24 May 24 | News and features, Opinion, Ruth's blog
“The greatest of all human delusions is that there is a tangible goal, and not just direction towards an ideal aim. The idea that a goal can be attained perpetually frustrates human beings, who are disappointed at never getting there, never being able to stop.”
Stephen Spender, poet and co-founder of Index on Censorship
Sometimes it is wise to follow the advice of a great. I have spent my life striving for tangible, if all too regularly unachievable, goals and sometimes you do just need to stop—if only to reflect. For the last four years I have led Index on Censorship as we strived to protect and promote freedom of expression in an increasingly polarised world. However it is now my turn to stop—at least at Index.
This is my last weekly blog. As of today my brilliant successor Jemimah Steinfeld will be taking over the reins as CEO (which means we’re looking for a new editor).
My time at Index started during the pandemic when authoritarian regimes used the pretext of Covid-19 as an excuse to restrict access to a free media. We’ve seen Putin invade Ukraine, the people of Afghanistan abandoned to the Taliban, the increased repression in Hong Kong and the continuing rise of populist politics around the world. All of this as technology is changing faster than any of us can really comprehend and we are only now starting to appreciate how it can be used as a tool for dissent as well as repression.
At times the world has felt far, far too bleak. Our ability to directly help dissidents has always been limited to paying them for their work – but when you are publishing their fears and realities every day it can be beyond disheartening. Yet my amazing team have worked to support people in Egypt, Iran, Hong Kong, Afghanistan, Belarus and a dozen other countries. It’s been a privilege to lead them, as they sought to protect others.
The joy of Index is that our supporters—well you—often rightly claim ownership of our work. Challenging us to do more. Before I leave I think it’s important for my successor that I explain why we do what we do. Our remit is promoting the work of dissidents; that means we touch on areas of media or academic or artistic freedom but when we do it should always be through the prism of censorship and repression. In the UK, the EU and the US we also engage on issues which we think undermine our ability to promote freedom of expression in countries where repression is the norm—we cannot forgo the moral high ground. And our rights are as important as anyone else’s.
This means that sometimes we won’t cover issues in the same depth that others do because we’re a small team. Index undoubtedly punches above its weight but there are less than a dozen of us, so we can’t cover everything. We also might not cover an issue because as important or as valid as it is, it might not be a matter of freedom of expression but rather underpinned by an alternative human right.
There is also the fact that some of the team travel – to the very places that we write about. So sometimes we don’t publish until they come home. So occasionally you may need to indulge us.
Even with all of these constraints Index does exceptional work. I am so proud of the work we’ve done on SLAPPs, on digital rights and of course the work we do with dissidents. So thank you for your support in making it happen.
And while I am doing thank-yous, it would be remiss of me not to thank my amazing Chair, Trevor Philips, and our brilliant board of Trustees. With me, they have helped Index rebrand, relaunch and celebrate our 50th birthday. They have rebuilt the organisation into the force I believe it to be. Their commitment to Index has been unwavering and without them Index wouldn’t be here today. Simply put they are exceptional people and I am grateful to them.
Going forward Index has a huge work programme – freedom of expression will be challenged by AI, deepfakes, transnational repression and a shifting world order with nation states whose actions can mean it is no longer always clear who are goodies. This is all compounded by a public space that no longer encourages debate but rather seeks to silence the alternative view. Issues quickly become toxic and ideological purity is seemingly a prerequisite for engagement in any ‘controversial’ debate. This is at odds with the very basic tenets of freedom of expression – debate and engagement leads to change and enables societies to thrive and grow. We should always be prepared to protect the boundaries of our public space to protect speech – not hate speech – but genuine thought and considered debate. After all that is the basis for any strong democracy.
So as the UK heads towards a general election, my focus will be on the best bit of our democracy – the election campaign.
So thank you for your support, your views and most importantly your commitment to freedom of expression.
Here’s hoping – that as a third of the world heads to the polls this year – freedom of expression will end up as the protected and cherished human right that we all need it to be.
PS – Make sure you use your vote – if you have one!
PPS – Be kind to Jemimah, she is going to be brilliant.
01 May 24 | Belarus, China, Greece, Iran, News and features, Palestine, Russia
In my work as a journalism lecturer, I am increasingly struck by the fact that many students don’t read books. By this I don’t mean they don’t read – they read all the time, constantly scrolling on their phones, laptops and devices. I mean physical books. As for newspapers: forget it. For this reason, I have taken to reading to them. I tell them to put their phones away (which some find almost impossible), to close their laptops and… listen. I don’t ask them to sit in a circle on the carpet, but it’s not far short of that… it is a moment for meditation, what some have come to call mindfulness. I have read them all sorts of authors: Orwell, Conrad, the great Dutch journalist Geert Mak, Joan Didion. They wriggle and fidget, but in the end their breathing calms down, their faces relax, and they sit and listen.
