Argentina: free press, for now

From Raúl Alfonsín onwards, Argentina has done well to move on from the dark days of the generals. But is Cristina Fernández de Kirchner’s government now threatening media freedoms? Andrew Graham-Yooll reports

Argentina’s five-year old Kirchner government has been accused of seeking to control the press and media, not by simple old-fashioned censorship, but by buying out its critics, who are branded ‘enemies’. The tool used is a set of friendly corporations that put up the money to pull the rug from under the critics, and the new proprietors are compensated with generous government funding in the form of state advertising.

The Kirchner regime, which has made the human rights trials outstanding from the dictatorship of the 1970s its most prominent banner, and won considerable favour in the international NGO community after elections in 2003, is keen to offer lip service to the advocates of the occasional trials of ancient torturers and military criminals, but officialdom wants to castrate criticism in the media.

Néstor Kirchner made a good start in 2003 when he appeared to encourage an access to information bill in Congress. An Article 19 director visiting Buenos Aires praised the access bill. But these proposals were allowed to die on the shelves of committee rooms. Néstor Kirchner never held a press conference in his four and a half years in office: his wife, Cristina Fernández, held a limited Q&A at the Olivos presidential residence on 2 August 2008. Government House journalists claim she has only walked into the press room once, and then to give them a pep talk on objective journalism.

So the forced resignation of Nelson Castro, a brain surgeon turned journalist, and one of Argentina’s most respected political commentators, on 2 February from his radio slot, ‘Points of View’ (Del Plata Radio), confirmed the government and the press were on a collision course. Castro was asked to quit (with a financial settlement) one year short of completing a three-year contract by his new proprietors, Electroingeniería, a Córdoba-based corporation run by friends of the government. The irony is that one of the heads of the company, Carlos Bergoglio, had told Castro at the start of the year that they wanted him to complete his contract, in spite of his criticism of the country’s president.

Castro had used his medical training to ridicule a report of presidential ill-health used to cancel a visit to Havana and Caracas. Apart from his radio programme, he had a TV slot on Thursday evenings, and a Sunday column in the newspaper Perfil.

Electroingeniería is an energy supplier which owns several dozen companies, and regularly wins public contracts for government constructions. It received assistance to buy a power carrier, Transener, from US owners, thereby preventing purchase by the Petrobras Brazilian oil utility. Its most recent purchase was the AM station, Del Plata Radio, where Nelson Castro was employed. Del Plata was sold by a successful TV producer and friend of the government. The new owners admit they have no background in media, but the government supplies the management.

‘The government has a one-track view of the media, it is an enemy that has to be beaten,’ Nelson Castro remarked in a discussion panel held on 21 February, after his removal.

The Inter-American Press Association (IAPA) said it would not criticise the owner’s company rule, as it is the policy of the US-based association of publishers to respect the entitlement of proprietors to make corporate decisions. But while that is allowed in a classic capitalist environment, it hardly works where censorship or media control is taking new forms.

Neither is it reprehensible, for that matter, to fiddle the figures at the national statistics institute (INDEC). The opposition claims that the government has done for the last two years, to show cost of living levels below those of private analysts. While the press screams murder (mainly the conservative daily La Nación, and the bi-weekly Perfil), the accepted popular line is that all politicians lie, but some lie better than others.

Cristina Kirchner faces half-term parliamentary elections in October and the outlook is grim, with an opposition growing out of a wave of allegations of corruption and disenchantment caused by economic failings that preceded the international crisis.

It’s not all been bad, however. The human rights policy was a welcome change to the historic course of indifference towards the generals who had ruled Argentina in the last military dictatorship (1976-83); and the economy had recovered substantially after a run on banks and financial meltdown in 2001-2. Pensioners, for example, have not seen their pay rise so often in years. Trade unions were unabashedly favoured in all wage negotiations.

Before the Kirchners (now referred to as the Matrimonial Presidency) came to office in 2003, Néstor had been governor of Santa Cruz province, in Patagonia, for 11 years, and Cristina had been the province’s senator in the national congress. In Santa Cruz, Néstor Kirchner was notorious for knocking out unfriendly radio stations.

For example, the power supply was switched off in a neighbourhood where a critical FM station operated, with the result that most residents blamed the radio for being put in the dark, instead of accusing the government. Funny, perhaps, but not fun.

