24 Apr 17 | News and features, Turkey, Turkey Uncensored
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With the hollowing out of the Turkish media landscape in recent years, honest coverage on the night of the historic referendum was rare. Only an hour or so after the polls closed, viewers across the nation left most of the sycophantic television networks and focused on the only one they believed was airing content worthy of their interest.
Murdoch-owned Fox TV’s openly secular and mildly nationalistic anchormen broke the news that there was something seriously wrong with the vote counting. Hour after hour, they featured the leaders of the No camp – those opposed to significantly increasing the powers of president Recep Tayyip Erdogan – and allowed them to speak critically about the results.
What these journalists did should not be considered extraordinary. They were simply doing their job by giving the referendum the fair and diverse coverage it deserved. But in Turkey, this was extraordinary: a single TV channel broke from its shackles, defied self-censorship and ended up with record-high ratings. Fox TV’s staff knew there was a growing public appetite for real news.
I personally witnessed this hunger on several occasions. Some of the news analysis posted on my personal blog, NAR, in which I dug into the emergency rule and the purge drew tens of thousands of readers from all directions. Most recently, my article about the content of a top-secret EU report on the coup at the Cologne-based Turkish-Kurdish independent news site Artigercek was read by more than 100,000 people in 48 hours.
It’s no wonder then that Fox TV was bombarded by AKP supporters who took to social media both during and after the broadcast, calling its coverage “treason”. These trolls demanded public prosecutors investigate the content. Their anxiety was, from their vantage point, justified: in a society where up to 88% of the public get news from TV sources, the Fox broadcasts would have an impact, penetrating the seemingly solid ground on which Erdogan and his supporters stand.
Yet it was only a glimmer of hope for the bulk of Turkish society, separated into two distinct camps by Erdogan’s ruthless desire for authoritarian rule. But the Fox referendum coverage at least gave optimists the ability to think that no matter how hard the oppression becomes, Turkey’s resilient journalists will do their best to resist.
The referendum race took place on “unlevel ground”, as international monitors described it, because Turkey’s media landscape has been warped. As a vital part of his strategic plan to take Turkey on the authoritarian path, Erdogan and his team, backed by the increasingly subservient judiciary, and sycophantic media proprietors, have meticulously and systematically narrowed the space for independent journalism since Gezi Park protests.
Since the summer of 2013, we have been forced to witness mass layoffs, detentions and the brutal shuttering or seizing of nearly 200 privately owned media outlets were brutally shut down or seized. The punitive measures had two key components: TV broadcasts were kept under strict scrutiny and the proprietors of the channels were either bribed with large contracts or simply threatened with closure. There was also a deliberate move to demolish the Cihan News Agency’s powerful network, which had been key to an independent monitoring of earlier elections. Both actions worked successfully for Erdogan’s autocratic architecture.
As of 16 April 2017, the only two independent TV channels remaining are Fox TV and Halk TV. The vote counting was covered only by the Anatolian Agency, which is entirely under the rigid control of the ruling AKP. It was still remarkable that Turkey’s crippled and tarnished journalism could find a breathing space and reach out to public.
One wonders what the result of the referendum would have been if proper and balanced media coverage had taken place. Most probably the No camp would have benefited. But the ugly reality is that self-censorship has become normal and internalised in Turkey, especially since the last summer’s aborted coup. Neither investigative reporting nor public debate now exists.
The overwhelming majority of journalists who have been jailed – including the recently detained Die Welt correspondent Deniz Yücel – dared to dig into the corruption schemes that include, allegedly, the president and his family. Nearly all those behind bars – excluding Kurdish journalists, who find themselves targetted for many additional reasons – are editors, columnists and pundits who have tried to keep corruption and abuses of power under the spotlight.
In the post-referendum era, the restrictive conditions will remain unchanged or get worse. Erdogan will inevitably see the media as being responsible for his narrow victory of 51.4 %. Rather than ease his iron grip on journalism, the president knows he has to win the elections in August 2019 to secure his way to one-man rule. He has an invaluable instrument with which to strangle the media, which became more obvious when, following the referendum, he extended emergency rule by another three months. Have no illusions that the state of emergency will be discontinued before the next election and expect even greater pressure in the coming months.
The signs in that direction are strong enough: four consecutive indictments in the past two months targeting various groups of critical journalists – most of them now in jail – have seen calls for aggravated lifetime imprisonment. The case of Cumhuriyet daily is a prime example: the court was remarkably slow in defining a date for proceedings and then set the date for late July. All those in jail awaiting to be trialled in this case will now spend an additional three months behind bars. Meanwhile, the arrest of the newspaper’s accountant implies that the authorities are intent on weakening it — perhaps to extinction. Similar pressure should also be expected over the already strained Doğan Media Group.
Whether or not Fox TV will also be punished for its election coverage remains to be seen, but take it for granted that no critical pocket of journalism will remain unharmed. No wonder why many independent journalists are busy these days contemplating whether or not moving their base beyond Turkey’s borders will save their noble profession.
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Turkey Uncensored is an Index on Censorship project to publish a series of articles from censored Turkish writers, artists and translators.
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03 Apr 17 | News and features, Turkey, Turkey Uncensored
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Enough is Enough, a play formed as a gig, tells the stories of real people about sexual violence, through song and dark humour. It is written by Meltem Arikan, directed by Memet Ali Alabora, with music by Maddie Jones, and includes four female cast members who act as members of a band.
While touring Wales recently with my new play Enough Is Enough, I thought about what I experienced with my earlier work in Turkey. But which Turkey?
