10 Apr 2018 | Magazine, News and features, Volume 47.01 Spring 2018
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Authoritarian leaders know their history. They also know the history they would like you to know. They are aware, perhaps more than anyone else, that choosing images and stories from the past to align and amplify the ways a country is run can be a terribly powerful tool.
As Canadian historian Margaret MacMillan discussed with Index for this issue, dictators have been aware of the power of history to make their arguments for centuries. From the first Chinese emperors to today’s leaders – China’s Xi Jinping and Turkey’s Recep Tayyip Erdogan, among others – the selection of historical stories which reflect their view of the world is revealing.
“The thing about history is if people know only one version then it seems to validate the people in power,” said MacMillan.
But if you know more, you can use that information to make informed decisions about what worked in the past – and what didn’t – allowing people to learn and move on.
And right now, historical validation is an active part of the political playbook. In Russia, Vladimir Putin is a big fan of the tale of the great and powerful Russia. And what he doesn’t like are people who don’t sign up to his version of history.
Even asking questions about the past can provoke anger at the top. It interferes with the control, you see.
In 2014, Dozhd TV had an audience poll about whether Leningrad should have surrendered to the Nazis during World War II. Immediately there were complaints, as Index reported at the time. The station changed the wording of the question almost immediately, but within months various cable and satellite companies had dropped Dozhd from their schedules. Question and you shall be pushed out into the cold.
From the start, this magazine has covered how different countries have attempted to control the historical knowledge their citizens receive by limiting the pipeline (rewriting textbooks or taking history off the syllabus completely, for instance); using social pressure to make certain views taboo; and, in extreme cases, locking up historians or making them too afraid to teach the facts.
In our Winter 2015 issue, we covered the story of a Palestinian teacher who took his students to visit Nazi concentration camps in Poland because he felt they should know about the Holocaust. But not everyone agreed. While he was on the trip, there were demonstrations against him, his office was stormed and his car was torched. Later there were threats against his family. To escape the danger, he and his family had to move abroad. The teacher, Mohammed Dajani Daoudi, who wrote about his experiences for the magazine, said: “My duty as a teacher is to teach – to open new horizons for my students, to guide them out of the cave of misconceptions and see the facts, to break walls of silence, to demolish fences of taboos.”
What an incredibly brave vision for a teacher to have in the face of a mob of people who would seek to damage his life, and that of his family, to show how much they disapproved of what he was trying to do.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width=”1/4″][vc_icon icon_fontawesome=”fa fa-quote-left” color=”custom” align=”right” custom_color=”#dd3333″][/vc_column][vc_column width=”3/4″][vc_custom_heading text=”But censoring history is not the only way to go about establishing inaccuracies and ill-informed attitudes about the past. Another option is to spin it.” google_fonts=”font_family:Libre%20Baskerville%3Aregular%2Citalic%2C700|font_style:400%20italic%3A400%3Aitalic”][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]
Dajani Daoudi is not alone in fighting against the odds to bring research, open thinking and a wide base of knowledge to students. But, as our Spring 2018 issue shows, the odds are starting to stack up against people like him in an increasing number of places.
In 2010, Maureen Freely wrote a piece called Secret Histories for this magazine, about Turkish laws that had kept most of its citizens in the dark about the killings of a million Armenians in the last years of the Ottoman empire, and how those laws were enforced by making certain things – including criticising the legacy of modern Turkey’s founding father, Mustafa Kemal Atatürk – illegal.
Turkey’s government today has just passed a law making mention of the word “genocide” an offence in parliament, as our Turkish correspondent, Kaya Genç, reports on page 22.
But censoring history is not the only way to go about establishing inaccuracies and ill-informed attitudes about the past. Another option is to spin it.
