Street artists use anonymity to accentuate the message

In the latest issue of Index on Censorship magazine, The Unnamed: Does anonymity need to be defended?, Index’s contributing editor for Turkey, Kaya Genç, explores anonymous artists in Turkey. In the piece the artists discuss how vital anonymity is in allowing them to complete their more controversial work. The Index on Censorship youth advisory board have taken inspiration from this piece for their latest task, in which they investigate anonymous art around the world.

Keizer by Constantin Eckner

Ants feature in Keizer's work to sybolise "the forgotten ones, the silenced, the nameless, those marginalised by capitalism". Image: Keizer

Ants feature in Keizer’s work to sybolise “the forgotten ones, the silenced, the nameless, those marginalised by capitalism”. Image: Keizer

Prior to the January 25 Revolution political street art was anything but common in Egypt, yet it has proliferated in public spaces in the aftermath of the revolution. One of the most productive street artists in Cairo is Keizer, who has gained popularity and notoriety in recent years. Like Banksy and other street artists, he uses the well-known stencil technique to empower his fellow countrymen, and people in general, with his thought-provoking work. He likens people to ants, which are featured in most of his graffiti. Keizer explains on his Facebook account that the ant “symbolises the forgotten ones, the silenced, the nameless, those marginalised by capitalism. They are the working class, the common people, the colony that struggles and sacrifices blindly for the queen ant and her monarchy.”

Asked about the reason for protecting his identity, Keizer said: “I am very concerned over my safety and the repercussions of street art which I’ve already had a taste of, especially with this current regime. Including death threats,

Egyptian street artist Keizer has gained popularity i recent years. Image: Keizer

Egyptian street artist Keizer has gained popularity in recent years. Image: Keizer

my twitter account was hacked twice. In the past five years of working on the street I’ve been caught once. I came out of it with a few bumps and bruises, nothing major. I consider myself lucky that I came out one day later.

“You can imagine that being caught here is very different than being caught in Europe. There is no proper procedure and that makes you a victim of the person handling you, and the uncertainty of what comes next. Graffiti is a grey area here, they don’t have any definition or classification for it in the books, so they make it up as they go along, taking you for the fear ride. It’s all under vandalism, so they can make it look small or escalate it to exaggerated levels. For instance, you can be dubbed as a political traitor; it can be considered racketeering; they can glue your name to any political movement unpopular with the people…etc.”

Tall walls, low profiles: Icy and Sot by Layli Foroudi

Icy and Sot describe themselves as stencil artists from Tabriz, Iran. As for their identities, they reveal only that they are brothers, born in 1985 and 1991. Their work is created under pseudonyms in countries around the world, including Iran, USA, Germany, Norway, and China, on legal and illegal walls as well as in galleries.

The anonymous duo, who paint on themes like human rights, censorship, and justice, say that charges against artists in Iran make going public risky.

“Pseudonyms help us to keep a low profile,” the brothers explained in an interview with ArtInfo, “Being arrested in Iran is completely different, because they charge you with crimes that you have not even committed, like Satanism or political crimes.”

Their work often uses striking human faces in black and white to make statements about politics and the environment, to call for peace, and to direct messages at the government of Iran. In 2015, Icy and Sot used their art to protest for freedom of expression in Iran, prompted by the arrest and 18-month imprisonment of Atena Farghadani, an Iranian artist who was detained for publishing a cartoon that satirised the Iranian government as animals. In solidarity, they stenciled a tribute piece depicting Farghadani with a backdrop of protesters on a wall in Brooklyn.

Maeztro Urbano’s fight to change a criminal image by Ian Morse.

New post in @creators_project by #vice

A photo posted by Maeztro Urbano (@maeztro_urbano) on

In the most recent data, Honduras has the highest homicide rate in the world, with 84 intentional homicides per 100,000 people in 2013. The prominence of drug trafficking and ubiquity of poverty does not improve its reputation.

To some Hondurans, their country’s international image has done nothing but hurt citizen’s attempts to improve daily life in the country’s bustling cities and lively cultural centers. Maeztro Urbano and his friends became the face of an urban street art project to disrupt the atmosphere of crime and reveal another side of the country outside of the headlines.

His projects range from adjusting street signs promoting gender equality to vandalising billboards with corrupt politicians, to wall graffiti showing the effect of violence on children. Working his day shifts in the advertising industry, Maeztro Urbano said he wants to contribute more to his country than proliferating consumerism.

“Change should start within society. With each individual,” El Maestro – as he is also called – told The Creators Project. “To have respect for the lives of others, to respect the right to sexual diversity, to a better education.”

“If we don’t change that as a society and as individuals, we will never be able to change as a country.”

Assailants in Honduras have not been very hospitable to those reporting on crime or those wishing to express their identity. Faced with police harassment and shootings from unknown attackers, Maeztro Urbano chooses to wear a mask while he works to spread messages of hope around the country.

Bleeps.gr: Over a decade of political artivism in Athens by Anna Gumbau.

Bleeps.gr is one of Greece's most prominent street artists, having painted murals on the streets of Athens for over 10 years. Image: Bleeps.gr

Bleeps.gr is one of Greece’s most prominent street artists, having painted murals on the streets of Athens for over 10 years. Image: Bleeps.gr

“I have been radically oriented to the political discourse, utilising the public sphere, and I am not afraid or discouraged”, Bleeps.gr, one of the most prominent Greek street artists, told Index.

Bleep.gr has been designing murals, that are mostly critical of the austerity policies imposed to Greece, on the streets of Athens for over 10 years. The Greek social turmoil has had a strong influence on his artwork, not only in his scenes, but even in his methods. “I buy very cheap materials and can’t afford those impressive equipment to create a mural”, he said in an interview with Street Art Europe.

