#IndexAwards2018: Wendy Funes fearlessly pursues investigative journalism in Honduras

[vc_row][vc_column][vc_column_text]Wendy Funes is an investigative journalist from Honduras who regularly risks her life for her right to report on what is going on in the country.

She is a courageous female voice, writing in a violent and corrupt society where two journalists have been killed this year and where women are regularly subjected to severe domestic violence and often killed.2018 Freedom of Expression Awards link

Funes is an inventive and passionate human rights reporter. For one article she got her own death certificate issued so that she could show up the corruption in the civil registration office. For another she dressed as a beggar for an investigation into children being forced to beg on the streets of the country’s capital.

She writes about violence against women, a huge problem in Honduras where one woman is killed every 16 hours, and the number of women killed has increased by more than 260% between 2005 and 2013.

But Funes is also an activist for her profession, which led to her being expelled from the journalism trade union where she had been fighting for labour rights and freedom of expression.

I have overcome many traumas, including the violent deaths of my father and several friends and fellow journalists, for which no one has been brought to justice,” said Funes. “I will not succumb to despair – every blow has made me a warrior, and every obstacle is a chance to prove that adversity must never stop us. Only those who has suffered dark will search for the light. My way to achieve my life’s purpose is the journalism I love, which quickens my heart in moments of greatest expectation, which brings joy and sorrow. Through independent, self-critical, methodical journalism – the kind that comes from the streets – combined with an academic grounding, I am convinced I can bring change to my country.”

Working for C-Libre, a freedom of expression organisation in Honduras, she highlighted the continued murder of journalists by organising a march which she called the Demonstration of Silence to protest the death of journalists. Protesters carried white cardboard coffins with the faces of each of the journalists on them to the prosecutors’ office in the capital Tegucigalpa.

In 2017 Wendy Funes was helped by PressStart, a global crowdfunding platform for reporters in countries where the press cannot report freely, to write an expose of gang rapes of indigenous Lenca women in the La Paz area of Honduras.

On May 31, 2017  Funes retired from C-Libre to found her own research newspaper and promote investigative journalism in her country, using data with a gendered approach and promoting transparency and access to public information.

“This nomination is like an embrace of trust in the darkness of death and risk implied by the asphyxiating level of censorship that the press experiences in Honduras,” said Funes. “It’s like a hand reaching out to me to tell me it’s worth resisting this corrupt and unfair system.” 

See the full shortlist for Index on Censorship’s Freedom of Expression Awards 2018 here.

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Wendy Funes y su valiente defensa del periodismo de investigación en Honduras

Wendy Funes es una periodista de investigación hondureña que pone su vida en peligro con regularidad: es el precio que paga a cambio de su derecho a informar sobre lo que está pasando en el país.

Es la valerosa voz de una mujer escribiendo en una sociedad violenta y corrupta, en la que dos periodistas han sido asesinados en lo que va de año. Un país en el que las mujeres sufren violencia doméstica extrema a diario y son a menudo asesinadas.

Funes es una reportera pro derechos humanos ingeniosa y apasionada. Hizo que expidieran su propio certificado de defunción para desvelar en un artículo la corrupción del registro civil. Para otro reportaje, se disfrazó de pordiosera para investigar sobre los niños forzados a mendigar en las calles de la capital del país.

Escribe sobre la violencia contra las mujeres, un problema gravísimo en Honduras, donde matan a una mujer cada 16 horas y la cifra de asesinadas se incrementó más de un 260% entre 2005 y 2013.

Funes también es una activista dentro de su profesión, razón por la cual fue expulsada del sindicato de periodismo desde el que había estado luchando por los derechos laborales y la libertad de expresión.

«He superado muchos traumas, entre ellos, las muertes violentas de mi padre y de varios amigos y compañeros periodistas, por las cuales nadie ha sido llevado ante la justicia», declaró Funes. «No sucumbiré a la desesperación: cada golpe me ha hecho una guerrera, y cada obstáculo no es más que una oportunidad de demostrar que la adversidad nunca debe detenernos. Solo quienes han sufrido la oscuridad buscarán la luz. El modo que tengo para cumplir mi propósito en la vida es el periodismo al que amo, el que hace que se me acelere el corazón en momentos de inmensa esperanza, el que me trae alegrías y tristezas. Con periodismo independiente, autocrítico, metódico —el tipo de periodismo que viene de las calles—, combinado con conocimientos académicos, estoy convencida de que puedo traer el cambio a mi país».