Resisting Ill Democracies in Europe, the excellent report from the Human Rights House Network, acknowledges that a common thread in countries where democracy is weakening is the “reshaping of the historical narrative taught in schools”. In Poland, the introduction of a Holocaust law means possible imprisonment for anyone who suggests Polish involvement in the Holocaust or that the concentration camps were Polish. In Hungary, the rhetoric of the ruling party is to water down involvement of its citizens in the Holocaust and to rehabilitate the reputation of former head of state Miklós Horthy.
At the same time as undermining public trust in the media, governments in this spin cycle seek to stigmatise academics, as well as close down places where open or vigorous debate might take place. The result is often the creation of a “them and us” mentality, where belief in the avowed historical take is a choice of being patriotic or not.
As the HRHN report suggests, “space for critical thinking, independent research and reporting and access to objective and accurate information are pre-requisites for informed participation in pluralistic and diverse societies” and to “debunk myths”.
However, if your objective is not having your myths debunked then closing down discussions and discrediting opposition voices is the ideal way to make sure the maximum number of people believe the stories you are telling.
That’s why historians, like journalists, are often on the sharp end of a populist leader’s attack. Creating a nostalgia for a time where supposedly the garden was rosy and citizens were happy beyond belief often forms another part of the political playbook, alongside creating a false history.
Another tactic is to foster a sense that the present is difficult and dangerous because of change and because of threats to “traditional” values; and a sense that history shows a country as greater than it is today. The next step is to find a handy enemy (migrants and LGBT people are often targets) to blame for that change and to stoke up anger.
Access to the past matters. Knowledge of what happened, the ability to question the version you are receiving, and probing and prodding at the whys and wherefores are essentials in keeping society and the powerful on their toes.
In this issue of Index on Censorship magazine, we carry a special report about how history is being abused. It includes interviews with some of the world’s leading historians – Lucy Worsley, Margaret MacMillan, Charles van Onselen, Neil Oliver and Ed Keazor (p31).
We look at how history is being reintroduced into schools in Colombia (p60) and how efforts continue to recognise the victims of General Franco’s dictatorship in Spain (p72). We also ask Hannah Leung and Matthew Hernon to talk to young people in China and Japan to discover what they learned at school about the contentious Nanjing massacre. Find out what happened on page 38.
Omar Mohammed, aka Mosul Eye, writes on page 47 about his mission to retain information about Iraq’s history, despite risk to his life, while Isis set out to destroy historical icons.
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Rachael Jolley is editor of Index on Censorship. She tweets @londoninsider. This article is part of the latest edition of Index on Censorship magazine, with its special report on The Abuse of History.
Index on Censorship’s spring 2018 issue, The Abuse of History, focuses on how history is being manipulated or censored by governments and other powers.
Look out for the new edition in bookshops, and don’t miss our Index on Censorship podcast, with special guests, on Soundcloud.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”89164″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229108535157″][vc_custom_heading text=”Brave new words” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064229108535157|||”][vc_column_text]2010
In 2010, Maureen Freely wrote a piece called Secret Histories for this magazine, about Turkish laws that had kept most of its citizens in the dark about the killings of a million Armenians in the last years of the Ottoman empire[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90649″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220008536796″][vc_custom_heading text=”Censorship in China” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422013495334|||”][vc_column_text]September 2000
How China attempts to censor, using different methods[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”71995″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229308535477″][vc_custom_heading text=”Taboos” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422013513103|||”][vc_column_text]Winter 2015
We tell the story of a Palestinian teacher who took his students to visit Nazi concentration camps in Poland because he felt they should know about the Holocaust. But not everyone agreed.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”The abuse of history” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Fthe-abuse-of-history%2F|||”][vc_column_text]The spring 2018 issue of Index on Censorship magazine takes a special look at how governments and other powers across the globe are manipulating history for their own ends
With: Simon Callow, David Anderson, Omar Mohammed [/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”99282″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/04/the-abuse-of-history/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
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9 Apr 2018 | Awards, Fellowship, Fellowship 2018, News and features
[vc_row][vc_column][vc_column_text]Wendy Funes is an investigative journalist from Honduras who regularly risks her life for her right to report on what is going on in the country.