Bleeps.gr chooses to use a pseudonym as an attempt to challenge “the institutionalised perception of the identity”, he told Index. While he is not afraid of the state authorities, he points at art institutions, such as galleries, exhibitions and festivals, who reject and exclude his art. “Most of the censorship I have received has come from other artists, especially the ones related to systemic initiatives, who in the past years have removed all of my works from the city center” he said. Greek political street artists often suffer from the exclusion of art galleries and exhibitors; in the summer of 2013, the CRISIS? WHAT CRISIS? street art festival in Athens, which celebrates the value of street art in the current political happenings, invited 20 artists from different European countries but failed to invite any Greek artists.

Nevertheless, Bleeps.gr stresses the fact that the internet “has provided a virtual field of allocation”, and most of the political street art discourse happens there.

Bleeps.gr highlights the mechanisms of such institutions to “absorb street artists” and make them become part of the art “business”, adding: “the majority of them nowadays serve gentrification policies and turn policies and turn political art into a spectacle for tourist pleasure”.

King of Spades by Sophia Smith-Galer.

When it comes to anonymous artists, the art tends to speak far louder than any speculation into the artist themselves. This anonymous artist in Lebanon is no Arab Banksy that lurks tantalisingly close to the limelight; this artist could quite literally be anyone, and the lack of anybody claiming the piece as their own is revelatory of the grave reality of artists in developing countries that test the patience of despots and tyrants.

Despite its tired and no longer relevant label “Paris of the Middle East”, even the dazzlingly artistic city of Beirut, Lebanon, can’t quite get away with hanging something like this banner, depicting the late Saudi Arabian monarch King Abdullah bin Abdul Aziz as a brutal King of Spades. Shortly after its creation in 2013, the Lebanese state prosecutor ordered an investigation to reveal the source of these posters after complaints from Saudi Ambassador Ali Awad Asiri.

It seems that nobody got caught, and nor do I particularly want to dwell on what would have happened to the artist if they had.  But in the Middle East, such a daring artistic expression must be forbidden fruit in a region of gagged political artistry; demonstrated no better than in this mysterious artist who gambled with the assumed impunity of that gentleman with the bloodied scimitar.

Dede Bandaid by Shruti Venkatraman.

One of Dede Bandaid's most well known works, a missile target painted in the middle of a large car park, a reference to the Gaza conflict in 2014. Image: Dede Bandaid / Wikicommons

One of Dede Bandaid’s most well known works, a missile target painted in the middle of a large car park, a reference to the Gaza conflict in 2014. Image: Dede Bandaid / Wikicommons

Dede Bandaid is an anonymous Israeli artist who has added colour to Tel Aviv’s streets with thought provoking and politically relevant street art. His artistic career began in 2000 during his compulsory military service, and most of his earlier pieces demonstrated a clear anti-establishment sentiment. His more recent works, following the end of his stint in the military, aim to communicate social and political messages. One of his most well known works is a missile target painted in the middle of a large car park, a reference to the Gaza conflict in 2014.

Dede enjoys using public spaces as a canvas as this approach allows freer and more controversial expression, while also being accessible to and viewable by a larger audience especially when the street art is photographed and its images are circulated online. He also makes use of traditional symbols of peace, like the white dove, and frequently incorporates Band-Aids that represent healing and remedy in his artwork, with “Bandaid” being the pseudonym he signs on all his pieces. Over time, Dede’s style has evolved from stencilling to free-hand painting and collage and he interestingly also exhibits certain pieces in galleries across the world.

Cabbage Walker in Kashmir by Niharika Pandit.

A pheran-clad man walks around with a cabbage on a leash in the neighbourhoods of Srinagar, Kashmir. This performance act that he presents is inspired by Chinese artist Han Bing’s “Walking the Cabbage” social intervention work. While Bing chose to walk the cabbage to reflect on the changing values in the Chinese society, where once cabbage was a subsistence food product but is now only embraced by the poor, in Kashmir, this anonymous artist aims to normalise the cabbage walking to show the absurdity of militarisation in the region. Both the performances employ cabbage as an element of satire to expose the irony inherent in what how elitism and militarisation come to be normalised in societies across the world.

The Kashmiri Cabbage Walker writes on his blog, “I as a Kashmiri am willing to recognise walking the cabbage as part of the Kashmiri landscape but I will never accept the check posts, the bunkers, the army camps, the torture centers, the barbed wire, the curfews, the arrests, the toxic environment of conflict and war, as part of the same.”

This performance artist chooses to remain anonymous as it helps in focusing on the message and not the messenger. The Kashmiri Cabbage Walker says that he represents all Kashmiri lives under militarisation thereby revealing the artist’s identity becomes unimportant here.

Cracked pavements in Budapest by Fruzsina Katona.

Anonymous volunteers have joined the satirial political party the Two-Tailed Dog party (MKKP) to paint cracked pavement on the streets of Budapest. Image: Fruzsina Katona

Anonymous volunteers have joined the satirial political party the Two-Tailed Dog party (MKKP) to paint cracked pavement on the streets of Budapest. Image: Fruzsina Katona

Anonymity does not necessarily mean that one is trying to hide his or her identity. Sometimes the identity of the person is utterly irrelevant. In Budapest, several anonymous volunteers are painting the streets of the city.

The pavement on the streets of the Hungarian capital are falling apart, ruining the image of the city and endangering those who walk on it. Authorities are known to do very little to fix the problem, but something had to be done. Hungary’s satiric political party, the Two-Tailed Dog party (MKKP) called for action and its artsy, anonymous volunteers started colouring the cracked pavement pieces resulting in dozens of cheerful spots across the city.

Unfortunately, there are some who find quarrels in a straw, and the police were called on the ad-hoc artists while they were peacefully decorating the pavement in a touristic neighbourhood. Now the volunteers are being prosecuted with vandalism.

But we still do not know their identity or how many of them are out decorating. All we know is that now we look at colourful patches of pavements while running our errands, instead of the sad and ugly cracked pavements.

Contents: The unnamed

[vc_row][vc_column][vc_custom_heading text=”Does anonymity need to be defended? Contributors include Hilary Mantel, Can Dündar, Valerie Plame Wilson, Julian Baggini, Alejandro Jodorowsky and Maria Stepanova “][vc_row_inner][vc_column_inner width=”1/2”][vc_column_text]

The latest issue of Index on Censorship explores anonymity through a range of in-depth features, interviews and illustrations from around the world. The special report looks at the pros and cons of masking identities from the perspective of a variety of players, from online trolls to intelligence agencies, whistleblowers, activists, artists, journalists, bloggers and fixers.