And I am going to do the same with you today. You are all busy people so I won’t ask you to put away your phones and devices, but I will ask you to listen as I read to you from one of the most celebrated authors of the 20th century, Arthur Koestler. Perhaps not so widely read today, Koestler was best known for his anti-totalitarian novel Darkness at Noon, but was also a prolific journalist and essay writer. This essay, On Disbelieving Atrocities, is from a collection of essays called the Yogi and the Commissar, published in 1944. The essay itself was originally published in the New York Times under the title The Nightmare That is a Reality. He describes the “mania” he feels when telling the world about Nazi atrocities. “We, the screamers, have been at it now for about ten years,” he says. But the screamers are struggling to be heard.
“We said that if you don’t quench those flames at once, they will spread all over the world; you thought we were maniacs. At present we have the mania of trying to tell you about the killing, by hot steam, mass-electrocution and live burial of the total Jewish population of Europe. So far three million have died. It is the greatest mass-killing in recorded history; and it goes on daily, hourly, as regularly as the ticking of your watch. I have photographs before me on the desk while I am writing this, and that accounts for my emotion and bitterness. People died to smuggle them out of Poland; they thought it was worthwhile. The facts have been published in pamphlets, White Books, newspapers, magazines and what not.
But the other day I met one of the best-known American journalists over here. He told me that in the course of some recent public opinion survey nine out of ten average American citizens, when asked whether they believed that the Nazis commit atrocities, answered that it was all propaganda lies, and that they didn’t believe a word of it. As to this country, I have been lecturing now for three years to the troops and their attitude is the same. They don’t believe in concentration camps, they don’t believe in the starved children of Greece, in the shot hostages of France, in the mass-graves of Poland; they have never heard of Lidice, Treblinka or Belzec; you can convince them for an hour, then they shake themselves, their mental self-defence begins to work and in a week the shrug of incredulity has returned like a reflex temporarily weakened by a shock.”
Koestler’s words still have the power to shock 80 years later…
I have been proud over the years to be something of a screamer — for the Observer, the New Statesman and most prominently as the journalist portrayed in the Hollywood film Official Secrets (dir. Gavin Hood 2019).
I now work as editor-at-large for Index on Censorship, initially set up in 1972 to publish and promote the work of dissident writers from behind the Iron Curtain. There has never been more for us to scream about. The atrocity deniers are everywhere: suggesting that outrages committed by Iran, Russia, Belarus, China are mere Western propaganda. We saw it on October 7th and we see it in Gaza.
My favourite screamer (and Koestler’s heir in some ways) is the journalist and academic Peter Pomerantsev. His second book, This Is Not Propaganda: Adventures in the War Against Reality (2019), should be required reading on all journalism (and public relations) courses. Pomerantsev comes from the same tradition as Index — his parents were Soviet dissidents arrested for “distributing harmful literature”. He warns that Putin’s Russia has ushered in a new age of atrocity denial driven by the troll farms of St Petersburg.
His family’s experience gives Pomerantsev a personal, visceral respect for objective truth, facts, reality. He tells the story of the legendary dissident publication The Chronicle of Current events.
“The Chronicle was how Soviet dissidents documented suppressed facts about political arrests, interrogations, searches, trials, beatings, abuses in prison. Information was gathered via word of mouth or smuggled out of labour camps in tiny self-made polythene capsules that were swallowed and then shat out, their contents typed up and photographed in dark rooms. It was then passed from person to person, hidden in the pages of books and diplomatic pouches, until it could reach the West and be delivered to Amnesty International, or broadcast on the BBC World Service, Voice of America or Radio Free Europe.” (This Is Not Propaganda, p 2)
Where does this leave us? We who are committed to telling the truth. We who respect facts. Are we listening to the screamers?
On the plane to Zurich, I was given my complimentary copies of Forbes and Vanity Fair and the answer was right there. Vanity Fair carried an article about Alexei Navalny, who grew to prominence through his exposure of corruption in Putin’s Russia, while the cover of Forbes was devoted to the Boeing whistleblower John Barnett. We perhaps need to start thinking about whistleblowers as corporate dissidents, as truthtellers, not subversives to be closed down.
Because Navalny and Barnett are both, in their way, screamers.
This is the transcript of a speech made to a meeting of chief communications officers from leading global companies in Zurich
26 Apr 24 | Iran, News and features, Opinion, Ruth's blog
We are devastated.