In the so-called “New Turkey”, everything is being surveilled by the government, from plays and books to everything you share on social media. There were no undercover Welsh police or prosecutors sitting in the audience in Newport or Pontypridd.
We designed Enough is Enough as a touring project. We went to 21 different Welsh venues in 21 different places, north, south, east and west, in less than a month. Audience members had strong positive reactions and some suggested that the production should be taken into schools. In the New Turkey even thinking about taking the play to schools would be enough to be accused of something unimaginable. If you dared sing the songs sung in Enough is Enough, you can be sure you would receive a violent reaction.
When you confront reality in a direct way, even if it is through art, governments around the world do not want to hear your voice. The New Turkey’s government is only an extreme example. When you speak truths, governments do not want you to be heard – they do not want you at all.
Yet when you show reality in a direct way, when you slap the audience with pain, the reaction becomes the same everywhere. First they are shocked, then they find you unusual, but in the end they compliment you for doing it.
During our tour of Wales, people let us into their hearts, looked after us and many venues promised to invite us again. Audience members shared their stories with us. Many wanted to work with us, others supported us unconditionally.
After every performance we had “shout it all out” sessions. We heard repeatedly how many of the issues we confront on stage – sexual violence, oppression and misogyny – are being swept under the carpet because people don’t like to discuss them.
These sessions took me back to a time before I wrote Mi Minor, the play accused of being a rehearsal for the Gezi Park protests in 2013. A time before I had to leave the country because of those accusations. A time before the innovations in the New Turkey was not as horrifyingly obvious as they are now. A time when the AKP, the ruling party of Turkey, was backed not just by the liberals in Turkey but liberals around the world. Back then I was told I was wrong about the government. It was in 2007 that I wrote a play entitled I am Breaking the Game.
That play premiered in Zurich and toured to Amsterdam, Rotterdam, Istanbul and Ankara. No matter where it was performed there was a particular reaction that stuck with me: “These issues are not our issues, they belong to the East.”
I was inspired by the stories of people I know personally. I was in touch with the victims of domestic violence, honour killings, rape, incest and sexual abuse. I knew all stories were true. So I wasn’t sure why then so many didn’t see these issues as theirs. I searched and searched for this place far away from everyone and everything, where all these horrible things keep happening, called the “East”. Eventually I found myself in the West.
After graduating from the London Academy of Music and Dramatic Art, actor Pinar Ogun felt inspired by Breaking the Game. She felt angry that the run of the play was short in Turkey and she became passionate — almost obsessed — to stage it in London. She tried to convince her instructors at LAMDA, artistic directors of various venues and theatre friends to make it happen. She even introduced me to a couple of people who showed interest, but the reaction was again the same: “Of course these issues are very important but these issues are not our issues, they belong to the East. We resolved these issues in the 1970s. Such plays, performances have been done in the past. These are very old discourses.”
Laurie Penny was one of the only people who had a different reaction. She interviewed me nine years ago: “However much she is hounded by Turkish authorities and tutted at by European theatre goers, one thing is certain: Meltem Arikan is not about to roll over and hush. And thank goodness for that.”
When slapped in the face does it hurt less in the West than in the East?
Why is it considered a social phenomenon when women are killed in the name of honour in the East but an individual crime when women are killed in the name of passion, obsession or jealousy in the West? Child marriage in the East is seen as a nightmare. But, in the West, does calling pregnant children “teen moms” prevent their lives from turning into a nightmare?
After I was forced to leave Turkey and began living in Wales, Ogun restarted her campaign to stage I am Breaking the Game. A year ago, I finally said yes. I’ve been observing a West that has been dazzled by the light of past enlightenments, alienated from its very own issues, attached to the chains of concepts and utterly disconnected to its reality. With Ogun’s company, Be Aware Productions, we applied to Arts Council Wales for research and development funding. But even after the grant was awarded, I was afraid I would still hear the echoes of the long-dead rejection: “These issues are not our issues, they belong to the East”, “the stories of the East”, “The East…”
My rejections, my questions, my issues.
During our research process we met with Welsh sex workers, organisations that help and support women facing violence, and victims. My initial idea was to replace these new stories with the stories in the play, but then I decided to write a new play entirely.
I developed the play with stories of abuse, rape and incest from Britain, all true stories, all had actually happened in these lands. Sometimes I used the exact words of the victims, sometimes I made them more poetic, but most importantly, in order to reach the hearts of the audience, I decided to use the magic of music and that’s how the idea of making it a gig-theatre came to be.
My rejections, my questions, my issues.
When writing Enough is Enough, my intention was to become a megaphone to the people who are facing violence here, to point to the elephant in the room by talking about incest and to underline the fact that when it is about the existence of women and men, those in the West and those in the East were the same.
I dare to say this because I can see blatantly that no matter how much cultures, cuisines, languages, clothes, ethnical backgrounds have managed to differentiate each and every one of us, no matter whether we were born in the West or in the East, we’re all forced to have the life forms designed by the patriarchy and so we are all dominated by the same fears for thousands of years.
Just like the East, the West also lives in its own virtual world built on the concepts of the patriarchal culture. And the relative comfort of this world doesn’t mean a thing for the victims. Just like Turkey, just like France, just like Yemen, just like the USA, women, children and men in Britain become victims. Abuse, rape and incest endlessly continue to exist with all its savagery within society, behind closed doors. The pain and consequences of this ongoing violence continue to be ignored. And while children become the children of fear, not the children of their parents, all around the world violence continues to beget violence. Those who face their pain empathise with victims, whereas those who escape their pain empathise with the perpetrators.