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”78078″ img_size=”full”][/vc_column_inner][/vc_row_inner][vc_column_text]

Former CIA agent Valerie Plame Wilson writes on the damage done when her cover was blown, journalist John Lloyd looks at how terrorist attacks have affected surveillance needs worldwide, Bangladeshi blogger Ananya Azad explains why he was forced into exile after violent attacks on secular writers, philosopher Julian Baggini looks at the power of literary aliases through the ages, Edward Lucas shares The Economist’s perspective on keeping its writers unnamed, John Crace imagines a meeting at Trolls Anonymous, and Caroline Lees looks at how local journalists, or fixers, can be endangered, or even killed, when they are revealed to be working with foreign news companies. There are are also features on how Turkish artists moonlight under pseudonyms to stay safe, how Chinese artists are being forced to exhibit their works in secret, and an interview with Los Angeles street artist Skid Robot.

Outside of the themed report, this issue also has a thoughtful essay by novelist Hilary Mantel, called Blot, Erase, Delete, about the importance of committing to your words, whether you’re a student, an author, or a politician campaigner in the Brexit referendum. Andrey Arkhangelsky looks back at the last 10 years of Russian journalism, in the decade after the murder of investigative reporter Anna Politkovskaya. Uzbek writer Hamid Ismailov looks at how metaphor has taken over post-Soviet literature and prevented it tackling reality head-on. Plus there is poetry from Chilean-French director Alejandro Jodorowsky and Russian writer Maria Stepanova, plus new fiction from Turkey and Egypt, via Kaya Genç and Basma Abdel Aziz.

There is art work from Molly Crabapple, Martin Rowson, Ben Jennings, Rebel Pepper, Eva Bee, Brian John Spencer and Sam Darlow.

You can order your copy here, or take out a digital subscription via Exact Editions. Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SPECIAL REPORT: THE UNNAMED” css=”.vc_custom_1483445324823{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Does anonymity need to be defended?

Anonymity: worth defending, by Rachael Jolley: False names can be used by the unscrupulous but the right to anonymity needs to be defended

Under the wires, by Caroline Lees : A look at local “fixers”, who help foreign correspondents on the ground, can face death threats and accusations of being spies after working for international media

Art attack, by Jemimah Steinfeld: Ai Weiwei and other artists have increased the popularity of Chinese art, but censorship has followed

Naming names, by Suhrith Parthasarathy: India has promised to crack down on online trolls, but the right to anonymity is also threatened

Secrets and spies, by Valerie Plame Wilson: The former CIA officer on why intelligence agents need to operate undercover, and on the damage done when her cover was blown in a Bush administration scandal

Undercover artist, by Jan Fox: Los Angeles street artist Skid Robot explains why his down-and-out murals never carry his real name

A meeting at Trolls Anonymous, by John Crace: A humorous sketch imagining what would happen if vicious online commentators met face to face

Whose name is on the frame? By Kaya Genç: Why artists in Turkey have adopted alter egos to hide their more political and provocative works

Spooks and sceptics, by John Lloyd: After a series of worldwide terrorist attacks, the public must decide what surveillance it is willing to accept

Privacy and encryption, by Bethany Horne: An interview with human rights researcher Jennifer Schulte on how she protects herself in the field

“I have a name”, by Ananya Azad: A Bangladeshi blogger speaks out on why he made his identity known and how this put his life in danger

The smear factor, by Rupert Myers: The power of anonymous allegations to affect democracy, justice and the political system

Stripsearch cartoon, by Martin Rowson: When a whistleblower gets caught …

Signing off, by Julian Baggini: From Kierkegaard to JK Rowling, a look at the history of literary pen names and their impact

The Snowden effect, by Charlie Smith: Three years after Edward Snowden’s mass-surveillance leaks, does the public care how they are watched?

Leave no trace, by Mark Frary: Five ways to increase your privacy when browsing online

Goodbye to the byline, by Edward Lucas: A senior editor at The Economist explains why the publication does not name its writers in print

What’s your emergency? By Jason DaPonte: How online threats can lead to armed police at your door

Yakety yak (don’t hate back), by Sean Vannata: How a social network promising anonymity for users backtracked after being banned on US campuses

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”IN FOCUS” css=”.vc_custom_1481731813613{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Blot, erase, delete, by Hilary Mantel: How the author found her voice and why all writers should resist the urge to change their past words

Murder in Moscow: Anna’s legacy, by Andrey Arkhangelsky: Ten years after investigative reporter Anna Politkovskaya was killed, where is Russian journalism today?

Writing in riddles, by Hamid Ismailov: Too much metaphor has restricted post-Soviet literature

Owners of our own words, by Irene Caselli: Aftermath of a brutal attack on an Argentinian newspaper

Sackings, South Africa and silence, by Natasha Joseph: What is the future for public broadcasting in southern Africa after the sackings of SABC reporters?

“Journalists must not feel alone”, by Can Dündar: An exiled Turkish editor on the need to collaborate internationally so investigations can cross borders

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”CULTURE” css=”.vc_custom_1481731777861{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Bottled-up messages, by Basma Abdel Aziz: A short story from Egypt about a woman feeling trapped. Interview with the author by Charlotte Bailey

Muscovite memories, by Maria Stepanova: A poem inspired by the last decade in Putin’s Russia

Silence is not golden, by Alejandro Jodorowsky: An exclusive translation of the Chilean-French film director’s poem What One Must Not Silence

Write man for the job, by Kaya Genç: A new short story about a failed writer who gets a job policing the words of dissidents in Turkey

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”COLUMNS” css=”.vc_custom_1481732124093{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

Global view, by Jodie Ginsberg: Europe’s right-to-be-forgotten law pushed to new extremes after a Belgian court rules that individuals can force newspapers to edit archive articles

Index around the world, by
 Josie Timms: Rounding up Index’s recent work, from a hip-hop conference to the latest from Mapping Media Freedom

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”END NOTE” css=”.vc_custom_1481880278935{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-top: 15px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]

What ever happened to Luther Blissett? By Vicky Baker: How Italian activists took the name of an unsuspecting English footballer, and still use it today

[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”SUBSCRIBE” css=”.vc_custom_1481736449684{margin-right: 0px !important;margin-left: 0px !important;border-bottom-width: 1px !important;padding-bottom: 15px !important;border-bottom-color: #455560 !important;border-bottom-style: solid !important;}”][vc_column_text]Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.[/vc_column_text][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”76572″ img_size=”full”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text]In print or online. Order a print edition here or take out a digital subscription via Exact Editions.