Since the rise of Néstor Kirchner from provincial governor to president, and his continued control of every move in the administration presided over by his wife Cristina Fernández de Kirchner, the unchanging the aim of the ‘Penguin’, as he is popularly called, has been to control the media. The methods are a little more subtle than burning cars, but not much. His friends front for him. There are six new and expanding media groups in Argentina’s ‘Constellation K’, as it is known. Only one of these, owned by businessman Daniel Hadad, controls media of influence. Others hold a diversity of magazine and newspaper titles, radio stations and websites.

The newspaper publishers association (ADEPA), which includes government friends and foes, started screaming demise when the national tax office (AFIP, in its Spanish initials) threatened major audits on several newspapers, especially outside of Buenos Aires. So what’s so wrong about being expected to pay taxes? Nothing, really, except that after years of indifference about the accounts of small provincial rags, these become the target of a policy of fund-raising for badly needed cash. ADEPA warned that small papers (never mind radio stations — the majority of FMs are illegal in Argentina) might fold. And the networks of friendly media proprietors welcome transfer of small organs in difficulty: they could be put on their feet with cash from government advertising.

Is there freedom of the press in Argentina? That’s the question to follow this listing of modern forms of limitations. Alfredo Leuco, a leading political commentator who writes for Perfil and runs an afternoon omnibus programme on an AM station that government chums tried to buy, remarked, ‘When I’m asked that I make a silly joke: I look at my watch say, “now, yes”. But the restrictions have never been so great since the restoration of democracy in 1983.’

Sticks ‘n’ stones may break my bones

On Sunday I was invited to the London Regional Meeting of UK Youth Parliament at Tower Hamlets Town Hall to give a brief presentation about freedom of expression. This was triggered by an article in Debatable UKYP’s magazine stating that 90 per cent of young people surveyed say there are no safe places to discuss issues around terrorism and violent extremism. These concerns fall well within the remit of the youth programme we are developing at Index on Censorship, and I set up yesterday’s meeting as a way to introduce Index’s work. I presented a series of 10 statements relating to freedom of expression to around 40 Young Members of Parliament (YMP) and some youth workers and asked everyone to record whether they agreed, disagreed or were not sure about each statement. This survey was followed by some discussion and interestingly within the group of people average age 15-and-a-half, pretty much every shade of opinion towards freedom of expression was represented. Here are some of the outcomes of the survey:

‘I stand for freedom of expression, doing what you believe in and going after your dreams.’ (Madonna) Agree 90 per cent Not sure 2 per cent Disagree 7 per cent

‘I may not agree with what you have to say, but I’ll defend to the death your right to say it.'(attributed to Voltaire 1694-1778) Agree: 68 per cent Not sure: 15 per cemt Disagree: 17 per cent

‘Sticks’n’stones may break my bones but words can never hurt me.’
(Children’s playground rhyme) Agree: 31 per cent Not sure: 19 per cent Disagree: 48 per cent

‘Self-censorship is a reasonable demand in a world of varied and passionately held convictions.’ Shabbir Akhtar Agree: 43 per cent Not sure: 43 per cent Disagree: 7 per cent Abstention: 4 per cent

‘If liberty means anything at all, it means the right to tell people what they do not want to hear.’ (George Orwell 1903 – 1950) Agree: 63 per cent Not sure: 21 per cent Disagree: 7 per cent

‘In a plural society, it is both inevitable and important that people offend others.# (Kenan Malik) Agree: 32 per cent Not sure: 41 per cent Disagree: 24 per cent Abstention: 4 per ceny

On the Internet: ‘It is our duty to create a free uncensored environment for the public’s unhindered expression of its opinions and thoughts.’ (Iran Proxy –– anti Internet censorship group Iran) Agree:41 per cent Not sure: 41 per cent Disagree: 7 per cent Abstention: 9 per cent

‘A free society …must not concern itself with the state of its citizens’ sensibilities.’ (Oliver Kamm) Agree: 9 per cent Not sure: 41 per cent Disagree: 41 per cent Abstention: 9 per cent

‘I’m free!!’ (Rolling Stones) Agree: 34 per cent Not sure: 39 per cent Disagree: 31 per cent Abstention: 5 per cent

Asked if they thought that everyone in UK enjoyed the right to freedom of expression 73 per cent said no. Finally 78 per cent welcomed more discussion and debate about freedom of expression.

