16 May 22 | News and features, Press Releases
Index on Censorship has today (Monday, 16 May) announced the nominees for the Freedom of Expression Awards, celebrating those courageous artists, journalists and campaigners who risk arrest, assault and imprisonment through their championing of freedom of expression.
Awards will be presented in three categories: the arts, campaigning, and journalism, as well as a Trustees Award. This year’s panel of judges consists of multi-award-winning artist Alison Jackson, artist and writer Coco Fusco, journalist Ben Preston, and Chair of the Index Board of Trustees Sir Trevor Phillips.
The shortlisted candidates for the Arts award are:
- Yemeni artist Thiyazen Al-Alwai, whose street art aims to raise awareness of the war in Yemen and the impact on ordinary Yemenis
- Mohammed ‘Moe’ Moussa, journalist, podcaster, poet, and founder of the Gaza Poet Society which attempts to amplify the voices of ordinary and struggling Palestinians
- Hamlet Lavastida, a Cuban artist who documents human rights abuses and highlights Cuban cultural resistance.
The shortlisted candidates for the Campaigning award are:
- Venezuela Inteligente, a non-profit organisation working to improve engagement online and offline among civil society and media organisations in Venezuela
- Malcolm Bidali, aka Noah, who was imprisoned in Qatar after raising awareness of the poor living and working conditions of migrant workers
- OVD-Info, a human rights project documenting cases of protest and arrest in Russia, particularly relating to anti-war protests.
The shortlisted candidates for the Journalism award are:
- Russian journalist and podcaster, Sonya Groysman, who has been labelled a “foreign agent” by Russian authorities
- Kashmiri journalist Bilal Hussain who has been increasingly outspoken on issues of censorship as a consequence of the Covid-19 pandemic;
- Huang Xueqin (Sophia), a Chinese journalist, who has reported on the abuse of women in China in the wake of the #MeToo movement.
Several of our nominees have experienced imprisonment for their activism; Xueqin is in detention in China, Sonya has been imprisoned and is currently in exile in Turkey, Hamlet is in exile in Europe following incarceration, Malcolm has previously been imprisoned. Despite the threats and the risks, these brave individuals continue to fight against censorship.
Index on Censorship CEO Ruth Smeeth said:
“The Index on Censorship Freedom of Expression Awards are a hugely important moment in our year. While the reality of the risks many nominees face is sobering, the awards are a moment of celebration, showcasing as they do some of the incredible people standing up for freedom of expression and the democratic rights and values across the globe.
“It is our privilege to bring their stories to light and to celebrate their achievements despite great adversity. Their art, campaigning and written words are a living, breathing testimony to the ability of creativity to make real change – even in the teeth of unimaginable adversity.”
ENDS
NOTES TO EDITORS
The winners will be announced at the Index on Censorship Freedom of Expression awards in London on Thursday 27 October.
Broadcast and written interviews, along with images and media content, available upon request.
For all media enquiries contact Luke Holland / [email protected] / 07447 008098
16 May 22 | Awards, Fellowship, Fellowship 2022, Kenya, Qatar, Russia, Venezuela
Sonya Groysman is a Russian journalist and podcaster. Despite being labelled as a ‘foreign agent’ by Russian authorities she has continued to report on human rights issues and censorship in Russia.
Sonya Groysman was working for the investigative outlet Proekt in 2020 when the site was labelled as ‘undesirable’ by Russian authorities. Soon after, Groysman and many of her former colleagues were labelled as ‘foreign agents’. Groysman is now required to attach a disclaimer to all published work – including social media posts: “THIS NEWS MEDIA/MATERIAL WAS CREATED AND/OR DISSEMINATED BY A FOREIGN MASS MEDIA PERFORMING THE FUNCTIONS OF A FOREIGN AGENT AND/OR A RUSSIAN LEGAL ENTITY PERFORMING THE FUNCTIONS OF A FOREIGN AGENT.”