Copies are also available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Calton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

SUBSCRIBE NOW[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”4″ element_width=”6″ grid_id=”vc_gid:1483444808560-b79f752f-ec25-7″ taxonomies=”8927″ exclude=”80882″][/vc_column][/vc_row]

Coming soon: Index on Censorship magazine’s anonymity issue

magazine-cover-autumn2016-620

Autumn’s anonymity cover by Ben Jennings

The forthcoming issue of Index on Censorship magazine explores anonymity through a range of in-depth features, interviews and illustrations from around the world. The special report looks at the pros and cons of masking identities from the perspective of a variety of players, from online trolls to intelligence agencies, whistleblowers, activists, artists, journalists, bloggers and fixers. Contributors include former CIA agent Valerie Plame Wilson, journalist John Lloyd, Bangladeshi blogger Ananya Azad and philosopher Julian Baggini,

Outside of the themed report, this issue also has a thoughtful essay by novelist Hilary Mantel, called Blot, Erase, Delete, illustrated by Molly CrabappleAndrey Arkhangelsky looks back at the last 10 years of Russian journalism. Uzbek writer Hamid Ismailov explores how metaphor has taken over post-Soviet literature and prevented it tackling reality head-on. There is also poetry from Chilean-French director Alejandro Jodorowsky and Russian writer Maria Stepanova, plus new fiction from Turkey and Egypt, via Kaya Genç and Basma Abdel Aziz.

You can pre-order your copy here, or take out a digital subscription via Exact Editions. Copies will be available at the BFI, the Serpentine Gallery, MagCulture, (London), News from Nowhere (Liverpool), Home (Manchester), Carlton Books (Glasgow) and on Amazon. Each magazine sale helps Index on Censorship continue its fight for free expression worldwide.

Index on Censorship magazine was started in 1972 and remains the only global magazine dedicated to free expression. Past contributors include Samuel Beckett, Gabriel García Marquéz, Nadine Gordimer, Arthur Miller, Salman Rushdie, Margaret Atwood, and many more.

Awards 2016

[vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1478499289940{padding-top: 250px !important;padding-bottom: 250px !important;background-image: url(https://www.indexoncensorship.org/wp-content/uploads/2016/10/2016-logo-1460×490-1.png?id=80259) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}”][vc_column][/vc_column][/vc_row][vc_row css=”.vc_custom_1472525914065{margin-top: -150px !important;}”][vc_column][vc_row_inner equal_height=”yes” content_placement=”middle”][vc_column_inner el_class=”awards-inside-desc” width=”1/2″][vc_custom_heading text=”FREEDOM OF EXPRESSION AWARDS 2016″ use_theme_fonts=”yes”][vc_column_text]Index on Censorship’s Freedom of Expression Awards exist to celebrate individuals or groups who have had a significant impact fighting censorship anywhere in the world.

 

  • Awards were offered in four categories: Arts, Campaigning, Digital Activism and Journalism
  • Anyone who has had a demonstrable impact in tackling censorship is eligible
  • Winners were honoured at a gala celebration in London at the Unicorn Theatre
  • Winners joined Index’s Awards Fellowship programme and received dedicated training and support

[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_video link=”https://www.youtube.com/watch?v=9MUWHhTYVAg”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row equal_height=”yes” el_class=”awards-4grid” css=”.vc_custom_1472549004786{margin-top: 20px !important;margin-bottom: 20px !important;}”][vc_column width=”1/4″ css=”.vc_custom_1472461150656{background-color: #cb3000 !important;}”][vc_custom_heading text=”Arts” use_theme_fonts=”yes”][vc_column_text]for artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1472461193991{background-color: #d98c00 !important;}”][vc_custom_heading text=”Campaigning” use_theme_fonts=”yes”][vc_column_text]for activists and campaigners who have had a marked impact in fighting censorship and promoting freedom of expression[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1472461232330{background-color: #cb3000 !important;}”][vc_custom_heading text=”Digital Activism” use_theme_fonts=”yes”][vc_column_text]for innovative uses of technology to circumvent censorship and enable free and independent exchange of information[/vc_column_text][/vc_column][vc_column width=”1/4″ css=”.vc_custom_1472461222655{background-color: #d98c00 !important;}”][vc_custom_heading text=”Journalism” use_theme_fonts=”yes”][vc_column_text]for courageous, high-impact and determined journalism that exposes censorship and threats to free expression[/vc_column_text][/vc_column][/vc_row][vc_row el_class=”text_white” css=”.vc_custom_1472549018179{margin-top: 20px !important;margin-bottom: 20px !important;background-color: #cb3000 !important;}”][vc_column][vc_custom_heading text=”The Index Awards Fellowship” use_theme_fonts=”yes”][vc_column_text]In recognising individuals and organisations, often working in dangerous and difficult conditions, Index makes a commitment to them. Through a year-long fellowship we work with our awards winners – both during an intensive week in London, and the rest of the awarding year – to provide longer term, structured assistance to enhance the work they are already doing.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481803717893{margin-top: 0px !important;margin-bottom: 20px !important;background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”FELLOWS” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes” css=”.vc_custom_1472608304034{margin-top: 0px !important;}”][vc_column_text el_class=”container680″]

Through the Index Awards Fellowship we work with our winners – both during an intensive week in London and the rest of the awarding year – to provide longer term, structured support.

