Britain
Nick Cohen, Author
Nira Yuval-Davis, Director of the Research Centre on Migration, Refugees and Belonging (CMRB) at the University of East London
Ollie Burton, President, Newcastle University Atheists’ & Secular Humanists’ Society
One Law for All
Ophelia Benson, Writer
Peter Flack, Leicester Social Forum
Peter Tatchell, Human Rights Campaigner
Rayhan Rashid, Oxford
Rayhana Sultan, Spokesperson of Council of Ex-Muslims of Britain
Renas Siti, Student at the University of East Aglia
Rhys Morgan, undergraduate student at Oxford Brookes University
Richard Dawkins, Scientist and Author
Roy Brown, International Representative and former president of IHEU
Rumana Hashem, Founder of Community Women’s Blog and Adviser at Nari Diganta
Rumy Hasan, Senior Lecturer (SPRU – Science Policy Research Unit), University of Sussex
Salil Tripathi, Writer
Sarah Peace, Fireproof Library
Stephen Evans, Campaigns Manager, National Secular Society
Tehmina Kazi, Director of Media, Outreach and Lobbying, British Muslims for Secular Democracy
Tom Holland, Author and Historian
University of Leicester Atheist, Humanist and Secular Society