Last night I went to Theatre Royal Stratford East to see a piece of work in progress by State of the Nation a youth drama group led by Carolos and Tunde (both were absent with fever/colds) who had worked with Afro Reggae in the favelas of Rio. The work was about postcode wars and used the increasingly popular devices of verbatim theatre. The young people were exceptional, open, confident, talented and commited to the ethos that the arts can transform society which motivates Afro Reggae’s work. This ethos drives a massive movement of youth arts that takes on the most demanding and complex issues in Brazil and UK, espeically where violence, poverty and drugs intersect.

Belarus Free Theatre runner up in Freedom to Create prize

We are delighted that Belarus Free Theatre (BFT) nominated by Index for the ArtVenture Freedom to Create prize wre runners up in the main prize category of the inaugural awards. Tom Stoppard, a long-time supporter of the theatre company, handed them the cheque for $15,000 to be shared with Charter 97 in recognition of their tenacious and deeply committed work to oppose the last dictatorship in Europe. The winner of the prize was Cont Mhlanga whose work, like BFT’s brings with it great personal danger, but sees the prize as providing a degree of protection against the extremes of censorship, as his works gains in international profile.

Hopefully this is the case, though popularity and recognition both at home and abroad has not protected Zarganar who won the artist in prison award, from being handed the harshest sentences only days after being given 45 years sentence by the Burmese Government, a term that has since been increased to 59 years. Index on Censorship is part of a working party including Equity, International Pen, A19 and ArtVenture, looking at how to support the artist and his family in the face of such an extreme sentence. A group of young rappers from the favellas of Recife, purported to be the most violent city in Brazil, called City of Rhyme won the youth category. The awards have, as anticipated, brought together the most exciting and dynamic range of artists working to support freedom of expression around the world and ArtVenture is already setting its sights on next years prize.

No.1 / 2007

SLAVERY 2007

NEWS

THE CASE FOR ABU JAMAL
Ian MacDonald: UK lawyers argue for the retrial of an innocent man 25 years on death row

OPINION

THE COLOUR OF RACISM
Chinweizu: The long arm of white supremacy

SMALL WARS

THE MAKING OF LIBERIA …
Bram Posthumus: … and its brutal unmaking in modern times

ON SLAVERY

A SHORT NARRATIVE WITH A LONG HISTORY
Felipe Fernandez-Armesto: Slavery is as old as humanity – a habit we haven’t kicked habit yet

INSTRUMENTS OF INJUSTICE
Photo gallery: Some familiar faces and some less well known in the fight for freedom

SLAVERY FOR BEGINNERS
Edward Lucie-Smith: Myths and shibboleths re-examined

SLAVERY TODAY

A ROAD TO BE TRAVELLED
Mark Sealy: 2007: celebrate abolition of the old trade and forget the rest

Martin Rowson: Stripsearch

A LONG HISTORY
Peter Moszynski: Slavery has a long history in Sudan and continues to thrive

    Adu Jel: Testimony
    Deng Mathiang: Testimony
    Abouk Dout Dout: Testimony

LITTLE CATS AND BIG PREDATORS
Eduardo Martino: Old habits and injustices die hard in Brazil

DON’T CALL IT SLAVERY
Barbara Arvanitidis: How do you film child slavery without exposure and exploitation?

BOUND IN DEBT
The persistence of bonded labour in South Asia

THE EDGE OF THE VOLCANO
Irena Maryniak: It’s illegal and rivals the scope of the arms and drugs trade but Europe doesn’t want to know

LEGACIES

PIPE DREAM OR NECESSARY ATONEMENT
Anthony Gifford: What exactly are the legal rights and wrongs of reparations for slavery?

REX RESPONDS
Rex Nettleford: Don’t regret, do something useful

MIND FORGED MENACLES
Dreda Say Mitchell: Old attitudes continue to dog the education of Black children

TO FREE THE MIND
Rosemarie Mallet: The discrimination that haunts the British mental health service

FLASHPOINT PHILIPPINES

CULTURE, RESISTANCE, FREEDOM
Lola Young and Nina Poovaya Smith: Freedom and enslavement find their voice in art, music and literature

SONGS OF SLAVERY AND DEFIANCE
Daniel Brown: The wealth of music born of slavery gets a new showcase

SHOOTING BLACK BRITAIN
Joel Karamath: How to stay invisible without really trying

BABEL

FIVE HUNDRED YEARS AFTER
In conversation: The inheritors of slavery’s old crimes exchange views on the present

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