The goal is to help winners maximise their impact, broaden their support and ensure they can continue to excel at fighting free expression threats on the ground.

[/vc_column_text][awards_fellows years=”2016″][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”JUDGING” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_row_inner el_class=”mw700″][vc_column_inner][vc_column_text]

Criteria – Anyone involved in tackling free expression threats – either through journalism, campaigning, the arts or using digital techniques – is eligible for nomination.

Any individual, group or NGO can nominate or self-nominate. There is no cost to apply.

Judges look for courage, creativity and resilience. We shortlist on the basis of those who are deemed to be making the greatest impact in tackling censorship in their chosen area, with a particular focus on topics that are little covered or tackled by others.

Nominees must have had a recognisable impact in the past 12 months.

Where a judge comes from a nominee’s country, or where there is any other potential conflict of interest, the judge will abstain from voting in that category.

Panel – Each year Index recruits an independent panel of judges – leading world voices with diverse expertise across campaigning, journalism, the arts and human rights.

The judges for 2016, chaired by Index on Censorship’s CEO Jodie Ginsberg are:

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Wole Soyinka” title=”Playwright, poet, novelist and essayist” color=”#28a7cc” profile_image=”80242″]Born and educated in Nigeria, Wole Soyinka is a playwright, poet, novelist and essayist who was Nobel Laureate for Literature in 1986 – the first African to be honoured in that category.

Soyinka has published more than thirty works, and is involved in numerous international artistic and Human Rights organizations.

Soyinka is currently Professor Emeritus in Comparative Literature at Obafemi Awolowo University in Nigeria, Fellow of the Black Mountain Institute at the University of Nevada, and a Hutchins Fellow at Harvard University.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Maria Teresa Ronderos” title=”Journalist and programme director OSF” color=”#28a7cc” profile_image=”80240″]An award-winning Colombian journalist, María Teresa Ronderos is currently Director of the Program on Independent Journalism at the Open Society Foundation.

Before joining OSF in 2014, Ronderos was an editor and investigative reporter for Semana, Colombia’s leading news magazine. She also created and was editor-in-chief of VerdadAbierta.com, a website that has covered armed conflict in Colombia since 2008.

In 2014, Ronderos won Colombia’s Simon Bolivar National Award for her highly acclaimed book Guerras Recicladas, a history of the paramilitary forces in Colombia.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Nabeel Rajab” title=”Human rights campaginer” color=”#28a7cc” profile_image=”80241″]A past winner of Index’s Freedom of Expression Award for Campaigning (2012), Nabeel Rajab is president of the Bahrain Centre for Human Rights.

A prominent international human rights activist and leading campaigner against civil rights abuses in his country, Rajab has been repeatedly arrested and incarcerated. He is currently prohibited from leaving Bahrain.

Rajab is also co-founder and former director of the Gulf Centre for Human Rights, Deputy Secretary General for the International Federation for Human Rights (FIDH), a member of Human Rights Watch’s Middle East and North Africa Advisory Committee and former chairman of CARAM Asia.[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Kirsty Brimelow QC” title=”Public and criminal international, constitutional and human rights law” color=”#28a7cc” profile_image=”80239″]The first Chairwoman of the Bar Human Rights Committee of England and Wales, Kirsty Brimelow is an expert in public and criminal international, constitutional and human rights law.

Brimelow’s recent work includes an alleged Boko Haram child terrorist case in Nigeria, presenting evidence to the UN of sexual violence against Tamils by Sri Lanka and representing Amnesty against the UK security services.

As a mediator, Brimelow facilitated an apology from President Santos of Colombia to the San José de Apartadó peace community in 2013 that was described as an “historic moment” in the country’s history.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”James Rhodes” title=”Pianist” color=”#28a7cc” profile_image=”80238″]Until the age of 14, British concert pianist James Rhodes had no formal academic musical education. Aged 18 he stopped playing the piano entirely for a decade.

Since returning to the piano, Rhodes has released five chart-topping albums, performed in venues around the world and presented numerous TV series and acclaimed documentaries including Notes for The Inside and Don’t Stop The Music.

Rhodes’ memoir Instrumental was recently published – almost banned, the Supreme Court overthrew an injunction against its release in May 2015.[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Bindi Karia” title=”Tech entrepreneur” color=”#28a7cc” profile_image=”80237″]Previously vice president at Silicon Valley Bank, “queen of startups” Bindi Karia has worked in and around technology for most of her career.

Raised in Canada, Karia has also been Venture Capital/Emerging Business lead at Microsoft UK, a Tech London advocate and an active mentor and supporter of many of London’s top Incubators including Seedcamp, TechStars, Startupbootcamp, WAYRA and Level39.

Karia is currently setting up a new venture NewCo.[/staff][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row_content_no_spaces” css=”.vc_custom_1473325605190{margin-top: 20px !important;margin-bottom: 20px !important;padding-top: 20px !important;padding-right: 15px !important;padding-bottom: 20px !important;padding-left: 15px !important;background-color: #f2f2f2 !important;}”][vc_column][vc_row_inner content_placement=”middle” el_class=”container container980″][vc_column_inner][awards_news_slider name=”NEWS” years=”2016″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css=”.vc_custom_1473325552363{margin-top: 0px !important;margin-bottom: 20px !important;padding-top: 0px !important;padding-right: 15px !important;padding-bottom: 0px !important;padding-left: 15px !important;}”][vc_column css=”.vc_custom_1473325567468{margin-top: 0px !important;margin-bottom: 0px !important;padding-top: 0px !important;padding-bottom: 0px !important;}”][awards_gallery_slider name=”GALLERY” images_url=”74912,74870,74858,74854,74850,74849,74848,74847,74846,74845,74844,74843,74842,74841,74839,74838,74836,74835,74834,74833,74832,74831″][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798563375{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”2016 SHORTLIST” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]

Drawn from more than 400 nominations, the Index awards shortlist celebrates 20 artists, writers, journalists and campaigners tackling censorship and fighting for freedom of expression against incredible obstacles.