During the Wales tour, the reaction from people who were violated, who knew what violence was, who did not escape from their pain, who faced themselves, who were not in denial of their experiences, in short, the reaction from people who knew the pain of reality, was warm, open and stripped-down. We received the biggest support from women’s organisations, women, some brave men, young people and the LGBT community.
On 8 April 2017 at the Wales Millennium Centre and from the 26-29 April at Chapter Arts Centre, we will continue to say “Enough is Enough”. This time our goal is to reach promoters and artistic directors for an England tour. We want to make our voice be heard in England, and shout “Enough is Enough” together with the English audience.
I really wonder about the reaction of the audience in England. Will they be as open as the Welsh audience or will they keep repeating their apologies while saying these are the East’s problems. The irony is that this time we will be coming from the West, at least west of England.
Yet, whatever the reaction of the audience in England may be, I know for sure there won’t be any audience members who try to organise a mob against us.
Whatever the reaction of the audience in England may be, I know for sure the play would never be banned with the accusation of “disturbing the family order”.
Whatever the reaction of the audience in England may be, I know for sure that newspapers won’t run a smear campaign against the actors because of our play.
Whatever the reaction of the audience in England may be, I know for sure I won’t receive any death threats just because I dared to address violence against women. [/vc_column_text][vc_column_text]
Turkey Uncensored is an Index on Censorship project to publish a series of articles from censored Turkish writers, artists and translators.
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27 Jan 17 | News and features, Turkey, Turkey Uncensored
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Turkey Uncensored is an Index on Censorship project to publish a series of articles from censored Turkish writers, artists and translators.
[/vc_column_text][vc_video link=”https://youtu.be/LzWBgzJrQdo”][vc_column_text]As tens of thousands of women took to the streets around the world on 21 January, another woman, the Turkish MP Şafak Pavey was being treated in hospital for injuries sustained during a physical assault on the floor of the Grand National Assembly during debates on constitutional amendments.
Pavey had just delivered a moving speech in which she warned that the presidential system being considered would bring about unchallenged one-man rule. The “bandits”, as she called them, a group of women MPs belonging to the ruling AKP, attacked her and two other MPs, Aylin Nazlıaka, an independent, and Pervin Buldan from the Kurdish HDP. The AKP MPs were said to be acting under a male colleague’s orders.
The attack contrasted sharply with the pictures of enthusiastic women from around the United States and the world committed to sisterhood and equality. The distance between the two extremes might seem to be yawning but isn’t. In Turkey, the gap opened up in just four short years.
The empowered mood created by women marching for equal rights and uniting their voices in opposition reminded me of the heady days of 2013 when the anti-government Gezi Park protests rocked Turkey. Like the demonstrators in DC and London, people all over Turkey took to the streets to raise a chant against our own Trump: President Recep Tayyip Erdogan. In Gezi, the seeds of dissent spread through social media and bloomed across the country just as the women’s march did across the globe. It was just the beginning, or so we thought.
After a brutal suppression that left at least 10 dead and over 8,000 injured, the Gezi spirit, that united voice, faded away. The most significant political heritage was the “Vote and Beyond” organisation, which launched an incredibly effective election monitoring network during the June 2015 elections. Thanks to that group and the popular young Kurdish leader Selahattin Demirtaş’s energy, the outcome of the polls reflected the full and complete picture of Turkey’s population in parliament. The combined opposition parties were the majority in the assembly and to continue governing, the AKP would be forced to form a coalition. Then things happened.[/vc_column_text][vc_single_image image=”85130″ img_size=”full” add_caption=”yes”][vc_column_text]As the ceasefire with the Kurdistan Workers’ Party (PKK) collapsed and armed conflict resumed, coalition negotiations ground into political deadlock as the summer wore on. Erdogan called a snap election for that November that lined up with his political ambitions. Less than a month before the election, a staggering terror attack rocked Ankara and ongoing deaths of security personnel in the country’s south-east added to a grim mood. At the polls, the AKP regained its majority in parliament. Though the governing party was nominally back in full control, it lacked political legitimacy and popular support, both of which would be delivered by the rogue military units that staged the failed July 15 coup and paved the way for Erdogan’s emergency rule.
Witch hunts are a strange thing. Even if you spot one when it’s getting underway, it’s always too late to stop it.
After the election, the political opposition was locked out of enacting change through parliament. It was further paralysed by Erdogan’s “shock and awe” tactics, which saw the leaders of the parties assaulted on the floor of the assembly or imprisoned on fabricated terror charges. Opposition voters are too depressed now to remember the confident and exhilarating days of the Gezi protests.
It would be a mistake to dismiss Turkey’s experience as a unique case. There are parallels with the unfolding situations in Russia, Poland, Hungary and now the USA. The bullies of our interesting times are singing from the same hymn sheet, using identical language and narratives — power to the right people, experts and intellectuals are overrated, overturn the establishment. The forces of resistance must now share strategies as well. Opposition to the growing threat of illiberal democracy needs to network and be vocal or else our initial responses to the horrors and human rights violations — including the purge of Turkey’s press under emergency rule — would be a waste of time.
Here’s a small taste of where we failed in Turkey — a warning to Europeans and Americans of what not to do.
“No” is an intoxicating word that gives emotional fuel to the masses. After swimming in the slack waters of identity politics or concerning yourself with whether or not your avocados are fair trade, taking to the streets en masse for a proper cause is like a fresh breeze. But as we learned in Turkey, “No” can also be a dead end. It exists in a dangerous dependency on the what those in power are up to. It shouldn’t be mistaken for action as it is only a reaction.