She is a courageous female voice, writing in a violent and corrupt society where two journalists have been killed this year and where women are regularly subjected to severe domestic violence and often killed.
Funes is an inventive and passionate human rights reporter. For one article she got her own death certificate issued so that she could show up the corruption in the civil registration office. For another she dressed as a beggar for an investigation into children being forced to beg on the streets of the country’s capital.
She writes about violence against women, a huge problem in Honduras where one woman is killed every 16 hours, and the number of women killed has increased by more than 260% between 2005 and 2013.
But Funes is also an activist for her profession, which led to her being expelled from the journalism trade union where she had been fighting for labour rights and freedom of expression.
“I have overcome many traumas, including the violent deaths of my father and several friends and fellow journalists, for which no one has been brought to justice,” said Funes. “I will not succumb to despair – every blow has made me a warrior, and every obstacle is a chance to prove that adversity must never stop us. Only those who has suffered dark will search for the light. My way to achieve my life’s purpose is the journalism I love, which quickens my heart in moments of greatest expectation, which brings joy and sorrow. Through independent, self-critical, methodical journalism – the kind that comes from the streets – combined with an academic grounding, I am convinced I can bring change to my country.”
Working for C-Libre, a freedom of expression organisation in Honduras, she highlighted the continued murder of journalists by organising a march which she called the Demonstration of Silence to protest the death of journalists. Protesters carried white cardboard coffins with the faces of each of the journalists on them to the prosecutors’ office in the capital Tegucigalpa.
In 2017 Wendy Funes was helped by PressStart, a global crowdfunding platform for reporters in countries where the press cannot report freely, to write an expose of gang rapes of indigenous Lenca women in the La Paz area of Honduras.
On May 31, 2017 Funes retired from C-Libre to found her own research newspaper and promote investigative journalism in her country, using data with a gendered approach and promoting transparency and access to public information.
“This nomination is like an embrace of trust in the darkness of death and risk implied by the asphyxiating level of censorship that the press experiences in Honduras,” said Funes. “It’s like a hand reaching out to me to tell me it’s worth resisting this corrupt and unfair system.”
See the full shortlist for Index on Censorship’s Freedom of Expression Awards 2018 here.
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Wendy Funes y su valiente defensa del periodismo de investigación en Honduras
Wendy Funes es una periodista de investigación hondureña que pone su vida en peligro con regularidad: es el precio que paga a cambio de su derecho a informar sobre lo que está pasando en el país.
Es la valerosa voz de una mujer escribiendo en una sociedad violenta y corrupta, en la que dos periodistas han sido asesinados en lo que va de año. Un país en el que las mujeres sufren violencia doméstica extrema a diario y son a menudo asesinadas.
Funes es una reportera pro derechos humanos ingeniosa y apasionada. Hizo que expidieran su propio certificado de defunción para desvelar en un artículo la corrupción del registro civil. Para otro reportaje, se disfrazó de pordiosera para investigar sobre los niños forzados a mendigar en las calles de la capital del país.
Escribe sobre la violencia contra las mujeres, un problema gravísimo en Honduras, donde matan a una mujer cada 16 horas y la cifra de asesinadas se incrementó más de un 260% entre 2005 y 2013.
Funes también es una activista dentro de su profesión, razón por la cual fue expulsada del sindicato de periodismo desde el que había estado luchando por los derechos laborales y la libertad de expresión.
«He superado muchos traumas, entre ellos, las muertes violentas de mi padre y de varios amigos y compañeros periodistas, por las cuales nadie ha sido llevado ante la justicia», declaró Funes. «No sucumbiré a la desesperación: cada golpe me ha hecho una guerrera, y cada obstáculo no es más que una oportunidad de demostrar que la adversidad nunca debe detenernos. Solo quienes han sufrido la oscuridad buscarán la luz. El modo que tengo para cumplir mi propósito en la vida es el periodismo al que amo, el que hace que se me acelere el corazón en momentos de inmensa esperanza, el que me trae alegrías y tristezas. Con periodismo independiente, autocrítico, metódico —el tipo de periodismo que viene de las calles—, combinado con conocimientos académicos, estoy convencida de que puedo traer el cambio a mi país».