[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798575418{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”ARTS” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]

for artists and arts producers whose work challenges repression and injustice and celebrates artistic free expression

[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Belarus Free Theatre” title=”Belarus” profile_image=”82684″]Belarus Free Theatre have been using their creative and subversive art to protest the dictatorial rule of Aleksandr Lukashenko for a decade.

Facing pressure from authorities since their inception, the group nonetheless thrived underground, performing in apartments, basements and forests despite continued arrests and brutal interrogations. In 2011, while on tour, they were told they were unable to return home. Refusing to be silenced, the group set up headquarters in London and continued to direct projects in Belarus.

In this anniversary year, the group staged a solidarity concert watched by over half a million people online, mounted a two week retrospective and launched the Ministry of Counterculture, an online platform aiming to widen the understanding of art’s role in affecting social change.

“The very existence of BFT is a challenge to the repression and injustice of the dictatorship in Belarus.” — Natalia Kaliada, co-founder Belarus Free Theatre

Full profile: Belarus Free Theatre battles censorship and oppression by the Belarusian regime[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”#YoTambienExijo and Tania Bruguera” title=”Cuba” profile_image=”82700″]Tania Bruguera is an American-Cuban artist who was arrested after attempting to stage her performance piece #YoTambienExijo in Havana in late 2014. Mounted soon after the apparent thaw in US-Cuban relations, Bruguera’s piece offered members of the public the chance of one minute of ‘censor-free’ expression in Havana’s Plaza de la Revolución.

The banning of the show, and Bruguera’s subsequent detention, caused an international outcry and sparked a worldwide solidarity movement for free expression in Cuba. Leading venues and artists around the world have been re-staging #YoTambienExijo all year, drawing attention to the ongoing persecution of artists in Cuba. Bruguera estimates that over 20,000 Cubans have been involved in the project to date.

“I truly believe that in totalitarian regimes like Cuba, art has the privilege to open doors. It can serve as an escape from fear and from a life of lies.” — Tania Bruguera, founder #YoTambienExijo

Full profile: Tania Bruguera’s #YoTambienExijo ignites a worldwide movement[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Good Chance Theatre” title=”Calais” profile_image=”82688″]Built in 2015, this innovative temporary space in the infamous jungle refugee camp in Calais aims to be more than just a theatre.

Founders Joe Murphy and Joe Robertson, two young British playwrights, came up with the idea after working in the camp as volunteers: “We were struck by everyone’s willingness to tell their story. In many cases this willingness was a need.”

Good Chance offers a safe place where refugees can express themselves, share their stories, and come together as a community. Backed by some of the biggest names in British theatre, Good Chance looks set to continue touching the lives of some of those most in need.

“We are here for 6000 unacknowledged people, each of whom have an individual voice. Our duty is to those voices, as it is those voices that will help deepen and complicate our understanding of this refugee crisis.” — Joe Murphy and Joe Robertson, co-founders Good Chance Theatre

Full profile: Good Chance Theatre gives refugees a place to be heard[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Sakdiyah Ma’ruf” title=”Indonesia” profile_image=”82699″]Sakdiyah Ma’ruf is a stand-up comedian from Indonesia whose routines challenge Islamic fundamentalism.

Born to a conservative Muslim family in Java, Ma’ruf went against her father’s wishes and started using comedy to speak about religious based violence and extremism, ethnic extremism and xenophobia, as well as fear, terror and violence against women.

One of the very few female stand-up comedians in the country to appear on national TV, she has often been asked to censor her jokes for TV performances, but continues to refuse.

“Good comedy makes you laugh. Great comedy makes you cry.” — Sakdiyah Ma’ruf

Full profile: Indonesian Sakdiyah Ma’ruf carves a name for herself in comedy[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Winner: Murad Subay” title=”Yemen” profile_image=”82695″]Artist Murad Subay uses his country’s streets as a canvas to protest Yemen’s war, institutionalised corruption and forced “disappearings”.

Since beginning a street art protest in 2011 Subay has launched five campaigns to promote peace and encourage discussion of sensitive political issues. All his painting is done in public during the day and he encourages fellow Yemenis to get involved. Subay has often been targeted by the authorities, painting over his works or restricting him from painting further.

“I found that the soul of the Yemeni people was broken because of war… I found that the buildings and the streets were full of bullets, full of damage. So I went on Facebook and said I would go on to the streets to paint the next day and I did.” — Murad Subay

Learn more about the 2016 Arts fellow Murad Subay[/staff][awards_fellows][/vc_column_inner][vc_column_inner width=”1/3″][vc_video link=”https://youtu.be/EHVgJHWTT8Y”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798587833{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”CAMPAIGNING” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]

For activists and campaigners who have had a marked impact in fighting censorship and promoting freedom of expression.

[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Abduljalil Al-Singace” title=”Bahrain” profile_image=”82683″]Dr. Abduljalil Al-Singace is a Bahraini human rights activist, academic and blogger who worked tirelessly to call attention to his country’s human rights practices until, during a crackdown on activists in 2011, authorities imprisoned him and 13 others.

Ever since then, Al-Singace has felt the brunt of the practices against which he has spent his life campaigning. In prison he has not been silenced despite being verbally and physically abused, sexually assaulted and kept in solitary confinement for months on end. He has also been denied access to medication, his family, and even pens and paper. In March last year, Al-Singace began a 313 day hunger strike in protest at the collective punishment and acts of torture that police inflicted upon prisoners. He is still being held.

“Be careful when you use the words ‘change’, ‘dream’ and ‘democracy’. Those things don’t come so easily to us here in Bahrain.” — Dr Abduljalil Al-Singace

Full profile: Dr Abduljalil Al-Singace has not let prison silence him[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Vanessa Berhe” title=”Eritrea” profile_image=”82701″]Nineteen-year-old Vanessa Berhe is fighting for the release of her uncle, journalist Seyoum Tsehaye, who has been imprisoned in Eritrea for the last 15 years. She also launched the campaign Free Eritrea to draw the world’s attention to a little-reported country with one of the worst track records for free speech.