“No” is unable to create a new political choice. It is an anger game that sooner or later will exhaust all opposition by splitting itself into innumerable causes intent on becoming an individual obstacle to the ruling power.
Make no mistake: the bullies of the world are united in a truly global movement. It is sweeping all before it. And it’s not just Putin, Trump, Erdogan or even Orban, it’s their minions, millions of fabricated apparatchiks that invade the political, social and digital spheres like multiplying gremlins.
What the opposition must do — what Turkey’s protesters failed to do — is strengthen the infrastructure, harden networks and open strong lines of communication between disparate groups whether at home or abroad. All those lefty student movements, marginalised progressive newspapers or resisting communities that are labelled as naïve or passé until now must coalesce around core campaigns and goals.
Failure to move beyond “No”, in Turkey’s case, has made alternative and potential political movements all but invisible. There are just three leftist newspapers in Turkey, three ghosts to break news about women MPs being beaten up. And that’s because we can’t move past “No” when others were shut down or silenced.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1485771885900-d32a2643-5934-8″ taxonomies=”8607″][/vc_column][/vc_row][vc_row][vc_column][/vc_column][/vc_row]
07 Sep 16 | Awards, Awards year slider
[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1478499289940{padding-top: 250px !important;padding-bottom: 250px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2016/10/2016-logo-1460×490-1.png?id=80259) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][/vc_column][/vc_row][vc_row css=”.vc_custom_1472525914065{margin-top: -150px !important;}”][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle”][vc_column_inner el_class=”awards-inside-desc” width=”1/2″][vc_custom_heading text=”FREEDOM OF EXPRESSION AWARDS 2016″ use_theme_fonts=”yes”][vc_column_text]Index on Censorship’s Freedom of Expression Awards exist to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world.
- Awards were offered in four categories: Arts, Campaigning, Digital Activism and Journalism
- Anyone who has had a demonstrable impact in tackling censorship is eligible
- Winners were honoured at a gala celebration in London at the Unicorn Theatre
- Winners joined Index’s Awards Fellowship programme and received dedicated training and support
[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://www.youtube.com/watch?v=9MUWHhTYVAg”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”awards-4grid” css=”.vc_custom_1472549004786{margin-top: 20px !important;margin-bottom: 20px !important;}”][vc_column width=”1/4″ css=”.vc_custom_1472461150656{background-color: #cb3000 !important;}”][vc_custom_heading text=”Arts” use_theme_fonts=”yes”][vc_column_text]for artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1472461193991{background-color: #d98c00 !important;}”][vc_custom_heading text=”Campaigning” use_theme_fonts=”yes”][vc_column_text]for activists and campaigners who have had a marked impact in fighting censorship and promoting freedom of expression[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1472461232330{background-color: #cb3000 !important;}”][vc_custom_heading text=”Digital Activism” use_theme_fonts=”yes”][vc_column_text]for innovative uses of technology to circumvent censorship and enable free and independent exchange of information[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1472461222655{background-color: #d98c00 !important;}”][vc_custom_heading text=”Journalism” use_theme_fonts=”yes”][vc_column_text]for courageous, high-impact and determined journalism that exposes censorship and threats to free expression[/vc_column_text][/vc_column][/vc_row][vc_row el_class=”text_white” css=”.vc_custom_1472549018179{margin-top: 20px !important;margin-bottom: 20px !important;background-color: #cb3000 !important;}”][vc_column][vc_custom_heading text=”The Index Awards Fellowship” use_theme_fonts=”yes”][vc_column_text]In recognising individuals and organisations, often working in dangerous and difficult conditions, Index makes a commitment to them. Through a year-long fellowship we work with our awards winners – both during an intensive week in London, and the rest of the awarding year – to provide longer term, structured assistance to enhance the work they are already doing.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481803717893{margin-top: 0px !important;margin-bottom: 20px !important;background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”FELLOWS” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1472608304034{margin-top: 0px !important;}”][vc_column_text el_class=”container680″]
Through the Index Awards Fellowship we work with our winners – both during an intensive week in London and the rest of the awarding year – to provide longer term, structured support.
The goal is to help winners maximise their impact, broaden their support and ensure they can continue to excel at fighting free expression threats on the ground.
[/vc_column_text][awards_fellows years=”2016″][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”JUDGING” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_row_inner el_class=”mw700″][vc_column_inner][vc_column_text]
Criteria – Anyone involved in tackling free expression threats – either through journalism, campaigning, the arts or using digital techniques – is eligible for nomination.
Any individual, group or NGO can nominate or self-nominate. There is no cost to apply.
Judges look for courage, creativity and resilience. We shortlist on the basis of those who are deemed to be making the greatest impact in tackling censorship in their chosen area, with a particular focus on topics that are little covered or tackled by others.
Nominees must have had a recognisable impact in the past 12 months.
Where a judge comes from a nominee’s country, or where there is any other potential conflict of interest, the judge will abstain from voting in that category.
Panel – Each year Index recruits an independent panel of judges – leading world voices with diverse expertise across campaigning, journalism, the arts and human rights.
The judges for 2016, chaired by Index on Censorship’s CEO Jodie Ginsberg are:
[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Wole Soyinka” title=”Playwright, poet, novelist and essayist” color=”#28a7cc” profile_image=”80242″]Born and educated in Nigeria, Wole Soyinka is a playwright, poet, novelist and essayist who was Nobel Laureate for Literature in 1986 – the first African to be honoured in that category.
