Andriy Klyvynyuk (right) and fellow activist Eugene Stepanenko in front of a projection of Ai Weiwei’s freedom of expression symbol in London. Photo: Nicolai Khalezin
Ukrainian rock musician and activist Andriy Klyvynyuk spoke to Index on Censorship about his support for popular film director and pro-Ukrainian activist Oleg Sentsov and the other Ukrainian political prisoners held by Russia.
Klyvynyuk, the frontman of the pop group Boombox, was a speaker at Belarus Free Theatre’s Freedom of Expression in Ukraine event at the House of Commons in London, where he called on the British government to demand Sentsov’s release. Sentsov is serving a 20-year prison sentence on charges of being part of a terrorist conspiracy. He has stated that he was tortured by investigators and that a key witness recanted in the courtroom on the grounds that evidence had been extorted under torture. His lawyers describe the case against him as “absurd and fictitious”.
Sentsov faces another 18 years in jail but Klyvynyuk, who drove an ambulance during the pro-EU Euromaidan protests in 2014, is determined that Ukraine will continue to work towards a future free of Russian interference.
“We used to cry but now we are laughing because we are not afraid,” he told Index. “We are only 25 years old as a country, and we are at the very beginning of a road. We want to be open and don’t want to see a great wall. I don’t want to be a big star somewhere, having everything but not being able to travel, speak with you, and that was the point of Euromaidan. We are not for the money, the wealth, houses and cars – it’s not what we want, it’s not the point of life at all.”
According to Klyvynyuk, it is Russia that is afraid. “They are very frightened to lose their dominance, to lose their money, to lose their superpower, in such a way as our mafia lost their power,” he said. “The officials are so much afraid that they invaded an independent state.”
Other speakers at the House of Commons event included journalist and author Peter Pomerantsev, and film and theatre director turned soldier Eugene Stepanenko. A video was shown including messages of solidarity from artists including fashion designer Vivienne Westwood and actor Will Attenborough.
Klyvynyuk welcomed these contributions. Although he does not mix his art with his activism, he feels strongly that those with a public position have a responsibility to speak out on human rights abuses. Those who shut their eyes to it, he says, are “clowns dancing on the tables of dictators”.
“I’m a patriot of course but I don’t think Ukraine is bigger or better than any other country in the world,” he said, calling on the world’s media to refocus on Russia’s behaviour towards its neighbour. “This is why we talk about political prisoners all over the world and wars all over the world. But to forget about situations like that, then everybody says ‘Oh, how are you? Are you okay?’ three years later. I say ‘Hey, stop, you know nothing’, and if you are a media person, if you’ve got followers on your social media, if thousands of people are waiting to hear from you, you should find some time to tell these important things.”
As for Oleg Sentsov, Klyvynyuk’s message was one of hope. “I hope that he won’t be broken inside, I hope that he, all of them, will find strength to live through, and then after we win, go out and not just sit and do nothing but continue their work, what they are here for.”
10 October 2016: Belarus Free Theatre project Ai Weiwei’s symbol of freedom of expression onto five iconic buildings across London to highlight the case of Oleg Sentsov. Credit: Graeme Robertson
“We urgently call upon British politicians to put justice, human rights and international law ahead of business interests and to look afresh at the cases of the Kremlin hostages, [and] all political prisoners held by Russia, including our friend Oleg Sentsov,” co-founding artistic director of Belarus Free Theatre, Natalia Kaliada said.
On Monday 10 October, the theatre company hosted Freedom of Expression in Ukraine, an event at the House of Commons, in solidarity with Oleg Sentsov, a popular film director and pro-Ukrainian activist serving a 20-year prison sentence as well as all other Ukrainian political prisoners currently detained in Russian jails.
Sentsov is currently imprisoned in Siberia and is facing 18 more years in jail on charges of being part of a terrorist conspiracy. Sentsov has stated that he was tortured by investigators, and that a key witness recanted in the courtroom on the grounds that evidence had been extorted under torture. His lawyers describe the case against him as “absurd and fictitious”.
The night included a film calling for Sentsov’s release featuring actor Simon Callow, Belarusian Nobel Laureate for Literature Svetlana Alexievich, Polish film director and chair of European Film Academy Agnieszka Holland, actor Will Attenborough, film director Yuri Khaschevatsky and fashion designer and activist, Vivienne Westwood.