Cuando trabajaba para C-Libre, una organización por la libertad de expresión en Honduras, organizó una marcha a la que llamó la Manifestación del Silencio en protesta contra los continuos asesinatos de periodistas. Los manifestantes cargaron con ataúdes de cartón blanco con retratos de cada uno de los periodistas asesinados hasta la fiscalía de la capital, Tegucigalpa.

En 2017 Wendy Funes recibió apoyo de PressStart, una plataforma de crowdfunding global para reporteros en países donde la prensa no puede informar libremente, con el cual escribió un reportaje destapando las violaciones grupales de mujeres indígenas lencas en la zona hondureña de La Paz.

El 31 de mayo de 2017, Funes se retiró de C-Libre para fundar su propio periódico de investigación y promover este tipo de periodismo en su país, promoviendo la utilización de los datos desde una perspectiva de género, la transparencia y el acceso a información pública.

«Esta nominación es como un abrazo de confianza en la oscuridad de la muerte y el peligro implícitos en el asfixiante nivel de censura que vive la prensa en Honduras», declaró Funes. «Es como si me hubieran extendido una mano para decirme que merece la pena resistir a este sistema corrupto e injusto».

Traducción de Arrate Hidalgo

Accede a la lista completa de nominados a los Index on Censorship’s Freedom of Expression Awards 2018 aquí.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” el_class=”text_white” css=”.vc_custom_1490258749071{background-color: #cb3000 !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship.” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]

By donating to the Freedom of Expression Awards you help us support

individuals and groups at the forefront of tackling censorship.

Find out more

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#IndexAwards2018: Habari RDC merges young political minds to fight injustice online

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Launched in 2016, Habari RDC is a collective of more than 100 young Congolese bloggers and web activists, who use Facebook, Twitter and YouTube to give voice to the opinions of young people from all over the Democratic Republic of Congo.

The aim of these citizen bloggers is to bear witness to what is happening in every corner of the country, which is plagued by extreme poverty, corruption, and violence.

Congo has been racked by civil war for the last 20 years. According to the International Red Cross, Congo had almost a million new displacements in 2016 because of conflict and armed attacks — the highest in the world.2018 Freedom of Expression Awards link

The population is also overwhelmingly young. Some 64% of the population in Congo are under 24 and 42.2% under 14. Average life expectancy for men is 47 and 51 for women. The country also receives little international coverage. Newspapers within the country are controlled by political factions, and up until now, radio has been the most reliable source of information.

Against this background, Habari RDC is an incredibly ambitious project led by young, digitally savvy and opinionated Congolese men and women with a belief in free expression and non-violence. For the last year, they have been using the internet and all the technology at their disposal to talk about what their country is really like and how they would like it to be.

“We want to create a society in which young people are tolerant of each other. In which young people are not manipulated by politicians for their personal interests, because young people represent hope for the country. In our societies, young people are unfortunately used and set against each other to serve egotistical old people.We fight for human rights and the participation of young people in the running of the country. We dream of a young president who will work for the country and not a young egoist.” Habari creators told Index.

The site posts stories and cartoons about politics, but it also covers football, the arts and subjects such as domestic violence, child exploitation, the female orgasm, and sexual harassment at work. It is funny, angry, modern: a collection of irreverent, young distinctive Congolese voices, demanding to be heard in the world.

Habari has grown and expanded into an established blogging site and source of activism during 2017, covering a wide range of social and political issues. One of its achievements was encouraging voter registration in Walikale Territory where, in the past, not only has registration been low, but people have disappeared from the register. This eastern part of the country is also very cut off. Habari wrote an article about this on their blogging site and as a result, they reported, a local MP put pressure on the government. In the end, according to Habari, 290,000 people there were registered to vote, including 140,000 women. They also help individuals – for instance raising the plight of a woman who was raped and rejected by her family. And have reported on the suppression of the internet; and the use of road taxes to arm militias.