Soyinka has published more than thirty works, and is involved in numerous international artistic and Human Rights organizations.
Soyinka is currently Professor Emeritus in Comparative Literature at Obafemi Awolowo University in Nigeria, Fellow of the Black Mountain Institute at the University of Nevada, and a Hutchins Fellow at Harvard University.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Maria Teresa Ronderos” title=”Journalist and programme director OSF” color=”#28a7cc” profile_image=”80240″]An award-winning Colombian journalist, María Teresa Ronderos is currently Director of the Program on Independent Journalism at the Open Society Foundation.
Before joining OSF in 2014, Ronderos was an editor and investigative reporter for Semana, Colombia’s leading news magazine. She also created and was editor-in-chief of VerdadAbierta.com, a website that has covered armed conflict in Colombia since 2008.
In 2014, Ronderos won Colombia’s Simon Bolivar National Award for her highly acclaimed book Guerras Recicladas, a history of the paramilitary forces in Colombia.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Nabeel Rajab” title=”Human rights campaginer” color=”#28a7cc” profile_image=”80241″]A past winner of Index’s Freedom of Expression Award for Campaigning (2012), Nabeel Rajab is president of the Bahrain Centre for Human Rights.
A prominent international human rights activist and leading campaigner against civil rights abuses in his country, Rajab has been repeatedly arrested and incarcerated. He is currently prohibited from leaving Bahrain.
Rajab is also co-founder and former director of the Gulf Centre for Human Rights, Deputy Secretary General for the International Federation for Human Rights (FIDH), a member of Human Rights Watch’s Middle East and North Africa Advisory Committee and former chairman of CARAM Asia.[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Kirsty Brimelow QC” title=”Public and criminal international, constitutional and human rights law” color=”#28a7cc” profile_image=”80239″]The first Chairwoman of the Bar Human Rights Committee of England and Wales, Kirsty Brimelow is an expert in public and criminal international, constitutional and human rights law.
Brimelow’s recent work includes an alleged Boko Haram child terrorist case in Nigeria, presenting evidence to the UN of sexual violence against Tamils by Sri Lanka and representing Amnesty against the UK security services.
As a mediator, Brimelow facilitated an apology from President Santos of Colombia to the San José de Apartadó peace community in 2013 that was described as an “historic moment” in the country’s history.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”James Rhodes” title=”Pianist” color=”#28a7cc” profile_image=”80238″]Until the age of 14, British concert pianist James Rhodes had no formal academic musical education. Aged 18 he stopped playing the piano entirely for a decade.
Since returning to the piano, Rhodes has released five chart-topping albums, performed in venues around the world and presented numerous TV series and acclaimed documentaries including Notes for The Inside and Don’t Stop The Music.
Rhodes’ memoir Instrumental was recently published – almost banned, the Supreme Court overthrew an injunction against its release in May 2015.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Bindi Karia” title=”Tech entrepreneur” color=”#28a7cc” profile_image=”80237″]Previously vice president at Silicon Valley Bank, “queen of startups” Bindi Karia has worked in and around technology for most of her career.
Raised in Canada, Karia has also been Venture Capital/Emerging Business lead at Microsoft UK, a Tech London advocate and an active mentor and supporter of many of London’s top Incubators including Seedcamp, TechStars, Startupbootcamp, WAYRA and Level39.
Karia is currently setting up a new venture NewCo.[/staff][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1473325605190{margin-top: 20px !important;margin-bottom: 20px !important;padding-top: 20px !important;padding-right: 15px !important;padding-bottom: 20px !important;padding-left: 15px !important;background-color: #f2f2f2 !important;}”][vc_column][vc_row_inner content_placement=”middle” el_class=”container container980″][vc_column_inner][awards_news_slider name=”NEWS” years=”2016″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css=”.vc_custom_1473325552363{margin-top: 0px !important;margin-bottom: 20px !important;padding-top: 0px !important;padding-right: 15px !important;padding-bottom: 0px !important;padding-left: 15px !important;}”][vc_column css=”.vc_custom_1473325567468{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][awards_gallery_slider name=”GALLERY” images_url=”74912,74870,74858,74854,74850,74849,74848,74847,74846,74845,74844,74843,74842,74841,74839,74838,74836,74835,74834,74833,74832,74831″][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798563375{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”2016 SHORTLIST” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]
Drawn from more than 400 nominations, the Index awards shortlist celebrates 20 artists, writers, journalists and campaigners tackling censorship and fighting for freedom of expression against incredible obstacles.
[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798575418{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”ARTS” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]
for artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Belarus Free Theatre” title=”Belarus” profile_image=”82684″]Belarus Free Theatre have been using their creative and subversive art to protest the dictatorial rule of Aleksandr Lukashenko for a decade.
Facing pressure from authorities since their inception, the group nonetheless thrived underground, performing in apartments, basements and forests despite continued arrests and brutal interrogations. In 2011, while on tour, they were told they were unable to return home. Refusing to be silenced, the group set up headquarters in London and continued to direct projects in Belarus.
In this anniversary year, the group staged a solidarity concert watched by over half a million people online, mounted a two week retrospective and launched the Ministry of Counterculture, an online platform aiming to widen the understanding of art’s role in affecting social change.