Cuando trabajaba para C-Libre, una organización por la libertad de expresión en Honduras, organizó una marcha a la que llamó la Manifestación del Silencio en protesta contra los continuos asesinatos de periodistas. Los manifestantes cargaron con ataúdes de cartón blanco con retratos de cada uno de los periodistas asesinados hasta la fiscalía de la capital, Tegucigalpa.
En 2017 Wendy Funes recibió apoyo de PressStart, una plataforma de crowdfunding global para reporteros en países donde la prensa no puede informar libremente, con el cual escribió un reportaje destapando las violaciones grupales de mujeres indígenas lencas en la zona hondureña de La Paz.
El 31 de mayo de 2017, Funes se retiró de C-Libre para fundar su propio periódico de investigación y promover este tipo de periodismo en su país, promoviendo la utilización de los datos desde una perspectiva de género, la transparencia y el acceso a información pública.
«Esta nominación es como un abrazo de confianza en la oscuridad de la muerte y el peligro implícitos en el asfixiante nivel de censura que vive la prensa en Honduras», declaró Funes. «Es como si me hubieran extendido una mano para decirme que merece la pena resistir a este sistema corrupto e injusto».
Traducción de Arrate Hidalgo
Accede a la lista completa de nominados a los Index on Censorship’s Freedom of Expression Awards 2018 aquí.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” el_class=”text_white” css=”.vc_custom_1490258749071{background-color: #cb3000 !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship.” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]
By donating to the Freedom of Expression Awards you help us support
individuals and groups at the forefront of tackling censorship.
Find out more
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5 Apr 2018 | Awards, Fellowship, Fellowship 2018, News and features
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Launched in 2016, Habari RDC is a collective of more than 100 young Congolese bloggers and web activists, who use Facebook, Twitter and YouTube to give voice to the opinions of young people from all over the Democratic Republic of Congo.
The aim of these citizen bloggers is to bear witness to what is happening in every corner of the country, which is plagued by extreme poverty, corruption, and violence.
Congo has been racked by civil war for the last 20 years. According to the International Red Cross, Congo had almost a million new displacements in 2016 because of conflict and armed attacks — the highest in the world.
The population is also overwhelmingly young. Some 64% of the population in Congo are under 24 and 42.2% under 14. Average life expectancy for men is 47 and 51 for women. The country also receives little international coverage. Newspapers within the country are controlled by political factions, and up until now, radio has been the most reliable source of information.
Against this background, Habari RDC is an incredibly ambitious project led by young, digitally savvy and opinionated Congolese men and women with a belief in free expression and non-violence. For the last year, they have been using the internet and all the technology at their disposal to talk about what their country is really like and how they would like it to be.
“We want to create a society in which young people are tolerant of each other. In which young people are not manipulated by politicians for their personal interests, because young people represent hope for the country. In our societies, young people are unfortunately used and set against each other to serve egotistical old people.We fight for human rights and the participation of young people in the running of the country. We dream of a young president who will work for the country and not a young egoist.” Habari creators told Index.
The site posts stories and cartoons about politics, but it also covers football, the arts and subjects such as domestic violence, child exploitation, the female orgasm, and sexual harassment at work. It is funny, angry, modern: a collection of irreverent, young distinctive Congolese voices, demanding to be heard in the world.
Habari has grown and expanded into an established blogging site and source of activism during 2017, covering a wide range of social and political issues. One of its achievements was encouraging voter registration in Walikale Territory where, in the past, not only has registration been low, but people have disappeared from the register. This eastern part of the country is also very cut off. Habari wrote an article about this on their blogging site and as a result, they reported, a local MP put pressure on the government. In the end, according to Habari, 290,000 people there were registered to vote, including 140,000 women. They also help individuals – for instance raising the plight of a woman who was raped and rejected by her family. And have reported on the suppression of the internet; and the use of road taxes to arm militias.