On their nomination for the Index Awards, Habari creators said, “This award represents for us two things at once: the great honor of a recognition of the work of 100 young Congolese bloggers from 100 different corners of the DRC who want to change the living conditions of their peers by raising their voices thanks to internet . But this award is also a challenge to do more.”

See the full shortlist for Index on Censorship’s Freedom of Expression Awards 2018 here.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” el_class=”text_white” css=”.vc_custom_1490258749071{background-color: #cb3000 !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship.” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]

By donating to the Freedom of Expression Awards you help us support

individuals and groups at the forefront of tackling censorship.

Find out more

[/vc_column_text][/vc_column][vc_column width=”1/2″ css=”.vc_custom_1521479845471{background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2017/05/2017-awards-fellows-1460×490-2_revised.jpg?id=90090) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1522917883563-1453e0af-5b06-2″ taxonomies=”10735″][/vc_column][/vc_row]

Women of the Wild West: Forgotten pioneer women take charge

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Michelle Dockery stars in Netflix's Godless, a new show featuring the rarely seen female pioneer, Ursula Coyote/Netflix

Michelle Dockery stars in Netflix’s Godless, a new show featuring the rarely seen female pioneer, Ursula Coyote/Netflix

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Netflix’s new hit show, Godless, is set in a 19th century western USA town run by women. La Belle, New Mexico, has experienced a mining tragedy, killing most of the men and putting women in charge. The cowboys are almost gone and in their place we see women brandishing guns and riding horses.

 

Godless turns the traditional male-dominated Western genre on its head. It has focused attention on the forgotten women who rolled across the western plains. The storyline may be fictional, but strong pioneer women playing a major part in running these frontier towns is more true to life. But often this side of the history of the west was ignored.

 

The term “pioneer” refers to anyone who ventured into, and settled, new lands in the USA. Starting in Jamestown, Virginia, in 1607, people moved into the country’s interior and, finally, to the west coast. This history of westward exploration has been told mostly from a male angle. Western landscapes are represented by heroic men on horseback: cowboys, cavalry officers, sharpshooting sheriffs and notorious outlaws.

 

“In films like Shane and other Westerns, women lack real decision-making authority, and ethnic or racial women appear as prostitutes or bad influences, if they appear at all,” said Laura Woodworth-Ney, executive vice-president and provost of Idaho State University and author of Women and the American West.

 

It’s definitely a case of his-story, not her-story.

 

In response to this, the Pioneer Woman Museum in Oklahoma was born.

 

“I don’t remember learning anything about these women when I was at school in the 1980s, and from the visitors we get at the museum, I don’t think student textbooks are any different today. We need to change that story,” said museum director Kelly Houston. “There were many single and widowed women who went west, but they are largely ignored by history.”

 

For example, after the Homestead Act of 1862, people raced to claim 160 acres of free public land. Among the biggest of these land races or “runs” in Oklahoma was the one in 1893 when more than 100,000 people showed up.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”There were many single and widowed women who went west, but they are largely ignored by history” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

“Widowed or single women could take part if they were over 21. The land runs were extremely competitive and arduous. You had to line up for days, including overnight,” said Houston.

Once a starting gun was fired, people sprinted to a free lot and literally staked a claim. They then had to go to the land registry office to have it signed into their name.

“Not many people realise that women were doing this,” Houston explained.

There were other ways in which pioneer women were key to the development of new towns.

“In Oklahoma, they were the movers and shakers of society, forming clubs and organisations. They are the ones improving school lunches, starting libraries, raising money and so on, and that often gets ignored. They also set up businesses like laundries, shops and cafes,” said Houston.

Something else that gets forgotten is the vital economic role women played in the home.

“In many cases, they were vitally important to their family’s survival through the side-businesses that they ran: raising and selling chickens, making butter, taking in mending. That income could literally save a family in a bad winter if a crop failed,” Houston explained.