Starting when she was 16 and still at school, Berhe has since given a speech in front of the Pope, launched petitions, utilised social media, video and web platforms and orchestrated protests in order to spread her message. Born in Sweden to Eritrean parents and currently studying in the USA, Berhe has taken the plight of this small country to the world stage.

“With one man’s name and story, we aim to dismantle the cover that has been hiding the oppression that has ravaged the Eritrean people for years.” — Vanessa Berhe, founder One Day Seyoum

Full profile: Vanessa Berhe is fighting for freedom of expression in Eritrea[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Winner: Bolo Bhi” title=”Pakistan” profile_image=”82685″]Bolo Bhi are a digital campaigning group who have orchestrated an impressive ongoing fight against attempts to censor the internet in Pakistan.

The all-women management team have launched internet freedom programmes, published research papers, tirelessly fought for government transparency and run numerous innovative digital security training programmes.

In 2015 the group turned their attention to the draconian Prevention of Electronic Crimes Bill, organising an extraordinary campaign of events, lobbying, press conferences and online actions. They brought international attention to a landmark bill that would otherwise have been pushed through with little public attention.

“This case alone could change everything for free speech in Pakistan.” — Farieha Aziz, co-director Bolo Bhi

Learn more about the 2016 Campaigning fellow Bolo Bhi[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Nkosilathi Emmanuel Moyo” title=”Zimbabwe” profile_image=”82696″]Growing up in a small mining town in Zimbabwe, human rights campaigner and writer Nkosilathi Emmanuel Moyo saw first-hand how young people in his community were being manipulated by politicians to perpetuate political violence. To fight this, he set up the Zimbabwe Organization For Youth In Politics and has since trained 80 human rights defenders and now works with over 2,500 youths.

A prolific writer, 28-year-old Moyo has published three bestselling books. All are highly critical of the Mugabe regime, the last written while he was sheltering in the Netherlands for his safety and published immediately on his return. Moyo’s latest stunt was to send President Mugabe a prison uniform present for his 92nd birthday – fearing for his life he is now back in hiding.

“I refuse to allow my dissenting voice to be silenced. Never shall I put my pen down it is the only weapon I have.” — Nkosilathi Emmanuel Moyo, founder Zimbabwe Organization For Youth In Politics

Full profile: Nkosilathi Emmanuel Moyo campaigns against political corruption[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Pu Zhiqiang” title=”China” profile_image=”82698″]A student activist who took part in the 1989 pro-democracy protests in Tiananmen Square, Pu Zhiqiang has long fought for China’s human rights, becoming one of the most influential human rights lawyers in his country and fighting famous cases like that of artist Ai Weiwei, who has been targeted by the country’s government.

In 2015, after attending a Tiananmen memorial event, Zhiqiang was arrested on the charge of “creating a disturbance”. The next few months saw him imprisoned while fresh charges were brought against him for comments posted on social media. With his high-profile trial culminating in December last year, all eyes were on China. A three-year suspended sentence has effectively gagged him.

“Given that this is someone with a strong belief in the right to free speech, and a human rights lawyer who has chosen to devote his professional life to free speech cases, it is a great irony that Pu Zhiqiang has been convicted of a crime because of his own speech.” — Professor Hu Yong, Peking University School of Journalism

Full profile: Pu Zhiqiang is unwavering in support of free speech[/staff][/vc_column_inner][vc_column_inner width=”1/3″][vc_video link=”https://youtu.be/fhoOR6Ft1eg”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798600606{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”DIGITAL ACTIVISM” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]

For innovative uses of technology to circumvent censorship and enable free and independent exchange of information.

[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Dokuz8 Haber and Gökhan Biçici” title=”Turkey” profile_image=”82686″]Gökhan Biçici is a Turkish reporter who faced police brutality during the anti-government Gezi Park protests of 2013 when he was severely beaten and dragged down the street. The footage of his arrest went viral and, after his release, the idea for Dokuz8 Haber was born.

Since the protests, Biçici has been working to build a new kind of news organisation, which combines the dynamism of citizen journalism with the skills of professionals. Dokuz8 Haber’s citizen contributors from around the country are helping prepare for a future where Turkey’s journalists are free to report and citizens can live under a democratic constitution.

“Hundreds of thousands of citizen journalists cannot be censored.” — Gökhan Biçici, founder Dokuz8 Haber

Full profile: Gökhan Biçici launched citizen news agency Dokuz8Haber after Gezi Park protests[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Winner: GreatFire” title=”China” profile_image=”82689″]Set up by anonymous individuals, GreatFire is at the forefront of the fight against China’s severe web censorship.

Using a variety of tools, the organisation tracks China’s censorship infrastructure, hosts mirror sites to make censored material available and, in March 2015, launched an app that allows users to browse the officially forbidden web. Previously, the group created FreeWeibo, an uncensored version of the Chinese social platform. Despite ‘the Great Cannon’, a major cyber-attack by Chinese authorities in 2015, GreatFire has continued the fight for online freedom.

“Our goal is to bring transparency to online censorship in China.” — GreatFire

Learn more about the 2016 Digital Activism fellow GreatFire China[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Love Matters” title=”International” profile_image=”82692″]International discussion platform Love Matters has dedicated itself to opening up conversation about sexual health in countries where such subjects are censored or taboo.

With autonomous local branches in Egypt, Mexico, India, Africa and China, they’ve now had over 100 million page views since their inception in 2009. Between organising a comedy gig about sexual health in Cairo, music awards for songs about sexuality in Kenya and campaigning against partner violence in India, their impact has been huge. The very act of reading their content can put you in grave danger in some of the countries they call home.

“Access to good information on sexual and reproductive health is a human right – but one which is often thwarted in many countries.” — Vithika Yadav, founder Love Matters India

Full profile: Love Matters opens up conversations about sexual health[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Méxicoleaks” title=”Mexico” profile_image=”82694″]A whistleblowing website, Méxicoleaks launched last year with the mission to build a more transparent and democratic Mexico.