Facing significant challenges working as a journalist with the ‘foreign agent’ label, Groysman and her colleague Olga Churakova set up their podcast titled “Hi, You’re a Foreign Agent” in 2021. The podcast combines dark humour (how does one’s boyfriend or grandmother react to having a loved one named “foreign agent”? does one have to identify her “foreign agent” status on Tinder?) with personal stories and journalism.
Groysman has continued to face legal issues related to her reporting. In August 2021 she was arrested in front of the F.S.B building in Moscow for participating in a peaceful protest in support of independent media. She was released soon after.
Groysman has managed to maintain an active career as a journalist despite the ‘foreign agent’ label. Days before the invasion, Groysman was reporting from the Russian/Ukrainian border for the independent TV station TV Rain. Like most other independent news outlets in Russia, TV Rain was shut down by the authorities for allegedly spreading misinformation about the war. Fearing legal persecution as an independent journalist, Groysman decided to flee to Turkey. She continues to produce her podcast and report on human rights issues in Russia from abroad.
Bilal Hussain is a journalist based in Srinagar in Kashmir. He focuses his reporting on freedom of expression issues.
Despite internet shut-downs and a day-to-day fear of persecution and censorship, Hussain continues to report on the conditions in Kashmir. He has been particularly concerned by the increasing censorship as a consequence of the Covid-19 pandemic.
In February 2022, the Kashmir Press Club was shut down by authorities. The independent body had done important work to offer legal support to journalists and to establish a sense of community among Kashmiri journalists. Hussain views this as another important blow to media freedom and free expression in Kashmir. Hussain has witnessed colleagues being imprisoned for doing their job and reporting on the conflict in Kashmir. Despite the threats, he continues to report on the situation and fight for free expression through independent news publications and social media.
Recent developments in Kashmir severely limit press freedom. Reflecting on this, Hussain says: “There have been many cases where journalists have been threatened with UAPA [Unlawful Activities (Prevention) Act]. These actions hamper the work of journalists and stop them from discharging their normal duties.”
Hussain is a regular contributor to Voice of America News and NIKKEI Asia among other publications. Through his reporting, Bilal brings international attention to the ongoing conflict and media rights situation in Kashmir.
Huang Xueqin is an activist and journalist who has worked with several domestic Chinese media outlets. She has reported extensively on the MeToo movement in China.
Huang Xueqin played a significant role in covering the MeToo movement. In 2017, she surveyed hundreds of female journalists across 15 provinces in China on their experience of workplace sexual harassment. She published her findings in a report in March 2018. She also assisted Luo Xixi, one victim of sexual harassment, to publicly submit a complaint against her professor. Her work sparked national discussions on sexual harrassment on campuses.
Huang has worked to promote women’s rights, and to document and expose sexual harassment against women and girls. Unfortunately, she has faced legal challenges because of her work as an activist and journalist. She was detained between October 2019 and January 2020 and charged with “picking quarrels and provoking trouble” after writing about mass protests in Hong Kong.
On 19 September 2021, Huang disappeared and stopped responding to phone calls from family and friends. Two months later, in November, it was confirmed that she had been detained along with labour activist Wang Jianbing and charged with “inciting subversion of state power”. She was due to travel to the UK to study development studies at the University of Sussex after receiving a Chevening Scholarship. She remains in detention and is now held in the No. 1 Detention Centre in Guangzhou.
16 May 22 | Awards, Cuba, Fellowship, Fellowship 2022, Palestine, Turkey, Yemen
Yemeni artist Thiyazen Al-Alawi uses his craft to shed light on the destructive situation in Yemen through street art campaigns. He hopes to inform the public of what the war has done to his homeland.
First inspired by the Arab Spring in 2011 as a teenager, Thiyazen turned to art as a form of self expression, launching his first street art campaign in 2012 as the war began. As conflict invaded every aspect of Yemeni life, he decided “every artwork is proof of their existence and continuity in life…something that gives people hope.” Thiyazen’s work aims to reflect the ugliest and truest forms of war, and its effect on real people.