A lack of historical sources is a major problem in piecing together a true picture of 19th century pioneer women, explained Woodworth-Ney. “Most working-class women were illiterate at this time, and for many minority women English was not their first language. Apart from that, they would have been too busy working to write anything down. We do have some diaries and letters from lower-middle-class and educated women, including some on the Oregon Trail. In the past 20 years, women historians have been active in shining a light on these, but they are still not readily available.

“They are hard to find because of the cataloguing practices of the late 19th and early 20th centuries when items would have been filed in the archives under the husband’s name and things like diaries and letters would have been filed in the ‘family’ section of his papers and were considered far less important. So this is not so much an intentional type of censorship, but it was hiding these women.”

Elizabeth Gillan Muir, a Toronto-based author and retired lecturer, addresses some of the reasons why pioneer women preachers have been left out of history in her upcoming book, A Women’s History of Christianity. Religion was the cornerstone of life in 19th century USA, and in the great westward expansion more than 100 women preachers travelled to new towns to help “civilise” these unregulated, and often wild, frontier communities.

Although travelling evangelists were perhaps less of a problem than women preaching from the pulpit, men still saw women as a real threat in this situation,” said Muir.

“For the most part, I think why we don’t hear about these pioneer woman preachers is that when they died, their obituaries omitted any reference to preaching activity. Pliny the Elder, writing in the first century AD, said that information about women doctors was intentionally hidden so that, after they died, no one would ever know that they had lived. This is a similar thing, erasing women preachers from history.”

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This article is a web special ahead of the launch of the special report in Index on Censorship‘s spring 2018 issue, The Abuse of History, focusing on how history is being manipulated or censored by governments and other powers.

Look out for the new edition in bookshops

Jan Fox is the US contributing editor for Index on Censorship

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”70877″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229108535157″][vc_custom_heading text=”Fear and loathing in San Francisco ” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064229108535157|||”][vc_column_text]July 1991

The law of the gun rules in Cyberspace as it did in the days of America’s ‘Wild West‘, according to American poet and internet activist John Perry Barlow in 1991[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90649″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220008536796″][vc_custom_heading text=”Women as censors” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422013495334|||”][vc_column_text]September 2000

Mark Kenny looks at how women’s self-censorship has a long, and in most cases, honourable history[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90965″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229308535477″][vc_custom_heading text=”Portrait of a much abused lady” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422013513103|||”][vc_column_text]January 1993

The politically correct establishment is coopting the feminist discourse to turn it back on the radicals says Marjorie Heins[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”The abuse of history” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Fthe-abuse-of-history%2F|||”][vc_column_text]The spring 2018 issue of Index on Censorship magazine takes a special look at how governments and other powers across the globe are manipulating history for their own ends

With: Simon Callow, David Anderson, Omar Mohammed [/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”99282″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/04/the-abuse-of-history/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.

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Turkish authorities must halt their repression of Kurdish culture and language

[vc_row][vc_column][vc_column_text]The undersigned international press freedom groups call on Turkish authorities to immediately release the 12 printworkers and staff arrested on 28 March at the premises and print works of the newspaper Özgürlükçü Demokrasi and the further 15 staff taken into custody after home raids on the morning of 29 March 2018. Authorities must also restore control over the paper and its premises to the rightful owners.

The below-named organizations also denounce the fact that lawyers acting for those arrested have been denied contact with prosecutors or access to any written documentation in relation to the raids.

Two officials purporting to be from the Savings Deposit Insurance Fund (TMSF) are in place at the print works and premises of Özgürlükçü Demokrasi, a pro-Kurdish daily, and claim to be holding the sites until they receive further instructions. For its part, the TMSF, now part of the Ministry of Finance’s Directorate of National Estates and formerly an independent banking watchdog under the auspices of the Central Bank of the Republic of Turkey, has denied having received instructions to seize the newspaper’s assets.

According to lawyers acting for the detained printworkers and Özgürlükçü Demokrasi’s principal signatory İhsan Yaşar and Kasım Zengin the owner of Gün Printing Advertising Film and Publishing Inc, where the newspaper is printed, a press crimes investigation into the paper was opened on February 7. This was followed by a separate counter-terrorism investigation that began on March 23. It is believed that both investigations, of which no written notification has been made to the paper, are in relation to Özgürlükçü Demokrasi’s coverage of Turkey’s incursion into Afrin, northern Syria.