At Index we work with and for dissidents every day. And while we always work without fear or favour, some of the people we work become part of the Index family. Over the last year an Iranian rapper has managed to do just that. And this week we have learned that the totalitarian regime that runs Iran has sentenced him to death – his crime, using his voice, his art, to challenge the status quo and defend those whose voices were not as powerful.
In the realm of hip-hop, where words are wielded like weapons and beats serve as battlegrounds for social justice, Toomaj Salehi emerged as a voice of defiance against oppression in Iran. A lyrical maestro and an unwavering advocate for the rights of Iranian women, Toomaj has created music that transcends mere entertainment – it became a lifeline for those silenced by the iron grip of authority.
Last year, we recognised Toomaj with the Index on Censorship Freedom of Expression Art Award, a recognition of his unwavering commitment to using his craft as a weapon against injustice. However, we couldn’t celebrate with Toomaj in person, for he was imprisoned for using his voice.
As I write, Toomaj languishes in jail, condemned to endure the darkness of imprisonment for the unfathomable crime of “corruption on earth”. His sentence, however, is not now only a term behind bars (as appalling as that was); as of this week it is now a death sentence. If his appeal fails, it seems all too possible that Toomaj will be murdered by the Iranian regime within a matter of weeks.
Toomaj’s journey as an artist has been one fraught with danger and defiance. Despite facing previous arrests and intimidation tactics, he refused to be muzzled, using his music as a conduit for truth in a landscape dominated by lies. His verses reverberated with the echoes of injustice, shining a spotlight on the abuses perpetrated by the Iranian authorities.
In the wake of the tragic death of Jina “Mahsa” Amini, Toomaj’s resolve only hardened. He lent his voice to the chorus of protest, amplifying the cries for justice that reverberated through the streets. However, his outspokenness proved to be his undoing, as he found himself ensnared by the tendrils of repression.
His arrest was not merely a bureaucratic formality but a violent crackdown on dissent. Toomaj was subjected to the horror of torture until a fake confession was coerced, a desperate attempt to stifle his message of resistance.
The plight of Toomaj Salehi serves as a stark and horrifying reminder of the harsh realities faced by artists in repressive regimes. In Iran, where creativity is stifled and dissent is met with brutality, the act of speaking out becomes an act of defiance in itself. Toomaj’s music, once a beacon of hope for the oppressed, now stands as a testament to the cost of resistance.
In the coming days the team at Index will be doing everything it can to raise awareness of Toomaj’s case. Together we must harness all the tools at our disposal to reverse the unjust death sentence imposed upon him and work tirelessly to secure his release. We need your help to amplify his voice and stand in solidarity with him, for his struggle is not his alone — it is a rallying cry for all those who believe in the power of music, art, and human rights.
And Toomaj now needs our help.
04 Apr 24
Join Index on Censorship at the University of Exeter for an evening discussing the growing – and worrying – trend of transnational repression. Transnational repression takes many forms: from UK residents being poisoned by Russian agents, to a Saudi dissident being murdered in Turkey, to a Polish art gallery being subject to attempted acts of censorship by Chinese diplomats, to UK-based BBC Persian journalists being threatened and harassed by Iranian authorities. Expert panellists John Heathershaw (International Relations at the University of Exeter), Simon Cheng (a Hong Kong exiled pro-democracy activist and a founder of the UK-wide Hong Kong diasporic non-profit organisation, Hongkongers in Britain) and Belarusian poet and activist Hanna Komar will explore about the extent and impact of states silencing their critics abroad and the fundamental right to free expression.
This event celebrates the launch of Index’s latest magazine. Free copies available.
Book your free place here
This event is taking place in person at the University of Exeter. There is also the option of attending online via ZOOM (5-6pm). Click here to register to watch the event online.
Speakers
Hanna Komar is a Belarusian poet, translator, writer. Her poetic work lays bare the experience of being a girl, then a young woman, growing up in a strongly patriarchal authoritarian country. Her latest poems talk about the nationwide political resistance in Belarus of 2020. She’s published five poetry collections, is a member of PEN Belarus and an honorary member of English PEN. Website: hannakomar.com
Simon Cheng is a British Hong Kong exiled pro-democracy activist, and a founder of the UK-wide diaspora group, Hongkongers in Britain. He was detained in China in 2019 and later fled to the UK, where he was granted asylum in 2020. On 30 July last year, the Hong Kong police announced that they had issued arrest warrants to six exiled activists including Cheng for breaching the draconian national security law. Then in December, the Hong Kong government issued an arrest warrant against Cheng and put a bounty of HK$1 million on his capture.
John Heathershaw is a professor at Exeter University whose research addresses conflict, security and development in global politics, especially in post-Soviet Central Asia.
Jemimah Steinfeld is Index on Censorship’s editor-in-chief.