Thiyazen’s latest project is a collaboration with British artist Luc Waring titled “Letters from Yemen”, a series of drawings and letters from conversations between the two about art, peace, war, and the horrors Thiyazen has witnessed himself. Inspired by a saying Thiyazen heard in his youth, the walls must do the talking when the newspapers are silent; the compiled writings and portraits raise awareness about the war in Yemen with a sensitivity and humanity only an artist and their medium can produce, eventually gaining traction and attention by the public. Due to the ongoing occupation by the Houthi militia, Thiyazen is risking his own safety as he continues to produce art.
Thiyazen continues his work on long-term projects with the Swiss Arts Council to spread awareness about the conditions in Yemen. He also contributes to the “Yemen Peace Forum” with the Sana’a Center for Strategic Studies, writing articles and studies like “Art and Youth in Yemen” in the Journal of Transitional Justice of the University of Oxford. “I feel that I must tell the truth no matter what,” Thiyazen explains,” I could sacrifice my life for the truth. And nothing will stop me.”
Moe Moussa is a journalist, podcaster, poet, and the founder of the Gaza Poet Society. He uses various forums and mediums to amplify the voices of Palestinians.
Moe began his career as a translator for international journalists in 2014. He was soon inspired to speak about the situation from his own perspective. Studying English literature in college and growing up around poetry, it was only fitting that Moe decided to use his art to bring the individual lives of people in Gaza to the international audience.
Delving into Palestinian poetry led Moe to connect online with poets all over the world. He was interested in using his skills as a poet and a journalist to share the stories of individual lives with a global audience. After realising the lack of opportunities for poets to share their work in Arabic and English, he created a space to offer an opportunity for young people to speak and find their own voice in 2018 – the Gaza Poet Society. The organisation is supported solely by donations from international poets who believe in Moe’s cause. He is at constant risk of Hamas censorship and at the will of the Gazan government to approve of civilian movement out of the country.
Watching his family go days without water, power, and freedom of movement, Moe temporarily left Gaza for Istanbul in 2021 to continue his work more effectively. He was awarded the Times Richard Beeston Bursary in 2019 and has plans to complete his fellowship in London in 2022 following delays due to the pandemic. As the creator and host of the podcast “Gaza Guy”, he is focused on amplifying the voices of young Palestinians through poetry and fights for access to education in Gaza. Additionally, Moe has contributed to We Are Not Numbers, a site publishing stories of Palestiniain youth experiencing war. Moe recently released his debut poetry collection titled “Flamingo” and is working freelance to support the Gaza Poet Society from abroad.
Fatoş İrwen is a Kurdish artist and teacher from Diyarbakır, Turkey working with a variety of materials and techniques.
İrwen regularly uses her art to document her experiences as a Kurdish woman living in Turkey. The performance piece Füg [Fugue, 2012] documented her first experiences in police custody where she was physically and sexually abused. In 2016 İrwen was again taken into custody while boarding a domestic flight. She was charged with “resisting the police, opposition to the law against demonstrations and assemblies, propaganda for a terrorist organisation, belonging to a terrorist organisation” and sentenced to 3 years, 1 month and 15 days in prison. The charges related to a peaceful protest in 2013.
During her imprisonment, İrwen made 1,500 works of art using materials accessible to her, including hair, tea, food, shoe polish, old textbooks and newspapers, bed sheets, laundry pegs, scarves, and mould and cigarette ashes. Among other projects, the 2019 piece titled “Gülleler” (Cannonballs) features balls crafted from the hair of inmates participating in a hunger strike. “The hunger strike was like firing a shot to the outside world,” İrwen says. After being released, İrwen collected her art pieces in her first solo exhibition titled Exceptional times which was featured at Depo in Istanbul in 2021.
Discussing censorship by the Turkish authorities, İrwen says “this issue still continues to be the most painful issue of our lives and for which we pay a heavy price.” She is deeply committed to fighting for freedom of expression and artistic freedom.