“The very existence of BFT is a challenge to the repression and injustice of the dictatorship in Belarus.” — Natalia Kaliada, co-founder Belarus Free Theatre
Full profile: Belarus Free Theatre battles censorship and oppression by the Belarusian regime[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”#YoTambienExijo and Tania Bruguera” title=”Cuba” profile_image=”82700″]Tania Bruguera is an American-Cuban artist who was arrested after attempting to stage her performance piece #YoTambienExijo in Havana in late 2014. Mounted soon after the apparent thaw in US-Cuban relations, Bruguera’s piece offered members of the public the chance of one minute of ‘censor-free’ expression in Havana’s Plaza de la Revolución.
The banning of the show, and Bruguera’s subsequent detention, caused an international outcry and sparked a worldwide solidarity movement for free expression in Cuba. Leading venues and artists around the world have been re-staging #YoTambienExijo all year, drawing attention to the ongoing persecution of artists in Cuba. Bruguera estimates that over 20,000 Cubans have been involved in the project to date.
“I truly believe that in totalitarian regimes like Cuba, art has the privilege to open doors. It can serve as an escape from fear and from a life of lies.” — Tania Bruguera, founder #YoTambienExijo
Full profile: Tania Bruguera’s #YoTambienExijo ignites a worldwide movement[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Good Chance Theatre” title=”Calais” profile_image=”82688″]Built in 2015, this innovative temporary space in the infamous jungle refugee camp in Calais aims to be more than just a theatre.
Founders Joe Murphy and Joe Robertson, two young British playwrights, came up with the idea after working in the camp as volunteers: “We were struck by everyone’s willingness to tell their story. In many cases this willingness was a need.”
Good Chance offers a safe place where refugees can express themselves, share their stories, and come together as a community. Backed by some of the biggest names in British theatre, Good Chance looks set to continue touching the lives of some of those most in need.
“We are here for 6000 unacknowledged people, each of whom have an individual voice. Our duty is to those voices, as it is those voices that will help deepen and complicate our understanding of this refugee crisis.” — Joe Murphy and Joe Robertson, co-founders Good Chance Theatre
Full profile: Good Chance Theatre gives refugees a place to be heard[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Sakdiyah Ma’ruf” title=”Indonesia” profile_image=”82699″]Sakdiyah Ma’ruf is a stand-up comedian from Indonesia whose routines challenge Islamic fundamentalism.
Born to a conservative Muslim family in Java, Ma’ruf went against her father’s wishes and started using comedy to speak about religious based violence and extremism, ethnic extremism and xenophobia, as well as fear, terror and violence against women.
One of the very few female stand-up comedians in the country to appear on national TV, she has often been asked to censor her jokes for TV performances, but continues to refuse.
“Good comedy makes you laugh. Great comedy makes you cry.” — Sakdiyah Ma’ruf
Full profile: Indonesian Sakdiyah Ma’ruf carves a name for herself in comedy[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Winner: Murad Subay” title=”Yemen” profile_image=”82695″]Artist Murad Subay uses his country’s streets as a canvas to protest Yemen’s war, institutionalised corruption and forced “disappearings”.
Since beginning a street art protest in 2011 Subay has launched five campaigns to promote peace and encourage discussion of sensitive political issues. All his painting is done in public during the day and he encourages fellow Yemenis to get involved. Subay has often been targeted by the authorities, painting over his works or restricting him from painting further.
“I found that the soul of the Yemeni people was broken because of war… I found that the buildings and the streets were full of bullets, full of damage. So I went on Facebook and said I would go on to the streets to paint the next day and I did.” — Murad Subay
Learn more about the 2016 Arts fellow Murad Subay[/staff][awards_fellows][/vc_column_inner][vc_column_inner width=”1/3″][vc_video link=”https://youtu.be/EHVgJHWTT8Y”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798587833{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”CAMPAIGNING” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]
For activists and campaigners who have had a marked impact in fighting censorship and promoting freedom of expression.
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Abduljalil Al-Singace” title=”Bahrain” profile_image=”82683″]Dr. Abduljalil Al-Singace is a Bahraini human rights activist, academic and blogger who worked tirelessly to call attention to his country’s human rights practices until, during a crackdown on activists in 2011, authorities imprisoned him and 13 others.
Ever since then, Al-Singace has felt the brunt of the practices against which he has spent his life campaigning. In prison he has not been silenced despite being verbally and physically abused, sexually assaulted and kept in solitary confinement for months on end. He has also been denied access to medication, his family, and even pens and paper. In March last year, Al-Singace began a 313 day hunger strike in protest at the collective punishment and acts of torture that police inflicted upon prisoners. He is still being held.
“Be careful when you use the words ‘change’, ‘dream’ and ‘democracy’. Those things don’t come so easily to us here in Bahrain.” — Dr Abduljalil Al-Singace
Full profile: Dr Abduljalil Al-Singace has not let prison silence him[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Vanessa Berhe” title=”Eritrea” profile_image=”82701″]Nineteen-year-old Vanessa Berhe is fighting for the release of her uncle, journalist Seyoum Tsehaye, who has been imprisoned in Eritrea for the last 15 years. She also launched the campaign Free Eritrea to draw the world’s attention to a little-reported country with one of the worst track records for free speech.
Starting when she was 16 and still at school, Berhe has since given a speech in front of the Pope, launched petitions, utilised social media, video and web platforms and orchestrated protests in order to spread her message. Born in Sweden to Eritrean parents and currently studying in the USA, Berhe has taken the plight of this small country to the world stage.
“With one man’s name and story, we aim to dismantle the cover that has been hiding the oppression that has ravaged the Eritrean people for years.” — Vanessa Berhe, founder One Day Seyoum
Full profile: Vanessa Berhe is fighting for freedom of expression in Eritrea[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Winner: Bolo Bhi” title=”Pakistan” profile_image=”82685″]Bolo Bhi are a digital campaigning group who have orchestrated an impressive ongoing fight against attempts to censor the internet in Pakistan.