Days after its launch, Méxicoleaks gained prominence when well-known journalist Carmen Aristegui was fired from her popular talk show after the station axed two of her colleagues because of their involvement in the effort. The international outcry put Méxicoleaks in the spotlight, and the innovative anonymous news-sharing platform has since received a number of tip-offs that allowed its founders – nine independent news outlets in Mexico – to uncover a series of high-profile corruption scandals.

In a country where, between drug cartels and the government, censorship and self-censorship is rife, Méxicoleaks is on the forefront of the fight against corruption.

Full profile: Méxicoleaks seeks to bring more transparency to Mexico[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Hebib Muntezir” title=”Azerbaijan” profile_image=”82691″]In a country where social media has been hailed as the last hope for free speech, Azerbaijani activist and blogger Hebib Muntezir has used his huge online presence to call out ingrained corruption.

Müntezir is one of the founders of Meydan TV, one of the few media outlets publishing content critical of Azerbaijan’s government. The Meydan team has faced intense pressure from the authorities: employees have been arrested and detained. Even family members have been harassed. However, Müntezir and Meydan TV have continued to build huge online audiences who thirst for information in a country suffering from an ongoing media crackdown.

“Many people in Azerbaijan are afraid to talk, but citizens still reach out to me to share content and offer support.” — Hebib Muntezir, social media manager, Meydan TV

Full profile: Hebib Muntezir mobilises social media to share uncensored news about Azerbaijan[/staff][/vc_column_inner][vc_column_inner width=”1/3″][vc_video link=”https://youtu.be/E1JvZdjAPvI”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” css=”.vc_custom_1481798610425{background-color: #f2f2f2 !important;}”][vc_column][vc_custom_heading text=”JOURNALISM” font_container=”tag:h1|text_align:center” use_theme_fonts=”yes”][vc_column_text]

For courageous, high-impact and determined journalism that exposes censorship and threats to free expression.

[/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Winner: Zaina Erhaim” title=”Syria” profile_image=”82702″]While journalists and citizens fled, Syrian-native Zaina Erhaim returned to her war-ravaged country and the city of Aleppo in 2013 to ensure those remaining were not forgotten. She is now one of the few female journalists braving the twin threat of violence from both ISIS and the president, Bashar al-Assad.

Erhaim has trained hundreds of journalists, many of them women, and set up independent media outlets to deliver news from one of the world’s most dangerous places. In 2015 Erhaim filmed a groundbreaking documentary, Syria’s Rebellious Women, to tell the stories of women who are helping her country survive its darkest hour.

“In 10 years time, I want a young woman who looks on the internet to find out what happened in Syria to find evidence of the roles women played.” — Zaina Erhaim

Learn more about the 2016 Journalism fellow Zaina Erhaim[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Mada Masr” title=”Egypt” profile_image=”82693″]Founded in 2013 by a group of young journalists after newspaper Egypt Independent was censored into bankruptcy, Mada Masr was launched as a media co-operative that aims to hold those in power accountable.

Despite the high-profile arrest of one of its journalists in 2015, Mada Masr continues to grow, recently developing a network of citizen journalists to cover news from Egypt’s governorates. Through innovative fundraising it has managed to remain financially independent.

“I want us, down the line, many many years to come, to be a reference of what happened.” — Lina Attalah, chief editor Mada Masr

Full profile: Mada Masr offers an alternative narrative to Egypt’s official media [/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Hamid Mir” title=”Pakistan” profile_image=”82690″]Journalist Hamid Mir has worked tirelessly to take on unchallenged powers in Pakistan. With a 30-year-career punctuated by numerous threats, beatings, abductions and assassination attempts, he has become one of the country’s best-known reporters and hosted Pakistan’s popular political Geo TV show Capital Talk for the last 13 years.

The past year has been one of the hardest yet for Mir following an assassination attempt in 2014 in which he was shot six times and left for dead. He returned to work as soon as he left the hospital, but is confined to a life under armed-guard without his family who have been sent abroad for their safety.

“It’s very dangerous and risky to stay in Pakistan, but I am doing it only because majority of common people are with me.” — Hamid Mir

Full profile: Hamid Mir has been targeted for taking on unchallenged power[/staff][/vc_column_inner][/vc_row_inner][vc_row_inner][vc_column_inner width=”1/3″][staff name=”Pravit Rojanaphruk” title=”Thailand” profile_image=”82697″]Pravit Rojanaphruk is a Thai reporter who in 2015 was arrested, interrogated and forced out of his job for a series of tweets criticising Thailand’s military government.

Soon after he was released three days later, he was asked to resign from his job of 23 years. Despite ongoing government pressure, Rojanaphruk continues to write and post messages calling out corruption and censorship, recently taking up a new post at Khaosod English News.

A long-time opponent of his country’s lèse majesté law, which prevents any kind of criticism of the monarchy, Rojanaphruk had tweeted: “Freedom can’t be maintained if we are not willing to defend it.”

“It’s both an honour and a great responsibility to continue to stand for freedom of expression.” — Pravit Rojanaphruk

Full profile: Pravit Rojanaphruk has been targeted for speaking against Thailand’s military rule[/staff][/vc_column_inner][vc_column_inner width=”1/3″][staff name=”Ferit Tunç” title=”Turkey” profile_image=”82687″]A Kurdish journalist who set up an independent newspaper in eastern Turkey, Ferit Tunç has been repeatedly targeted with sanctions and lawsuits for publishing articles critical of local authorities.

Pushed to bankruptcy, Tunç, who also ran for office on an anti-corruption platform this year, fought back by publishing satirical cooking recipes on his front pages – each with a hidden message – an inventive protest against media censorship.

“People talk about how rotten Turkey’s press is at the top, but it’s rotten all the way through… People in this city have lost the right to talk about issues that matter to them.” — Ferit Tunç, founding editor Yӧn Gazetesi

Full profile: Ferit Tunç uses inventive methods to challenge censorship in Turkey[/staff][/vc_column_inner][vc_column_inner width=”1/3″][vc_video link=”https://youtu.be/cAegKHt5h28″][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]