Due to her challenges with Turkish authorities and her identity as a Kurdish woman, İrwen has found that galleries and art spaces are sometimes reluctant to feature her work. Still, she has found success, and her work has been exhibited in Iran, Germany, Austria, Hong Kong, Iceland, France, Mexico, Iran, Morocco, Sweden, and Turkey.
Hamlet Lavastida has been described as a political activist by way of art. Lavastida uses his art to document human rights abuses in Cuba and to criticise Cuban authorities.
Lavastida pushes boundaries of censorship in Cuba and highlights the distinctly Cuban spirit of cultural resistance. His work reconstructs old Cuban political and military propaganda.
Throughout his career, Lavastida has sought to use his art to fight for transparency and freedom of speech in order to fight against the Cuban government. He sees his art as a non-violent tool to fight against the current regime. Lavastida has been involved in various protest movements in Cuba, including the 27N movement which grew out of the protests held on 27 November 2020. The movement works to bring attention to the censorship of artistic expressions in Cuba.
In June 2021, Lavastida was arrested after returning from a residency at the Künstlerhaus Bethanien in Berlin. He was accused of ‘incitement to commit a crime’ because he suggested that other artists stamp images related to the San Isidro and 27N movements on local currency. Following his arrest, Amnesty International named him as a ‘prisoner of conscience’. Lavastida stayed in prison for 87 days. He was finally released without charges.
Lavastida has been living in exile in Europe since September 2021. He has been warned that he will be arrested immediately if he ever tries to return to Cuba. Lavastida is deeply concerned by the situation. While has experienced threats and censorship targeting his art throughout his career, he is now experiencing threats against him as an individual. He believes this is part of a greater trend of censorship in Cuba.
Lavastida plans to continue creating art and speaking up about the situation in Cuba.
18 Feb 22 | News and features
It’s difficult to see the multi-millionaire US podcast host Joe Rogan as the victim of censorship. This month, Forbes reported that he had been offered $100m to switch allegiance from the music streamer Spotify to the right-wing free-speech platform Rumble. To his fans, part of the attraction of this former wrestling commentator is that he represents the American everyman, a fearless straight talker in opposition to the mainstream media.
The reality is that, with 11 million listeners, Rogan far outstrips the audience of the established media. Even the most popular TV news hosts cannot dream of such figures: Tucker Carlson, Fox News’s most popular anchor, averages a mere 3.2 million viewers while Jake Tapper of the liberal network CNN struggles to hit viewing figures of one million.
But there is a free expression issue here. When singer-songwriters Neil Young and Joni Mitchell objected to Rogan including misinformation about the Covid vaccine, they could have simply decided to remove their music from the platform. This would have been consistent with the tradition of the protest singer, from which they both come. The problem was that they appeared to make this an ultimatum, asking Spotify to choose between them and the podcaster.
As a commercial decision this was no contest. But in terms of the free circulation of ideas in a free society, it is more problematic. Wherever possible, we should allow the most uncomfortable debates to take place in the largest possible arena. And Rogan’s arena is certainly large.
The intervention of Young and Mitchell was significant precisely because it sparked debate about the limits of free speech. They were not alone in objecting to the views of Dr Robert Malone, a guest who questioned the effectiveness of mask-wearing and likened the mass-vaccination programme to Nazi Germany. Some 270 scientists also wrote to Spotify to demand they address misinformation on Rogan’s show.
Following the row, Spotify is reported to have removed more than 110 episodes of Rogan’s show where they were seen to spread misinformation or guests used racist slurs. This though is not censorship. Removing content is an editorial decision. Young and Mitchell have succeeded where others have failed in forcing a major media platform to recognise its responsibilities as a publisher.
The pandemic has put a huge strain on our instinct for free speech. But the reality is that the debate between sceptics and adherents to government policy has been, for the most part, open and vibrant. The discussion around the Joe Rogan show has resulted in the podcaster committing himself to providing more balance in future and Spotify acknowledging its role in modifying content.
If nothing else, this episode has at least disabused us of the idea that Rogan is an outsider, let alone a dissident. For better or worse he now is the mainstream media.