As the sole remaining Kurdish daily newspaper in Istanbul, Özgürlükçü Demokrasi is vital in maintaining the extremely fragile access to information that is not controlled by the state. Following the closure of other pro-Kurdish newspapers and television stations such as Azadiya Welat, IMC TV and Hayatın Sesi in 2016, Özgürlükçü Demokrasi is one of the last sources of pro-Kurdish daily printed news in Turkey.

“The Turkish authorities must halt their sustained repression of Kurdish culture and language. We are highly alarmed by the onslaught on Kurdish and pro-Kurdish media outlets and journalists that has intensified dramatically since the crackdown on freedom of expression since the attempted coup of July 2016, and now reached a new low point with this takeover of Özgürlükçü Demokrasi,” said Carles Torner, Executive Director of Pen International.

We, the signatories of this statement, strongly condemn the takeover of Özgürlükçü Demokrasi, which has taken place without any legal justification or documentation. We reject the denial of information and prosecutorial access to lawyers acting for Özgürlükçü Demokrasi’s arrested staff members.

“The government’s takeover of Özgürlükçü Demokrasi is extremely concerning,” said Joy Hyvarinen, head of advocacy at Index on Censorship, “We urge European and other governments to condemn the obliteration of free media in Turkey.”

We call for the release of the arrested staff members and printworkers and official confirmation from the TMSF of the legal status of the alleged acquisition of Engin Publishing Print Inc. — and the Gün Printing Advertising Film and Publishing Inc.

Katie Morris, Head of Europe and Central Asia Programme at Article 19 said: “The takeover of Özgürlükçü Demokrasi restricts the space for freedom of expression even further in Turkey and curtails the right of the public to access information on issues of public interest, particularly in relation to the on-going conflict in the South East of the country. We call for the authorities to cease harassing this newspaper and restore much-needed media freedom in Turkey.”

The takeover of one of the last remaining opposition newspapers follows the acquisition last week of Turkey’s largest media organization and newspaper distributor, Doğan Group, by Turkish conglomerate Demirören, whose media outlets are known for taking a pro-government stance. In the week prior to the purchase, an internet streaming bill was passed granting the Radio and Television Supreme Council (RTÜK) sweeping powers to monitor, license and block online streaming channels and news providers.

“This latest act against freedom press confirms that Erdogan wants to repress any free voice in Turkey. A firm position in Europe is needed to make pressure the Turkish government to restore the rule of law as soon as possible with the cessation of the state of emergency,” said Antonella Napoli member of Articolo 21 and coordinator of Free Turkey Media in Italy.

International Press Institute (IPI)’s Turkey Advocacy Coordinator Caroline Stockford said, “IPI strongly condemns yesterday’s raid and the government’s tactic of shutting down Özgürlükçü Demokrasi in an apparently illegal manner in order to silence dissenting voices in the run-up to the presidential elections. Despite the opportunity presenting itself at this week’s Varna summit, Europe failed again to strongly condemn Turkey’s repression of free media and free speech.”

The peoples of Turkey have a right to access informative opposition reporting in order to form a balanced opinion, especially in the lead up to an election. We call on Turkey to respect the human right to freedom of expression and to refrain from its practice of stifling all opposition media and to release the Özgürlükçü Demokrasi workers from detention.

We, the undersigned, call on European newspapers and governments to make clear statements to Turkey that access to balanced, critical reporting is essential to democracy and that the freedom of the press must be respected and maintained.

International Press Institute (IPI)
Pen International
European Centre for Press and Media Freedom (ECPMF)
The European Federation of Journalists (EFJ)
Association of European Journalists (AEJ)
Reporters Sans Frontières (RSF)
Article 19
Norwegian Pen
Index on Censorship
English Pen
Articolo 21
Committee to Protect Journalists (CPJ)
Pen Belgium/Flanders
Wales Pen Cymru
Pen Germany
Pen Club Français
Pen Suisse Romand[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1522334755757-294591af-d9eb-2″ taxonomies=”1743″][/vc_column][/vc_row]