Natalia Kaplan, a cousin of Sentsov, could not be in London for the event but recorded a special video appeal for his release.
Pussy Riot’s Maria Alyokhina and members of Belarus Free Theatre read extracts of letters from Sentsov and short scenes from Belarus Free Theatre’s latest production, Burning Doors. Other speakers included Andrei Khliyvynuk, activist and frontman of Ukrainian supergroup Boombox, and film and theatre-director-turned-soldier Eugene Stepanenko.
Nobel Laureate for Literature Svetlana Alexievich and British filmmaker Lord Puttnam both recorded a special message for the event.
Sentsov first came to the attention of the international film world with Gamer, a debut feature inspired by the computer and video-gaming club for young people that he had founded. It opened to great acclaim at the Rotterdam International Film Festival in 2012.
The European Film Academy together with leading international film directors, including Pedro Almodóvar, Wim Wenders, Stephen Daldry, Mike Leigh and Ken Loach, have campaigned for Sentsov’s release, echoing the grave concerns of Amnesty International that his trial was a “total fiasco” and that the “entire case for the prosecution is built on a house of cards”.
Fernando Bovaira named Sentsov an honorary member of the 62nd San Sebastian Film Festival’s main competition jury, and a chair was reserved for him in solidarity.
During the evening, an image of Ai Weiwei’s middle finger was projected onto five iconic buildings in London: The National Gallery’s Sainsbury Wing, The Forth Plinth in Trafalgar Square, Royal Opera House, Soho’s Gerrard Street and Tate Modern, together with a short film of Sentsov’s “sham trial” to garner UK public support and attention to his plight.
Ai’s finger, is used as a symbol of freedom “a powerful reminder of the need to strive for justice and freedom of expression,” explained Kaliada.
Credit: Graeme Robertson.
Credit: Graeme Robertson
Credit: Graeme Robertson
Credit: Graeme Robertson
Credit: Graeme Robertson
The demonstration was part of Belarus Free Theatre’s I’m with the Banned campaign which is an artist-led effort to bring together those who live in political freedom in solidarity with artists and activists who are censored or imprisoned in Belarus, Russia, Ukraine and anywhere else in the world where justice and freedom are denied.
Kaliada said: “In recent months, Ukraine has disappeared off the public radar even though the war rages on and Russia continues to drag the world into a new Cold War at a highly sophisticated level that endangers people living in the geopolitical knot known as Ukraine, Belarus and Russia, as well as threatening the global security of people further across the world.”
She said that London is where the founding members of Belarus Free Theatre sought shelter five years ago when they arrived in the UK as political refugees from Belarus.”For one night, the walls of the city will speak on behalf of those who are silenced, and one of the greatest capitals of the world will stand with us in solidarity with Oleg Sentsov,” she said. “As contemporary artists and human beings we have only one tool: creativity.”
Each week, Index on Censorship’s Mapping Media Freedom project verifies threats, violations and limitations faced by the media throughout the European Union and neighbouring countries. Here are five recent reports that give us cause for concern.
Former french president Nicolas Sarkozy is back on the campaign trail but fundraising from his 2012 run for office is raising questions. A new documentary investigating these finances was due to air on 29 September but following pressure from Michel Field, the head of news at France Télévisions, a French public national television broadcaster, it now won’t show until after the primary elections of Sarkozy’s Republicans party at the end of November.
On 6 September, the satirical and investigative newspaper Le Canard Enchaîné revealed that in mid-July, Field told Elise Lucet, the new director of Envoyé Special, that the documentary must be delayed. The publication also revealed that Field was in talks with Sarkozy, who had agreed to be the first guest on a new political programme by France Télé, but that Sarkozy’s team would prevent his appearance if the documentary was to air.
According to Le Canard, Field also tried to have a heavily-edited version of the documentary air 8 September, which Lucet refused to comply with. Lucet accused Field of censorship and the director of France Télévisions, Delphine Ernotte Cunci, is taking some time to decide whether to air the documentary or not.