The all-women management team have launched internet freedom programmes, published research papers, tirelessly fought for government transparency and run numerous innovative digital security training programmes.
In 2015 the group turned their attention to the draconian Prevention of Electronic Crimes Bill, organising an extraordinary campaign of events, lobbying, press conferences and online actions. They brought international attention to a landmark bill that would otherwise have been pushed through with little public attention.
“This case alone could change everything for free speech in Pakistan.” — Farieha Aziz, co-director Bolo Bhi
Learn more about the 2016 Campaigning fellow Bolo Bhi[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Nkosilathi Emmanuel Moyo” title=”Zimbabwe” profile_image=”82696″]Growing up in a small mining town in Zimbabwe, human rights campaigner and writer Nkosilathi Emmanuel Moyo saw first-hand how young people in his community were being manipulated by politicians to perpetuate political violence. To fight this, he set up the Zimbabwe Organization For Youth In Politics and has since trained 80 human rights defenders and now works with over 2,500 youths.
A prolific writer, 28-year-old Moyo has published three bestselling books. All are highly critical of the Mugabe regime, the last written while he was sheltering in the Netherlands for his safety and published immediately on his return. Moyo’s latest stunt was to send President Mugabe a prison uniform present for his 92nd birthday – fearing for his life he is now back in hiding.
“I refuse to allow my dissenting voice to be silenced. Never shall I put my pen down it is the only weapon I have.” — Nkosilathi Emmanuel Moyo, founder Zimbabwe Organization For Youth In Politics
Full profile: Nkosilathi Emmanuel Moyo campaigns against political corruption[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Pu Zhiqiang” title=”China” profile_image=”82698″]A student activist who took part in the 1989 pro-democracy protests in Tiananmen Square, Pu Zhiqiang has long fought for China’s human rights, becoming one of the most influential human rights lawyers in his country and fighting famous cases like that of artist Ai Weiwei, who has been targeted by the country’s government.
In 2015, after attending a Tiananmen memorial event, Zhiqiang was arrested on the charge of “creating a disturbance”. The next few months saw him imprisoned while fresh charges were brought against him for comments posted on social media. With his high-profile trial culminating in December last year, all eyes were on China. A three-year suspended sentence has effectively gagged him.
“Given that this is someone with a strong belief in the right to free speech, and a human rights lawyer who has chosen to devote his professional life to free speech cases, it is a great irony that Pu Zhiqiang has been convicted of a crime because of his own speech.” — Professor Hu Yong, Peking University School of Journalism
Full profile: Pu Zhiqiang is unwavering in support of free speech[/staff][/vc_column_inner][vc_column_inner width=”1/3″][vc_video link=”https://youtu.be/fhoOR6Ft1eg”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798600606{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”DIGITAL ACTIVISM” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]
For innovative uses of technology to circumvent censorship and enable free and independent exchange of information.
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Dokuz8 Haber and Gökhan Biçici” title=”Turkey” profile_image=”82686″]Gökhan Biçici is a Turkish reporter who faced police brutality during the anti-government Gezi Park protests of 2013 when he was severely beaten and dragged down the street. The footage of his arrest went viral and, after his release, the idea for Dokuz8 Haber was born.
Since the protests, Biçici has been working to build a new kind of news organisation, which combines the dynamism of citizen journalism with the skills of professionals. Dokuz8 Haber’s citizen contributors from around the country are helping prepare for a future where Turkey’s journalists are free to report and citizens can live under a democratic constitution.
“Hundreds of thousands of citizen journalists cannot be censored.” — Gökhan Biçici, founder Dokuz8 Haber
Full profile: Gökhan Biçici launched citizen news agency Dokuz8Haber after Gezi Park protests[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Winner: GreatFire” title=”China” profile_image=”82689″]Set up by anonymous individuals, GreatFire is at the forefront of the fight against China’s severe web censorship.
Using a variety of tools, the organisation tracks China’s censorship infrastructure, hosts mirror sites to make censored material available and, in March 2015, launched an app that allows users to browse the officially forbidden web. Previously, the group created FreeWeibo, an uncensored version of the Chinese social platform. Despite ‘the Great Cannon’, a major cyber-attack by Chinese authorities in 2015, GreatFire has continued the fight for online freedom.
“Our goal is to bring transparency to online censorship in China.” — GreatFire
Learn more about the 2016 Digital Activism fellow GreatFire China[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Love Matters” title=”International” profile_image=”82692″]International discussion platform Love Matters has dedicated itself to opening up conversation about sexual health in countries where such subjects are censored or taboo.
With autonomous local branches in Egypt, Mexico, India, Africa and China, they’ve now had over 100 million page views since their inception in 2009. Between organising a comedy gig about sexual health in Cairo, music awards for songs about sexuality in Kenya and campaigning against partner violence in India, their impact has been huge. The very act of reading their content can put you in grave danger in some of the countries they call home.
“Access to good information on sexual and reproductive health is a human right – but one which is often thwarted in many countries.” — Vithika Yadav, founder Love Matters India
Full profile: Love Matters opens up conversations about sexual health[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Méxicoleaks” title=”Mexico” profile_image=”82694″]A whistleblowing website, Méxicoleaks launched last year with the mission to build a more transparent and democratic Mexico.