On their nomination for the Index Awards, Habari creators said, “This award represents for us two things at once: the great honor of a recognition of the work of 100 young Congolese bloggers from 100 different corners of the DRC who want to change the living conditions of their peers by raising their voices thanks to internet . But this award is also a challenge to do more.”
See the full shortlist for Index on Censorship’s Freedom of Expression Awards 2018 here.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row_content” equal_height=”yes” el_class=”text_white” css=”.vc_custom_1490258749071{background-color: #cb3000 !important;}”][vc_column width=”1/2″][vc_custom_heading text=”Support the Index Fellowship.” font_container=”tag:p|font_size:28|text_align:center” use_theme_fonts=”yes” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsupport-the-freedom-of-expression-awards%2F|||”][vc_column_text]
By donating to the Freedom of Expression Awards you help us support
individuals and groups at the forefront of tackling censorship.
Find out more
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3 Apr 2018 | News and features, Volume 47.01 Spring 2018
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Michelle Dockery stars in Netflix’s Godless, a new show featuring the rarely seen female pioneer, Ursula Coyote/Netflix
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Netflix’s new hit show, Godless, is set in a 19th century western USA town run by women. La Belle, New Mexico, has experienced a mining tragedy, killing most of the men and putting women in charge. The cowboys are almost gone and in their place we see women brandishing guns and riding horses.
Godless turns the traditional male-dominated Western genre on its head. It has focused attention on the forgotten women who rolled across the western plains. The storyline may be fictional, but strong pioneer women playing a major part in running these frontier towns is more true to life. But often this side of the history of the west was ignored.
The term “pioneer” refers to anyone who ventured into, and settled, new lands in the USA. Starting in Jamestown, Virginia, in 1607, people moved into the country’s interior and, finally, to the west coast. This history of westward exploration has been told mostly from a male angle. Western landscapes are represented by heroic men on horseback: cowboys, cavalry officers, sharpshooting sheriffs and notorious outlaws.
“In films like Shane and other Westerns, women lack real decision-making authority, and ethnic or racial women appear as prostitutes or bad influences, if they appear at all,” said Laura Woodworth-Ney, executive vice-president and provost of Idaho State University and author of Women and the American West.
It’s definitely a case of his-story, not her-story.
In response to this, the Pioneer Woman Museum in Oklahoma was born.
“I don’t remember learning anything about these women when I was at school in the 1980s, and from the visitors we get at the museum, I don’t think student textbooks are any different today. We need to change that story,” said museum director Kelly Houston. “There were many single and widowed women who went west, but they are largely ignored by history.”
For example, after the Homestead Act of 1862, people raced to claim 160 acres of free public land. Among the biggest of these land races or “runs” in Oklahoma was the one in 1893 when more than 100,000 people showed up.
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“Widowed or single women could take part if they were over 21. The land runs were extremely competitive and arduous. You had to line up for days, including overnight,” said Houston.
Once a starting gun was fired, people sprinted to a free lot and literally staked a claim. They then had to go to the land registry office to have it signed into their name.
“Not many people realise that women were doing this,” Houston explained.
There were other ways in which pioneer women were key to the development of new towns.
“In Oklahoma, they were the movers and shakers of society, forming clubs and organisations. They are the ones improving school lunches, starting libraries, raising money and so on, and that often gets ignored. They also set up businesses like laundries, shops and cafes,” said Houston.
Something else that gets forgotten is the vital economic role women played in the home.
“In many cases, they were vitally important to their family’s survival through the side-businesses that they ran: raising and selling chickens, making butter, taking in mending. That income could literally save a family in a bad winter if a crop failed,” Houston explained.