In court, Geriev said that on 16 April he was kidnapped from a public bus on his way to Grozny. He added that he was taken to the woods, where he was beaten and tortured, and then taken to a local cemetery. There, according to the prosecutors, he was arrested for possession of 160 grams of marijuana and admitted he was guilty.
Kavkazski Uzel issued a statement saying that they believe that the case against Geriev is fabricated and motivated by his professional activities.
If passed, this law would allow the “relevant public authorities” to obtain journalists’ communications data with the aim of identifying or confirming the identity of anonymous sources.
The news agency Unian, citing the State Emergency Services division, reported: “At 16:31 on Sept. 4, Kyiv Emergency Situations Service operators received a call about a fire that had broken out at a building of a TV channel at 26 Schuseva Street. Upon arrival at the scene, firefighters discovered two piles of tyres had been set ablaze during a rally outside the building and an external source of ignition brought [into the building] had caused a fire on the first floor…and second floor.”
Thirty people were evacuated and one journalist suffered a broken leg and smoke inhalation.
Dilek Dundar, the wife of prominent Turkish journalist and former editor-in-chief of Cumhuriyet newspaper Can Dundar was prevented from leaving the country at the Ataturk International airport on 3 September. She was on her way to Berlin, Germany, when airport officials confiscated her passport and informed her that it had been cancelled.
Can Dundar said of the situation: “This … is an excellent example of authoritarian rule. The new legal order … treats the whole family as criminals.”
Each week, Index on Censorship’s Mapping Media Freedom project verifies threats, violations and limitations faced by the media throughout the European Union and neighbouring countries. Here are five recent reports that give us cause for concern.
30 August 2016 – The home of veteran journalist and Index contributor Yavuz Baydar was raided by the police, the journalist reported via Twitter.
The raid came shortly after detention warrants were issued for 35 people including 27 journalists. As of 30 August, of the 27 journalists sought nine have been detained in Turkey while 18 other journalists are reportedly abroad.
President Hashim Thaci has condemned the attack. “Criminal attacks against media executives and their families threaten the privacy and freedom of speech, and at the same time seriously damage the image of Kosovo,” he told RTK.
Both attacks were claimed by a group called Rugovasit, which said in a written statement to RTK that the attack was “only a warning”.
Rugovasit blames RTK journalist Mentor Shala for only reporting the government’s perspective. “If he does not resign from RTK, his life is in danger,” they said.
The National Police confirmed in a statement that “a man with a gunshot wound to the head was discovered on the balcony”. He reportedly died between 8-9.30pm.
“Until all the facts are established, until the examination and forensic examination is complete, we are investigating it as a murder,” said Kiev police chief Andrey Kryschenko. “The main lines of enquiry are suicide and connections with his professional activities.”
The Russian-born journalist had lived in the Ukrainian capital since 2005. He was often critical of the Russian government. In 2014, he refused Russian citizenship, later joined the National Union of Journalists of Ukraine.
According to Latynina, the incident took place close to the radio’s office at Novy Arbat in central Moscow. An unidentified individual in a motorcycle helmet perpetrated the attack, while his accomplice was waiting for him at a motorcycle nearby. The unidentified individuals fled the scene.
Latynina told Echo of Moscow that it was the 14th or the 15th time she has been attacked. She believes the assailants had been following her for a long time as they seemed to know her daily commute and where she parks her car.
Latynina also believes the incident is connected to her Novaya Gazeta investigations into billionaire Evgeny Prigozhin, who is close to Russian President Vladimir Putin. According to Latynina’s investigations, Prigozhin has orchestrated mass trolling on opposition activists in Saint Petersburg.
22 August 2016 – A prosecutor has asked for a three-month prison sentence for Faig Amirli, the director of the newspaper Azadliq, Radio Free Europe’s Azerbaijan Service.
Amirli’s lawyer declared that his client is being charged for spreading national and religious hatred, along with promoting religious sects and disturbing public order by performing religious activities.
Amirli was detained by a group of unidentified individuals on 20 August. At the time, his whereabouts were unknown while his house was searched by the representatives of Grave Crimes Unit.
Police claim they found literature related to Fethullah Gülen, the alleged orchestrator of the attempted coup in Turkey, in Amirli’s car.
His arrest is considered part of a new crackdown in Azerbaijan ahead of the September’s constitutional referendum.
Each week, Index on Censorship’s