Days after its launch, Méxicoleaks gained prominence when well-known journalist Carmen Aristegui was fired from her popular talk show after the station axed two of her colleagues because of their involvement in the effort. The international outcry put Méxicoleaks in the spotlight, and the innovative anonymous news-sharing platform has since received a number of tip-offs that allowed its founders – nine independent news outlets in Mexico – to uncover a series of high-profile corruption scandals.
In a country where, between drug cartels and the government, censorship and self-censorship is rife, Méxicoleaks is on the forefront of the fight against corruption.
Full profile: Méxicoleaks seeks to bring more transparency to Mexico[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Hebib Muntezir” title=”Azerbaijan” profile_image=”82691″]In a country where social media has been hailed as the last hope for free speech, Azerbaijani activist and blogger Hebib Muntezir has used his huge online presence to call out ingrained corruption.
Müntezir is one of the founders of Meydan TV, one of the few media outlets publishing content critical of Azerbaijan’s government. The Meydan team has faced intense pressure from the authorities: employees have been arrested and detained. Even family members have been harassed. However, Müntezir and Meydan TV have continued to build huge online audiences who thirst for information in a country suffering from an ongoing media crackdown.
“Many people in Azerbaijan are afraid to talk, but citizens still reach out to me to share content and offer support.” — Hebib Muntezir, social media manager, Meydan TV
Full profile: Hebib Muntezir mobilises social media to share uncensored news about Azerbaijan[/staff][/vc_column_inner][vc_column_inner width=”1/3″][vc_video link=”https://youtu.be/E1JvZdjAPvI”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798610425{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”JOURNALISM” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]
For courageous, high-impact and determined journalism that exposes censorship and threats to free expression.
[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Winner: Zaina Erhaim” title=”Syria” profile_image=”82702″]While journalists and citizens fled, Syrian-native Zaina Erhaim returned to her war-ravaged country and the city of Aleppo in 2013 to ensure those remaining were not forgotten. She is now one of the few female journalists braving the twin threat of violence from both ISIS and the president, Bashar al-Assad.
Erhaim has trained hundreds of journalists, many of them women, and set up independent media outlets to deliver news from one of the world’s most dangerous places. In 2015 Erhaim filmed a groundbreaking documentary, Syria’s Rebellious Women, to tell the stories of women who are helping her country survive its darkest hour.
“In 10 years time, I want a young woman who looks on the internet to find out what happened in Syria to find evidence of the roles women played.” — Zaina Erhaim
Learn more about the 2016 Journalism fellow Zaina Erhaim[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Mada Masr” title=”Egypt” profile_image=”82693″]Founded in 2013 by a group of young journalists after newspaper Egypt Independent was censored into bankruptcy, Mada Masr was launched as a media co-operative that aims to hold those in power accountable.
Despite the high-profile arrest of one of its journalists in 2015, Mada Masr continues to grow, recently developing a network of citizen journalists to cover news from Egypt’s governorates. Through innovative fundraising it has managed to remain financially independent.
“I want us, down the line, many many years to come, to be a reference of what happened.” — Lina Attalah, chief editor Mada Masr
Full profile: Mada Masr offers an alternative narrative to Egypt’s official media [/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Hamid Mir” title=”Pakistan” profile_image=”82690″]Journalist Hamid Mir has worked tirelessly to take on unchallenged powers in Pakistan. With a 30-year-career punctuated by numerous threats, beatings, abductions and assassination attempts, he has become one of the country’s best-known reporters and hosted Pakistan’s popular political Geo TV show Capital Talk for the last 13 years.
The past year has been one of the hardest yet for Mir following an assassination attempt in 2014 in which he was shot six times and left for dead. He returned to work as soon as he left the hospital, but is confined to a life under armed-guard without his family who have been sent abroad for their safety.
“It’s very dangerous and risky to stay in Pakistan, but I am doing it only because majority of common people are with me.” — Hamid Mir
Full profile: Hamid Mir has been targeted for taking on unchallenged power[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Pravit Rojanaphruk” title=”Thailand” profile_image=”82697″]Pravit Rojanaphruk is a Thai reporter who in 2015 was arrested, interrogated and forced out of his job for a series of tweets criticising Thailand’s military government.
Soon after he was released three days later, he was asked to resign from his job of 23 years. Despite ongoing government pressure, Rojanaphruk continues to write and post messages calling out corruption and censorship, recently taking up a new post at Khaosod English News.
A long-time opponent of his country’s lèse majesté law, which prevents any kind of criticism of the monarchy, Rojanaphruk had tweeted: “Freedom can’t be maintained if we are not willing to defend it.”
“It’s both an honour and a great responsibility to continue to stand for freedom of expression.” — Pravit Rojanaphruk
Full profile: Pravit Rojanaphruk has been targeted for speaking against Thailand’s military rule[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Ferit Tunç” title=”Turkey” profile_image=”82687″]A Kurdish journalist who set up an independent newspaper in eastern Turkey, Ferit Tunç has been repeatedly targeted with sanctions and lawsuits for publishing articles critical of local authorities.
Pushed to bankruptcy, Tunç, who also ran for office on an anti-corruption platform this year, fought back by publishing satirical cooking recipes on his front pages – each with a hidden message – an inventive protest against media censorship.
“People talk about how rotten Turkey’s press is at the top, but it’s rotten all the way through… People in this city have lost the right to talk about issues that matter to them.” — Ferit Tunç, founding editor Yӧn Gazetesi
Full profile: Ferit Tunç uses inventive methods to challenge censorship in Turkey[/staff][/vc_column_inner][vc_column_inner width=”1/3″][vc_video link=”https://youtu.be/cAegKHt5h28″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]