A lack of historical sources is a major problem in piecing together a true picture of 19th century pioneer women, explained Woodworth-Ney. “Most working-class women were illiterate at this time, and for many minority women English was not their first language. Apart from that, they would have been too busy working to write anything down. We do have some diaries and letters from lower-middle-class and educated women, including some on the Oregon Trail. In the past 20 years, women historians have been active in shining a light on these, but they are still not readily available.
“They are hard to find because of the cataloguing practices of the late 19th and early 20th centuries when items would have been filed in the archives under the husband’s name and things like diaries and letters would have been filed in the ‘family’ section of his papers and were considered far less important. So this is not so much an intentional type of censorship, but it was hiding these women.”
Elizabeth Gillan Muir, a Toronto-based author and retired lecturer, addresses some of the reasons why pioneer women preachers have been left out of history in her upcoming book, A Women’s History of Christianity. Religion was the cornerstone of life in 19th century USA, and in the great westward expansion more than 100 women preachers travelled to new towns to help “civilise” these unregulated, and often wild, frontier communities.
Although travelling evangelists were perhaps less of a problem than women preaching from the pulpit, men still saw women as a real threat in this situation,” said Muir.
“For the most part, I think why we don’t hear about these pioneer woman preachers is that when they died, their obituaries omitted any reference to preaching activity. Pliny the Elder, writing in the first century AD, said that information about women doctors was intentionally hidden so that, after they died, no one would ever know that they had lived. This is a similar thing, erasing women preachers from history.”
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This article is a web special ahead of the launch of the special report in Index on Censorship‘s spring 2018 issue, The Abuse of History, focusing on how history is being manipulated or censored by governments and other powers.
Look out for the new edition in bookshops
Jan Fox is the US contributing editor for Index on Censorship
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_custom_heading text=”From the Archives”][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”70877″ img_size=”213×287″ alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229108535157″][vc_custom_heading text=”Fear and loathing in San Francisco ” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1080%2F03064229108535157|||”][vc_column_text]July 1991
The law of the gun rules in Cyberspace as it did in the days of America’s ‘Wild West‘, according to American poet and internet activist John Perry Barlow in 1991[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90649″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064220008536796″][vc_custom_heading text=”Women as censors” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422013495334|||”][vc_column_text]September 2000
Mark Kenny looks at how women’s self-censorship has a long, and in most cases, honourable history[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”90965″ img_size=”full” alignment=”center” onclick=”custom_link” link=”http://journals.sagepub.com/doi/pdf/10.1080/03064229308535477″][vc_custom_heading text=”Portrait of a much abused lady” font_container=”tag:p|font_size:24|text_align:left” link=”url:http%3A%2F%2Fjournals.sagepub.com%2Fdoi%2Fpdf%2F10.1177%2F0306422013513103|||”][vc_column_text]January 1993
The politically correct establishment is coopting the feminist discourse to turn it back on the radicals says Marjorie Heins[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_separator][/vc_column][/vc_row][vc_row content_placement=”top”][vc_column width=”1/3″][vc_custom_heading text=”The abuse of history” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2F2018%2F04%2Fthe-abuse-of-history%2F|||”][vc_column_text]The spring 2018 issue of Index on Censorship magazine takes a special look at how governments and other powers across the globe are manipulating history for their own ends
With: Simon Callow, David Anderson, Omar Mohammed [/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”99282″ img_size=”medium” alignment=”center” onclick=”custom_link” link=”https://www.indexoncensorship.org/2018/04/the-abuse-of-history/”][/vc_column][vc_column width=”1/3″ css=”.vc_custom_1481888488328{padding-bottom: 50px !important;}”][vc_custom_heading text=”Subscribe” font_container=”tag:p|font_size:24|text_align:left” link=”url:https%3A%2F%2Fwww.indexoncensorship.org%2Fsubscribe%2F|||”][vc_column_text]In print, online. In your mailbox, on your iPad.
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